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Mordheim: Warband Skirmish
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Explore the ruins of the City of Mordheim, clash with other scavenging warbands and collect...
Debbiereadsbook (1202 KP) rated Victor (Tangled Tentacles #2) in Books
May 19, 2022
It's a lot darker than book one, but I think the love level is so much higher.
Independent reviewer for Archaeolibrarian, I ws gifted my copy of this book.
This is book 2 in the Tangled Tentacles series. It would help, but not totally necessary, to read book 1, Alexi, before this one. This picks up immediately from the end of that one, and the on-going story arc continues here. Actually, I take that back, you probably SHOULD read Alexi first!
I gave 4 stars to Alexi and Danik's story but this one far surpasses that! And I'm still left with questions and I don't freaking care!
Victor finds Azim at the end of book 1, half dead, and he knows straight away, that Azim is two things: a vampire and his mate. And Victor will do anything for his mate, except bond with him, while Azim cannot say yes. Victor is a little too focussed on waiting for Azim to consent, that he doesn't quite put two and two together and get pen and paper to Azim but hey, the Kraken is besotted! But I did love that, that Victor waited.
It takes time for Azim to be fully aware and awake but he knows Victor, deep in his soul and he knows Victor will save him. Azim suffered badly at the hands of a madman, and it takes time for those injuries to heal, with the help of the pool at the bottom of their building and those little snails!
We find out just what Todd was smirking at Alexi and Danik about, but given what that was, Danik was right to punch Alexi! What happens later in the pool though, was both slightly weird and beautiful at the same time. Not saying what but you'll figure it out!
It's a lot darker than book one, given where he was found and what condition Azim was in, but I think the love level is so much higher. Not just the smexy times, I mean the emotional times. Azim and Victor take the time to get to know each other as Azim heals and a lot comes out. Loved that. Smexy times are there, but more on a back burner, I think.
Hints to Markov (another brother) and Cassius (who leads the group looking for the missing shifters) are front and centre, but he is not next. Todd, the only omega and the youngest in the group of 5 brothers, is up next and his story, I think, might knock this off the favourite perch for two reasons: Todd gets 2 mates, and they are dragons!
Still with the questions though, but I'm trying really hard to shut my question asking book brain down, when reading Sayle books, the woman is a master at wrecking my head!
5 dark and deadly, but so much lovely, stars
*same worded review will appear elsewhere
This is book 2 in the Tangled Tentacles series. It would help, but not totally necessary, to read book 1, Alexi, before this one. This picks up immediately from the end of that one, and the on-going story arc continues here. Actually, I take that back, you probably SHOULD read Alexi first!
I gave 4 stars to Alexi and Danik's story but this one far surpasses that! And I'm still left with questions and I don't freaking care!
Victor finds Azim at the end of book 1, half dead, and he knows straight away, that Azim is two things: a vampire and his mate. And Victor will do anything for his mate, except bond with him, while Azim cannot say yes. Victor is a little too focussed on waiting for Azim to consent, that he doesn't quite put two and two together and get pen and paper to Azim but hey, the Kraken is besotted! But I did love that, that Victor waited.
It takes time for Azim to be fully aware and awake but he knows Victor, deep in his soul and he knows Victor will save him. Azim suffered badly at the hands of a madman, and it takes time for those injuries to heal, with the help of the pool at the bottom of their building and those little snails!
We find out just what Todd was smirking at Alexi and Danik about, but given what that was, Danik was right to punch Alexi! What happens later in the pool though, was both slightly weird and beautiful at the same time. Not saying what but you'll figure it out!
It's a lot darker than book one, given where he was found and what condition Azim was in, but I think the love level is so much higher. Not just the smexy times, I mean the emotional times. Azim and Victor take the time to get to know each other as Azim heals and a lot comes out. Loved that. Smexy times are there, but more on a back burner, I think.
Hints to Markov (another brother) and Cassius (who leads the group looking for the missing shifters) are front and centre, but he is not next. Todd, the only omega and the youngest in the group of 5 brothers, is up next and his story, I think, might knock this off the favourite perch for two reasons: Todd gets 2 mates, and they are dragons!
Still with the questions though, but I'm trying really hard to shut my question asking book brain down, when reading Sayle books, the woman is a master at wrecking my head!
5 dark and deadly, but so much lovely, stars
*same worded review will appear elsewhere
LilyLovesIndie (123 KP) rated Ascension (The Gates Legacy, #3) in Books
Nov 5, 2018
4.5 Stars
I have adored these books from the very start, and once again, this third offering from Ms Font doesn't fail to please. We pick right back up with our motley crew of vamps and humans as they do battle against the crazy Goran and his misguided attempts to control absolutely everything (he's a tad on the barmy side, but he's a good character to read so we'll let it slide a little longer).
As always, there was a superb continuation from the second book in the series. As someone who knew what was going on, it was excellent to dive straight back into the action, although I have to admit, I needed to check oddments as my brain hadn't retained all the facts it needed. As a new reader, you'd need to go right back to the start, but given how amazing they are, you shouldn't mind it that much.
Unlike the other books, I did find Ascension to be a little slower starting, but if you should encounter the same issue, please, for the love of everything, do not stop reading! Because my oh my! Once that snowball reaches the top of the hill, it powers down with a force that is unbelievably intoxicating. The last 10% in particular was phenomenal writing and it was quite impossible to put it down. I was left with a real sense of whiplash, just as things appeared to have settled down, and it all went to hell in a fast car all over again! Be warned though, you will definitely need some tissues, that's all I'm saying!
The characters, as you would expect from Font, are all absolutely excellent. The old cast are fabulous (but we already knew that!) and the new additions blend in effortlessly and are a pleasure to read. With all that's going on, it would be easy to get lost and start wondering who's who, but Font is very good at making sure that, despite the multiple points of view she writes from, the reader always knows exactly what they need to know about the characters and the action - but you'll never know more than you need to, it's a supreme balancing act that is brilliant to read. As always, I'm a huge fan of the multiple POVs and I love being able to get inside all the characters heads, without getting lost along the way.
And so, to wrap it up. This is yet another excellent read from Font that I can highly recommend to all who enjoy action, excellent characters, brilliant vampire lore and that extra little twist of something special. I've honestly never read a series quite like this, but I am already on tenterhooks waiting for the next part of the Gates Legacy to find out where else this brilliant story can now go. Seriously though, if you haven't already tried this series, buckle up and block out your schedule for a week or so and get where the action is, because this series is going from strength to strength.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
I have adored these books from the very start, and once again, this third offering from Ms Font doesn't fail to please. We pick right back up with our motley crew of vamps and humans as they do battle against the crazy Goran and his misguided attempts to control absolutely everything (he's a tad on the barmy side, but he's a good character to read so we'll let it slide a little longer).
As always, there was a superb continuation from the second book in the series. As someone who knew what was going on, it was excellent to dive straight back into the action, although I have to admit, I needed to check oddments as my brain hadn't retained all the facts it needed. As a new reader, you'd need to go right back to the start, but given how amazing they are, you shouldn't mind it that much.
Unlike the other books, I did find Ascension to be a little slower starting, but if you should encounter the same issue, please, for the love of everything, do not stop reading! Because my oh my! Once that snowball reaches the top of the hill, it powers down with a force that is unbelievably intoxicating. The last 10% in particular was phenomenal writing and it was quite impossible to put it down. I was left with a real sense of whiplash, just as things appeared to have settled down, and it all went to hell in a fast car all over again! Be warned though, you will definitely need some tissues, that's all I'm saying!
The characters, as you would expect from Font, are all absolutely excellent. The old cast are fabulous (but we already knew that!) and the new additions blend in effortlessly and are a pleasure to read. With all that's going on, it would be easy to get lost and start wondering who's who, but Font is very good at making sure that, despite the multiple points of view she writes from, the reader always knows exactly what they need to know about the characters and the action - but you'll never know more than you need to, it's a supreme balancing act that is brilliant to read. As always, I'm a huge fan of the multiple POVs and I love being able to get inside all the characters heads, without getting lost along the way.
And so, to wrap it up. This is yet another excellent read from Font that I can highly recommend to all who enjoy action, excellent characters, brilliant vampire lore and that extra little twist of something special. I've honestly never read a series quite like this, but I am already on tenterhooks waiting for the next part of the Gates Legacy to find out where else this brilliant story can now go. Seriously though, if you haven't already tried this series, buckle up and block out your schedule for a week or so and get where the action is, because this series is going from strength to strength.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Hazel (1853 KP) rated Memoirs of a Neurotic Zombie (Memoirs of a Neurotic Zombie #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
One day in Ohio Adam Meltzer is celebrating his twelfth birthday when suddenly he dies from a fatal be sting. Then he comes back to life – sort of. Jeff Norton’s children’s book <i>Memoirs of a Neurotic Zombie</i> is a comical tale narrated by Adam who is, as the title suggests, a zombie.
Three months after his death Adam claws his way out of his coffin and heads home where he attempts to carry on with life (afterlife?) even though his sister has taken over his bedroom and all his clothes have been donated to charity. Oh, and his body had already started decomposing. However it is not long until he discovers that he is not the only unnatural being in his neighbourhood. Connected by their weirdness, Adam becomes firm friends with Corina (a half-vampire) and Ernesto (a chupacabra). Inspired by a school science project (being half-dead is no reason for exemption, apparently) the three of them set out to track down the bee that killed Adam and solve the mystery concerning his return from the grave.
<i>Memoirs of Neurotic Zombie</i> is full of humour targeted at nine to twelve year olds, so reviewing this from an adult’s perspective if rather difficult. As people get older child humour becomes less funny, particularly in relation to certain bodily functions – namely poo. Even though being a children’s book limits the amount of seriousness, some of the story line did not feel quite right. Adam’s parents and sister were far too accepting of the situation and the lies he told at school to explain what had happened were rather farfetched.
An important element to the story was that Adam was suffering from OCD and as a result was gripped by a fear of dirt, bacteria and disease – rather ironic considering his physical condition. There is nothing wrong with writing for children about characters with disorders such as OCD, however there was no explanation about the seriousness of this mental illness. Adam’s behaviour was used to make him appear less “normal” than other children his age – something campaigners are encouraging people <u>not</u> to think!
There were some deliberate inaccuracies in Adam’s narrative, which added to the hilarity, although how much the reader will benefit from these will depend on their own intelligence. On the other hand there were one or two errors that may not have been intentional. “I lurched forward like a tweenage Frankenstein” – surely that should be “Frankenstein’s monster”? Unless, of course, Norton intended Adam not to be aware that Frankenstein was the scientist?
The storyline overall is enjoyable and something children, particularly boys, would enjoy. Then again it may not be suitable for the more sensitive child as it deals with themes of death and paranormal creatures. Adam comes across as rather intelligent for his age – despite taking some things too literally – so there are footnotes to explain definitions of difficult words or to clarify something further. In spite of a few misgivings I would recommend this book to its intended target audience.
One day in Ohio Adam Meltzer is celebrating his twelfth birthday when suddenly he dies from a fatal be sting. Then he comes back to life – sort of. Jeff Norton’s children’s book <i>Memoirs of a Neurotic Zombie</i> is a comical tale narrated by Adam who is, as the title suggests, a zombie.
Three months after his death Adam claws his way out of his coffin and heads home where he attempts to carry on with life (afterlife?) even though his sister has taken over his bedroom and all his clothes have been donated to charity. Oh, and his body had already started decomposing. However it is not long until he discovers that he is not the only unnatural being in his neighbourhood. Connected by their weirdness, Adam becomes firm friends with Corina (a half-vampire) and Ernesto (a chupacabra). Inspired by a school science project (being half-dead is no reason for exemption, apparently) the three of them set out to track down the bee that killed Adam and solve the mystery concerning his return from the grave.
<i>Memoirs of Neurotic Zombie</i> is full of humour targeted at nine to twelve year olds, so reviewing this from an adult’s perspective if rather difficult. As people get older child humour becomes less funny, particularly in relation to certain bodily functions – namely poo. Even though being a children’s book limits the amount of seriousness, some of the story line did not feel quite right. Adam’s parents and sister were far too accepting of the situation and the lies he told at school to explain what had happened were rather farfetched.
An important element to the story was that Adam was suffering from OCD and as a result was gripped by a fear of dirt, bacteria and disease – rather ironic considering his physical condition. There is nothing wrong with writing for children about characters with disorders such as OCD, however there was no explanation about the seriousness of this mental illness. Adam’s behaviour was used to make him appear less “normal” than other children his age – something campaigners are encouraging people <u>not</u> to think!
There were some deliberate inaccuracies in Adam’s narrative, which added to the hilarity, although how much the reader will benefit from these will depend on their own intelligence. On the other hand there were one or two errors that may not have been intentional. “I lurched forward like a tweenage Frankenstein” – surely that should be “Frankenstein’s monster”? Unless, of course, Norton intended Adam not to be aware that Frankenstein was the scientist?
The storyline overall is enjoyable and something children, particularly boys, would enjoy. Then again it may not be suitable for the more sensitive child as it deals with themes of death and paranormal creatures. Adam comes across as rather intelligent for his age – despite taking some things too literally – so there are footnotes to explain definitions of difficult words or to clarify something further. In spite of a few misgivings I would recommend this book to its intended target audience.
Gareth von Kallenbach (980 KP) rated Wanted (2009) in Movies
Aug 14, 2019
Wesley Gibson (James Mc Avoy) is a man with issues. He toils away in his office cubicle taking countless amounts of grief from his boss and lamenting the fact that he has gone nowhere with his life. As if this was not bad enough, his best friend is having an affair with his girlfriend, and he has a standing order for anti anxiety medication to deal with his frequent flare ups.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.
Sophia (Bookwyrming Thoughts) (530 KP) rated In The Shadow of Blackbirds in Books
Jan 23, 2020
I had this random tendency to not write a review, at all, for Cat Winters' <i>In the Shadow of Blackbirds</i>, to which the copy at the library had an extremely sucky synopsis (though the design IS pretty):
In a city filled with the dead and dying,
while a nightmarish war rages halfway across the world,
the grieving look for answers in photographs and séances.
It's 1918. San Diego.
And a girl who doesn't believe in spirits
steps off the train and into a new life...
Apparently the one sentence synopsis provided by the publisher (yes, I read those) is a lot more helpful than this inside jacket cover synopsis, which gives a the book a mysterious aura that separates it from the other 2015-2016 Gateway Award Nominees.
The book, albeit a fantastically creepy concept, apparently goes from one end of the spectrum to the other end of the spectrum by the end of the book.
The so-called beginning of the spectrum I'm speaking of is the absolute, complete paranoia of the time period. Literally all of the characters depicted throughout the book was highly addicted to onions, spirit photography, or shunning the Germans. Of course, the more historical fiction and actual historical texts I read of World War I, I sometimes find it highly hilarious mainly due to the simple fact that Americans actually came from Europe and the majority of them have German blood (okay, a lot of ya'll have European blood). Funny how that actually works.
The only characters that I actually liked was Mary Shelley Black (thankfully the main character) and Stephen Embers (or rather, Live Stephen and not Dead Stephen, who actually spent a good few times squishing Mary Shelley). Both Mary Shelley and Stephen were more "adventurous" (logic and science) and tended to stray from the rest of the pack. On the unfortunate side... dear old Stephen Embers is apparently dead, which eventually results in the book being one of your typical ghost stories/shows where the dead have unfinished business.
However, in Stephen's case, all Mary Shelley seems to get from him is something about blackbirds - blackbirds attacking him.
The other end of the spectrum, as the book continues and Mary Shelley gets closer to finding out Stephen's "unfinished" business, is apparently the book going from the main character being the most logical and unparanoid one to being one of the paranoid ones. She goes from being one of the logical ones who reasons and questions everything to someone who "freaked" out over a cough or "drowning" herself in onions. Onions are apparently the garlic of the book while the vampire is the influenza.
Simply put, <i>In the Shadow of Blackbirds</i> started to become a little bit too "insane" for my taste and for me to handle at certain points until the very end. Cat Winters' debut novel was a chilling read that left me walking away feeling mainly satisfied with how Stephen and Mary Shelley eventually come to terms with their relationship.
<a href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
In a city filled with the dead and dying,
while a nightmarish war rages halfway across the world,
the grieving look for answers in photographs and séances.
It's 1918. San Diego.
And a girl who doesn't believe in spirits
steps off the train and into a new life...
Apparently the one sentence synopsis provided by the publisher (yes, I read those) is a lot more helpful than this inside jacket cover synopsis, which gives a the book a mysterious aura that separates it from the other 2015-2016 Gateway Award Nominees.
The book, albeit a fantastically creepy concept, apparently goes from one end of the spectrum to the other end of the spectrum by the end of the book.
The so-called beginning of the spectrum I'm speaking of is the absolute, complete paranoia of the time period. Literally all of the characters depicted throughout the book was highly addicted to onions, spirit photography, or shunning the Germans. Of course, the more historical fiction and actual historical texts I read of World War I, I sometimes find it highly hilarious mainly due to the simple fact that Americans actually came from Europe and the majority of them have German blood (okay, a lot of ya'll have European blood). Funny how that actually works.
The only characters that I actually liked was Mary Shelley Black (thankfully the main character) and Stephen Embers (or rather, Live Stephen and not Dead Stephen, who actually spent a good few times squishing Mary Shelley). Both Mary Shelley and Stephen were more "adventurous" (logic and science) and tended to stray from the rest of the pack. On the unfortunate side... dear old Stephen Embers is apparently dead, which eventually results in the book being one of your typical ghost stories/shows where the dead have unfinished business.
However, in Stephen's case, all Mary Shelley seems to get from him is something about blackbirds - blackbirds attacking him.
The other end of the spectrum, as the book continues and Mary Shelley gets closer to finding out Stephen's "unfinished" business, is apparently the book going from the main character being the most logical and unparanoid one to being one of the paranoid ones. She goes from being one of the logical ones who reasons and questions everything to someone who "freaked" out over a cough or "drowning" herself in onions. Onions are apparently the garlic of the book while the vampire is the influenza.
Simply put, <i>In the Shadow of Blackbirds</i> started to become a little bit too "insane" for my taste and for me to handle at certain points until the very end. Cat Winters' debut novel was a chilling read that left me walking away feeling mainly satisfied with how Stephen and Mary Shelley eventually come to terms with their relationship.
<a href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
BMO Snaps - Adventure Time Photo Game
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It’s Adventure Time! Help BMO on an epic quest to save the Land of Ooo from hologram clones of...
World of Cubes Survival Craft
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Create your own worlds with thousands of random players or friends online in Multiplayer mode or...
Hazel (1853 KP) rated The Storyteller in Books
May 30, 2017
An Ethical Question
Jodi Picoult is the bestselling author of numerous novels, with My Sister’s Keeper being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, The Storyteller, which quite possibly could be her best yet.
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Movie Metropolis (309 KP) rated The Purge (2013) in Movies
Jun 11, 2019
Ethan Hawke is no stranger to the horror genre, in 2009 he starred in the Australian vampire flick Daybreakers, a film which promised so much, and delivered relatively little. Now he teams up with director James DeMonaco in a horror film that promises to be anything but ordinary; The Purge, but can it live up to its exciting trailer?
The Purge plays out like a poor-man’s Hunger Games. In the year 2020, America is prospering, crime is at an all-time low and unemployment is at 1%. The reason? Once a year, for twelve hours, all crime is legal and people across US can commit any atrocities they wish.
Ethan Hawke plays James Sandin, a security salesman who has capitalised on the public’s fear of being ‘purged’ by selling hi-tech safety equipment to the rich to ensure they stay safe. Lena Headey plays his wife Mary and his two children, Charlie and Zoe are played by Max Burkholder and Adelaide Kane respectively. In a moment of madness after the commencement of the annual purge, a ‘target’ (Edwin Hodge) is let into their home causing all hell to break loose.
Borrowing heavily from other ‘home invasion’ horror films such as When a Stranger Calls and The Strangers, The Purge really ‘gets going’ about two-thirds in when an army of killers swoop on Ethan Hawke’s impressive property looking for their ‘target.’ The family have one hour to reply before they all become ‘targets.’
Unfortunately, an exciting and unique premise is completely lost in a film that is riddled with many horror clichés, some of them blatantly obvious, (woman opening fridge door, door closes and harmless child shocks woman), some not so obvious. This is a terrible shame as the idea of all crime being legal is ridiculously exciting, but after about 40 minutes, we are locked in the Sandin’s home as they play cat and mouse with an array of forgettable serial killers and the original story is lost.
Another problem is the acting. Competent is the only word to describe it; Ethan Hawke is good in his role and his stern demeanour which has earned him so many acting jobs in the past is in full force here, but you can’t help feeling he was a budgetary decision rather than being who the producers actually wanted. Lena Headey seems to phone in a rather wooden performance, whilst the two kids do marginally better. By far the stand-out here is Rhys Wakefield, credited only as ‘Polite Stranger’ who is excellent and terrifying as equal measure; his facial expressions are enough to make you wince.
Overall, The Purge is an exciting film that delivers some unique thrills and spills mixed in with the usual horror clichés. Unfortunately, it doesn’t deliver on its unique and exciting starting point and delves into a generic slasher film around 45 minutes in. A stand-out performance from one of the cast isn’t enough to lift the acting above mediocre and the Sandin family are as characters, frightfully dull. It’s definitely worth a watch, but don’t let the trailer fool you; it’s not as unique as you might expect.
The new review system breaks down the film into categories allowing you, as the readers to see just where I have awarded points to the film. It is still in a testing stage, so if there are any categories you think could improve it, please let me know.
https://moviemetropolis.net/2013/05/31/the-purge-review-2013/
The Purge plays out like a poor-man’s Hunger Games. In the year 2020, America is prospering, crime is at an all-time low and unemployment is at 1%. The reason? Once a year, for twelve hours, all crime is legal and people across US can commit any atrocities they wish.
Ethan Hawke plays James Sandin, a security salesman who has capitalised on the public’s fear of being ‘purged’ by selling hi-tech safety equipment to the rich to ensure they stay safe. Lena Headey plays his wife Mary and his two children, Charlie and Zoe are played by Max Burkholder and Adelaide Kane respectively. In a moment of madness after the commencement of the annual purge, a ‘target’ (Edwin Hodge) is let into their home causing all hell to break loose.
Borrowing heavily from other ‘home invasion’ horror films such as When a Stranger Calls and The Strangers, The Purge really ‘gets going’ about two-thirds in when an army of killers swoop on Ethan Hawke’s impressive property looking for their ‘target.’ The family have one hour to reply before they all become ‘targets.’
Unfortunately, an exciting and unique premise is completely lost in a film that is riddled with many horror clichés, some of them blatantly obvious, (woman opening fridge door, door closes and harmless child shocks woman), some not so obvious. This is a terrible shame as the idea of all crime being legal is ridiculously exciting, but after about 40 minutes, we are locked in the Sandin’s home as they play cat and mouse with an array of forgettable serial killers and the original story is lost.
Another problem is the acting. Competent is the only word to describe it; Ethan Hawke is good in his role and his stern demeanour which has earned him so many acting jobs in the past is in full force here, but you can’t help feeling he was a budgetary decision rather than being who the producers actually wanted. Lena Headey seems to phone in a rather wooden performance, whilst the two kids do marginally better. By far the stand-out here is Rhys Wakefield, credited only as ‘Polite Stranger’ who is excellent and terrifying as equal measure; his facial expressions are enough to make you wince.
Overall, The Purge is an exciting film that delivers some unique thrills and spills mixed in with the usual horror clichés. Unfortunately, it doesn’t deliver on its unique and exciting starting point and delves into a generic slasher film around 45 minutes in. A stand-out performance from one of the cast isn’t enough to lift the acting above mediocre and the Sandin family are as characters, frightfully dull. It’s definitely worth a watch, but don’t let the trailer fool you; it’s not as unique as you might expect.
The new review system breaks down the film into categories allowing you, as the readers to see just where I have awarded points to the film. It is still in a testing stage, so if there are any categories you think could improve it, please let me know.
https://moviemetropolis.net/2013/05/31/the-purge-review-2013/