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JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Hazel (2934 KP) rated Good Girls Don't Die (D.I. Grace Fisher #1) in Books
Mar 28, 2020
This is another of the books that has been on my "to be read" pile for far too long ... January 2015 to be precise ... how bad is that but at least I finally got round to reading it and continuing on my quest to get my "to be read" pile down this year - only another few hundred to go 😬
Anyway, this book is the first in the series featuring D.I. Grace Fisher; a complex and wounded character recently moved to Essex following a difficult set of traumatic events that are gradually revealed in and amongst the investigation into a missing person of one young lady and murder of another ... are they connected? What follows is an intricate plot with a number of suspects but told in a way that was logical and, I think, realistic. However, there is more to this book than the crimes, it skims the surface of office politics, bullying in the work place, obsession and domestic violence as well as freedom/intrusion of the press ... all of these threads work really well together and fit seamlessly into this story.
The characters are an interesting and eclectic bunch. I particularly liked Grace and fellow team member, Lance; I found them engaging and plausible and I got a sense of a really strong relationship building between them and am looking forward to getting to know them better in subsequent books in the series.
The writing is easy to read and flows well and although this book is not full of action or suspense, there is definitely an underlying darkness and threat that is ever present and that makes this book engaging and enjoyable and one I would definitely recommend if you are looking for a new series to read in this genre.
Belated thank you Quercus Books and NetGalley for my copy in return for an honest review and for introducing me to yet another great author.
Anyway, this book is the first in the series featuring D.I. Grace Fisher; a complex and wounded character recently moved to Essex following a difficult set of traumatic events that are gradually revealed in and amongst the investigation into a missing person of one young lady and murder of another ... are they connected? What follows is an intricate plot with a number of suspects but told in a way that was logical and, I think, realistic. However, there is more to this book than the crimes, it skims the surface of office politics, bullying in the work place, obsession and domestic violence as well as freedom/intrusion of the press ... all of these threads work really well together and fit seamlessly into this story.
The characters are an interesting and eclectic bunch. I particularly liked Grace and fellow team member, Lance; I found them engaging and plausible and I got a sense of a really strong relationship building between them and am looking forward to getting to know them better in subsequent books in the series.
The writing is easy to read and flows well and although this book is not full of action or suspense, there is definitely an underlying darkness and threat that is ever present and that makes this book engaging and enjoyable and one I would definitely recommend if you are looking for a new series to read in this genre.
Belated thank you Quercus Books and NetGalley for my copy in return for an honest review and for introducing me to yet another great author.
ClareR (6256 KP) rated One Year of Ugly in Books
Apr 3, 2020
A different look at refugees.
I didn’t expect to like this book as much as I did, and I really didn’t expect to laugh as much. It’s not a particularly funny subject, when you consider that it’s about Venezuelan refugees in Trinidad. Honestly, I didn’t know that there WERE Venezuelan refugees in Trinidad. The whole Palacio family have fled Venezuela and it’s corrupt regime, and have started a new life in Trinidad as refugees. The work they do is under the radar of the authorities. When their matriarch, Aunt Celia, suddenly dies, a rather flamboyant character, Ugly, turns up and demands his money. This is the point where they find out that they’re actually illegal refugees, and that Aunt Celia hadn’t actually secured them any legitimate, legal rights to be there. So they’re now at the mercy of Ugly. He demands that they work off the debts that Celia incurred, by taking in fellow refugees as they pass through to nw lives in Trinidad. He leaves them under no misapprehension that if they don’t comply to his wishes, violence will follow.
There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.
I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.
There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.
I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.
Gareth von Kallenbach (980 KP) rated The Transporter Refueled (2015) in Movies
Aug 6, 2019
The suit, the car, and the keys have been handed over to Ed Skrein (Game of Thrones) as he takes over the role of Frank Martin, made popular by Jason Statham in the first three films of the Transporter franchise. In this iteration, Frank finds himself in the center of a storm of sex, money and violence. The formula is generally the same as the other films in that, Frank is tasked to perform a job that is more than what it seems to be.
In this film, he is hired by a group of prostitutes who are seeking vengeance on their bosses by robbing them of their fortunes. Transporter: Refueled is filled with great action sequences, dramatic car chases, and exciting fight scenes which would satisfy many fans of the franchise. Unfortunately, the story lacks any depth. There is a love story between Frank and one of the girls that seems heavily out of place, not for the franchise, but with the film itself.
Much of the interchange and exchanges between the characters seems forced and you find yourself not really caring about the “good guys” or have that much of a chance to hate the “bad guys.” At times, it seems as though it would be more of an extension of the Fast and the Furious films with the club scenes, scantily clad women, and its attempt to be younger and fresher.
There is much more of a focus on the stunts, some of which seem to bend the possibilities of physics, and the car chases which will have many people running to Audi dealerships after seeing this film. Transporter: Refueled has problems in establishing its identity in being a Transporter film. In an attempt to break away from its past, it creates an uncertain future and which is something that, for once, Frank Martin is on time for with this film.
In this film, he is hired by a group of prostitutes who are seeking vengeance on their bosses by robbing them of their fortunes. Transporter: Refueled is filled with great action sequences, dramatic car chases, and exciting fight scenes which would satisfy many fans of the franchise. Unfortunately, the story lacks any depth. There is a love story between Frank and one of the girls that seems heavily out of place, not for the franchise, but with the film itself.
Much of the interchange and exchanges between the characters seems forced and you find yourself not really caring about the “good guys” or have that much of a chance to hate the “bad guys.” At times, it seems as though it would be more of an extension of the Fast and the Furious films with the club scenes, scantily clad women, and its attempt to be younger and fresher.
There is much more of a focus on the stunts, some of which seem to bend the possibilities of physics, and the car chases which will have many people running to Audi dealerships after seeing this film. Transporter: Refueled has problems in establishing its identity in being a Transporter film. In an attempt to break away from its past, it creates an uncertain future and which is something that, for once, Frank Martin is on time for with this film.
Gareth von Kallenbach (980 KP) rated Lawless (2012) in Movies
Aug 7, 2019
Prohibition means profit to the bootlegging Bondurant brothers, until a new deputy appears wanting a cut of the action. When the family, led by oldest brother Forrest (Tom Hardy), refuses, it ignites a pattern of violent lawless retribution between the corrupt local authorities and the moonshine-selling brothers.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
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