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Louise (64 KP) rated A Discovery of Witches in Books
Jul 2, 2018
Reading the reviews for this book, I knew it was going to be one of those reads, it’s a bit of a marmite book, you either love it or hate it. In my case I liked it enough to finish and want to continue to read the next one in the series.When I finished the book that was it. I didnt have loads of questions consuming me, it was just ok? what am I going to read next?
Diana Bishop is the female protagonist, she has descended from a very distinguished line of witches, however Diana does not use her powers that she has inherited, not since her parent’s died. Diana, a scholar is studying at a the Oxfords Bodleain Library as a historian. Unknown to her, she calls a bewitched alchemical manuscript, Ashmole 782. Finding nothing of interest to her apart from a funny feeling and an off putting text, she returns it to the stacks without a futher thought. Soon there are daemons, vampires and witches swarming around the library in search for this particular manuscript as it has been lost for 150 years and has all the answers from their past and to their future.
Deborah Harkness did a great job with the development of the two main characters Diana Bishop and Matthew Clairmont, and even the sub characters, you got to see all their traits and mannerisms.
Diana is the female protagonist she is very bold, outgoing, hardworking and sometimes just damn annoying. She is a witch that doesn’t want to use her powers but is forced to as she needs to protect herself, in the book she is feisty and then other times whiney and saying she can’t do certain things.
Matthew Clairmont is a Vampire that has existed for over a Thousand years, who is currently a geneticist and falls in love instantly with Diana, however, he is very possessive (a vampire trait….supposedly) has moodswings and just generally annoying at times.
The first half of this book is very slow paced and is more of the character building and the relationship developing between the two. The second half is much faster paced as you get more action and magical elements added to it.
There is insta-love but not in the normal way, they don’t show each other that they have feelings for one another for several days but it is a gradual build up, however the book only spans 40 days according to Harkness and I cant believe they are that involved with each other so quickly, I had to take a step back, realising that all this had happened in such a short space of time.
There is also references to a lot of historical figures and wars, so if you like a bit of history in your fiction then this could be for you. There is also no sex scenes in this book, only referencing to kissing, cuddling and a bit of fondling.
One thing that I didn’t like in this book was all the french that was used (I am not french or learnt any either) However, I think Harkness added this to feel more authentic as that was where Matthews mother Ysabeau lived.
I will definitely be reading the second book in the trilogy as I am intrigued to find out what happens next.
I rated this book a 3 out of 5 stars.
Diana Bishop is the female protagonist, she has descended from a very distinguished line of witches, however Diana does not use her powers that she has inherited, not since her parent’s died. Diana, a scholar is studying at a the Oxfords Bodleain Library as a historian. Unknown to her, she calls a bewitched alchemical manuscript, Ashmole 782. Finding nothing of interest to her apart from a funny feeling and an off putting text, she returns it to the stacks without a futher thought. Soon there are daemons, vampires and witches swarming around the library in search for this particular manuscript as it has been lost for 150 years and has all the answers from their past and to their future.
Deborah Harkness did a great job with the development of the two main characters Diana Bishop and Matthew Clairmont, and even the sub characters, you got to see all their traits and mannerisms.
Diana is the female protagonist she is very bold, outgoing, hardworking and sometimes just damn annoying. She is a witch that doesn’t want to use her powers but is forced to as she needs to protect herself, in the book she is feisty and then other times whiney and saying she can’t do certain things.
Matthew Clairmont is a Vampire that has existed for over a Thousand years, who is currently a geneticist and falls in love instantly with Diana, however, he is very possessive (a vampire trait….supposedly) has moodswings and just generally annoying at times.
The first half of this book is very slow paced and is more of the character building and the relationship developing between the two. The second half is much faster paced as you get more action and magical elements added to it.
There is insta-love but not in the normal way, they don’t show each other that they have feelings for one another for several days but it is a gradual build up, however the book only spans 40 days according to Harkness and I cant believe they are that involved with each other so quickly, I had to take a step back, realising that all this had happened in such a short space of time.
There is also references to a lot of historical figures and wars, so if you like a bit of history in your fiction then this could be for you. There is also no sex scenes in this book, only referencing to kissing, cuddling and a bit of fondling.
One thing that I didn’t like in this book was all the french that was used (I am not french or learnt any either) However, I think Harkness added this to feel more authentic as that was where Matthews mother Ysabeau lived.
I will definitely be reading the second book in the trilogy as I am intrigued to find out what happens next.
I rated this book a 3 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Jun 19, 2019
Attempting to continue the phenomenal literary and cinematic successes of the Harry Potter series of books and films is a daunting task for anyone to undertake. Even when series creator J.K. Rowling Rowling is involved, many would shy away from such a monumental taak.
However when you consider the books, movies, and merchandise have become a billion dollar industry and that rabid fans cannot get enough of the word that Rowlings created, it is not surprising that Rowlings and Warner Brothers have created a new cinematic series inspired by a story contained within the original book series.
In “Fantastic Beasts and Where to Find Them”, audiences are introduced to Newt Scamander (Eddie Redmayne), who is just embarking on his adventures which will later be turned into books that Harry and his friends will read some seventy years onward.
Set in 1926 New York amongst the secret community of wizards and witches; the film follows the arrival of Newt in America as he has come with a suitcase filled with magical creatures. When a non-magic user named Jacob Kowalski (Dan Fogler), accidentally mistakes the suitcase for his own and unleashes some of the creatures, chaos follows.
The timing of this mishap could not be worse for the magic community as magic users have lived in secret and the arrival of Nate and his creatures threatens to expose them and make a bad situational even worse. Further complicating matters are a series of events that have caused destruction in the city which has given rise to a group who are convinced that witches are amongst them and must be destroyed at all cost.
Being an unregistered magic user; Newt, is soon taken in by an agent in New York named Porpentina Goldstein (Katherine Waterston), who herself has fallen out of favor within her community of magic users. In time; Newt is taken into custody by Percival Graves (Collin Farrell), who not only seems to have a disdain for Newt, but is working with a member of the anti-witch group for his own ambitions.
Newt and his friends soon find themselves on the run as they attempt to gather the missing creatures and get to the bottom of a much bigger and more dangerous menace that threatens their community as well as the people of New York. What follows is a journey filled with magic, comedy, and danger that will delight fans.
The film is a pure delight and the Potter magic has continued in this highly-entertaining new series. The cast and characters are very enjoyable and the visual magic is wonderful to behold.
The story is filled with charm and humor but has a few nods to the previous films as well as a few surprises along the way.
I was easily swept up by the madcap adventure and cast that all gave solid performances. Never once did the characters let the dazzling array of visual effects overshadow the fact that this is a character driven story.
Redmayne and Fogler work very well with one another and the innocent fish out of water story that they both embark on makes them easily endearing to the audience.
It will be very interesting to see where the future films will go, but if this one is any indication of what is in store, there is plenty of magic left in this world and I cannot wait to see what comes next.
http://sknr.net/2016/11/15/fantastic-beasts-find/
However when you consider the books, movies, and merchandise have become a billion dollar industry and that rabid fans cannot get enough of the word that Rowlings created, it is not surprising that Rowlings and Warner Brothers have created a new cinematic series inspired by a story contained within the original book series.
In “Fantastic Beasts and Where to Find Them”, audiences are introduced to Newt Scamander (Eddie Redmayne), who is just embarking on his adventures which will later be turned into books that Harry and his friends will read some seventy years onward.
Set in 1926 New York amongst the secret community of wizards and witches; the film follows the arrival of Newt in America as he has come with a suitcase filled with magical creatures. When a non-magic user named Jacob Kowalski (Dan Fogler), accidentally mistakes the suitcase for his own and unleashes some of the creatures, chaos follows.
The timing of this mishap could not be worse for the magic community as magic users have lived in secret and the arrival of Nate and his creatures threatens to expose them and make a bad situational even worse. Further complicating matters are a series of events that have caused destruction in the city which has given rise to a group who are convinced that witches are amongst them and must be destroyed at all cost.
Being an unregistered magic user; Newt, is soon taken in by an agent in New York named Porpentina Goldstein (Katherine Waterston), who herself has fallen out of favor within her community of magic users. In time; Newt is taken into custody by Percival Graves (Collin Farrell), who not only seems to have a disdain for Newt, but is working with a member of the anti-witch group for his own ambitions.
Newt and his friends soon find themselves on the run as they attempt to gather the missing creatures and get to the bottom of a much bigger and more dangerous menace that threatens their community as well as the people of New York. What follows is a journey filled with magic, comedy, and danger that will delight fans.
The film is a pure delight and the Potter magic has continued in this highly-entertaining new series. The cast and characters are very enjoyable and the visual magic is wonderful to behold.
The story is filled with charm and humor but has a few nods to the previous films as well as a few surprises along the way.
I was easily swept up by the madcap adventure and cast that all gave solid performances. Never once did the characters let the dazzling array of visual effects overshadow the fact that this is a character driven story.
Redmayne and Fogler work very well with one another and the innocent fish out of water story that they both embark on makes them easily endearing to the audience.
It will be very interesting to see where the future films will go, but if this one is any indication of what is in store, there is plenty of magic left in this world and I cannot wait to see what comes next.
http://sknr.net/2016/11/15/fantastic-beasts-find/
Kristy H (1252 KP) rated The Invited in Books
Jun 21, 2019
Helen and Nate have a nice, settled life as teachers at a private school in Connecticut. But they also have aspirations for a simpler life. So using their savings and an inheritance, they buy 40+ acres in the tiny village of Hartsboro, Vermont and decide to build their own dream house themselves. Helen, a history teacher, wants a house and land with history--and she gets her wish when she discovers the story of Hattie Breckenridge, a woman who apparently lived (and died) on their property over a hundred years ago. Marked by the villagers as a witch, Hattie was killed, leaving behind her young daughter, Jane. Helen becomes fascinated with Hattie's past and begins trying to find out what happened to her--and her family members. But a series of more and more weird events start happening once they move in. Is it just the people of Hartsboro, who don't like outsiders? Or is it Hattie? And are Helen and Nate in danger?
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
I just love Jennifer McMahon's books and she's someone whom I will read anything they write. This was such a good book that drew me from the very beginning. I started it while on vacation in Vermont, so I was really excited that it happened to take place in Vermont--a place I'd never been until this year. McMahon's descriptive language makes it so easy to visualize her (often eerie) settings, as well as her characters.
Along with Helen and Nate, our slightly hippyish couple, we have Olive, a teenage girl from Hartsboro, and her dad and aunt, plus various Hartsboro townsfolk. Olive was a very compelling character; she's been abandoned by her mother and is teased and bullied terribly by her schoolmates, since the town all believes her mom ran off with another man. Her bereft father isn't much help, leaving her to raise herself or rely on her aunt. She has one friend, Mike, who is a good guy, but annoys our feisty heroine with his wimpy-ness. It's hard not to fall for Olive, believe me. Even Helen will grow on you, too. And no matter what, they are so easy to picture.
The novel is told from a variety of points of view, but mainly Olive and Helen. We learn a lot about each of them. As I said, it drew me in from the beginning and kept me reading. As with most of McMahon's books, it's layered with that creepy, mysterious edge. In many ways, it's a proper ghost story. But she always manages to write it so that instead of rolling your eyes, you feel a little creeped out, or find yourself looking over your shoulder at night. Hattie herself plays a really strong role in this book, and I liked how well the story set up the idea of how much people (and small towns) fear what they don't know.
"What people don't understand, they destroy."
It's funny, I could guess where a lot of this book was leading, yet it in no way diminished my enjoyment of it. I could see how that might annoy some, but it didn't bother me in the least. I was completely immersed in the characters, the eerie ghost story, and trying to piece together all the plot pieces. Hattie's story--and that of her descendants--is fascinating. There was just something about this book that I loved: that intangible piece that makes you a part of the story, keeps you flipping the pages, and makes you feel both sad and amazed when you finish the book. 4.5 stars.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Photo Traveler in Books
Jan 23, 2020
Originally posted on <a title="'The Photo Traveler by Arthur J. Gonzalez"' href="http://bookwyrming-thoughts.blogspot.com/2013/05/blog-tour-the-photo-traveler-by-arthur-j-gonzalez-review-and-giveaway.html">Bookwyrming Thoughts</a>
Original Rating: 4.5 out of 5
Note: Formatting is lost due to copy and paste (includes picture lost as well)
<i><b>Disclaimer:</b> I received this book from the author for free to review for the blog tour. My review is not influenced in any way.</i>
Seventeen-year-old Gavin Hillstone has been in foster care with an abusive father since his parents died in a fire at a young age. The only thing that lets him escape the torturous life is taking photos. Just when he thinks that he's going to be miserable for the rest of his life, he finds out that his dad's parents are still alive and enters the dangerous world of a small group of people called Photo Travelers.
I honest to goodness hate his adoptive family, except for maybe Dina and Leyla. What a nasty temper his adoptive father has. I'm so glad Gavin found his grandparents, because if I could, I would probably say good riddance to Jet (of course, if I actually said it... it would probably get pretty... ugly). Then there's Gavin's adoptive sister. Mel. I was thinking she at least changed a bit when she went after him after he left. I mean, I can see why she would act like that, but still... I'm sad to say I'm disappointed in her. :(
I guess that shows manipulative the villain is. 2 simple words with very simple (and good, if you look in the dictionary...) meanings... yet totally against what the other Photo Travelers are thinking of. It's kind of ironic what they mean to do for the good of mankind in the future, yet they can still break rules of all kinds.
Gavin is a pretty likable character in broad terms. He's loyal and protective when his family and friends are threatened by others. Though when it comes to some of his actions, I sometimes just want to give him a facepalm and ask, Why, Gavin, whyyy?
I love how The Photo Traveler started. My very first thought after reading the prologue was, Oh boy, this is going to a great 'ride!' I also love how Gonzalez was very accurate (at least in historical facts) when it came to Gavin's trips to places such as the Salem Witch Trials and the Great Depression. What's a bit aggravating about the book, however, is the dialogue. The characters, including Gavin himself, just seem so... happy, excited or yelling all the time. There just seems to be a bit of overuse in exclamation marks. :/
Then there's the ending. There's always that dreadful last few sentences at the end of the book where you hit the end and it seems to say right back, The End. With a lovely little cliffhanger. Somehow, you just want to say, But... but... it was just beginning to get really interesting! Despite the little mini protests, no one's going to hear me, so I'll hide in a cozy little corner, sip something nice and cold, and read on (after all, it's summer and time to... chillax). *unhappy face* I'm so glad cliffhangers don't have the ability to laugh at me... otherwise I'll be laughed at often. >_<
Original Rating: 4.5 out of 5
Note: Formatting is lost due to copy and paste (includes picture lost as well)
<i><b>Disclaimer:</b> I received this book from the author for free to review for the blog tour. My review is not influenced in any way.</i>
Seventeen-year-old Gavin Hillstone has been in foster care with an abusive father since his parents died in a fire at a young age. The only thing that lets him escape the torturous life is taking photos. Just when he thinks that he's going to be miserable for the rest of his life, he finds out that his dad's parents are still alive and enters the dangerous world of a small group of people called Photo Travelers.
I honest to goodness hate his adoptive family, except for maybe Dina and Leyla. What a nasty temper his adoptive father has. I'm so glad Gavin found his grandparents, because if I could, I would probably say good riddance to Jet (of course, if I actually said it... it would probably get pretty... ugly). Then there's Gavin's adoptive sister. Mel. I was thinking she at least changed a bit when she went after him after he left. I mean, I can see why she would act like that, but still... I'm sad to say I'm disappointed in her. :(
I guess that shows manipulative the villain is. 2 simple words with very simple (and good, if you look in the dictionary...) meanings... yet totally against what the other Photo Travelers are thinking of. It's kind of ironic what they mean to do for the good of mankind in the future, yet they can still break rules of all kinds.
Gavin is a pretty likable character in broad terms. He's loyal and protective when his family and friends are threatened by others. Though when it comes to some of his actions, I sometimes just want to give him a facepalm and ask, Why, Gavin, whyyy?
I love how The Photo Traveler started. My very first thought after reading the prologue was, Oh boy, this is going to a great 'ride!' I also love how Gonzalez was very accurate (at least in historical facts) when it came to Gavin's trips to places such as the Salem Witch Trials and the Great Depression. What's a bit aggravating about the book, however, is the dialogue. The characters, including Gavin himself, just seem so... happy, excited or yelling all the time. There just seems to be a bit of overuse in exclamation marks. :/
Then there's the ending. There's always that dreadful last few sentences at the end of the book where you hit the end and it seems to say right back, The End. With a lovely little cliffhanger. Somehow, you just want to say, But... but... it was just beginning to get really interesting! Despite the little mini protests, no one's going to hear me, so I'll hide in a cozy little corner, sip something nice and cold, and read on (after all, it's summer and time to... chillax). *unhappy face* I'm so glad cliffhangers don't have the ability to laugh at me... otherwise I'll be laughed at often. >_<
Night Reader Reviews (683 KP) rated The Music Man: Other Dimensions in Books
Feb 11, 2020
Honest Review for Free Copy of Book
Before you read this review I just want to mention that I do like the idea behind this book and do not want to discourage anyone from reading it. This was just my personal opinion as all my reviews are.
The Music Man: Other Dimensions by Moonyani Write picks up directly where the previous one left off. It has the same writing style as the previous one for those who enjoyed that. However, at the time of my writing this the book could still use some work (although keep in mind I am just a reader and not an editor).
This second book welcomes back The Music Man (Cornelius), Jimmy, and his friends at a boarding school for the musically gifted. At first, Jimmy believes all the previous events are just a dream but he soon pins down Cornelius, who just happens to be a teacher at his school and learns the truth. The bad news is Hornsbury and the witches have returned in the other dimension and are trying to steal the other Jimmy’s talents and take over the world.
Before Jimmy and his friends can stop Hornsbury and save everyone they must complete a few other tasks. The first of these tasks is to save Chris from his possession and return the book he stole to its rightful owner, Priala. Priala is a powerful witch and on the side of good who has agreed to help stop Hornsbury so long as she gets her spellbook back first. They also want to help Phillip regain his human form and free all those already possessed by Hornsbury. Sadly all seems lost when both Jimmy’s and Cornelius’s girlfriend are captured by Honsbury. It then becomes a race against the clock to stop him before it is too late.
I enjoyed how the students from our dimension and those from the other dimension interacted with each other. It was interesting to see how the friendships formed almost instantly between many of them. Of course, the surprise at the end was nice, although it mirrored the ending of the first book. The amount of repetition is this book was a major issue for me and made it extremely hard to read. To be honest I got bored with it quickly. The story is slow to make progress and it seems like there are character descriptions thrown in at random which interrupts the flow of the story. It could be the format that I received this book in but yet again there were few paragraphs and almost every sentence started a completely new line.
This book is ideal for children as I found nothing inappropriate in it. It might be a bit on the long side for some younger readers but making one chapter at a time a reading goal should help with that issue. I rate this book 1 out of 4. Unfortunately, I found this book to be way too repetitive and slow to be enjoyable. In contrast, the big battle at the end that everything was leading up to was over so quickly that it didn’t create any tension or excitement. I do not like doing this but in this book’s current condition I can not recommend it.
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https://smashbomb.com/nightreader
The Music Man: Other Dimensions by Moonyani Write picks up directly where the previous one left off. It has the same writing style as the previous one for those who enjoyed that. However, at the time of my writing this the book could still use some work (although keep in mind I am just a reader and not an editor).
This second book welcomes back The Music Man (Cornelius), Jimmy, and his friends at a boarding school for the musically gifted. At first, Jimmy believes all the previous events are just a dream but he soon pins down Cornelius, who just happens to be a teacher at his school and learns the truth. The bad news is Hornsbury and the witches have returned in the other dimension and are trying to steal the other Jimmy’s talents and take over the world.
Before Jimmy and his friends can stop Hornsbury and save everyone they must complete a few other tasks. The first of these tasks is to save Chris from his possession and return the book he stole to its rightful owner, Priala. Priala is a powerful witch and on the side of good who has agreed to help stop Hornsbury so long as she gets her spellbook back first. They also want to help Phillip regain his human form and free all those already possessed by Hornsbury. Sadly all seems lost when both Jimmy’s and Cornelius’s girlfriend are captured by Honsbury. It then becomes a race against the clock to stop him before it is too late.
I enjoyed how the students from our dimension and those from the other dimension interacted with each other. It was interesting to see how the friendships formed almost instantly between many of them. Of course, the surprise at the end was nice, although it mirrored the ending of the first book. The amount of repetition is this book was a major issue for me and made it extremely hard to read. To be honest I got bored with it quickly. The story is slow to make progress and it seems like there are character descriptions thrown in at random which interrupts the flow of the story. It could be the format that I received this book in but yet again there were few paragraphs and almost every sentence started a completely new line.
This book is ideal for children as I found nothing inappropriate in it. It might be a bit on the long side for some younger readers but making one chapter at a time a reading goal should help with that issue. I rate this book 1 out of 4. Unfortunately, I found this book to be way too repetitive and slow to be enjoyable. In contrast, the big battle at the end that everything was leading up to was over so quickly that it didn’t create any tension or excitement. I do not like doing this but in this book’s current condition I can not recommend it.
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https://smashbomb.com/nightreader
Neon's Nerd Nexus (360 KP) rated The Lighthouse (2019) in Movies
Mar 2, 2020
Spill yer beans
The Lighthouse is cinematic perfection that will leave anyone that lets it engulf thier mind and senses broken, disturbed, traumatised and violated. An experience like no other I can not stress enough that everyone must whitness this utter masterpiece. Primarily a character study about two lighthouse keepers descent into madness however the way the film depicts this reaches far deeper than I ever even imagined it would. (Possible spoilers ahead) Theres an unquestionable comparison to Greek mythology here and as the film plays out Willem Dafoe character draws several comparisons to King Trident, Zeus and Minos but ultimatly ends up becoming one of his own 'God of the lighthouse' keeping his prized possession locked away at the top of his tower. Robert Pattison also compares to the Titan Prometheus trying to steel this possesion/fire from this so called god. He can also be compared to Icarus trapped in a tower by a mean man with no means of escape and Odysseus constantly distracted/infatuated with the Sirens surrounding the lighthouse. I found these comparisions integrated into the story beautifully and theres constant fable/mythological imagry to reinforce these comparisons too which is hauntingly striking and terrifyingly prominent. Atmosphere is pin sharp here and as these two men begin to break you feel everything that starts to grate on them bombarding your senses as a viewr too. Everything is communicated flawlessly to really draw the viewer in as if we too are stuck with these to men feeling evrything build up, irritate, torment and add to the degradation of the mind until it hits its breaking point. Floors creaking & bowing, metal bending and screeching, wind howling, waves crashing, rain beating down, shutters rattling and birds squawking its intense and realistic sound design thats for sure. Mix this with a constant sence of dread from the narrow corridors, looming shadows, low lighting, claustrophobic living quaters, fog, harsh weather, mud, anoying seagulls, restricted views, countless foul smells, hard back breaking work, sexual frustrations, loneliness and alcohol its enough to make anyone go insane and as the film plays out cabin fever really intensifies (especially for us with the film being shot in black and white and with a smaller aspect ratio). This is some of the best acting ive seen for sure both Dafoe and Pattison portray these characters so well that you would be convinced you were watching historic archive footage of two people cooped up. Both are devious liars, have vicious tempers and nasty streaks as well as mysterious pasts and both are also constantly in a fight for dominance of the lighthouse and the secrets it holds. In this day and age The lighthouse is such a true gem to behold and is so unique and engrossing you would swear it transported you back in time while watching it. I also did not expect this film to take the turn it does half way through either almost becoming a distressing horror movie and as intense as a tesuo film and as my friend and me left the screening we found ourselves deeply disturbed/traumatised with our hearts pounding from what we had just been exposed to. Disgustingly intense, depressingly dripping in sadness, brutaly violent and deeply unsettling the lighthouse is one hell of a movie and may just be one of the best movies I have ever seen, it really is without a doubt a cinema experience I will certainly never forget. Comparable to the witch, the turin horse and apocalypse now the lighthouse deserves all the praise its been getting and more. Stunning.
JT (287 KP) rated Sinister (2012) in Movies
Mar 10, 2020
Has the found footage genre been done to death? Some would very much say it has, yet they keep on churning the films out. One thing to note with many of these is the budget, films like Paranormal Activity and Insidious were made for a pittance yet generated millions at the box office.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
Gareth von Kallenbach (980 KP) rated Into the Woods (2014) in Movies
Aug 6, 2019
For those seeking a big dose of magic this holiday season, Disney’s “Into the Woods” aims to deliver just that. Adapted to the silver screen from the original Broadway musical production by Stephen Sondheim, the plot intertwines several of the Grimm Brothers’ fairy tales to create one story.
At the center of the story is The Baker (James Corden) and The Baker’s Wife (Emily Blunt) who are desperate to break the curse, which keeps them from having a child. The Witch (Meryl Streep) who placed the curse weaves a devious web, entangling all of the characters in a tumultuous adventure.
Streep is terrifying and highly entertaining to watch in her role. Her vocal and facial expressions exude a character of pure evil.
Other characters incorporated into the story include Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick), and Rapunzel (Mackenzie Mauzy), just to name a few.
Disney toned down several aspects of the original plot, which would not have been appropriate for children. However, the story still maintains a racy mix of seriousness and humor. Each scene highlights the absurdities of fairy tales only noticed by adults.
One scene which will have adults rolling with laughter is the sudden duet between Cinderella’s Prince (Chris Pine) and his brother, Rapunzel’s Prince (Billy Magnusson). They sing about the challenges of literally chasing the ladies of their desire and their refusal to acknowledge any possibility of rejection.
Certain scenes test the limits of appropriateness and are almost perverse, or perhaps even err on the side horror.
One example of this is the role of The Wolf (Johnny Depp). As he stalks Little Red Riding Hood through the forest he sings about how she is fresh, supple, and young. Through the lyrics and the choice to use a human in the role, rather than a CGI wolf, a strange glimmer of pedophilia surfaces. This is taken a step further when The Wolf reveals a jacket full of candy in his attempt to lure the child.
The element of horror enters the film in a scene where Cinderella’s Stepmother cuts the feet of the ugly stepsisters to try and force them into the glass slipper offered by the Prince. This is not graphically shown. However, it is implied as she waves around a knife and sings about it.
Despite a few of these adult twists, the film should be fun for the whole family to watch. Just keep in mind that, like the original tales, some short scenes may be a bit horrifying for young children.
As is tradition with fairy tales, the good comes with the bad. The moral messages of each fairy tale are combined into one larger message: One should be careful what they wish for, because in the grander scheme of life the ramifications of those wishes may be unforeseen.
It is also a visually stunning piece of work. Nothing comes off as overdone or cheesy. The tales truly come to life and transport viewers into a land of fantasy.
The majority of the film is very exciting and fast moving. That being said, the film is lengthy with a runtime of 124 minutes. Unfortunately, the last 30 minutes begins to drag on and feel tiring. This would have been an easy fix if perhaps the last few songs had been shortened, or the last thirty minutes was cut completely.
All in all, the film is a truly magical cinematic experience. I give “Into the Woods” 4 out of 5 stars.
At the center of the story is The Baker (James Corden) and The Baker’s Wife (Emily Blunt) who are desperate to break the curse, which keeps them from having a child. The Witch (Meryl Streep) who placed the curse weaves a devious web, entangling all of the characters in a tumultuous adventure.
Streep is terrifying and highly entertaining to watch in her role. Her vocal and facial expressions exude a character of pure evil.
Other characters incorporated into the story include Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick), and Rapunzel (Mackenzie Mauzy), just to name a few.
Disney toned down several aspects of the original plot, which would not have been appropriate for children. However, the story still maintains a racy mix of seriousness and humor. Each scene highlights the absurdities of fairy tales only noticed by adults.
One scene which will have adults rolling with laughter is the sudden duet between Cinderella’s Prince (Chris Pine) and his brother, Rapunzel’s Prince (Billy Magnusson). They sing about the challenges of literally chasing the ladies of their desire and their refusal to acknowledge any possibility of rejection.
Certain scenes test the limits of appropriateness and are almost perverse, or perhaps even err on the side horror.
One example of this is the role of The Wolf (Johnny Depp). As he stalks Little Red Riding Hood through the forest he sings about how she is fresh, supple, and young. Through the lyrics and the choice to use a human in the role, rather than a CGI wolf, a strange glimmer of pedophilia surfaces. This is taken a step further when The Wolf reveals a jacket full of candy in his attempt to lure the child.
The element of horror enters the film in a scene where Cinderella’s Stepmother cuts the feet of the ugly stepsisters to try and force them into the glass slipper offered by the Prince. This is not graphically shown. However, it is implied as she waves around a knife and sings about it.
Despite a few of these adult twists, the film should be fun for the whole family to watch. Just keep in mind that, like the original tales, some short scenes may be a bit horrifying for young children.
As is tradition with fairy tales, the good comes with the bad. The moral messages of each fairy tale are combined into one larger message: One should be careful what they wish for, because in the grander scheme of life the ramifications of those wishes may be unforeseen.
It is also a visually stunning piece of work. Nothing comes off as overdone or cheesy. The tales truly come to life and transport viewers into a land of fantasy.
The majority of the film is very exciting and fast moving. That being said, the film is lengthy with a runtime of 124 minutes. Unfortunately, the last 30 minutes begins to drag on and feel tiring. This would have been an easy fix if perhaps the last few songs had been shortened, or the last thirty minutes was cut completely.
All in all, the film is a truly magical cinematic experience. I give “Into the Woods” 4 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Brave (2012) in Movies
Aug 7, 2019
The digital wizards at Pixar have an incredible dossier of Academy award-winning animated films. Their latest film “Brave“, is a prime example of the bold new direction for the company behind such classics as “Finding Nemo“, “Toy Story“, “The Incredible’s“, and “Monsters, Inc.” just to name a few. This time out Scotland provides the setting for the animation masters to weave their magic, and they do in a splendid 3-D feast of sight, sound, and color that captures the breathtaking beauty of the Scottish Highlands.
For Princess Merida (Kelly Madonald), life is filled with joy and frustration. As the daughter to King Fergus (Billy Connolly), and Queen Elinor (Emma Thompson), she has to walk a fine line between the duties and expectation of her mother and her freewheeling lifestyle of daring and adventure. The young Princess is content to ride through the countryside astride her horse Angus, and perfect her already admirable archery skills.
When Merida learns that her parents have summoned the other major clans so that a worthy suitor can be chosen, Merida rebels openly at their plan and causes great embarrassment to her family during a competition. In a fit of rebellious anger, Merida rides into the woods, and comes upon a witch who promises to create for the young princess a spell that will forever change her destiny. Although not done out of malice, the spell has some on expected consequences that threatens the future of the kingdom as well as the safety of Merida’s family.
The film has some outstanding performances, not the least of which is Connolly, who was an absolute delight whenever his character was on screen. Supporting work by Craig Ferguson and Robbie Coltrane complement the leads well. Since my mother is a Scot, I am all-too-familiar with not only the history but culture of Scotland. I had been concerned when I first heard the project that it would play up on certain stereotypes and miss the true complexity and splendor of Scotland and its people, as well as it’s extremely rich history which is filled with numerous technical and literary achievements over the centuries.
Thankfully my concerns were allayed very early in the film not simply because of the amazing visual detail of the movie but also because of the lovable but quirky characters. The writers and animators managed to capture the very nature of the people and the culture, which is no easy thing in an animated film. Kudos for the casting of the mostly Scottish cast who played their roles with relish. I can honestly say hearing King Fergus address the clans brought to mind my aunts, uncles and cousins thanks to the distinct Scottish brogue. I especially liked the fact that when conflict erupted (of course) amongst even the best of friends, there are some very clever ways that laughs were gained without turning the characters into buffoons or being overly cute.
While the film plays it fairly safe with the story, Pixar’s first female heroine gives us a very fun and enjoyable tale that offers something for the entire family without talking down to the audience or having to resort to crude humor. A few scenes may be a bit intense for youngsters and while it will not be cited for any technological breakthroughs Brave, nonetheless, is highly entertaining.
For Princess Merida (Kelly Madonald), life is filled with joy and frustration. As the daughter to King Fergus (Billy Connolly), and Queen Elinor (Emma Thompson), she has to walk a fine line between the duties and expectation of her mother and her freewheeling lifestyle of daring and adventure. The young Princess is content to ride through the countryside astride her horse Angus, and perfect her already admirable archery skills.
When Merida learns that her parents have summoned the other major clans so that a worthy suitor can be chosen, Merida rebels openly at their plan and causes great embarrassment to her family during a competition. In a fit of rebellious anger, Merida rides into the woods, and comes upon a witch who promises to create for the young princess a spell that will forever change her destiny. Although not done out of malice, the spell has some on expected consequences that threatens the future of the kingdom as well as the safety of Merida’s family.
The film has some outstanding performances, not the least of which is Connolly, who was an absolute delight whenever his character was on screen. Supporting work by Craig Ferguson and Robbie Coltrane complement the leads well. Since my mother is a Scot, I am all-too-familiar with not only the history but culture of Scotland. I had been concerned when I first heard the project that it would play up on certain stereotypes and miss the true complexity and splendor of Scotland and its people, as well as it’s extremely rich history which is filled with numerous technical and literary achievements over the centuries.
Thankfully my concerns were allayed very early in the film not simply because of the amazing visual detail of the movie but also because of the lovable but quirky characters. The writers and animators managed to capture the very nature of the people and the culture, which is no easy thing in an animated film. Kudos for the casting of the mostly Scottish cast who played their roles with relish. I can honestly say hearing King Fergus address the clans brought to mind my aunts, uncles and cousins thanks to the distinct Scottish brogue. I especially liked the fact that when conflict erupted (of course) amongst even the best of friends, there are some very clever ways that laughs were gained without turning the characters into buffoons or being overly cute.
While the film plays it fairly safe with the story, Pixar’s first female heroine gives us a very fun and enjoyable tale that offers something for the entire family without talking down to the audience or having to resort to crude humor. A few scenes may be a bit intense for youngsters and while it will not be cited for any technological breakthroughs Brave, nonetheless, is highly entertaining.
Gareth von Kallenbach (980 KP) rated Hoodwinked Too! Hood vs Evil (2011) in Movies
Aug 7, 2019
Does anyone remember the original Hoodwinked movie? Nobody else does, either. Blue Yonder Films, the studio that brought you Doogal tries to pull another rabbit out of their hat by releasing a sequel to the twisted fairy-tale movie titled Hoodwinked Too: Hood vs. Evil. All of the original voice characters are present from the first film, except for Red (Anne Hathaway was replaced by Hayden Panettiere), and Kirk the Woodsman (Jim Belushi , who was replaced by Martin Short).
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.