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LeftSideCut (3776 KP) rated Hellraiser III: Hell on Earth (1992) in Movies
Jan 8, 2022
Hellraiser III is undoubtedly an odd beast. It feels so out of touch with the genuinely fantastic first two films, to the point where it should be a massive shot in the foot, but somehow, it's ludicrously entertaining.
The big and obvious potential for error is the series' infamous antagonist/anti-hero Pinhead. I say anti-hero because the first two films don't portray him as a flat out villain. He's rather, an indifferent creature, who acts with some sort of honour. Hell on Earth just goes full blown bad guy, aligning him more accurately with slasher villains of the 80s. It's proves to be a hinderence in execution, replacing the mysterious and sparingly shown Pinhead of before with one that throws out an evil cackle whilst slaughtering his victims, and even provides a couple of quips. He gets some cool lines here and there but it leans too heavily into occasionally goofy over-exposure.
The other cenobites that surround him are kind of lame this time around as well, even if there's a weird enjoyment in watching one of them slice up innocent bystanders by throwing CDs at their faces.
The story kind of makes sense, and it's commitment to staying connected to the previous films is commendable, but it does completely fall off the rails near the end. It doesn't help that the editing is so jarring between scenes.
In spite of these issues, the overall experience is a lot of fun. It lacks the subtlety and borderline arthouse style that really set the first two apart, but it still kind of works. It's not ideal, but intriguing, kind of like an oddball cousin that might visit now and again.
The big and obvious potential for error is the series' infamous antagonist/anti-hero Pinhead. I say anti-hero because the first two films don't portray him as a flat out villain. He's rather, an indifferent creature, who acts with some sort of honour. Hell on Earth just goes full blown bad guy, aligning him more accurately with slasher villains of the 80s. It's proves to be a hinderence in execution, replacing the mysterious and sparingly shown Pinhead of before with one that throws out an evil cackle whilst slaughtering his victims, and even provides a couple of quips. He gets some cool lines here and there but it leans too heavily into occasionally goofy over-exposure.
The other cenobites that surround him are kind of lame this time around as well, even if there's a weird enjoyment in watching one of them slice up innocent bystanders by throwing CDs at their faces.
The story kind of makes sense, and it's commitment to staying connected to the previous films is commendable, but it does completely fall off the rails near the end. It doesn't help that the editing is so jarring between scenes.
In spite of these issues, the overall experience is a lot of fun. It lacks the subtlety and borderline arthouse style that really set the first two apart, but it still kind of works. It's not ideal, but intriguing, kind of like an oddball cousin that might visit now and again.
Zoosk (5 KP) rated Stone Roses by The Stone Roses in Music
Dec 5, 2024
A Timeless Masterpiece
Every so often, an album comes along that feels like it was born out of pure magic, and The Stone Roses is one of those rare gems. From the opening notes of “I Wanna Be Adored” to the euphoric closer “I Am the Resurrection,” this debut album is a flawless journey through shimmering guitars, hypnotic rhythms, and an aura of defiance and mysticism.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
Lyndsey Gollogly (2893 KP) rated The Seven Husbands Of Evelyn in Books
May 14, 2024
97 of 220
Book
The Seven Husbands of Evelyn Hugo
By Taylor Jenkins Reid
⭐️⭐️⭐️⭐️
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?
Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.
Summoned to Evelyn's luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the '80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn's story near its conclusion, it becomes clear that her life intersects with Monique's own in tragic and irreversible ways.
I went into this book hoping that the hype was worth it. It certainly was you completely forget that this is a fictional character and start thinking she’s real. The tragic underlying lying story is not being able to love who you want to until it’s just to late. This was genuinely heartbreaking In places and really well written. I didn’t think it was as mind blowing as some say but it was definitely a very very interesting read. Also how self destructive some people can be especially when they want that fame in life.
Book
The Seven Husbands of Evelyn Hugo
By Taylor Jenkins Reid
⭐️⭐️⭐️⭐️
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?
Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.
Summoned to Evelyn's luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the '80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn's story near its conclusion, it becomes clear that her life intersects with Monique's own in tragic and irreversible ways.
I went into this book hoping that the hype was worth it. It certainly was you completely forget that this is a fictional character and start thinking she’s real. The tragic underlying lying story is not being able to love who you want to until it’s just to late. This was genuinely heartbreaking In places and really well written. I didn’t think it was as mind blowing as some say but it was definitely a very very interesting read. Also how self destructive some people can be especially when they want that fame in life.
Fighting Fantasy: The Forest of Doom
Games and Book
App
Nostalgia overload! Fighting Fantasy returns with Ian Livingstone's classic, The Forest of Doom. ...
Emma @ The Movies (1786 KP) rated VFW (2019) in Movies
Jun 8, 2020
VFW had been an off the cuff pick for ones to watch, at the last minute it appeared in some listings and I was intrigued by the cast and the vibe I was getting from the poster.
When a young girl's plan for revenge goes awry she leads a drug fueled army to the doorstep of the local veterans club. The group must defend their home away from home and try to survive until the morning.
The opening scene paints a picture of a slightly dystopian present/future where drugs run rife and cities are shells of their former selves. There are addicts and revellers all in different states and they're either in lively party spirits or high and out of it. Right from the off I found the set up confusing because you're watching something that is difficult to assess, the darkness makes it almost impossible to gauge the surrounding and you're thrown for a loop when they cut to the bright afternoon scene that is pinpointed by captions to just three hours later.
VFW definitely has a heavy 80s vibe to it. The titles, the background hum of music and the style of the filming. The colours are great but it is incredibly difficult to see anything unless you're watching it in anything but darkness. On my first watch I found myself squinting and peering at the screen trying to decipher what was going on.
There's no logical consistency to things that happen even if you take into consideration that half the characters are supposed to be drugged up to the eyeballs. The event that starts off the whole caper gives you a fairly clear idea of how the addicts react to things, if that is translated to the rest of the hoard then there's no way this film is making it past 30 minutes. It would have been done and dusted.
Dialogue throughout isn't very inspiring, there's are some truly dubious moments and the rest is easily forgotten. The scenes themselves aren't believable, the main cast get lots of opportunities to have moments together inside the VFW club despite having moments before been under the threat of a siege. There was one point where I genuinely wondered if the baddies approached and went "No. It's rude to interrupt someone when they're talking."
What it's missing in those areas it makes up for in random violence. (Make sure to watch out for the plastic machete.) There's a vaguely amusing tooling up sequence and I kind of hope they got the cast drunk and let them improvise weapons all on their own for it. This is another thing that smacks of the 80s, a lot of that violence feels like it's been lifted out of retro horror movies and adapted to this film.
I haven't spoken about the cast, and it's something that left me a little frustrated. The names and faces on the list are epic, they're solid actors with a lot of good credits under their belts... but even though they get a couple of good points in the film it's not really what I'd want for them.
VFW has a lot of elements that could work but with the slightly b-moviesque action scenes and clear omissions for the sake of having a "moment" I think it misses the opportunity to be something more serious. It's not right for b-movie/spoof status and because it doesn't take itself seriously enough it's left in a no man's land and I just couldn't figure out what it was trying to do, especially as even they didn't seem to know if they were attempting to make zombie or an action film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/vfw-movie-review.html
When a young girl's plan for revenge goes awry she leads a drug fueled army to the doorstep of the local veterans club. The group must defend their home away from home and try to survive until the morning.
The opening scene paints a picture of a slightly dystopian present/future where drugs run rife and cities are shells of their former selves. There are addicts and revellers all in different states and they're either in lively party spirits or high and out of it. Right from the off I found the set up confusing because you're watching something that is difficult to assess, the darkness makes it almost impossible to gauge the surrounding and you're thrown for a loop when they cut to the bright afternoon scene that is pinpointed by captions to just three hours later.
VFW definitely has a heavy 80s vibe to it. The titles, the background hum of music and the style of the filming. The colours are great but it is incredibly difficult to see anything unless you're watching it in anything but darkness. On my first watch I found myself squinting and peering at the screen trying to decipher what was going on.
There's no logical consistency to things that happen even if you take into consideration that half the characters are supposed to be drugged up to the eyeballs. The event that starts off the whole caper gives you a fairly clear idea of how the addicts react to things, if that is translated to the rest of the hoard then there's no way this film is making it past 30 minutes. It would have been done and dusted.
Dialogue throughout isn't very inspiring, there's are some truly dubious moments and the rest is easily forgotten. The scenes themselves aren't believable, the main cast get lots of opportunities to have moments together inside the VFW club despite having moments before been under the threat of a siege. There was one point where I genuinely wondered if the baddies approached and went "No. It's rude to interrupt someone when they're talking."
What it's missing in those areas it makes up for in random violence. (Make sure to watch out for the plastic machete.) There's a vaguely amusing tooling up sequence and I kind of hope they got the cast drunk and let them improvise weapons all on their own for it. This is another thing that smacks of the 80s, a lot of that violence feels like it's been lifted out of retro horror movies and adapted to this film.
I haven't spoken about the cast, and it's something that left me a little frustrated. The names and faces on the list are epic, they're solid actors with a lot of good credits under their belts... but even though they get a couple of good points in the film it's not really what I'd want for them.
VFW has a lot of elements that could work but with the slightly b-moviesque action scenes and clear omissions for the sake of having a "moment" I think it misses the opportunity to be something more serious. It's not right for b-movie/spoof status and because it doesn't take itself seriously enough it's left in a no man's land and I just couldn't figure out what it was trying to do, especially as even they didn't seem to know if they were attempting to make zombie or an action film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/vfw-movie-review.html
Damian Sutton (4 KP) rated Ready Player One (2018) in Movies
May 3, 2019
A decent adaptation of a great book
Contains spoilers, click to show
From the get go, I think I'd best say I came to this with a pre-concieved notion that I was going to enjoy it, having read the book several times and having a long term love affair with Steven Spielberg (child of the 80s, so most of my formative years were spent sitting worshipping at the alter of Spielberg and Lucas) so I was aware that I was going to enjoy this film regardless, that said, there are moments in the film that fell flat for me, but on the whole....its a very enjoyable little action/adventure romp....with plenty in it for film lovers (the whole shining sequence had me grinning from ear to ear) and gamers too ( the whole film is deeply rooted in gamer culture and there are more gaming Easter eggs than you can shake a stick at) there's plenty of heart to this film too, and by the time the credits rolled I left the theatre thoroughly entertained, had this film come out a few years back, it would have been lauded as a sci-fi/adventure classic, however we now live in a post marvel world where every film they release seem to raise the bar very high, and films like this get lost in the shuffle a little, does this make it a worse movie....not at all, but it probably didn't get the acclaim it deserved because of being released in a sea of blockbusters.
So in closing, if you're looking for that perfect Sunday afternoon adventure film....you could do a lot worse than giving this a watch....see how many movie/gaming references you can spot
So in closing, if you're looking for that perfect Sunday afternoon adventure film....you could do a lot worse than giving this a watch....see how many movie/gaming references you can spot
Neon's Nerd Nexus (360 KP) rated Pet Sematary (2019) in Movies
May 13, 2019
Pet peeve
#petsematary is a dire #remake of an already bad #film. Its drab, lifeless & should never of been #reanimated. I had high hopes for this film because it feels like its been a while since the last mainstream horror movie so as I felt genuinely excited but after the first 15 minutes this feeling had quickly been replaced with sheer #fear there was still well over an hour left to go till i could leave. Before we hit the negatives ill give you my positives that saved the movie from being a total walk out. First - #johnlithgow is great as always but mostly wasted largely because of the terrible script he's been given to work with. Second - the running theme of #death is great & the film portrays how all living things fear it so much rather well (it also handles #grieving & guilt #trauma surrounding #death well too but its ultimately far to brief). Now the bad - the movie feels nasty & cheap to look at visually, cgi is bad, make up design is lazy, the camerawork feels awkward & strangely zoomed in just a bit to close to everything, theres weird #90s era motion blur on everything fast moving, acting is laughable/cheesy & scenes go on far to long as does build up to key scenes that have an anticlimactic pay off. If you've seen the original or the trailer for that matter the film becomes highly predictable killing all suspense & what little atmosphere the film conjures up is ruined by naff & bland set design. I honestly cant recomend anyone wasting their time on this highly forgettable film unless your a big fan of really #adorable #cats then this one in this is a clear 10/10 on the #cute scale. An uninspired lazy cash grab & there are a million horror films out there that tell almost the same story way better. #odeon #odeonlimitless #horror #gore #stephenking #scary #cat #animal #pet #classic #retro #cultclassic #80s #filmbuff #filmcritic #zombie
Neon's Nerd Nexus (360 KP) rated The Predator (2018) in Movies
May 14, 2019
What the hell are you
#predatormovie ultimately is a huge let down, that being said it does have its moments of #fun & is worth seeing if your a #fan of the #franchise. My biggest problem with this film is that it just doesnt slow down at all. From the start action is so frantic that its jarring & you just dont have a chance at all to really see whats going on either. What made the #original #predator so #terrifying & effective was the quiet down time moments, the slow tension building & character building scenes so when we finally do see the alien its tense, unnerving, shocking & has huge impact. This latest instalment although copies alot from the original is void of everything that makes it so great. Its brainless, action packed, #silly & uses way to much crap/blurry cgi (making the hunter predator especially feel less threatening). For the first hour i wont lie i was entertained, its so #hilarious i was #laughing out loud, the actors are all great (except when forced to repeat lines from the original) & the #violence is awesome/grizzly, but then once we hit the second hour things dive bomb. Not only is the second half a complete mess but i grew #bored of the action too & wished we could just sit down with its characters more. #jacobtremblay & #trevanterhodes are so good here they are just both such fantastic actors anyway & really do light up & steal every scene they are in. @themcdave hit the nail on the head when he said to me "its a good action film but its not a good predator film" & i came out feeling the same. Oh boy & the last 5 minutes possibly contain my biggest #WTF moment of the year so far (without spoiling anyghing I really wish it was just a #xenomorph instead of what we did get). Overall an its an ok ride but not the one us Predator/film fans hoped it would be. #odeon #odeonlimitless #filmbuff #filmcritic #alienvspredator #gore #horror #predator2018movie #thursdaythoughts #arnoldschwarzenegger #80s #classic #hunter #thepredator
Neon's Nerd Nexus (360 KP) rated Upgrade (2018) in Movies
May 14, 2019
Reboot
#upgrade #upgrademovie is insane & possibly the biggest surprise of the year. Its dark, dirty, gritty, raw & I absolutely #loved every second of it. Upgrade clearly wears its influences on its sleeve right from the start, there's elements of #Dredd, #Robocop, #TheMatrix & also #Terminator & its style is a straight #nostalgic mash up of #80s & #90s #scifi. What's so good about it however is amongst all this influence is an intricately woven style of its own. Its a low budget #film but you wouldn't know it as cgi is fantastic/minimal & works so well with some of the best #practicaleffects I've seen in ages. Gore is so realistic/#savage & shocking at one point I almost stood up out my seat in sheer shock. Cinematography is #beautiful/creative & at times wouldnt look out of place in a #bladerunner film. Environments look nasty, hostile & damn right grimy giving the film such a raw & depressing quality like it too is also a character. Ive always loved #loganmarshallgreen his physical acting here is next level. How he moves his body in this movie is out of this world impressive (especially when the system takes over his body). He plays the role perfect making his body act robotic while his face reacts with sheer fear & panic (its not only hilarious but terrible & utterly fascinating too). Camera work when he's moving is seriously impressive too moving in almost a robotic kind of way twisting, turning & jolting with every move #logan makes. With an unnerving/memorable score & an over all message of #technology enslaving us all/how no matter how much we hate machines we all eventually become reliant on them in some way Upgrade is a must see. Its not very often a small film like this comes along so we must all go see it to encourage directors to make more. One hell of a great time & a film I can't wait to own. #odeon #odeonlimitless #filmbuff #filmcritic #filmreview #saturdaynight #horror #gore #violent #cyberpunk #grindhouse
Bookapotamus (289 KP) rated My Name Is Venus Black in Books
May 29, 2018
Totally not what I was expecting, but I really enjoyed My Name is Venus Black. I really liked most of the characters, I loved that this was set in the 80s as my childhood was as well, and I'm a big fan of books that show fractured lives can have hope to become whole again.
Venus Black did a bad thing and she's probably going to pay for it, for the rest of her life. The choices she made will interwine, spread, and eventually affect so many other people's lives - including a whole slew of complete strangers. People will talk about her for a long time and she will always have her decisions hanging over her.
I loved how the story unfolded, skipping and summarizing mundane spans of life, and POV from one character to another. I especially loved Leo's point of view, Venus' little brother who is a developmentally disabled child struggling since Venus, his most favorite person, did this bad thing. I enjoyed his descriptive feelings: "The cello makes a yellow sound" - and anger is red. The simplicity in which he views the world is sad, but also a bit refreshing. I thought the space and solar system references throughout were a fun addition to the story as well.
The story proves that being a parent is just as difficult as being a kid in this world, and there is kindness in lots of people that comes out in different ways, and family isn't always who shares your blood, but who shares your love. There is also evil in the world that sometimes isn't always as cut and dry as most believe.
I had some issues with some parts of the story.- they were a bit unbelieveable and I wanted more detail - but I tried to let them go and just enjoy the story and all it's twist and turns. Overall I'm really glad I took a chance and read it.
Thanks to NetGalley for the opportunity to review.
Venus Black did a bad thing and she's probably going to pay for it, for the rest of her life. The choices she made will interwine, spread, and eventually affect so many other people's lives - including a whole slew of complete strangers. People will talk about her for a long time and she will always have her decisions hanging over her.
I loved how the story unfolded, skipping and summarizing mundane spans of life, and POV from one character to another. I especially loved Leo's point of view, Venus' little brother who is a developmentally disabled child struggling since Venus, his most favorite person, did this bad thing. I enjoyed his descriptive feelings: "The cello makes a yellow sound" - and anger is red. The simplicity in which he views the world is sad, but also a bit refreshing. I thought the space and solar system references throughout were a fun addition to the story as well.
The story proves that being a parent is just as difficult as being a kid in this world, and there is kindness in lots of people that comes out in different ways, and family isn't always who shares your blood, but who shares your love. There is also evil in the world that sometimes isn't always as cut and dry as most believe.
I had some issues with some parts of the story.- they were a bit unbelieveable and I wanted more detail - but I tried to let them go and just enjoy the story and all it's twist and turns. Overall I'm really glad I took a chance and read it.
Thanks to NetGalley for the opportunity to review.