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RəX Regent (349 KP) rated Wall Street (1987) in Movies
Feb 19, 2019
When looking to review a film like this, there are two distinct points of view to take in to a account:
The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.
The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.
So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.
But when it comes to judging how well the film was made, that is surly timeless.
And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.
The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!
Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!
It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!
By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.
“Greed is good”.
Well, Mr Stone, so is some exposition.
The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.
The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.
So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.
But when it comes to judging how well the film was made, that is surly timeless.
And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.
The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!
Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!
It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!
By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.
“Greed is good”.
Well, Mr Stone, so is some exposition.
Cassie Osbourne (6 KP) rated The Secret Countess in Books
Nov 9, 2018
Countess Anna Grazinsky had it all: riches, jewels, palaces, English nannies, everything. And then the Russian revolution came along. Now in 1919, Anna and her family are penniless in London so she decides to get a job as a housemaid to the newly engaged Earl of Mersham.
This is the third Eva Ibbotson book that IÕve read this year and, whilst I have enjoyed them all, I canÕt help noticing that the characters are basically all the same. Heroine who seems completely perfect and has no flaws, love interest who is complex and often broody (also the most well rounded character in the book) and the obvious villain who spends the whole book being obviously villainous. All that being said, I do really like these characters. I could relate to Anna despite her perfectness, I understood RupertÕs problems regardless of how blind he was being at times and I enjoyed just how horrible and ruthless Muriel could be. I also loved the side characters. Ollie was adorable, Lavinia was hilarious and Baskerville was strangely well fleshed out for a dog (seriously, Ibbotson gives him a whole personality where most authors wouldnÕt have bothered). Yes most of the characters were simple without huge character arcs but I liked them all the same.
IbbotsonÕs writing style is easy to slip into and nice to read, if a little over fond of commas. However it is the atmosphere that really lets this book down Ñ there isnÕt really too much of it. There are a moments where a small amount is created, and those passages are certainly the most memorable, but there are unfortunately few and far between. ThatÕs not to say that the general feeling is bad or uncomfortable to read when it shouldnÕt be, but I would liked to have seen more of...well, something.
In a similar vein to what I said about the characters earlier, most of IbbotsonÕs young adult literature seems to follow a similar structure. Girl leaves family to do something or be someone that they often donÕt approve of, meets a misunderstood man, they fall in love but he is unavailable (or she thinks he is) and she leaves him without a word but donÕt worry, they are reunited and they all live happily ever after. However, if it ainÕt broke, donÕt fix it. While the main skeleton structure is used for most of her work, each of IbbotsonÕs books have a difference and a charm that stays with you and is memorable. There are plenty of little surprises and some twists and turns.
While this review may seem mixed and sound negative, I did really enjoy this book. I have kept it on my shelves with my other Eva Ibbotson novels for a reason and IÕm sure I will return to it.
Character: 7.5
Atmosphere: 5.5
Writing Style: 9
Plot: 8
Intrigue: 8
Logic: 8
Enjoyment: 8
This is the third Eva Ibbotson book that IÕve read this year and, whilst I have enjoyed them all, I canÕt help noticing that the characters are basically all the same. Heroine who seems completely perfect and has no flaws, love interest who is complex and often broody (also the most well rounded character in the book) and the obvious villain who spends the whole book being obviously villainous. All that being said, I do really like these characters. I could relate to Anna despite her perfectness, I understood RupertÕs problems regardless of how blind he was being at times and I enjoyed just how horrible and ruthless Muriel could be. I also loved the side characters. Ollie was adorable, Lavinia was hilarious and Baskerville was strangely well fleshed out for a dog (seriously, Ibbotson gives him a whole personality where most authors wouldnÕt have bothered). Yes most of the characters were simple without huge character arcs but I liked them all the same.
IbbotsonÕs writing style is easy to slip into and nice to read, if a little over fond of commas. However it is the atmosphere that really lets this book down Ñ there isnÕt really too much of it. There are a moments where a small amount is created, and those passages are certainly the most memorable, but there are unfortunately few and far between. ThatÕs not to say that the general feeling is bad or uncomfortable to read when it shouldnÕt be, but I would liked to have seen more of...well, something.
In a similar vein to what I said about the characters earlier, most of IbbotsonÕs young adult literature seems to follow a similar structure. Girl leaves family to do something or be someone that they often donÕt approve of, meets a misunderstood man, they fall in love but he is unavailable (or she thinks he is) and she leaves him without a word but donÕt worry, they are reunited and they all live happily ever after. However, if it ainÕt broke, donÕt fix it. While the main skeleton structure is used for most of her work, each of IbbotsonÕs books have a difference and a charm that stays with you and is memorable. There are plenty of little surprises and some twists and turns.
While this review may seem mixed and sound negative, I did really enjoy this book. I have kept it on my shelves with my other Eva Ibbotson novels for a reason and IÕm sure I will return to it.
Character: 7.5
Atmosphere: 5.5
Writing Style: 9
Plot: 8
Intrigue: 8
Logic: 8
Enjoyment: 8
graveyardgremlin (7194 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Feb 15, 2019
Vlad the Impaler is a fascinating figure. Known as a villain to most of the world, he has also been considered a hero to myriad citizens in Romania and Bulgaria. He had a rocky life and was used as a bargaining chip as a child, along with his younger brother, Radu the Handsome. I once watched a very interesting documentary on him that was even-handed and it left a lasting impression. I felt sorry for what he went through as a child and how it shaped him into cruel measures. <b>And I Darken</b> poses an interesting question: what if Vlad Tepes was born a girl? This first in the series explores the first eighteen or so years of his, now her, life.
Admittedly, while I was intrigued at the subject, the beginning of this book was a slog to get through. I wasn't especially fond of the simpering Radu early on, since he was ridiculously sensitive and close to caricature. He features just as much, and perhaps more, than his sister, Lada (the feminine of Vlad). I thought Lada was a well-drawn character and I could totally see Vlad in her. As they age, Radu improves and is the heart of the book. This follows history as well as can be with the major change, so the story continues their progress to being hostages, as it were, to the Ottoman Empire.
The majority of the book takes place with Lada and Radu out of their homeland and as prisoner, befriending the Sultan's son, Mehmet, who eventually succeeds his father. So begins Radu's maturation and overwhelming love for Mehmet, which then turns into a love triangle with Lada. This could have been a total disaster and while it mucks up the history I know, it was done as well as can be. I appreciated how Radu's loyalty and convictions were handled in context with the times and circumstances. While I would have liked a more well-rounded Lada, I am hopeful that the next book will go into more depth. It's not a perfect book, Lada comes up with some big solutions to (mostly) actual events at a young age, which felt too convenient, but I still enjoyed the overall result.
Admittedly, while I was intrigued at the subject, the beginning of this book was a slog to get through. I wasn't especially fond of the simpering Radu early on, since he was ridiculously sensitive and close to caricature. He features just as much, and perhaps more, than his sister, Lada (the feminine of Vlad). I thought Lada was a well-drawn character and I could totally see Vlad in her. As they age, Radu improves and is the heart of the book. This follows history as well as can be with the major change, so the story continues their progress to being hostages, as it were, to the Ottoman Empire.
The majority of the book takes place with Lada and Radu out of their homeland and as prisoner, befriending the Sultan's son, Mehmet, who eventually succeeds his father. So begins Radu's maturation and overwhelming love for Mehmet, which then turns into a love triangle with Lada. This could have been a total disaster and while it mucks up the history I know, it was done as well as can be. I appreciated how Radu's loyalty and convictions were handled in context with the times and circumstances. While I would have liked a more well-rounded Lada, I am hopeful that the next book will go into more depth. It's not a perfect book, Lada comes up with some big solutions to (mostly) actual events at a young age, which felt too convenient, but I still enjoyed the overall result.
Neon's Nerd Nexus (360 KP) rated Ocean’s 8 (2018) in Movies
May 14, 2019
Who run the world
#Oceans8 is a safe #heist #movie that takes very little risks but offers plently of enjoyment all the same. I won't lie I enjoyed this #film way more than I expected I would, is it the perfect heist film? no, is it a well made film? also no but its enjoyable for what it is that's for sure. Here's what I liked - the performances are great & the characters are all very likable (each one has a distinct personality & the chemistry they have with each other is genuine & entertaining). All the #ladies look absolutely #stunning & the garments they all wear constantly amaze & add more to their character. Infact I'd goe as far as to say its mostly these things alone that carry the entire film & make it such a #fun watch. My attention was also held the entire time & I never felt bored either & there were even points where the film managed to be quite tense too. Things I really didnt like - its not filmed very well or very intrestingly at all & infact it borders on being quite basic/lazy at times with quick cuts abruptly rushing/killing some scenes, boring camera work & generic screen wipes are also thrown in a lot randomly too. There's also a distinct lack of #style, class, omph & glamour with most locations especially feeling forgettable & dull. #jamescorden its also incredibly miss cast & his performance doesnt seem to fit well with the rest of the films tone. Story wise its not that interesting either & after the heist the film does fall a bit flat. Luckily however these few good points do in this case make the film really worth a watch eg - getting to know the characters & watching them prepare & pull off the heist was entertaining/fun & at times tense. Costumes, probs & a couple of sets were a joy to look at. #Music was ok & worked well with what was happening on screen. Acting is brilliant & its really nice to see #sandrabullock back in a lead roll again & looking so #beautiful while she does it too. Overall a good time heist movie that offers nothing new but keeps you interested with its lead performances. #odeon #odeonlimitless #oceans11 #hellenbonhamcarter #rihanna #annehathaway #cateblanchett #mindykaling #cinifile #filmbuff #review
Neon's Nerd Nexus (360 KP) rated Deadpool 2 (2018) in Movies
May 14, 2019
Dead waste
#deadpool2 has a bad case of 'bigger doesn't always mean better', its not a bad #film its just a very safe one & the formula is already starting to wear thin. I liked the first #deadpool, it wasn't anything ground breaking but I found it nailed the character & delivered something #superhero films haven't dared do in a while (it also balanced cool action & #fun #comedy well). With deadpool 2 we get more of the same & while the scale, budget & ideas seem to have been upped the films itself feels a tad flat, lifeless & overstuffed. First the good the fight choreography is very well done its fast, brutal & filmed well. #Music & the score is great & compliments the film perfect. #Popculture references & cameos are fun & extremely fun & well done. Sets, costumes & props all look great & have clearly had alot of care, time & detail put into them. #joshbrolin as #cable is tremendous completely stealing the show with his scenes being by far the most entertaining. The bad - with no real unique stand out scenes or anything new to bring to the table I found myself getting bored quite quickly. Story wise its bland/basic too & we are introduced to so many uninteresting characters with uninspiring motives that I just couldn't invest in them at all. Jokes & dialog both come across as forced this time & after a while became tierd & repetitive. Cgi wise its a mess going from good to damn right embarrassing at times (I just dont get some of the decisions to keep some scenes/characters in when they look this bad, it just made the film feel cheap & pulled me out of the experience constantly). Overall its not a bad film its just a very very average & unnecessary one. Id say its not a patch on the first one & that wasnt that amazing either. #Kids will #love it for its crude humour & gratuitous violence & hardcore #marvel fans probably wont have a bad word to say about it but for me I was disappointed & was hoping for a new direction not more of the same old. Definitely watchable but sadly forgettable. #odeonlimitless #odeon #avengers #ryanreynolds #mcu #comic #cinifile #tuesdaythoughts #spiderman #hughjackman #xmen #review #comicon #domino #deadpoolmovie
LilyLovesIndie (123 KP) rated ƒire's Viking (ƒire's Viking, #2) in Books
Nov 5, 2018
In this, the second in the Eire's Viking Trilogy, Agnarr has returned to the Emerald Isle with his heart set on finding himself a wife and making a life amongst the people he had pillaged long ago. Cared for by Charis' adoptive daughter, the relationship quickly spirals into more than that of just a patient and his healer.
This story has a great continuation from the first book, flowing smoothly and sucking you straight back in to the trilogy. That said, I would advise against reading this if you have not already read the first in the series. I was sucked instantly into the series, my attention thoroughly grabbed and it kept me wanting to read more and more. It felt like I was actually there in Ireland, the history was so splendid and totally immersed me in the tale being told. It's just enough history, but it never detracts from the story, rather it enhances it as it makes it so much more real and believable.
The romance in this story is well written, as you'd expect having already seen how Layne developed the relationship between Cowan and Charis. Agnarr and Aislinn seem well suited to each other and their initial resistance is balanced, rather than overplayed. The development of their feelings for each other, and their realisation of that fact, is written with skill.
Charis and Cowan remain wonderful characters to read, and their development, both of their relationship and their characterisation in general, is well continued from the first book. The revisiting of other characters like Tuirgeis was a great addition as, not only is it great to see them again, but it helps build a greater degree of reality to the story.
All in all, this was a very pleasant read, a story I enjoyed and one that developed the trilogy well. If I had to, i'd have a little niggle over the pace, as it did slow slightly, but, nevertheless, it was still a very good read. I am, as with the last book, very excited to see how this trilogy will end.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
This story has a great continuation from the first book, flowing smoothly and sucking you straight back in to the trilogy. That said, I would advise against reading this if you have not already read the first in the series. I was sucked instantly into the series, my attention thoroughly grabbed and it kept me wanting to read more and more. It felt like I was actually there in Ireland, the history was so splendid and totally immersed me in the tale being told. It's just enough history, but it never detracts from the story, rather it enhances it as it makes it so much more real and believable.
The romance in this story is well written, as you'd expect having already seen how Layne developed the relationship between Cowan and Charis. Agnarr and Aislinn seem well suited to each other and their initial resistance is balanced, rather than overplayed. The development of their feelings for each other, and their realisation of that fact, is written with skill.
Charis and Cowan remain wonderful characters to read, and their development, both of their relationship and their characterisation in general, is well continued from the first book. The revisiting of other characters like Tuirgeis was a great addition as, not only is it great to see them again, but it helps build a greater degree of reality to the story.
All in all, this was a very pleasant read, a story I enjoyed and one that developed the trilogy well. If I had to, i'd have a little niggle over the pace, as it did slow slightly, but, nevertheless, it was still a very good read. I am, as with the last book, very excited to see how this trilogy will end.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
System Leadership in Practice
Rob Higham, David Hopkins and Peter Matthews
Book
'With all the current interest in system reform and the spread of leadership, "System Leadership in...
Joe Goodhart (27 KP) rated Batman: Detective Comics, Volume 7: Batmen Eternal in Books
Nov 30, 2020
Well, boys and girls (and all non-gender folks as well), I have made to the last entry in James Tynion IV's run on DETECTIVE COMICS! Wowwowwoweeewow! What an amazing run it was!!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Neon's Nerd Nexus (360 KP) rated Ready or Not (2019) in Movies
Sep 2, 2019 (Updated Sep 2, 2019)
F*cking rich people
Ready Or Not is a delightful mash up of blood soaked horror and devilish comedy that intertwines well making this film an absolute blast. When Ready or not's certificate came up everyone was shocked it was 18 rated (I found kind of sad as to me it symbolised how there is 100% still a big market for the more violent and mature horror film yet these days they sadly seem few and far between. I proud to say this does not disappoint and delivers on gore, grossness and tons of unnecessary yet hilariously fitting cursing. Made by people with clear love for the genre this movie echoes what made 80s horror movies so fun. Its goofy, silly, humorous, cool, violent, over the top, cheesy and stylish with it all working well together as well as being extremely serious and tense when it needs to be too. A great mix of movies like your next, the purge, cabin in the woods and even evil dead this movie doesnt hesitate getting straight to the good stuff moving at a constant brisk pace. Although predictable at times it ride with the horror cliches mixing them up just enough for them to feel modern and refreshingly satisfying. Anti rich themes take front and centre and the film isnt shy of mocking wealthy people constantly questioning their morals, beliefs, way of life, ignorance, naivety, lack of empathy and ability to think they can do as they please. In fact you might say the most horrific parts of the film are just how stupid, desensitized, gullible, careless and void of empathy these people have become which adds a nice real world connection. Theres also some visually impressive/creative scenes that really stand out as they are flawlessly combine with music too. Great tension is also present here and a it has a good eending that keeps you on your toes guessing. Not perfect by any means but go into it with a mind set that you can just sit back and enjoy a well made film that's only interested in you having a good time and you will leave entertained.
Goddess in the Stacks (553 KP) rated The Thinking Woman's Guide to Real Magic in Books
Jan 12, 2018
This book is FANTASTIC. I was enthralled from start to finish, and frantically looked up the author to make sure she is writing a sequel. (She is, thank goodness!) I absolutely loved the main character, Nora, and the acerbic magician Aruendiel. Even while cheering for the opposite side, I even enjoyed reading about Raclin and Ilissa, the villains of the novel.
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com