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Heather Cranmer (2721 KP) rated The Inheritance Games in Books
May 21, 2021
I love love love these type of mystery books where riddles are involved. When I heard about The Inheritance Games by Jennifer Lynn Barnes, I was instantly intrigued. I was not disappointed. In fact, The Inheritance Games reminded me a lot of The Westing Game by Ellen Raskin although it wasn't a clone of it, thankfully.
I felt like the plot was solid. Although it is highly improbable that a teenager would be heir to a will of a random stranger and have to solve riddles to find out why, it could still be possible. My interest was piqued, and I found The Inheritance Games to be quite the page turner. The chapters would usually end in a small cliffhanger causing me to want to learn more and begin reading from the next chapter. Before I knew it, I had finished the book quite quickly. It was interesting to see Avery, the main character, go from being very poor to the richest person in the world. I enjoyed finding out why Tobias Hawthorne left her everything. I kept guessing as to why, but my theories were quickly shot down when it became apparent I was wrong. Becoming a billionaire placed Avery's life in danger and even more so when Tobias' family discovered they weren't getting much from Tobias at the reading of the will. Not only did Avery have to try to find out why Tobias chose her for his sole heir, but she also had to try to stay alive! While there weren't any major plot twists in this book, there are quite a few small ones that will leave the reader guessing. I was a little disappointed that there wasn't a major reveal as to why Avery was chosen as Tobias' heir. It was a little underwhelming and anti-climatic to discover why he had chose Avery. This book does end with a cliffhanger since it is going to be a series. However, the main questions I had within the first book in The Inheritance Games series were all answered.
I loved each and every character in The Inheritance Games with the exception of Avery's best friend Max. Don't get me wrong, each character felt realistic and fleshed out enough, but Max was just annoying. Max has very strict parents, and Avery's only interactions with Max are through phone calls and texts. However, the way Max spoke was what was annoying. She didn't swear, so she'd use non-swear words for swear words. However, every other word was a would be swear word. I am not exaggerating. I don't think I've ever met a teen where they would swear that much or use other words in place of swear words that often. It just got annoying quickly, and I found myself dreading whenever Max was featured. I did love all the other characters though. I loved Avery and her thirst for knowledge. Avery was a very smart girl with a good head on her shoulders. I admired the way she could quickly work out any puzzle or riddle. I liked reading about her thought process towards figuring something out. I felt like Avery was also very selfless. Jameson, one of the Hawthorne brothers, was another character I really loved. His smarts for figuring out riddles and puzzles were also admirable. Grayson, another Hawthorne brother, was a bit of a wild horse. I never knew if I could trust him or not. (Although I didn't really know if I could trust anyone while reading The Inheritance Games. I kept trying to figure out if there were any ulterior motives at play.) Grayson's wanting to help out people whether it was Avery or his community through the Hawthorne Foundation was commendable. Nash, the oldest Hawthorne brother, was so stereotypically Texan that it made me laugh (as I am from Texas), but I loved it! Nash's laid back attitude was refreshing. Alexander, the youngest Hawthorne brother, wasn't featured as much for me to fully form an opinion, but I liked what I read about him. Avery's sister Libby had awesome dress sense, and I did love how she looked out for her sister for the most part. Figuring out Emily's role in all this was interesting. I would have liked to see more backstory about Emily and Rebecca (the hired helps daughters) though. They both had the potential to really flesh the story out more.
Trigger warnings for The Inheritance Games include some violence, some gun violence, attempted murder, and death.
Overall, The Inheritance Games is a quick paced read full of mystery and intrigue that will leave its readers not wanting to put it down. I would definitely recommend The Inheritance Games by Jennifer Lynn Barnes to those aged 14+ who love a fast paced mystery that will leave them guessing throughout the book. I can not wait for the next book in the series!
I felt like the plot was solid. Although it is highly improbable that a teenager would be heir to a will of a random stranger and have to solve riddles to find out why, it could still be possible. My interest was piqued, and I found The Inheritance Games to be quite the page turner. The chapters would usually end in a small cliffhanger causing me to want to learn more and begin reading from the next chapter. Before I knew it, I had finished the book quite quickly. It was interesting to see Avery, the main character, go from being very poor to the richest person in the world. I enjoyed finding out why Tobias Hawthorne left her everything. I kept guessing as to why, but my theories were quickly shot down when it became apparent I was wrong. Becoming a billionaire placed Avery's life in danger and even more so when Tobias' family discovered they weren't getting much from Tobias at the reading of the will. Not only did Avery have to try to find out why Tobias chose her for his sole heir, but she also had to try to stay alive! While there weren't any major plot twists in this book, there are quite a few small ones that will leave the reader guessing. I was a little disappointed that there wasn't a major reveal as to why Avery was chosen as Tobias' heir. It was a little underwhelming and anti-climatic to discover why he had chose Avery. This book does end with a cliffhanger since it is going to be a series. However, the main questions I had within the first book in The Inheritance Games series were all answered.
I loved each and every character in The Inheritance Games with the exception of Avery's best friend Max. Don't get me wrong, each character felt realistic and fleshed out enough, but Max was just annoying. Max has very strict parents, and Avery's only interactions with Max are through phone calls and texts. However, the way Max spoke was what was annoying. She didn't swear, so she'd use non-swear words for swear words. However, every other word was a would be swear word. I am not exaggerating. I don't think I've ever met a teen where they would swear that much or use other words in place of swear words that often. It just got annoying quickly, and I found myself dreading whenever Max was featured. I did love all the other characters though. I loved Avery and her thirst for knowledge. Avery was a very smart girl with a good head on her shoulders. I admired the way she could quickly work out any puzzle or riddle. I liked reading about her thought process towards figuring something out. I felt like Avery was also very selfless. Jameson, one of the Hawthorne brothers, was another character I really loved. His smarts for figuring out riddles and puzzles were also admirable. Grayson, another Hawthorne brother, was a bit of a wild horse. I never knew if I could trust him or not. (Although I didn't really know if I could trust anyone while reading The Inheritance Games. I kept trying to figure out if there were any ulterior motives at play.) Grayson's wanting to help out people whether it was Avery or his community through the Hawthorne Foundation was commendable. Nash, the oldest Hawthorne brother, was so stereotypically Texan that it made me laugh (as I am from Texas), but I loved it! Nash's laid back attitude was refreshing. Alexander, the youngest Hawthorne brother, wasn't featured as much for me to fully form an opinion, but I liked what I read about him. Avery's sister Libby had awesome dress sense, and I did love how she looked out for her sister for the most part. Figuring out Emily's role in all this was interesting. I would have liked to see more backstory about Emily and Rebecca (the hired helps daughters) though. They both had the potential to really flesh the story out more.
Trigger warnings for The Inheritance Games include some violence, some gun violence, attempted murder, and death.
Overall, The Inheritance Games is a quick paced read full of mystery and intrigue that will leave its readers not wanting to put it down. I would definitely recommend The Inheritance Games by Jennifer Lynn Barnes to those aged 14+ who love a fast paced mystery that will leave them guessing throughout the book. I can not wait for the next book in the series!
Bob Mann (459 KP) rated Colette (2018) in Movies
Sep 28, 2021
“The hand that holds the pen writes history”.
Colette is yet another tale of female empowerment: a woman with real talent trying to break out of the gilded cage she finds herself trapped in.
The plot
This is a true story, set in Paris in the late 19th Century. Colette (Keira Knightley), a beautiful country girl living in Burgundy is seduced by and then married to the much older Parisian ‘literary entrepreneur’ Willy (Dominic West). Willy is a “brand” in Paris: a well-known critic turned author. The only problem being that he does virtually no writing of his own but ghosts work out to his team. Colette exhibits a gift for writing slightly lascivious tales of her life (under the pseudonym Claudine) at her girl’s school, where clearly nighttime swimming lessons taught more than back stroke! As a result, Willy fills a financial hole by publishing Colette’s work in his name. The books fly off the shelves faster than the publishers can print them. But Willy has expensive habits and Colette gets locked into writing an ever-popular series but without a voice of her own.
Bohemian Rhapsodies
If the swinging 60’s started anywhere, it was probably in Paris during this time period! While Victorian England was staid and conservative, Paris – home of the Moulin Rouge – was a hot-bed of liberation. As a result, Colette and Willy’s marital affairs are – erm – sexually ‘fluid’. While Colette has to learn to live with her philandering ‘Free Willy’, he positively encourages the bi-sexual Colette to explore the other camp, as it were.
The turns
Keira Knightley turns in a truly cracking performance in the titular lead. No-one does ‘brooding’ better than Knightley, and she gets ample chance here to exercise that look, most notably in a train scene near the end of the film: if looks could kill.
Dominic West delivers as reliably a solid performance as you would expect from him, but he is such a despicable and loathsome character that it is difficult to warm to him.
Driving me mad (not sexually you understand…. although…) was the girl playing the American double-dip love interest Georgie: I knew her so well but just couldn’t place her. It was the American accent that threw me: she is of course Eleanor Tomlinson, Demelza from TV’s “Poldark”, here showing a lot more flesh than she can get away with on a Sunday night on BBC1!
An interesting choice of language
The film is obviously in English about one of France’s literary greats (although curiously Colette writes in French). My guess is that the film will go down like a lead balloon in France as a result. A part of me would have liked this to be French language with subtitles, but maybe that’s just me.
When you look at it objectively, Colette’s story is quite remarkable: what a clever and determined woman.
Gorgeous to look at
Aside from Knightley, the other star turn in the film comes from cinematographer Giles Nuttgens (who also did “Hell or High Water“). The scenes, particularly the bucolic ones set in the French countryside, are simply gorgeously photographed. The framing of the shots is also exquisite with an impressive shot of the slog up a spiral staircase to the couple’s flat being repeatedly used.
Sex vs violence – still not on a par in 2019
It remains curious to me how prudish both the UK and the US are still about sex on screen. In the UK the film is a 15 certificate; in the US the film is R-rated! Yes, there are some breasts on show, and a few mixed- and same-sex couplings (particularly during a frenetic 5 minute period in the middle of the film!), but they are artfully done and you don’t get to see much more than the breasts. In comparison, the violence that would get meted out during a 15/R action thriller would typically makes my eyes water.
But is it any good?
This is one of those films that is worthy, beautifully done, well acted but for some reason it felt to me like a bit of a slog. At 111 minutes it certainly felt a lot longer than it was. The middle reel of the film in particular is rather pedestrian (and yes, I recognise the irony of the fact that I just said there was the frenetic 5 minutes of sex during that part!). Maybe on the night I was just not in the mood for this type of film.
The director is Englishman Wash Westmoreland, whose last film back in 2014 was the impressive “Still Alice”.
I’m glad I’ve seen it, and it is a lot better than many films I saw last year. But in terms of my “re-watchability” quotient, its not going to rate that highly.
The plot
This is a true story, set in Paris in the late 19th Century. Colette (Keira Knightley), a beautiful country girl living in Burgundy is seduced by and then married to the much older Parisian ‘literary entrepreneur’ Willy (Dominic West). Willy is a “brand” in Paris: a well-known critic turned author. The only problem being that he does virtually no writing of his own but ghosts work out to his team. Colette exhibits a gift for writing slightly lascivious tales of her life (under the pseudonym Claudine) at her girl’s school, where clearly nighttime swimming lessons taught more than back stroke! As a result, Willy fills a financial hole by publishing Colette’s work in his name. The books fly off the shelves faster than the publishers can print them. But Willy has expensive habits and Colette gets locked into writing an ever-popular series but without a voice of her own.
Bohemian Rhapsodies
If the swinging 60’s started anywhere, it was probably in Paris during this time period! While Victorian England was staid and conservative, Paris – home of the Moulin Rouge – was a hot-bed of liberation. As a result, Colette and Willy’s marital affairs are – erm – sexually ‘fluid’. While Colette has to learn to live with her philandering ‘Free Willy’, he positively encourages the bi-sexual Colette to explore the other camp, as it were.
The turns
Keira Knightley turns in a truly cracking performance in the titular lead. No-one does ‘brooding’ better than Knightley, and she gets ample chance here to exercise that look, most notably in a train scene near the end of the film: if looks could kill.
Dominic West delivers as reliably a solid performance as you would expect from him, but he is such a despicable and loathsome character that it is difficult to warm to him.
Driving me mad (not sexually you understand…. although…) was the girl playing the American double-dip love interest Georgie: I knew her so well but just couldn’t place her. It was the American accent that threw me: she is of course Eleanor Tomlinson, Demelza from TV’s “Poldark”, here showing a lot more flesh than she can get away with on a Sunday night on BBC1!
An interesting choice of language
The film is obviously in English about one of France’s literary greats (although curiously Colette writes in French). My guess is that the film will go down like a lead balloon in France as a result. A part of me would have liked this to be French language with subtitles, but maybe that’s just me.
When you look at it objectively, Colette’s story is quite remarkable: what a clever and determined woman.
Gorgeous to look at
Aside from Knightley, the other star turn in the film comes from cinematographer Giles Nuttgens (who also did “Hell or High Water“). The scenes, particularly the bucolic ones set in the French countryside, are simply gorgeously photographed. The framing of the shots is also exquisite with an impressive shot of the slog up a spiral staircase to the couple’s flat being repeatedly used.
Sex vs violence – still not on a par in 2019
It remains curious to me how prudish both the UK and the US are still about sex on screen. In the UK the film is a 15 certificate; in the US the film is R-rated! Yes, there are some breasts on show, and a few mixed- and same-sex couplings (particularly during a frenetic 5 minute period in the middle of the film!), but they are artfully done and you don’t get to see much more than the breasts. In comparison, the violence that would get meted out during a 15/R action thriller would typically makes my eyes water.
But is it any good?
This is one of those films that is worthy, beautifully done, well acted but for some reason it felt to me like a bit of a slog. At 111 minutes it certainly felt a lot longer than it was. The middle reel of the film in particular is rather pedestrian (and yes, I recognise the irony of the fact that I just said there was the frenetic 5 minutes of sex during that part!). Maybe on the night I was just not in the mood for this type of film.
The director is Englishman Wash Westmoreland, whose last film back in 2014 was the impressive “Still Alice”.
I’m glad I’ve seen it, and it is a lot better than many films I saw last year. But in terms of my “re-watchability” quotient, its not going to rate that highly.
Jamie (131 KP) rated Shimmer and Burn in Books
Jul 30, 2017
Unique magic concept (2 more)
Fast paced and engaging story
Dreamy male lead
Bland main character (1 more)
Details about the world and magic is mildly confusing
Threading blood magic in a dying world
Shimmer and Burn was much much darker than I expected and I LOVED it. A locked away kingdom ruled by a ruthless king, forbidden blood magic that is both beautiful and deadly, a power hungry princess, a dying world infested with diseased cannibals–this book had it all. That is, except for the main character, Faris.
This book was almost perfect for me, but I just wish that Faris wasn’t so bland. The book is carried by an extremely strong plot and well developed side characters but.. well the story just sort of happens to Faris. She is constantly made out to be a fighter but she ends up running or needing to be saved almost every time. She has one central motivation, her sister, and some heartbreak over Thaelan, but that’s really all her character really has going for her.
Thankfully the other characters help drive the plot forward. I’ve never been one to fawn over book boyfriends but that changed with North. I really like North and Faris together, even though their romance sort of shows up out of thin air in a mild case of instalove. I would expect characters to talk and have more interaction before they go falling “in love.” It’s not the worst thing in the world, I still liked the characters and their romance so I was willing to look past that.
My favorite part of the book is the absolutely incredible magic system which is unlike any other I’ve ever read. Magic is described as being beautiful like threads that can just as easily fray and destroy the magic wielder if not handled with care. It is treated as something alien, even for the humans with a natural born ability to wield it. I can’t overstate enough how much I love this concept. The intricate political relationships in this novel is also extremely well done and I’m so excited to read the next book.
A fair warning though, this book is definitely not for the faint of heart. While the romance may be clean, the violence definitely isn’t. This book isn’t the goriest I’ve ever read but it does not shy away from the gruesome details. If you can stomach the gritty content then I highly recommend this book, it’s one of the best YA books I’ve read in a while.
This book was almost perfect for me, but I just wish that Faris wasn’t so bland. The book is carried by an extremely strong plot and well developed side characters but.. well the story just sort of happens to Faris. She is constantly made out to be a fighter but she ends up running or needing to be saved almost every time. She has one central motivation, her sister, and some heartbreak over Thaelan, but that’s really all her character really has going for her.
Thankfully the other characters help drive the plot forward. I’ve never been one to fawn over book boyfriends but that changed with North. I really like North and Faris together, even though their romance sort of shows up out of thin air in a mild case of instalove. I would expect characters to talk and have more interaction before they go falling “in love.” It’s not the worst thing in the world, I still liked the characters and their romance so I was willing to look past that.
My favorite part of the book is the absolutely incredible magic system which is unlike any other I’ve ever read. Magic is described as being beautiful like threads that can just as easily fray and destroy the magic wielder if not handled with care. It is treated as something alien, even for the humans with a natural born ability to wield it. I can’t overstate enough how much I love this concept. The intricate political relationships in this novel is also extremely well done and I’m so excited to read the next book.
A fair warning though, this book is definitely not for the faint of heart. While the romance may be clean, the violence definitely isn’t. This book isn’t the goriest I’ve ever read but it does not shy away from the gruesome details. If you can stomach the gritty content then I highly recommend this book, it’s one of the best YA books I’ve read in a while.
Daniel Boyd (1066 KP) rated Overlord (2018) in Movies
Feb 6, 2019 (Updated Feb 6, 2019)
War Is Hell
Overlord is yet another movie released in late 2018 that I am just getting around to seeing and I am glad that I got to check this one out. I have been looking forward to seeing this one ever since seeing the trailers last year as I am a huge fan of the Wolfenstein series, which the trailers for this really reminded me of.
The movie opens with a fantastically shot plane crash sequence that manages to convey a sense of extreme intensity as Private Boyce jumps out the exploding plane that was carrying his squad and plummets to the ground below. This sequence also does a brilliant job of setting the tone of the movie that the audience can expect going forward.
Surprisingly, the Nazi zombie stuff doesn't actually make an appearance until about 1/3 into the movie and the first act is spent telling a more traditional and realistic war story and setting up the relationships between the characters that we are following. Even when we do start to see some of the weirder stuff taking place, it is fairly reserved in comparison to what you might be expecting. This isn't Dead Snow or Wolfenstein. However, that doesn't necessarily mean that it's underwhelming, the few amount of monstrosities that we actually get to see are impactful and feel genuinely threatening.
The cast are serviceable in their roles, even if they are fairly stereotypical. The stand out is Pilou Asbaek, who may know as the evil Euron Greyjoy from Game Of Thrones. Here, he plays the dastardly, villainous Nazi with a venomous snarl that really tells you everything that you need to know about his character and his intent.
The one negative I had with the movie were the few telegraphed jump-scares that the filmmakers threw in to remind us that this is supposed to be a horror movie, but thankfully there aren't too many of these present throughout the film.
Overall, this is a fun action/horror movie set against the backdrop of the Second World War that is a blast to sit through. There is plenty of cringe-inducing violence and gore created by mostly practical means that will scratch the horror itch that some audience members may be looking for and although this wasn't quite the movie that I was expecting going in based on the trailers, I can't say that I came away disappointed.
The movie opens with a fantastically shot plane crash sequence that manages to convey a sense of extreme intensity as Private Boyce jumps out the exploding plane that was carrying his squad and plummets to the ground below. This sequence also does a brilliant job of setting the tone of the movie that the audience can expect going forward.
Surprisingly, the Nazi zombie stuff doesn't actually make an appearance until about 1/3 into the movie and the first act is spent telling a more traditional and realistic war story and setting up the relationships between the characters that we are following. Even when we do start to see some of the weirder stuff taking place, it is fairly reserved in comparison to what you might be expecting. This isn't Dead Snow or Wolfenstein. However, that doesn't necessarily mean that it's underwhelming, the few amount of monstrosities that we actually get to see are impactful and feel genuinely threatening.
The cast are serviceable in their roles, even if they are fairly stereotypical. The stand out is Pilou Asbaek, who may know as the evil Euron Greyjoy from Game Of Thrones. Here, he plays the dastardly, villainous Nazi with a venomous snarl that really tells you everything that you need to know about his character and his intent.
The one negative I had with the movie were the few telegraphed jump-scares that the filmmakers threw in to remind us that this is supposed to be a horror movie, but thankfully there aren't too many of these present throughout the film.
Overall, this is a fun action/horror movie set against the backdrop of the Second World War that is a blast to sit through. There is plenty of cringe-inducing violence and gore created by mostly practical means that will scratch the horror itch that some audience members may be looking for and although this wasn't quite the movie that I was expecting going in based on the trailers, I can't say that I came away disappointed.
RəX Regent (349 KP) rated We Own the Night (2007) in Movies
Feb 25, 2019
Crime movie for crime movie fans
Contains spoilers, click to show
This is a crime film for crime movie fans. It has it all, from sex, violence, wires and gritty hits. But at its heart is family, here driven by the two leads, Mark Wahlberg and Jequium Phoenix, reunited in yet another of James Grey's films. The tone is dark, with a realistic look as we are taken on trip back to 1988 and a fictional cop family, led by the Deputy Chief Of Police (NYPD) Robert Duvall, who is the father to Wahlberg's up and coming cop, with Phoenix's nightclub manager, who is not a criminal as such, but is a disappointment to his family.
As the trio become embroiled in an organised crime syndicate, they find themselves under a very personal attack and must take down the mob boss to save their lives. The problem with this film is that it plods its way through, lacking enough tension or high key performances to carry, what to me, should have been a taunt screenplay. Instead, it's a bit flat, with Phoenix's trademark sleepy performance. On the other hand, it's quite good, driven by real motivations and characters, is what saves this from 5/10 rating is a fantastically low-key car chase which looked and felt phenomenal, ending with tragedy which would drive the story in a more dubious direction.
Phoenix will end up being granted special dispensation to become a cop in order to track down the mobster, a plot point that I found to be a little far-fetched, though maybe this sort of thing has happened, I don't know but it just tipped the film over the edge of plausibility. I feel that We Own The Night, the motto of the now disbanded NYPD Street Crime Unit, which is headed up here by the fictional Captain Joseph Grusinsky (Wahlberg) thinks very highly of itself as a top quality crime drama, up there with the likes of The Godfather (1972) and Heat (1995), but it is not. It's good and better if you like the genre, but this is a film set in the late 80′s, made in the style of The Godfather light, which was a quintessential 1970′s movie. It needed to pack more of a punch or have some of the style which films such as those of Michael Mann or Martin Scorsese.
A decent story, good cinematography and noble effort but failed to blow me away.
As the trio become embroiled in an organised crime syndicate, they find themselves under a very personal attack and must take down the mob boss to save their lives. The problem with this film is that it plods its way through, lacking enough tension or high key performances to carry, what to me, should have been a taunt screenplay. Instead, it's a bit flat, with Phoenix's trademark sleepy performance. On the other hand, it's quite good, driven by real motivations and characters, is what saves this from 5/10 rating is a fantastically low-key car chase which looked and felt phenomenal, ending with tragedy which would drive the story in a more dubious direction.
Phoenix will end up being granted special dispensation to become a cop in order to track down the mobster, a plot point that I found to be a little far-fetched, though maybe this sort of thing has happened, I don't know but it just tipped the film over the edge of plausibility. I feel that We Own The Night, the motto of the now disbanded NYPD Street Crime Unit, which is headed up here by the fictional Captain Joseph Grusinsky (Wahlberg) thinks very highly of itself as a top quality crime drama, up there with the likes of The Godfather (1972) and Heat (1995), but it is not. It's good and better if you like the genre, but this is a film set in the late 80′s, made in the style of The Godfather light, which was a quintessential 1970′s movie. It needed to pack more of a punch or have some of the style which films such as those of Michael Mann or Martin Scorsese.
A decent story, good cinematography and noble effort but failed to blow me away.
Debbiereadsbook (1656 KP) rated All Fired Up (Sin City Uniforms #1) in Books
Mar 29, 2019
great start to a new series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Shawn is the new guy in the police department and is enjoying working in Vegas. Trent is in the fire department. The pair met at a blood drive months ago and they each had an instant reaction to each other. But Trent is still hurting from the death of his previous partner, who was also a cop and he doesn’t know if he can go through that again. When Trent “rescues” Shawn, he embarrasses him at the same time. After actually getting to know one another after this, they realise they have a lot in common. Then the fires that have been plaguing Vegas turn deadly, and Trent and Shawn might be next on the vigilante's hit list.
I liked this one, a LOT.
Trent is hurting, even after two years, and he knows it. He can’t lose another police officer partner, but Shawn pushes all his buttons and then some. He KNOWS he is over protective, he KNOWS he needs to reign it in, but he struggles with that. Getting to know Shawn makes that a lot easier, but on the job? Trent goes into overdrive. But I loved that he does. Because deep down, he knows that Shawn might be The One, you know? He knows how much he is affected by Shawn.
Shawn is very laid back, relaxed in all he does but work. He loves his job. Trent is, in his eyes, the perfect guy BUT for the protective streak a mile wide. When Shawn finds out WHY Trent is just so, he lets up a bit. But when there is a real threat to Shawn, one that could very well kill him? Shawn is very glad of that streak, he really is.
I loved that EVERYONE else could see how much Trent and Shawn liked each other, way before they managed to admit it to themselves. And that everyone was happy for them when they finally sorted themselves out.
It’s well told, from both guy’s point of view, in the third person. There is some violence, but it’s needed for the storyline. I didn’t find it as explicit as some of Ms Knight’s books, but I’m not complaining. This, I found, was really rather sweet! Sexy, yes; steamy and emotional, yes but sweet and cue and I really did enjoy it!
This is the first in this new series, Sin City Uniforms. If they are all as good as this, I’ll be a happie bunnie!
4 solid stars
**same worded review will appear elsewhere**
Shawn is the new guy in the police department and is enjoying working in Vegas. Trent is in the fire department. The pair met at a blood drive months ago and they each had an instant reaction to each other. But Trent is still hurting from the death of his previous partner, who was also a cop and he doesn’t know if he can go through that again. When Trent “rescues” Shawn, he embarrasses him at the same time. After actually getting to know one another after this, they realise they have a lot in common. Then the fires that have been plaguing Vegas turn deadly, and Trent and Shawn might be next on the vigilante's hit list.
I liked this one, a LOT.
Trent is hurting, even after two years, and he knows it. He can’t lose another police officer partner, but Shawn pushes all his buttons and then some. He KNOWS he is over protective, he KNOWS he needs to reign it in, but he struggles with that. Getting to know Shawn makes that a lot easier, but on the job? Trent goes into overdrive. But I loved that he does. Because deep down, he knows that Shawn might be The One, you know? He knows how much he is affected by Shawn.
Shawn is very laid back, relaxed in all he does but work. He loves his job. Trent is, in his eyes, the perfect guy BUT for the protective streak a mile wide. When Shawn finds out WHY Trent is just so, he lets up a bit. But when there is a real threat to Shawn, one that could very well kill him? Shawn is very glad of that streak, he really is.
I loved that EVERYONE else could see how much Trent and Shawn liked each other, way before they managed to admit it to themselves. And that everyone was happy for them when they finally sorted themselves out.
It’s well told, from both guy’s point of view, in the third person. There is some violence, but it’s needed for the storyline. I didn’t find it as explicit as some of Ms Knight’s books, but I’m not complaining. This, I found, was really rather sweet! Sexy, yes; steamy and emotional, yes but sweet and cue and I really did enjoy it!
This is the first in this new series, Sin City Uniforms. If they are all as good as this, I’ll be a happie bunnie!
4 solid stars
**same worded review will appear elsewhere**
Debbiereadsbook (1656 KP) rated Let Me Show You in Books
May 30, 2019
super sweet but so bloody good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Carter finds himself stuck, and naked, when construction worker, Tanner comes to price up some renovations on his home. Tanner immediately takes a shine to the sexy but very shy vet. When Carter has problems at work, and when they go out, Tanner goes all alpha-male-MINE on Carter, and Carter thinks FINALLY! Tanner’s best friend needs him though, it’s why he moved to town. Can Tanner commit to Carter the way Carter wants, and needs?
OH, SO very stinking cute, this one! AND warm and fuzzies! I really kinda fell into this one, and it was SOOOOO good!
Carter isn’t looking for love, it kinda finds him and knocks him for six. Tanner is a breath of fresh air, and after weeks of flirting they FINALLY get down and dirty. I mean, I was waiting, and waiting and bloody WAITING for them to get their act together and give in to the attraction but it takes them FOREVER!!!
BUT!!!
I LOVED that it did! The tension between builds over time, and I really did appreciate being made to wait for the main event.
It’s not overly dramatic, with no real drama, just a guy in a bad place taking it out on Carter at work. It’s not especially explicit, but it IS so bloody sexy. It’s not too complicated a plot to follow and there is no real violence.
There is, though, a lotta love! A lot of people love Carter and Tanner, together and separately. And they make no bones about what they want for their friends, which is for Carter and Tanner to be together.
It’s well written, from both Carter and Tanner’s point of view, in the first person. Each voice is clear and distinctive, and each change of voice occurs as the chapter changes and is clearly headed. I saw no spelling or editing errors to spoil my reading.
It’s one of those books you just FALL into, you know. You can lose a couple of hours on a wet and windy Tuesday morning, after all the chores are done, you sit down with a cuppa tea, and read a bit, and before you know it, the book is finished!
It really was far too stinking cute for its own good, and you know what?? I wrote four stars at the top of the page, but I can’t figure out why, so changing my mind, and giving it the full..
5 stars
**same worded review will appear elsewhere**
Carter finds himself stuck, and naked, when construction worker, Tanner comes to price up some renovations on his home. Tanner immediately takes a shine to the sexy but very shy vet. When Carter has problems at work, and when they go out, Tanner goes all alpha-male-MINE on Carter, and Carter thinks FINALLY! Tanner’s best friend needs him though, it’s why he moved to town. Can Tanner commit to Carter the way Carter wants, and needs?
OH, SO very stinking cute, this one! AND warm and fuzzies! I really kinda fell into this one, and it was SOOOOO good!
Carter isn’t looking for love, it kinda finds him and knocks him for six. Tanner is a breath of fresh air, and after weeks of flirting they FINALLY get down and dirty. I mean, I was waiting, and waiting and bloody WAITING for them to get their act together and give in to the attraction but it takes them FOREVER!!!
BUT!!!
I LOVED that it did! The tension between builds over time, and I really did appreciate being made to wait for the main event.
It’s not overly dramatic, with no real drama, just a guy in a bad place taking it out on Carter at work. It’s not especially explicit, but it IS so bloody sexy. It’s not too complicated a plot to follow and there is no real violence.
There is, though, a lotta love! A lot of people love Carter and Tanner, together and separately. And they make no bones about what they want for their friends, which is for Carter and Tanner to be together.
It’s well written, from both Carter and Tanner’s point of view, in the first person. Each voice is clear and distinctive, and each change of voice occurs as the chapter changes and is clearly headed. I saw no spelling or editing errors to spoil my reading.
It’s one of those books you just FALL into, you know. You can lose a couple of hours on a wet and windy Tuesday morning, after all the chores are done, you sit down with a cuppa tea, and read a bit, and before you know it, the book is finished!
It really was far too stinking cute for its own good, and you know what?? I wrote four stars at the top of the page, but I can’t figure out why, so changing my mind, and giving it the full..
5 stars
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Death Wish (2018) in Movies
Mar 13, 2018
Bruce Willis killing bad guys
5 minutes before DEATH WISH started there was just 2 of us in the movie theater (by the time the film started, there was probably around 20). I turned to the only gentleman sitting there (about 2 seats down) and asked him if he'd like break into a "discussion group" after the film. "I'm just here to see Bruce Willis kill bad guys.", he said.
He did not walk away disappointed.
Directed by Eli Roth, DEATH WISH is a remake of the early 1970's film starring Charles Bronson about a "normal, family man" who snaps after his wife and daughter are assaulted. The Police' hands are tied, so he decides to take matters in his own hands and starts committing "vigilante justice".
Bruce Willis stars in this remake - and he is perfectly fine as the Doctor turned vigilante. Joining him is Vincent D'Onofrio as his brother, Elisabth Shue as his wife and BREAKING BAD'S Dean Norris as the cop who is chasing him. All of these actors do a perfectly fine job with what they are given to work with, but (let's be honest), fine acting - or intricate plot developments - are not what you are looking for in this film.
As my new friend put it - "I'm just here to see Bruce Willis kill bad guys".
And "kill bad guys" he does. But...not as often as I though he would. And...not nearly as graphically as I was expecting. Director Roth is known as a Director of Horror "splatter" films, "torture porn" fare like the HOSTEL films and CABIN FEVER. I was pleasantly surprised by the restraint that Roth has shown in the graphic violence in this film - I was expecting it to be a lot worse, almost stomach churning - but it just wasn't (except for 1 torture seen involving a car). It was "basic" violent fare - and well done.
To be honest, I thought they spent too much time of the film setting up Willis' character turn to "the dark side", at one point wondering "get to killing the bad guys already". But, when the film gets there, it is entertaining, indeed.
As I walked past my "new friend" after the film was over, I asked him what he thought:
"I saw Bruce Willis killing bad guys, I'm good."
And that about sums it up.
Letter Grade B- (just know what you're getting into)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
He did not walk away disappointed.
Directed by Eli Roth, DEATH WISH is a remake of the early 1970's film starring Charles Bronson about a "normal, family man" who snaps after his wife and daughter are assaulted. The Police' hands are tied, so he decides to take matters in his own hands and starts committing "vigilante justice".
Bruce Willis stars in this remake - and he is perfectly fine as the Doctor turned vigilante. Joining him is Vincent D'Onofrio as his brother, Elisabth Shue as his wife and BREAKING BAD'S Dean Norris as the cop who is chasing him. All of these actors do a perfectly fine job with what they are given to work with, but (let's be honest), fine acting - or intricate plot developments - are not what you are looking for in this film.
As my new friend put it - "I'm just here to see Bruce Willis kill bad guys".
And "kill bad guys" he does. But...not as often as I though he would. And...not nearly as graphically as I was expecting. Director Roth is known as a Director of Horror "splatter" films, "torture porn" fare like the HOSTEL films and CABIN FEVER. I was pleasantly surprised by the restraint that Roth has shown in the graphic violence in this film - I was expecting it to be a lot worse, almost stomach churning - but it just wasn't (except for 1 torture seen involving a car). It was "basic" violent fare - and well done.
To be honest, I thought they spent too much time of the film setting up Willis' character turn to "the dark side", at one point wondering "get to killing the bad guys already". But, when the film gets there, it is entertaining, indeed.
As I walked past my "new friend" after the film was over, I asked him what he thought:
"I saw Bruce Willis killing bad guys, I'm good."
And that about sums it up.
Letter Grade B- (just know what you're getting into)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Creepy and Maud in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I wanted to love this book, I really did. The blurb made me think of Rainbow Rowell's Eleanor & Park. However, this book just fell a bit flat for me.
The title did catch my attention especially since it had the word Creepy in it.
I like the cover of the book. It's just so simple, yet interesting. I think it definitely fits in with the book since the two characters converse from their bedroom windows.
The world building was believable. Most of the story takes place within the confines of Creepy's window and sometimes from Maud's window. It's a very believable setting.
The pacing was really slow. I kept hoping it would pick up at some point, but it never did. At no point, did it pick up even a little bit.
I think the plot had the potential to be interesting. Creepy watches Maud from his bedroom window. Eventually, Maud notices, and they start writing notes to each other and put them in their bedroom window. Maud has a disorder where she pulls out the hair on her body. Creepy is just a strange teen. I just felt that their was no plot development. I kept waiting for some action or plot twist to happen, but nothing did. It's just two teens conversing from their windows.
I liked Maud and Creepy. They have their problems, but they are still likable enough. However, I felt there was no character development either. It would've been nice to have a bit more back story on both characters. All we're told is that Maud and Creepy's families hate each other. It is explained a little bit as to why at least.
Some of the wording is Australian phrasing which I had a hard time understanding. However, it only happens now and again, so the book is easy to understand for other cultures. There is some swearing, but nothing too bad. There is a little bit of violence but no sex or sexual references.
Overall, Creepy & Maud by Dianne Touchell just falls flat from lack of character and plot development. The writing itself wasn't bad though.
Personally, I wouldn't recommend this book unless it has some tweaking when it comes to the characters and the plot.
(I won this book from a competition. I was not required to write a review).
I wanted to love this book, I really did. The blurb made me think of Rainbow Rowell's Eleanor & Park. However, this book just fell a bit flat for me.
The title did catch my attention especially since it had the word Creepy in it.
I like the cover of the book. It's just so simple, yet interesting. I think it definitely fits in with the book since the two characters converse from their bedroom windows.
The world building was believable. Most of the story takes place within the confines of Creepy's window and sometimes from Maud's window. It's a very believable setting.
The pacing was really slow. I kept hoping it would pick up at some point, but it never did. At no point, did it pick up even a little bit.
I think the plot had the potential to be interesting. Creepy watches Maud from his bedroom window. Eventually, Maud notices, and they start writing notes to each other and put them in their bedroom window. Maud has a disorder where she pulls out the hair on her body. Creepy is just a strange teen. I just felt that their was no plot development. I kept waiting for some action or plot twist to happen, but nothing did. It's just two teens conversing from their windows.
I liked Maud and Creepy. They have their problems, but they are still likable enough. However, I felt there was no character development either. It would've been nice to have a bit more back story on both characters. All we're told is that Maud and Creepy's families hate each other. It is explained a little bit as to why at least.
Some of the wording is Australian phrasing which I had a hard time understanding. However, it only happens now and again, so the book is easy to understand for other cultures. There is some swearing, but nothing too bad. There is a little bit of violence but no sex or sexual references.
Overall, Creepy & Maud by Dianne Touchell just falls flat from lack of character and plot development. The writing itself wasn't bad though.
Personally, I wouldn't recommend this book unless it has some tweaking when it comes to the characters and the plot.
(I won this book from a competition. I was not required to write a review).
Nicole Hadley (380 KP) rated The Sound of Freedom in Books
Jun 18, 2018
The Sound of Freedom by Kathy Kacer is a middle-grade novel about a Jewish family in Krakow, Poland in 1936. Life has become increasingly dangerous, as the violence and persecution of Jews increase. Anna is afraid if they don’t escape soon, something really bad will happen. Her father is a talented clarinetist in the Krakow Philharmonic Orchestra. They hear that Bronislaw Huberman is auditioning Jewish musicians from all over Europe for a new orchestra in Palestine. If her father auditions and is accepted, she and her grandmother can leave Poland with her father for a new life in Palestine.
Stories of Jews in the Holocaust have fascinated me since I was a kid. The first book about the Holocaust I read was Number the Stars by Lois Lowry, then later A Diary of Anne Frank, and many more. My interest in the Holocaust is why I requested a copy of this book from NetGalley.
The Sound of Freedom is an introduction to the beginning of the Holocaust for middle-grade students. The story is told through the eyes of Anna, focusing on the growing anti-Semitism she sees going on around her and that eventually happens to her. It is set in 1936, before Germany’s invasion of Poland and as Hitler is rising in power, so the real horrors of the Holocaust have not yet started.
While the story of Anna’s family is fiction, Bronislaw Huberman really was a world-renown violinist and did create the Palestine Philharmonic Orchestra to save over a thousand Jews by recruiting them for the newly formed orchestra. Anna’s story is representative of the lives saved by Bronislaw Huberman.
While the story is for middle-grade student, it tells the harsh reality of the what was happening. Readers will be faced with the problems and issues of the era. Some of the families leave the orchestra to go back to their homeland, and Anna is concerned for their safety and the reader is left to wonder what happened to them. The story also mentions the tensions between the Arabs and the Jewish peoples in Palestine. Anna's family may have escaped Poland, but they are faced with issues in Palestine.
I give the story 4.5 stars. I recommend it to anyone with an interest in the time-period. The Sound of Freedom would make an excellent addition to a Holocaust study.
I received an Advanced Readers Copy from Annick Press via NetGalley in exchange for an honest review.
Stories of Jews in the Holocaust have fascinated me since I was a kid. The first book about the Holocaust I read was Number the Stars by Lois Lowry, then later A Diary of Anne Frank, and many more. My interest in the Holocaust is why I requested a copy of this book from NetGalley.
The Sound of Freedom is an introduction to the beginning of the Holocaust for middle-grade students. The story is told through the eyes of Anna, focusing on the growing anti-Semitism she sees going on around her and that eventually happens to her. It is set in 1936, before Germany’s invasion of Poland and as Hitler is rising in power, so the real horrors of the Holocaust have not yet started.
While the story of Anna’s family is fiction, Bronislaw Huberman really was a world-renown violinist and did create the Palestine Philharmonic Orchestra to save over a thousand Jews by recruiting them for the newly formed orchestra. Anna’s story is representative of the lives saved by Bronislaw Huberman.
While the story is for middle-grade student, it tells the harsh reality of the what was happening. Readers will be faced with the problems and issues of the era. Some of the families leave the orchestra to go back to their homeland, and Anna is concerned for their safety and the reader is left to wonder what happened to them. The story also mentions the tensions between the Arabs and the Jewish peoples in Palestine. Anna's family may have escaped Poland, but they are faced with issues in Palestine.
I give the story 4.5 stars. I recommend it to anyone with an interest in the time-period. The Sound of Freedom would make an excellent addition to a Holocaust study.
I received an Advanced Readers Copy from Annick Press via NetGalley in exchange for an honest review.