The Batman Who Laughs
8.3
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A Batman who laughs is a Batman who always wins. The mastermind behind Dark Nights: Metal, Scott...
The LEGO® Batman Movie Game
Games and Entertainment
App
Key Features: Access to official Movie Content including Character Bios and Videos. RUN, DRIVE &...
Coliseum Arcanist (Frith Chronicles #3)
10.0
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Adventure. Competition. A duel to the death. While on a journey to the famous city of Thronehold,...
Young Adult Fantasy
Batgirl Vol. 3: Summer of Lies
7.0
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From the Eisner and Ignatz award-winning author Hope Larson comes the next chapter for Gotham...
Snow Falling
4.0
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Snow Falling is a sweeping historical romance set in 1902 Miami—a time of railroad tycoons, hotel...
Bob Mann (459 KP) rated Star Trek III - The Search for Spock (1984) in Movies
Sep 28, 2021
Christopher Lloyd is wonderfully over the top as the Klingon commander, making a very believable baddie. And he really is a villain, allowing Shatner the opportunity to test his acting range (unfortunately, he singularly fails): “You Klingon bastard, you killed my son…. You Klingon bastard, you killed my son”.
Overall, it’s not a total disaster, but it all feels lacklustre and lazy after the glory of the Wrath of Khan. It makes you wonder what might have been if Nicholas Meyer had stayed at the helm to direct it instead of Nimoy.
Dirty Game (Annie Carter #1)
8.5
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Adultery, murder and dangerous love collide in Jessie Keane’s gritty debut thriller set in the...
Lyndsey Gollogly (2893 KP) rated No Mercy in Books
Jan 7, 2024
Book
No Mercy
By Martina Cole
⭐️⭐️
Diana Davis has been head of the family business since the death of her husband, an infamous bank robber. She's a woman in a man's world, but no one messes with her.
Her only son, Angus, is a natural born villain, but he needs to earn Diana's trust before she'll allow him into the business.
Once he's proved he has the brains to run their clubs in Marbella, he is given what he's always wanted. It's the beginning of a reign of terror that knows no bounds.
But Angus has a blind spot: his wife, Lorna, and their three kids, Angus Junior, Sean and Eilish. And as the next generation enters the business, Angus has a painful truth to learn. Even when it comes to family, he must show no mercy...
I honestly normally really enjoy a Martina Cole but this was just lacking that bite you normally get. It was nowhere near as brutal as you expect. Something was definitely off for me with this one. Saying that I still finished it so something kept me reading.
BankofMarquis (1832 KP) rated Tenet (2020) in Movies
Jan 2, 2021
Christopher Nolan’s TENET is dense, beautifully shot, confusing, wonderfully acted, well staged, mind bending…and brilliant.
Starring John David Washington (Denzel’s kid - more on him later), TENET is Christopher Nolan’s “Spy Movie”. Much like what he did with the Murder Mystery genre (MEMENTO), the Heist Genre (INCEPTION), the Sci-Fi flick (INTERSTELLAR) and the war picture (DUNKIRK), Nolan takes the Spy film and turns it upside by playing with the one thing we all take for granted - time.
While all of these previous films were Nolan’s “warm up” to this film, TENET is Nolan’s PhD Thesis on playing with time - and the audience’s expectations of how time works. Not only does Nolan play with moving people and action forward and backwards through time, he also plays scenes where you don’t realize that the two folks talking are actually speaking at 2 different places in time.
It is a mind-bender to be sure - and I cannot imagine what the filmmakers, stunt personnel and actors went through in making it - but there is one thing I can guarantee you - you will be confused for (at least) the first part of the film while you retrain your mind to forget all preconceived notions on how time works.
But, if you are able to get your mind around this, Director Nolan has crafted a strong, well-acted, beautiful, exciting and action packed film that, in the end, is very satisfying.
Let’s start with the acting - top to bottom the performances are stellar. John David Washington (BLACK KkKLANSMAN) is “The Protagonist” (that is how he is billed, we never learn his name) and he is a charming and charismatic screen presence to experience this film with. Washington is a former professional football player and he uses this physicality throughout the film. But he is not a “lumbering brute”. He is intelligent and thoughtful as he learns things and adapts his plans as the audience learns them and helps lead us through the often complex plot and concepts throughout.
Elizabeth Debicki builds on her strong work in 2019’s WIDOWS (if you haven’t seen this film, check it out). Her character is much, much more than a “Femme Fatale” and goes mano-a-mano with the men in this film and more than holds her own. Nolan favorite Michael Caine (ALFIE) shows up as does Himesh Patel (INCEPTION), Dimple Kapadia (a major Bollywood star) and Aaron Taylor-Johnson (KICKASS) - all 3 of them bring their “A” game to this film and supports the story very very well.
Kenneth Branagh (TV’s WALLANDER) shows that he still has his fastball - when he is interested - as the film’s main villain. He has some very intense scenes where he just acts the pants off the others in the room (this is a compliment). Sir Kenneth has had a long, storied career (including many, many Shakespearean roles) and he plays the villain as a Shakespeare villain - and is very successful doing so. I’m glad he didn’t waste his “villain turn” on a Marvel or James Bond flick - he saved it for the right film.
Special notice should be made to the work of Robert Pattinson (TWILIGHT) - he has spent his “post-Twilight” years reinventing himself as a performer, mostly working in small, actor-led independent films, and this performance bears the fruits of those efforts. He is charming and mysterious as The Protagonist’s partner and proves that he can, indeed, act.
Like most Nolan films, the Cinematography is mesmerizing and beautiful to behld. Hats off to frequent Nolan Cinematographer Hoyte Van Hoytema who was able to create a mood and feeling of evil riding just under the surface of beauty - as well as to be able to distinguish those that are going forward in time versus those that are going backwards all while framing shots that are pictures of artistic beauty.
Nolan did not work with frequent musical collaborator Hans Zimmer on this film. He stated he felt that this film needed a “new, more modern” sound and turned to Ludwig Goransson (the Disney+ series THE MANDALORIAN) and he was smart to do so. The music/sound of this film is another character and helps drive the story forward in so many ways.
But make no mistake about it, this film is Nolan’s baby - and it is very “Nolan-y”. The action scenes are smartly put together, the plot and concepts are strong - but very dense - and the performances are strong. All trademarks of my favorite Director working today.
This film is not for everyone. The complexities of the plot are going to be too much for some folks, but if you just “roll with the flow” when your mind can’t quite catch up to the concepts, you will be rewarded with a very rich - very original - film experience. One that, I am sure, will become deeper and richer on the many, many re watches this film deserves.
Letter Grade: A
9 stars (out of 10) - and you can take that to the Bank(ofMarquis)