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Lottie disney bookworm (1056 KP) rated The Mermaid, the Witch and the Sea in Books
Sep 20, 2020
Thank you to Netgalley and Walker books for providing this ARC in exchange for an honest review.
I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.
The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.
Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.
In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.
The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.
The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.
I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.
These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.
Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.
I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.
The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.
Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.
In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.
The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.
The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.
I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.
These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.
Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.
I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
ClareR (5911 KP) rated Practical Magic in Books
Dec 31, 2017
I'm pretty sure the film was nothing like the book....
Firstly, this isn't at all like the film. I'm really glad that I had a sizeable gap between watching the film and reading the book, because I'm sure I would be picking holes in either one or the other. I really enjoyed this though. The relationships between the three sets of sisters resonated with me in some ways (closeness vs wanting to get away!). I thought it interesting that they clearly had witchcraft knowledge/ ability, but didn't seem to want to use it! Why?! I'd be out there being my best Witch! I have to say that I actually preferred The Rules of Magic: the writing just seemed better. I suppose the author has written a lot of books between this book and its follow up=prequel. The story though is a great one.
Josh Burns (166 KP) rated The Gaelic King (2017) in Movies
Jun 21, 2019
Fantasy set in a historical setting, but is it good?
The Gaelic King is a low budget fantasy film set in historical Scotland. An exiled king is forced to unite with his once enemies to face a larger threat, a shadow army at the command of a powerful witch.
Honestly, this is a tough one to review. It doesn't do a whole lot wrong, but it doesn't Excel at anything either, it's stuck somewhere in between.
The film has passable acting, is well paced and has a solid storyline. The effects range from ok to bad, but it doesn't compromise the film too much. The music is great but is not balanced well with the sound of the movie, often overpowering dialogue.
Overall, it doesn't bring anything new or unexpected. It won't wow you, but you shouldn't cringe too much either. It's essentially the definition of mediocre.
Honestly, this is a tough one to review. It doesn't do a whole lot wrong, but it doesn't Excel at anything either, it's stuck somewhere in between.
The film has passable acting, is well paced and has a solid storyline. The effects range from ok to bad, but it doesn't compromise the film too much. The music is great but is not balanced well with the sound of the movie, often overpowering dialogue.
Overall, it doesn't bring anything new or unexpected. It won't wow you, but you shouldn't cringe too much either. It's essentially the definition of mediocre.
Lee KM Pallatina (951 KP) rated Hansel and Gretel (1988) in Movies
Aug 9, 2019
A great telling of an old tale
Contains spoilers, click to show
Saw this on Netflix and decided to give it a try, honestly wasn't a bad movie.
Cheesy Old school graphics help tell this tale very well and I praise the effort.
A few enjoyable musical numbers that are actually a little fun to hear.
Brother and sister Hansel (Hugh Pollard) and Gretel (Nicola Stapleton) are careless and leave food out for a donkey to eat. This enrages their mother (Emily Richard) because the family is poor and cannot afford to waste food. She orders the children to go out and pick some berries. Lost in the woods, they eventually find a magical cottage made of gingerbread and meet a nice old woman named Griselda (Cloris Leachman). But Griselda is a witch who imprisons the children and plans to eat them.
Initial release: 1987
Cheesy Old school graphics help tell this tale very well and I praise the effort.
A few enjoyable musical numbers that are actually a little fun to hear.
Brother and sister Hansel (Hugh Pollard) and Gretel (Nicola Stapleton) are careless and leave food out for a donkey to eat. This enrages their mother (Emily Richard) because the family is poor and cannot afford to waste food. She orders the children to go out and pick some berries. Lost in the woods, they eventually find a magical cottage made of gingerbread and meet a nice old woman named Griselda (Cloris Leachman). But Griselda is a witch who imprisons the children and plans to eat them.
Initial release: 1987
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