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Neon's Nerd Nexus (360 KP) rated The Nightingale (2018) in Movies
Dec 4, 2019
Misery Loves Company
Nightinglale is a harsh, cold, relentless and constantly traumatizing tale of revenge and sadness. Athough I would say this film is one of this years best films and a must see by any serious film fan I can not stress enough just how disturbing and extremely hard to watch it can be at times. Realistic depictions of brutal violence and savage rape chill to the bone and while its tempting not to persist past such horrible scenes they really give the film purpose, such a raw/realistic tone and force you to feel every single emotion felt by its characters. A deep cold and sadness engulf the entire film throughout creating an uneasy atmosphere that constantly feels like a burden weighing on your shoulders making you feel uncomfortable and vulnerable just like the lead character. Acting is magnificent with everyones eyes alone seemingly telling you what kind of person they are or if they are genuine. A film that depicts racism, loss, grief, revenge, power abuse and most of all entitlement perfectly it shows just how much evil and hatred lurks in peoples hearts and the world we live in. Its very much like Hatred, Lady Mcbeth and The Witch infact and just like those films every character feels so real and well developed. A running theme that everyone feels like they are owed something runs throughout and even though we sympathize with our main character she too can prove to be just as cold/heartless and selfish as the main villian that is until she progresses and learns to open her eyes to it all. Dream like scenes also litter the film and show how disturbed/haunted by every encounter she is sometimes apearing just in time to motivate her or be her only escape to the perfect life that she now can never have. Its ever so fascinating stuff and has so much to say that its impossible for me to cram all of it into this review. Nightingale is without a doubt such an important film right bow (especially with how the world is today as the subjects it deals with depict how we have almost in a way have gone backwards in some of our ways). All in all a fantastic piece of film that shows us when we have everything taken from us and feel like giving up theres still beauty and pure souls somewhere in the world to give us hope, new life and help keep our dreams alive.
Andy K (10823 KP) rated The Nightingale (2018) in Movies
Dec 11, 2019
Brutal and beautiful
In 1825 Tasmania, a young wife and mother experiences brutal atrocity against her family by the British soldiers in her midst. With her entire world shattered, the battered and broken young woman embarks on a quest for revenge. Not thinking clearly through her grief, she decides to escapade through the harsh and unforgiving countryside with only a native guide to show her the way and maybe catch those who have violated her world. Haunted by the images of her recent past, Clare is tortured by what she remembers, but needs to persevere for her wits to remain intact.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
Xanderath (690 KP) rated the Xbox One version of Assassin's Creed: Odyssey in Video Games
Feb 5, 2020
Always choose the love option
Contains spoilers, click to show
I recieved this game through a @Smashbomb giveaway. I had never been very interested in assassin's creed having only played a bit of number 2 and freedom cry, but i wanted to give it a shot. Im glad i did because its become one of my favourite games ive ever played.
To start out you pick between either Alexios or Kassandra, i chose Alexios and have yet to experience Kassandra because even after restarting the main story i loved Alexios so much i kept him. So the game starts you on a small island called Kephalonia, which is a nice starting area with some basic quests and nice scenery. We get a bit of background on the hero's character and his motivation as we progress, once you get a ship you can pretty much explore anywhere on the map. i wouldnt recommend it though because the map is HUGE and there are plenty of areas that will kick your butt. Ive always been the kind of player to complete all the side quests, but there are so many in this game i kind of decided to plough on with the main story line, only to find out there are actually 3. The first "odyssey" is based around reuniting your family and if you make the right choices throughout the game this is achievable. its interesting to see how some choices turn out because honestly they werent always expected. The second "odyssey" is about destroying a cult of nutjobs that are responsible for a decent amount of tragedy both personal to Alexios and to the greater nation of greece. The third "odyssey" is somewhat disapointingly short but has some difficult boss fights. It is about gaining entrance to Atlantis the lost city and finding Alexios' real father. Overall the stories are very entertaining and i thoroughly enjoyed the inclusion of real historical figures such as herodotus and pythagorus.
Ive had so much fun in this game just sailing around or riding my magical horses, there is just soo much to do, but not in the overwhelming way. Ubisoft have done a great job making a magical game that is funny and gripping and exciting to play, i even learned some greek swearwords xD
I would recommend this game to anyone who likes fantasy, open worlds, stealth or just violence. 10/10 from me.
To start out you pick between either Alexios or Kassandra, i chose Alexios and have yet to experience Kassandra because even after restarting the main story i loved Alexios so much i kept him. So the game starts you on a small island called Kephalonia, which is a nice starting area with some basic quests and nice scenery. We get a bit of background on the hero's character and his motivation as we progress, once you get a ship you can pretty much explore anywhere on the map. i wouldnt recommend it though because the map is HUGE and there are plenty of areas that will kick your butt. Ive always been the kind of player to complete all the side quests, but there are so many in this game i kind of decided to plough on with the main story line, only to find out there are actually 3. The first "odyssey" is based around reuniting your family and if you make the right choices throughout the game this is achievable. its interesting to see how some choices turn out because honestly they werent always expected. The second "odyssey" is about destroying a cult of nutjobs that are responsible for a decent amount of tragedy both personal to Alexios and to the greater nation of greece. The third "odyssey" is somewhat disapointingly short but has some difficult boss fights. It is about gaining entrance to Atlantis the lost city and finding Alexios' real father. Overall the stories are very entertaining and i thoroughly enjoyed the inclusion of real historical figures such as herodotus and pythagorus.
Ive had so much fun in this game just sailing around or riding my magical horses, there is just soo much to do, but not in the overwhelming way. Ubisoft have done a great job making a magical game that is funny and gripping and exciting to play, i even learned some greek swearwords xD
I would recommend this game to anyone who likes fantasy, open worlds, stealth or just violence. 10/10 from me.
Sarah (7800 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020
Ritchie back on form
It's about time Guy Ritchie went back to what he does best. After the terrible Aladdin and King Arthur over the past couple of years, and the ok but not great Man from UNCLE and Sherlock Holmes films, Ritchie really needs something good. And whilst for me this didn't quite meet the high expectations set by Snatch and Lock, Stock, it's by far the best thing he's done since 2000's Snatch.
This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.
This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.
Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.
This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.
Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.
Gareth von Kallenbach (980 KP) rated The Purge: Election Year (2016) in Movies
Aug 6, 2019
Sen Roan (Elizabeth Mitchell) was the only member of her family to survive the Purge as a youth. Years later she runs on the platform of ending the Purge and exposing the various factors and rationale in its implementation and continuance. She and many others see the Purge as nothing more than a way for the powers that be and the wealthy to stay in power at the expense of the poor and people of color. As the Purge approaches, the American people are being torn as to the direction that their nation should take. The New Founding Fathers of America (NFFA) see the threat that Sen. Roan poses and seek out to use the annual purge as a way to rid themselves of her and those that seek to change the system that they have put into place.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
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