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Kim Pook (101 KP) rated It: Chapter Two (2019) in Movies
Oct 3, 2019
The acting (1 more)
The humour
Very funny for a horror movie
Contains spoilers, click to show
I enjoyed the first chapter so had to watch the second. I have read it is much closer to the book than the 80s version, however having never read the book i can't comment on that element.
The movie is set years after the first one and the loser gang have now gone their seperate ways, All but one had moved out of derry, some of them have a successful career and Beverly is unfortunately in an abusive marriage, but all this changes when they get the dreaded phone call to come back to derry - pennywise has returned and needs to be destroyed for good! The first few minutes of the movie where we are reintroduced to the characters is pretty slow going but once they meet up at the restaurant, things move pretty quickly and you forget how long the movie actually is. What i found with this movie though is how funny it is, not just at the humour between the group but the different monsters we meet, for example a zombie knew how to drive a car đđ. I was a little disappointed with the ending as i expected something spectacular to kill him, but it was literally just belittling pennywise until he shrunk down into a baby like form and then removing his heart and squeezing it until he dies, it just seemed too easy! I'm also surprised that they still had him tramsform into a spider like form, despite people not liking the original ending, again though this might be in the book. Regardless of these faults though i still enjoyed the movie and highly recommend it.
The movie is set years after the first one and the loser gang have now gone their seperate ways, All but one had moved out of derry, some of them have a successful career and Beverly is unfortunately in an abusive marriage, but all this changes when they get the dreaded phone call to come back to derry - pennywise has returned and needs to be destroyed for good! The first few minutes of the movie where we are reintroduced to the characters is pretty slow going but once they meet up at the restaurant, things move pretty quickly and you forget how long the movie actually is. What i found with this movie though is how funny it is, not just at the humour between the group but the different monsters we meet, for example a zombie knew how to drive a car đđ. I was a little disappointed with the ending as i expected something spectacular to kill him, but it was literally just belittling pennywise until he shrunk down into a baby like form and then removing his heart and squeezing it until he dies, it just seemed too easy! I'm also surprised that they still had him tramsform into a spider like form, despite people not liking the original ending, again though this might be in the book. Regardless of these faults though i still enjoyed the movie and highly recommend it.
LeftSideCut (3776 KP) rated The Predator (2018) in Movies
Oct 15, 2019 (Updated Dec 4, 2019)
A pretty shoddy sequel with some good moments here and there
There a lot of issues that kept The Predator from being a decent movie...
The special effects are a big one. A lot of the CGI in this is pretty dodgy. Especially for gore moments. It boggles my mind why a lot of horror films these days favour CGI over practical effects. Films like Alien, and The Thing (80s) stand as a testament to how practical horror work can be truly memorable.
In The Predator however, it's looks cartoony and fake - at one point I had to check I was watching a movie from 2018!
The dog creatures also look horrible - just bland and dark grey CGI blobs with teeth.
The 'classic' Predator that we see throughout this film is for the most part a guy in a suit, and it looks way better.
The characters are also an issue. They're not on the same level as awful as the characters from Predators, but they're all just unfunny walking cliches, which is a shame as there are some talented actors involved, trying to do the best with what they've been given.
The script attempts to shoehorn in plot strands that are not particularly relative to the overall narrative, including a complete tone deaf side plot about autism, which drags down what should be a pretty straightforward story.
The action isn't too bad, pretty entertaining as far as popcorn horror blockbusters go, with some creative deaths thrown in, but once again, the films over reliance on average CGI sours it all somewhat.
The Predator is not the awful film I had heard about, but it's predictably not a scratch on the original. Maybe it's time for the franchise to wrap it up.
The special effects are a big one. A lot of the CGI in this is pretty dodgy. Especially for gore moments. It boggles my mind why a lot of horror films these days favour CGI over practical effects. Films like Alien, and The Thing (80s) stand as a testament to how practical horror work can be truly memorable.
In The Predator however, it's looks cartoony and fake - at one point I had to check I was watching a movie from 2018!
The dog creatures also look horrible - just bland and dark grey CGI blobs with teeth.
The 'classic' Predator that we see throughout this film is for the most part a guy in a suit, and it looks way better.
The characters are also an issue. They're not on the same level as awful as the characters from Predators, but they're all just unfunny walking cliches, which is a shame as there are some talented actors involved, trying to do the best with what they've been given.
The script attempts to shoehorn in plot strands that are not particularly relative to the overall narrative, including a complete tone deaf side plot about autism, which drags down what should be a pretty straightforward story.
The action isn't too bad, pretty entertaining as far as popcorn horror blockbusters go, with some creative deaths thrown in, but once again, the films over reliance on average CGI sours it all somewhat.
The Predator is not the awful film I had heard about, but it's predictably not a scratch on the original. Maybe it's time for the franchise to wrap it up.
Thrash Anthems II by Destruction
Album Watch
German thrash legends DESTRUCTION return with, Thrash Anthems II, the follow-up to 2007's Thrash...
Metal
Like a Love Story
10.0
Rate It
Book
Stonewall Honor Book! "A love letter to queerness, self-expression, and individuality (also...
Quad City Killers
8.0
Rate It
Tabletop Game
Quad City Killers: Murderous Fun for the Whole Family! QCK is created in the style of an 80s...
Teaching You The Fear by Really Red
Album
All the hits in one place, plus a booklet featuring extensive liner notes, photos and lyrics....
Zoosk (5 KP) rated Stone Roses by The Stone Roses in Music
Dec 5, 2024
A Timeless Masterpiece
Every so often, an album comes along that feels like it was born out of pure magic, and The Stone Roses is one of those rare gems. From the opening notes of âI Wanna Be Adoredâ to the euphoric closer âI Am the Resurrection,â this debut album is a flawless journey through shimmering guitars, hypnotic rhythms, and an aura of defiance and mysticism.
What sets this album apart is its ability to transcend genres. Itâs a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squireâs guitar work is nothing short of geniusâeach riff and solo feels meticulously crafted yet completely effortless. Ian Brownâs vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like âShe Bangs the Drumsâ and âMade of Stoneâ are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. âWaterfallâ is a blissful, sun-drenched escape, while âI Am the Resurrectionâ is a sprawling epic that perfectly captures the bandâs rebellious energy. Every song feels essential; thereâs no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. Itâs no wonder it became the defining soundtrack of the late â80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isnât just an albumâitâs an experience. Itâs bold, timeless, and utterly captivating. I canât think of a single way it could be improved, and for that reason, itâs a perfect 10/10.
What sets this album apart is its ability to transcend genres. Itâs a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squireâs guitar work is nothing short of geniusâeach riff and solo feels meticulously crafted yet completely effortless. Ian Brownâs vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like âShe Bangs the Drumsâ and âMade of Stoneâ are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. âWaterfallâ is a blissful, sun-drenched escape, while âI Am the Resurrectionâ is a sprawling epic that perfectly captures the bandâs rebellious energy. Every song feels essential; thereâs no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. Itâs no wonder it became the defining soundtrack of the late â80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isnât just an albumâitâs an experience. Itâs bold, timeless, and utterly captivating. I canât think of a single way it could be improved, and for that reason, itâs a perfect 10/10.
Lyndsey Gollogly (2893 KP) rated The Seven Husbands Of Evelyn in Books
May 14, 2024
97 of 220
Book
The Seven Husbands of Evelyn Hugo
By Taylor Jenkins Reid
âď¸âď¸âď¸âď¸
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?
Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.
Summoned to Evelyn's luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the '80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn's story near its conclusion, it becomes clear that her life intersects with Monique's own in tragic and irreversible ways.
I went into this book hoping that the hype was worth it. It certainly was you completely forget that this is a fictional character and start thinking sheâs real. The tragic underlying lying story is not being able to love who you want to until itâs just to late. This was genuinely heartbreaking In places and really well written. I didnât think it was as mind blowing as some say but it was definitely a very very interesting read. Also how self destructive some people can be especially when they want that fame in life.
Book
The Seven Husbands of Evelyn Hugo
By Taylor Jenkins Reid
âď¸âď¸âď¸âď¸
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?
Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.
Summoned to Evelyn's luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the '80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn's story near its conclusion, it becomes clear that her life intersects with Monique's own in tragic and irreversible ways.
I went into this book hoping that the hype was worth it. It certainly was you completely forget that this is a fictional character and start thinking sheâs real. The tragic underlying lying story is not being able to love who you want to until itâs just to late. This was genuinely heartbreaking In places and really well written. I didnât think it was as mind blowing as some say but it was definitely a very very interesting read. Also how self destructive some people can be especially when they want that fame in life.
LeftSideCut (3776 KP) rated Hellraiser III: Hell on Earth (1992) in Movies
Jan 8, 2022
Hellraiser III is undoubtedly an odd beast. It feels so out of touch with the genuinely fantastic first two films, to the point where it should be a massive shot in the foot, but somehow, it's ludicrously entertaining.
The big and obvious potential for error is the series' infamous antagonist/anti-hero Pinhead. I say anti-hero because the first two films don't portray him as a flat out villain. He's rather, an indifferent creature, who acts with some sort of honour. Hell on Earth just goes full blown bad guy, aligning him more accurately with slasher villains of the 80s. It's proves to be a hinderence in execution, replacing the mysterious and sparingly shown Pinhead of before with one that throws out an evil cackle whilst slaughtering his victims, and even provides a couple of quips. He gets some cool lines here and there but it leans too heavily into occasionally goofy over-exposure.
The other cenobites that surround him are kind of lame this time around as well, even if there's a weird enjoyment in watching one of them slice up innocent bystanders by throwing CDs at their faces.
The story kind of makes sense, and it's commitment to staying connected to the previous films is commendable, but it does completely fall off the rails near the end. It doesn't help that the editing is so jarring between scenes.
In spite of these issues, the overall experience is a lot of fun. It lacks the subtlety and borderline arthouse style that really set the first two apart, but it still kind of works. It's not ideal, but intriguing, kind of like an oddball cousin that might visit now and again.
The big and obvious potential for error is the series' infamous antagonist/anti-hero Pinhead. I say anti-hero because the first two films don't portray him as a flat out villain. He's rather, an indifferent creature, who acts with some sort of honour. Hell on Earth just goes full blown bad guy, aligning him more accurately with slasher villains of the 80s. It's proves to be a hinderence in execution, replacing the mysterious and sparingly shown Pinhead of before with one that throws out an evil cackle whilst slaughtering his victims, and even provides a couple of quips. He gets some cool lines here and there but it leans too heavily into occasionally goofy over-exposure.
The other cenobites that surround him are kind of lame this time around as well, even if there's a weird enjoyment in watching one of them slice up innocent bystanders by throwing CDs at their faces.
The story kind of makes sense, and it's commitment to staying connected to the previous films is commendable, but it does completely fall off the rails near the end. It doesn't help that the editing is so jarring between scenes.
In spite of these issues, the overall experience is a lot of fun. It lacks the subtlety and borderline arthouse style that really set the first two apart, but it still kind of works. It's not ideal, but intriguing, kind of like an oddball cousin that might visit now and again.