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Lucy Buglass (45 KP) rated The Meg (2018) in Movies
Jun 20, 2019
Statham vs Massive Prehistoric Shark
Before I start my review, I think I should add a quick disclaimer. I knew fine well that I wasn’t walking into a Oscar-worthy, perfect film as soon as I booked my ticket for The Meg. With the exception of Jaws, how many shark films have actually been award worthy? We’ve seen a huge boom in shark popularity ranging from plausible to the downright stupid (yes Sharknado, I’m looking at you and your buddies). But despite my already low expectations, I still have a fair amount of criticism for what I saw.
My biggest problem from the get-go is that we get no explanation for why the megalodon, a shark that’s been extinct for 2 million years has suddenly came back to gobble people up. How did it survive? Why is it there? Even the most low budget, downright awful creature features try to offer some silly scientific explanation for why the antagonist exists at all. It’s dumb, but hey, at least they tried. The Meg makes no effort to try and explain anything which was frustrating to me. The most we got was “Oh hey, there’s this really big creature that we thought was extinct but it’s actually living down in the Marianas trench – surprise!”. This might be a sufficient explanation for some, but not for me.
Having said that, was it an entertaining film? Sure. I did really enjoy the visuals especially and thought they did an excellent job with the CGI and actually bringing this creature and the underwater facility to life. Cinematically it’s a stunning film to look at, and despite all this implausibility, it still transports you to this huge, unknown, underwater world for the duration. I’ve seen some terrible CGI in my time, but thankfully The Meg doesn’t fall into this category. These visuals make up for the cringe-worthy script and lines that were supposed to be serious and instead made me burst out laughing. But let’s be honest, I’d be disappointed if the script wasn’t this god-awful. You walk into a film like this expecting to face palm a couple of times, don’t you?
I would’ve liked a bit more brutality as the Meg is supposed to be a terrifying, monster shark that’s approximately 60 feet in length. (The Great White shark can grow up to 20 feet for comparison). Despite it’s 12 rating I’m sure more blood and violence would’ve been acceptable as Jaws managed to get away with it back in 1975. Who could forget that scene where an unfortunate fellow slides down into the shark’s mouth? Brutal. Whilst I appreciate this isn’t necessarily a horror film, it actually needed more violence and less filler scenes in my opinion. It’s not often that I ask for more violence,` especially in an action film, yet here we are.
To conclude, The Meg is a fun way to spend your evening, but it ultimately felt like a high budget B-Movie. The actors tried their best with the script they had, but even people like Jason Statham and Ruby Rose couldn’t make it better. (what was up with Statham’s accent, by the way?!). If you’re wanting a silly shark film with more substance, I’d recommend Deep Blue Sea instead
https://lucygoestohollywood.com/2018/08/19/statham-vs-massive-prehistoric-shark-my-thoughts-on-the-meg/
My biggest problem from the get-go is that we get no explanation for why the megalodon, a shark that’s been extinct for 2 million years has suddenly came back to gobble people up. How did it survive? Why is it there? Even the most low budget, downright awful creature features try to offer some silly scientific explanation for why the antagonist exists at all. It’s dumb, but hey, at least they tried. The Meg makes no effort to try and explain anything which was frustrating to me. The most we got was “Oh hey, there’s this really big creature that we thought was extinct but it’s actually living down in the Marianas trench – surprise!”. This might be a sufficient explanation for some, but not for me.
Having said that, was it an entertaining film? Sure. I did really enjoy the visuals especially and thought they did an excellent job with the CGI and actually bringing this creature and the underwater facility to life. Cinematically it’s a stunning film to look at, and despite all this implausibility, it still transports you to this huge, unknown, underwater world for the duration. I’ve seen some terrible CGI in my time, but thankfully The Meg doesn’t fall into this category. These visuals make up for the cringe-worthy script and lines that were supposed to be serious and instead made me burst out laughing. But let’s be honest, I’d be disappointed if the script wasn’t this god-awful. You walk into a film like this expecting to face palm a couple of times, don’t you?
I would’ve liked a bit more brutality as the Meg is supposed to be a terrifying, monster shark that’s approximately 60 feet in length. (The Great White shark can grow up to 20 feet for comparison). Despite it’s 12 rating I’m sure more blood and violence would’ve been acceptable as Jaws managed to get away with it back in 1975. Who could forget that scene where an unfortunate fellow slides down into the shark’s mouth? Brutal. Whilst I appreciate this isn’t necessarily a horror film, it actually needed more violence and less filler scenes in my opinion. It’s not often that I ask for more violence,` especially in an action film, yet here we are.
To conclude, The Meg is a fun way to spend your evening, but it ultimately felt like a high budget B-Movie. The actors tried their best with the script they had, but even people like Jason Statham and Ruby Rose couldn’t make it better. (what was up with Statham’s accent, by the way?!). If you’re wanting a silly shark film with more substance, I’d recommend Deep Blue Sea instead
https://lucygoestohollywood.com/2018/08/19/statham-vs-massive-prehistoric-shark-my-thoughts-on-the-meg/
<i>I received this book for free through Goodreads First Reads.</i>
“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel <i>Darkness</i> explores and all too realistic scenario set in a not so distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly virus succumb to suicide or death by natural causes – if the cold and starvation can be labeled natural.
Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral where what remains of the State will provide her with safety. However before she reaches her final destination she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueler future.
RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government, i.e. men, still control the lives of women. RAZR particularly focus on women’s rights to their own body, and are angry at the State’s current use for women: to procreate.
<i>Darkness</i> is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be at all.
The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without guilty conscience. <i>Darkness</i> highlights the horrors of war and the wild nature of humanity. Without men and women being able to live in harmony there is no peace, on the other hand, complete equality is not possible. Furthermore, are RAZR feminists or terrorists? It is an obvious fact that the human race cannot survive with merely one gender of the species, so is RAZR doing more harm than good by fatally punishing all men?
Overall, <i>Darkness</i> poses more questions than it answers, yet it is such a griping novel. Women, particularly feminists will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether <i>Darkness</i> will remain a standalone novel, or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.
“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel <i>Darkness</i> explores and all too realistic scenario set in a not so distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly virus succumb to suicide or death by natural causes – if the cold and starvation can be labeled natural.
Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral where what remains of the State will provide her with safety. However before she reaches her final destination she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueler future.
RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government, i.e. men, still control the lives of women. RAZR particularly focus on women’s rights to their own body, and are angry at the State’s current use for women: to procreate.
<i>Darkness</i> is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be at all.
The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without guilty conscience. <i>Darkness</i> highlights the horrors of war and the wild nature of humanity. Without men and women being able to live in harmony there is no peace, on the other hand, complete equality is not possible. Furthermore, are RAZR feminists or terrorists? It is an obvious fact that the human race cannot survive with merely one gender of the species, so is RAZR doing more harm than good by fatally punishing all men?
Overall, <i>Darkness</i> poses more questions than it answers, yet it is such a griping novel. Women, particularly feminists will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether <i>Darkness</i> will remain a standalone novel, or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.
Darren (1599 KP) rated House of 1000 Corpses (2003) in Movies
Nov 23, 2019
Verdict: This Really Is Messy
Story: House of 1000 Corpses starts when four friends Jerry (Hardwick), Mary (Jostyn), Bill (Wilson) and Denise (Daniels) go on tour of at Captain Spaulding (Haig) house of horrors and learning about mysterious tree, they go off in search in a storm, picking up a hitchhiker Baby Firefly (Moon), they find a place to stay, right around when the news is reporting about missing teenagers.
The four friends find themselves being the latest victims of the Firefly family with Otis (Moseley) willing to do anything to get his pleasure for pain, their only hope is that Denise’s father comes looking for them after they didn’t arrive at his house the night before.
Thoughts on House of 1000 Corpses
Characters – Captain Spaulding is the one that has his own house of horrors that he encourages tourists to look around, he knows the legends of the area, which is why he knows how to get the curiosity of the people to want to go in search for the legends about his house. Otis is the leader of the firefly house, he will talk the most, do the most torturous treatment of their victims. Baby Firefly is the one that brings people back to the house, the youngest member of the family that is just getting started in her ways compared to the rest. Mother Firefly is always looking for a younger man to play with before they murder.
Performances – Sid Haig does bring his character to life to be one of the very few highlights in this film, while Bill Moseley knows that he needed to make this character over the top, while the victims are generic performances, they are fine, but the rest of the cast struggles to work with the awful material.
Story – The story here follows four friends that find themselves being the latest victims of the sadistic firefly family that like to torture, mutuality and kill their victims. The biggest problem with this story is that we cut away way too many times, it always looks like we are going into watch a torture filled horror story, which isn’t everyone cup of tea, but if we had stuck to this idea, we could have had a good story. The problems involve countless city away scenes of just random footage of violence happening to people, rather than having any context towards them. This story is mess and never makes you care about the victims, while not making the villains people you want to see either, making most shots of the film hard to care about.
Horror – The horror in the film is meant to be focused on the different levels of violence that could be given to the victims, it is more for shock than making any sense.
Settings – The film is mostly set in the one house/ranch like environment where the family can do what they want without anybody coming to disturb them.
Special Effects – The effects are used to show the violence, though most gets covered over with random slips of something else happening.
Scene of the Movie – Captain Spaulding’s tour.
That Moment That Annoyed Me – The random cut clips that make no sense.
Final Thoughts – This is a truly messy horror that misses on every mark, leaving it look and feeling like something you would forget within a hour of finishing it.
Overall: Poor and messy.
Story: House of 1000 Corpses starts when four friends Jerry (Hardwick), Mary (Jostyn), Bill (Wilson) and Denise (Daniels) go on tour of at Captain Spaulding (Haig) house of horrors and learning about mysterious tree, they go off in search in a storm, picking up a hitchhiker Baby Firefly (Moon), they find a place to stay, right around when the news is reporting about missing teenagers.
The four friends find themselves being the latest victims of the Firefly family with Otis (Moseley) willing to do anything to get his pleasure for pain, their only hope is that Denise’s father comes looking for them after they didn’t arrive at his house the night before.
Thoughts on House of 1000 Corpses
Characters – Captain Spaulding is the one that has his own house of horrors that he encourages tourists to look around, he knows the legends of the area, which is why he knows how to get the curiosity of the people to want to go in search for the legends about his house. Otis is the leader of the firefly house, he will talk the most, do the most torturous treatment of their victims. Baby Firefly is the one that brings people back to the house, the youngest member of the family that is just getting started in her ways compared to the rest. Mother Firefly is always looking for a younger man to play with before they murder.
Performances – Sid Haig does bring his character to life to be one of the very few highlights in this film, while Bill Moseley knows that he needed to make this character over the top, while the victims are generic performances, they are fine, but the rest of the cast struggles to work with the awful material.
Story – The story here follows four friends that find themselves being the latest victims of the sadistic firefly family that like to torture, mutuality and kill their victims. The biggest problem with this story is that we cut away way too many times, it always looks like we are going into watch a torture filled horror story, which isn’t everyone cup of tea, but if we had stuck to this idea, we could have had a good story. The problems involve countless city away scenes of just random footage of violence happening to people, rather than having any context towards them. This story is mess and never makes you care about the victims, while not making the villains people you want to see either, making most shots of the film hard to care about.
Horror – The horror in the film is meant to be focused on the different levels of violence that could be given to the victims, it is more for shock than making any sense.
Settings – The film is mostly set in the one house/ranch like environment where the family can do what they want without anybody coming to disturb them.
Special Effects – The effects are used to show the violence, though most gets covered over with random slips of something else happening.
Scene of the Movie – Captain Spaulding’s tour.
That Moment That Annoyed Me – The random cut clips that make no sense.
Final Thoughts – This is a truly messy horror that misses on every mark, leaving it look and feeling like something you would forget within a hour of finishing it.
Overall: Poor and messy.
Emma @ The Movies (1786 KP) rated Becky (2020) in Movies
Jan 1, 2021
Mindless violence and Kevin James in a dramatic role? Colour me intrigued.
Becky's life hasn't been the smoothest ride, but when her dad brings her up to their cabin things start to look up... briefly. The excitement is short-lived when his girlfriend turns up with her son and they reveal they have some wonderful news to share. Unfortunately that's not the worst thing that's going to happen this trip.
I don't want to say that Becky deserved everything that happened to her in the film... but I wasn't mad when it did happen. It was an interesting film, I felt little to nothing for her as a character and I had a real desire for the bad guys to win (to some degree).
This desire built quite quickly in the beginning, I was having serious misgivings about choosing to buy it. The whole lead up was a challenge, Becky was obnoxious and nothing seemed to be happening. But thankfully it did pick up.
Becky has a relatively small cast and they're well selected. Kevin James is a pleasant surprise in this dramatic role. I love seeing people take on something out of character, and I thought his performance as Dominick was impressive. There may have been a couple of points that seemed a little out of place, but on the whole the part was well scripted and James' depiction was very convincing. There was a slightly odd dynamic between Dominick and his minions, I liked the variety of personalities though, and Robert Maillet was definitely my favourite as Apex.
Lulu Wilson as Becky kept causing me problems. As I mentioned above, I didn't really like her as a character... I'm not sure quite where I fell out with her along the way. The beginning felt insanely unrealistic with regards to her behaviour, and while I found her to be less frustrating when the action started there was still something missing. I wonder if that might be to do with age. She's a 13-year-old girl, just a nudge into the higher teens might have made it more engaging.
I had to tap some expert knowledge when it came to the cinematography (thank you, Clare), after some investigation I'm going to say that there are a lot of transitions that lay somewhere between a match cut and an invisible cut. At the beginning of the film it's used to show the comparison of Becky at school and the convicts in prison, and that worked, I liked it. But it happens more, and that novelty value wore off quickly and I was expecting more of it, which became distracting.
There's a lot of gore on-screen throughout, with the accompaniment of some slightly dubious effects on occasions. On the whole the gratuitous violence amused me for its sheer outrageousness. One scene will get you a bit (well, it did me), you'll know it when you see it. Was all this violence needed? Probably not. Was it entertaining in the action of it all? Yes... probably.
Even with my conflicted feelings at the beginning of the film, I did come out enjoying myself. There are hints of a spicy Home Alone at work, somewhere just shy of Better Watch Out.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/becky-movie-review.html
Becky's life hasn't been the smoothest ride, but when her dad brings her up to their cabin things start to look up... briefly. The excitement is short-lived when his girlfriend turns up with her son and they reveal they have some wonderful news to share. Unfortunately that's not the worst thing that's going to happen this trip.
I don't want to say that Becky deserved everything that happened to her in the film... but I wasn't mad when it did happen. It was an interesting film, I felt little to nothing for her as a character and I had a real desire for the bad guys to win (to some degree).
This desire built quite quickly in the beginning, I was having serious misgivings about choosing to buy it. The whole lead up was a challenge, Becky was obnoxious and nothing seemed to be happening. But thankfully it did pick up.
Becky has a relatively small cast and they're well selected. Kevin James is a pleasant surprise in this dramatic role. I love seeing people take on something out of character, and I thought his performance as Dominick was impressive. There may have been a couple of points that seemed a little out of place, but on the whole the part was well scripted and James' depiction was very convincing. There was a slightly odd dynamic between Dominick and his minions, I liked the variety of personalities though, and Robert Maillet was definitely my favourite as Apex.
Lulu Wilson as Becky kept causing me problems. As I mentioned above, I didn't really like her as a character... I'm not sure quite where I fell out with her along the way. The beginning felt insanely unrealistic with regards to her behaviour, and while I found her to be less frustrating when the action started there was still something missing. I wonder if that might be to do with age. She's a 13-year-old girl, just a nudge into the higher teens might have made it more engaging.
I had to tap some expert knowledge when it came to the cinematography (thank you, Clare), after some investigation I'm going to say that there are a lot of transitions that lay somewhere between a match cut and an invisible cut. At the beginning of the film it's used to show the comparison of Becky at school and the convicts in prison, and that worked, I liked it. But it happens more, and that novelty value wore off quickly and I was expecting more of it, which became distracting.
There's a lot of gore on-screen throughout, with the accompaniment of some slightly dubious effects on occasions. On the whole the gratuitous violence amused me for its sheer outrageousness. One scene will get you a bit (well, it did me), you'll know it when you see it. Was all this violence needed? Probably not. Was it entertaining in the action of it all? Yes... probably.
Even with my conflicted feelings at the beginning of the film, I did come out enjoying myself. There are hints of a spicy Home Alone at work, somewhere just shy of Better Watch Out.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/becky-movie-review.html
Wow, this read was an absolute emotional rollercoaster, sometimes shattering my heart into million pieces and making me angry for all the injustice author had to suffer, and sometimes making me feel so proud for all the achievements Christine was able to conquer.
This book is a memoir of Christine Clayfield, where she is sharing her life story. The story begins when she was five years old, and it continues throughout her life, including rebellious teenage years, until the present, when she is 58 years old. All the past memories were triggered when suddenly she gets a call, that her mother is very ill and she has to return to Belgium, where she faces the ghosts from her past. Her youth years are very brutal and the amount of violence and abuse she had to face from her father is absolutely unbelievable. To top her already sad life, she married a violent man, who made her life even more miserable. I tend to question people’s choices in these type of books. Why they didn’t look for help? Why they didn’t complain to other family members? Why they stayed silent? And in many books I do find the answers which sound illogical, but not in this book. Christine explains everything very clearly, and for me, her thoughts and feelings fully explain every choice she had to make. I’m absolutely touched by how honest this book is. Christine poured her heart out and is sharing the deepest and darkest events with the readers, and I applaud her bravery because, I believe, it should have been a really difficult book to write.
The events in this book were jumping between present and past, giving a little insight of what will come. The author shared a beautiful story of how she met her present husband and the letters they shared while apart. They were absolutely adorable. The amount of topics discussed in this book is huge, such as child abuse, bullying, mentally caused illnesses, family problems, relationships with friends, alcoholism, loose sexual behaviour, domestic violence, business ideas, distance relationship, effects of divorce, and many many more. The author is openly speaking about nuns and their cruelty, and I thought nuns supposed to be kind and helpful, but they looked like tyrants rather than saints. (I kind of knew it, but still, was stupidly surprised about this fact 😀 )
The writing style is very pleasant and the language is easy and understandable. The chapters are a decent length and it doesn’t leave you bored. I would like to throw in a disclaimer, this book is not very easy mentally, there is a lot of cruelty and violence and does have a lot of heartbreaking moments, so tissues and strong nerves are recommended. 🙂 I loved the way Christine rounded up her novel, it left me really satisfied. So, to conclude, this work is incredibly inspiring and I do believe it should be widely spread to share the awareness of how you can do anything you put your mind to. That “can do” attitude, clear goals and a lot of hard work will make you successful, no matter what you endured in life. It is all in you, you just need to find it. Please do support this book, there is a lot of things to learn from Christine because she is freaking amazing and her story is absolutely inspiring. Enjoy 🙂
This book is a memoir of Christine Clayfield, where she is sharing her life story. The story begins when she was five years old, and it continues throughout her life, including rebellious teenage years, until the present, when she is 58 years old. All the past memories were triggered when suddenly she gets a call, that her mother is very ill and she has to return to Belgium, where she faces the ghosts from her past. Her youth years are very brutal and the amount of violence and abuse she had to face from her father is absolutely unbelievable. To top her already sad life, she married a violent man, who made her life even more miserable. I tend to question people’s choices in these type of books. Why they didn’t look for help? Why they didn’t complain to other family members? Why they stayed silent? And in many books I do find the answers which sound illogical, but not in this book. Christine explains everything very clearly, and for me, her thoughts and feelings fully explain every choice she had to make. I’m absolutely touched by how honest this book is. Christine poured her heart out and is sharing the deepest and darkest events with the readers, and I applaud her bravery because, I believe, it should have been a really difficult book to write.
The events in this book were jumping between present and past, giving a little insight of what will come. The author shared a beautiful story of how she met her present husband and the letters they shared while apart. They were absolutely adorable. The amount of topics discussed in this book is huge, such as child abuse, bullying, mentally caused illnesses, family problems, relationships with friends, alcoholism, loose sexual behaviour, domestic violence, business ideas, distance relationship, effects of divorce, and many many more. The author is openly speaking about nuns and their cruelty, and I thought nuns supposed to be kind and helpful, but they looked like tyrants rather than saints. (I kind of knew it, but still, was stupidly surprised about this fact 😀 )
The writing style is very pleasant and the language is easy and understandable. The chapters are a decent length and it doesn’t leave you bored. I would like to throw in a disclaimer, this book is not very easy mentally, there is a lot of cruelty and violence and does have a lot of heartbreaking moments, so tissues and strong nerves are recommended. 🙂 I loved the way Christine rounded up her novel, it left me really satisfied. So, to conclude, this work is incredibly inspiring and I do believe it should be widely spread to share the awareness of how you can do anything you put your mind to. That “can do” attitude, clear goals and a lot of hard work will make you successful, no matter what you endured in life. It is all in you, you just need to find it. Please do support this book, there is a lot of things to learn from Christine because she is freaking amazing and her story is absolutely inspiring. Enjoy 🙂
Neon's Nerd Nexus (360 KP) rated The First Purge (2018) in Movies
May 14, 2019
Purge the purge
#thefirstpurge starts off with so much promise but quickly descends into one big messy brainless #shootemup. When the credits started to roll at the end of this film I found myself feeling confused as to what I'd just watched. It was like I'd just sat through the new #diehard film not a horror movie & as I stood up to leave thats when I saw in big letters ''PRODUCED BY #MICHAELBAY'. For the first 20 minutes I was really digging this film, it was slow with very interesting set up & seemingly going in a really intelligent direction with its strong social commentary themes & its portrails of human behaviour. See you have the government glamourising & rewarding #violence to secretly encourage the poor to eliminate each other, killing not even being a choice for most people or people not taking the #purge seriously, hate groups using the purge as opportunity to commit racially motivated killings, people embracing religion or using it as a excuse to commit violence. Then theres the people who commit crime outside of the purge & get away with it on daily basis who are never punished making the over all question does the purge do more harm than good or vice'versa?. All these themes/subjects are so fascinating but other than at the start of the movie they are not explored or developed with any depth at all. Tone is a mixed bag here too, theres very very light horror elements mixed with humour thats just so out of place & the shoot out heavy third act just feels like they ran out of ideas or didnt know what direction to go. Theres also no real tension or scares here & the costumes/masks are sparse & unimaginative this time around too bringing no fear or haunting imagery to the film either. Acting is fine but no character has a clear drive or a fleshed out back story making them disposable. If your looking for a good horror film the first purge is to action packed, if your looking for action the film is to generic & if your looking for a good time its pacing & mixed tone is to all over place. Watch #electionyear instead its by far the best purge. #odeon #odeonlimitless #horror #scary #gore #fun #mask #jumpscare #halloween #silly #wednesdaywisdom #filmcritic #filmbuff
BankofMarquis (1832 KP) rated Deadpool (2016) in Movies
Feb 13, 2018 (Updated Feb 14, 2018)
My inner 17 year old self loved DEADPOOL. It had everything that any 17 year old boy would want in a movie - sex, violence and a smart-alec attitude, all wrapped up in an unapologetic package that reveled in - and did not shy away from - these traits.
At this point in the review, you are either saying "f#*$ yeah! this movie is for me!" or you have stopped reading, will never see this movie, so it doesn't really matter what I write.
For the rest of you still reading, grab your raunchy comedy sense of humor and head to the theaters to see DEADPOOL, you won't be sorry. DP pokes fun at itself and the genre it represents right from the get-go. Get there early for the opening credits, they aren't quite like any opening credits you have seen before.
First time director Tim Miller cut his teeth on animated short films (most notably, the Oscar nominated animated short, GOPHER BROKE) and it shows in this film. DEADPOOL plays like a 100 minute Road Runner cartoon with star Ryan Reynolds constant patter sounding more and more like the RoadRunner's "Beep, Beep" as the film progresses.
Don't get me wrong, Reynolds does a nice job as the lead and brings humor and charm to the character, but after awhile it just didn't matter as it was just an excuse for fights, car chases, mayhem, violence and explosions - and I didn't mind one bit.
There are some interesting characters in this film, most notably played by Morena Baccarin and T.J. MIller - two actors who I felt FINALLY got decent roles to play, but they, too, take a back seat to the action and smart-assery in this film Even the great Leslie Uggams is brought in as an old, blind, smartass, and she acquits herself quite well.
The smartest things the filmmakers did with this movie is that they did not back away from what they were trying to do - make a superhero movie that was a mash-up of THE AVENGERS and DIRTY GRANDPA, they didn't flinch from this mission, which is why it is successful. They accomplished what the set out to accomplish - make a Superhero movie that any teenage boy would love.
7 (out of 10) stars - 10 out of 10, if you listen to my inner 17 year old - and you can take that to the Bank (of Marquis)
At this point in the review, you are either saying "f#*$ yeah! this movie is for me!" or you have stopped reading, will never see this movie, so it doesn't really matter what I write.
For the rest of you still reading, grab your raunchy comedy sense of humor and head to the theaters to see DEADPOOL, you won't be sorry. DP pokes fun at itself and the genre it represents right from the get-go. Get there early for the opening credits, they aren't quite like any opening credits you have seen before.
First time director Tim Miller cut his teeth on animated short films (most notably, the Oscar nominated animated short, GOPHER BROKE) and it shows in this film. DEADPOOL plays like a 100 minute Road Runner cartoon with star Ryan Reynolds constant patter sounding more and more like the RoadRunner's "Beep, Beep" as the film progresses.
Don't get me wrong, Reynolds does a nice job as the lead and brings humor and charm to the character, but after awhile it just didn't matter as it was just an excuse for fights, car chases, mayhem, violence and explosions - and I didn't mind one bit.
There are some interesting characters in this film, most notably played by Morena Baccarin and T.J. MIller - two actors who I felt FINALLY got decent roles to play, but they, too, take a back seat to the action and smart-assery in this film Even the great Leslie Uggams is brought in as an old, blind, smartass, and she acquits herself quite well.
The smartest things the filmmakers did with this movie is that they did not back away from what they were trying to do - make a superhero movie that was a mash-up of THE AVENGERS and DIRTY GRANDPA, they didn't flinch from this mission, which is why it is successful. They accomplished what the set out to accomplish - make a Superhero movie that any teenage boy would love.
7 (out of 10) stars - 10 out of 10, if you listen to my inner 17 year old - and you can take that to the Bank (of Marquis)
BankofMarquis (1832 KP) rated The Equalizer 2 (2018) in Movies
Jul 29, 2018
Smart action flick with a tremendous Denzel performance
I really enjoyed the first EQUALIZER film. Based on the TV show of the same name, it followed the exploits of Denzel Washington as he "righted wrongs". I nicknamed this film "how to kill bad guys with things you find at your local Home Depot", for that is what happens. Denzel's character improvises traps and weapons to dispatch the evil-doers.
So...I was "all in" when they announced a sequel to this flick. I figured that Washington and his frequent collaborator, Director Antoine Fuqua (both Equalizer's as well as helming Denzel's Oscar winning performance in TRAINING DAY) would make things "bigger and badder" as often happens in sequels - bigger stakes, more bad guys, bigger - and trickier - improvisations - this time, perhaps at a Walmart!
But I was wrong - they didn't go bigger, they went smaller and smarter - and the movie is better for it.
In EQUALIZER 2, we get more personal with Denzel's character, Robert McCall. There still are plenty of bad guys getting the punishment they deserve, but it is the toll on McCall and the reasoning behind why he is doing what he is doing that is at center stage in this film, putting the weight of this film, rightfully so, on Denzel's more than capable shoulders. He comes through - as he always does - tremendously well. There is one scene where Denzel is trying to get a teenage boy to walk away from a gang. I was amazed that I was watching an "Academy Award" level scene in the middle of an action flick, but that is absolutely what it is.
Now...make no mistake...there is plenty of action, chases and violence in this film, but Fuqua shows great restraint, giving the violence a purpose instead of being gratuitous. Even when they have a final battle in the middle of a hurricane-level storm, Fuqua rightfully focuses on the people element of things - and not the spectacle of the elements and circumstances.
Both Fuqua and Washington make some smart choices in this film, which makes it a smart movie, well made with just enough action to please all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
So...I was "all in" when they announced a sequel to this flick. I figured that Washington and his frequent collaborator, Director Antoine Fuqua (both Equalizer's as well as helming Denzel's Oscar winning performance in TRAINING DAY) would make things "bigger and badder" as often happens in sequels - bigger stakes, more bad guys, bigger - and trickier - improvisations - this time, perhaps at a Walmart!
But I was wrong - they didn't go bigger, they went smaller and smarter - and the movie is better for it.
In EQUALIZER 2, we get more personal with Denzel's character, Robert McCall. There still are plenty of bad guys getting the punishment they deserve, but it is the toll on McCall and the reasoning behind why he is doing what he is doing that is at center stage in this film, putting the weight of this film, rightfully so, on Denzel's more than capable shoulders. He comes through - as he always does - tremendously well. There is one scene where Denzel is trying to get a teenage boy to walk away from a gang. I was amazed that I was watching an "Academy Award" level scene in the middle of an action flick, but that is absolutely what it is.
Now...make no mistake...there is plenty of action, chases and violence in this film, but Fuqua shows great restraint, giving the violence a purpose instead of being gratuitous. Even when they have a final battle in the middle of a hurricane-level storm, Fuqua rightfully focuses on the people element of things - and not the spectacle of the elements and circumstances.
Both Fuqua and Washington make some smart choices in this film, which makes it a smart movie, well made with just enough action to please all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
BE
Buddhist Extremists and Muslim Minorities: Religious Conflict in Contemporary Sri Lanka
Book
2009 brought the end of the protracted civil war in Sri Lanka, and observers hoped to see the...
BookInspector (124 KP) rated Outcry: Holocaust Memoirs in Books
Sep 24, 2020
The blurb describes the book very accurately, this book starts when Manny was a little boy, he tells about his family and his daily encounters. Slowly the situation changes, and Manny and his family end up in a Jewish ghetto, surrounded by a fence, and ruthless Germans. This was the first time I had the ability to read about life in the ghetto as well as someone who was in the same camps as their brother or father. In the previous books I read, people normally used to be on their own snatched from their houses in the middle of the night. So, it was kind of refreshing to see this different side of the events.
I really admired Manny’s and his brother’s creativity to survive in the concentration camps. Both of them are incredibly smart and, to be honest, lucky men. This book is heartbreaking, filled with violence, torture, disgusting human actions which my brain can’t comprehend. So, if you are sensitive, this book is not for you. I really liked the writing style of this book, it is truly beautiful. It is not like a history textbook, crammed with facts, but more like cruel but an amazing evening story, told to you by your grandpa, where it catches your attention and you won’t go away until you will hear it all.
I really liked the way this book was divided into parts, describing each stage in Manny’s life. The chapters were pretty long, but the book was so engrossing to me, that the pages just flew by. Even though Germans are very ashamed of this period in history, it should not be forgotten! The generation who suffered in these events are dying, but I hope the memoirs will survive from not only those who suffered from Germans but as well of those, who suffered from Russians in the same concentration camps in Siberia, during WWII. I truly hope that these books will be read not only in Europe, which was affected but in other countries as well, especially in the US. As Manny mentioned in this book, they were all neighbours, they used to visit each other and were happy until racism, jealousy and violence were encouraged by the government, and that is what I see happening with Trump and his followers.
I really admired Manny’s and his brother’s creativity to survive in the concentration camps. Both of them are incredibly smart and, to be honest, lucky men. This book is heartbreaking, filled with violence, torture, disgusting human actions which my brain can’t comprehend. So, if you are sensitive, this book is not for you. I really liked the writing style of this book, it is truly beautiful. It is not like a history textbook, crammed with facts, but more like cruel but an amazing evening story, told to you by your grandpa, where it catches your attention and you won’t go away until you will hear it all.
I really liked the way this book was divided into parts, describing each stage in Manny’s life. The chapters were pretty long, but the book was so engrossing to me, that the pages just flew by. Even though Germans are very ashamed of this period in history, it should not be forgotten! The generation who suffered in these events are dying, but I hope the memoirs will survive from not only those who suffered from Germans but as well of those, who suffered from Russians in the same concentration camps in Siberia, during WWII. I truly hope that these books will be read not only in Europe, which was affected but in other countries as well, especially in the US. As Manny mentioned in this book, they were all neighbours, they used to visit each other and were happy until racism, jealousy and violence were encouraged by the government, and that is what I see happening with Trump and his followers.