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Mendel's Ladder: A Grimdark Scifi Epic
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Outlast. Outgrow. Outlive. In the ashes of Earth, evolution is the ultimate weapon. Inspired by...
Gareth von Kallenbach (980 KP) rated Scott Pilgrim vs. the World (2010) in Movies
Aug 8, 2019
Scott Pilgrim, played by Michael Cera, is a young man whose life is going nowhere fast. At 23, he describes himself as in between jobs and spends his free time playing bass in a struggling band. But Scott does have a girlfriend named Knives Chau (Ellen Wong), never mind that she is still in high school and things are about as chaste as they can get. Undaunted, Scott keeps plugging away despite the supportive taunts of his gay roomie Wallace (Kieran Culkin), and the members of his band.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Gareth von Kallenbach (980 KP) rated Alice in Wonderland (2010) in Movies
Aug 8, 2019
About to take her place as a lady of civilized society, Alice is having trouble fitting in with the expectations of the world around her. How will she ever fit in with her wondering mind and regular dreams of a fantasyland filled with magic, creatures, and more than a tea pot filled with nonsense.
Tim Burton’s new live action “Alice in Wonderland” takes us past the tale of the animated Disney classic and into an even more vivid plot-filled adventure. The film merges elements from both of Lewis Carroll’s much beloved tomes, “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”. For those who do not know the books, the new live action film will introduce you to characters not encountered in the original Disney film. Those who have patiently waited to see their favorite characters on the screen will delight in the precise details; from the wild environment to the strategic use of literary quotes.
As much as it is a visual spectacle filled with eye-popping clothing, explosive color, and delightful dialogue, where “Alice in Wonderland” most impresses is in characters. The most familiar characters, the Mad Hatter (Johnny Depp), the Cheshire Cat (voice by Stephen Fry) and The Red Queen (Helena Bonham Carter), are zanier, more charming, and definitely madder then ever before. And new characters such as the White Queen (Anne Hathaway) and Knave of Hearts (Crispin Glover) also captivate and amuse. In fact, audiences will be hard pressed to choose a favorite character let alone scene.
Viewers who opt to see the film in the intended 3D (better still in IMAX 3D) will be highly rewarded; the effects are engrossing straight down to credits. For those who forgo the additional dimension “Alice in Wonderland” is so well plotted that even without the bells and whistles it will prove to be exceptional.
A must for an Alice fan of any age and a delight for anyone with a strong imagination, “Alice in Wonderland” blows past the dreary expectations by bringing curiosity and nonsense back to the big screen.
Tim Burton’s new live action “Alice in Wonderland” takes us past the tale of the animated Disney classic and into an even more vivid plot-filled adventure. The film merges elements from both of Lewis Carroll’s much beloved tomes, “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”. For those who do not know the books, the new live action film will introduce you to characters not encountered in the original Disney film. Those who have patiently waited to see their favorite characters on the screen will delight in the precise details; from the wild environment to the strategic use of literary quotes.
As much as it is a visual spectacle filled with eye-popping clothing, explosive color, and delightful dialogue, where “Alice in Wonderland” most impresses is in characters. The most familiar characters, the Mad Hatter (Johnny Depp), the Cheshire Cat (voice by Stephen Fry) and The Red Queen (Helena Bonham Carter), are zanier, more charming, and definitely madder then ever before. And new characters such as the White Queen (Anne Hathaway) and Knave of Hearts (Crispin Glover) also captivate and amuse. In fact, audiences will be hard pressed to choose a favorite character let alone scene.
Viewers who opt to see the film in the intended 3D (better still in IMAX 3D) will be highly rewarded; the effects are engrossing straight down to credits. For those who forgo the additional dimension “Alice in Wonderland” is so well plotted that even without the bells and whistles it will prove to be exceptional.
A must for an Alice fan of any age and a delight for anyone with a strong imagination, “Alice in Wonderland” blows past the dreary expectations by bringing curiosity and nonsense back to the big screen.
Gareth von Kallenbach (980 KP) rated G-Force (2009) in Movies
Aug 9, 2019
A 3-D film about Guinea Pigs who help the government using advanced super small technology, at least I knew I wasn’t going to be bored. Was “G-Force” going to be so over the top that even children would find it ridiculous? Maybe it was going to hit big with that famous Disney magic. Suffice to say I entered the film with no expectations.
“G-Force” is the story of a team of unlikely heroes; guinea pigs, a mole, and a fly, who through the aid of special government technology, are completing spy missions with the dream of FBI acceptance. On their first mission out the team lead by the appropriately named guinea pig, Darwin (voiced by Sam Rockwell) discover that the world’s largest electrical device manufacturer has an evil plot for world domination. Attempting to expose the plan, our non-traditional protagonists encounter a numerous obstacles ranging from a lack of government acceptance to rodent chasing dogs.
The plotline in classic Disney fashion is filled with a strong moral under tone specifically concentrated on importance of family and belief in oneself. The film does manage to get these points a crossed while entertaining children who will love the popular culture references and the speed at which the action occurs.
All of the creature’s characterizations are amusing and engaging from the layer cake obsessed long-haired guinea pig, Hurley, (voice by Jon Favreau) to mice who get excited about absolutely everything. Also worth noting was the interesting casting of Zach Galifianakis (most recently of “The Hangover” success) who plays the not so mad scientist, Ben, creator of the multi-faceted “G-Force” technology and animal special task force idea.
The special effects are superb. The 3-D futuristic spy technology at the beginning was so excellent it had me wondering when I will see the medium in action flicks.
The downsides were simple; sometimes-obvious one-liners, which the kid-filled audience seemed to enjoy, and an unnecessary maybe love triangle between three of the heroes.
Not as over the top as expected with plenty of funny moments and fun heartfelt adventure “G-Force” is a worthwhile film for kids and adults alike.
“G-Force” is the story of a team of unlikely heroes; guinea pigs, a mole, and a fly, who through the aid of special government technology, are completing spy missions with the dream of FBI acceptance. On their first mission out the team lead by the appropriately named guinea pig, Darwin (voiced by Sam Rockwell) discover that the world’s largest electrical device manufacturer has an evil plot for world domination. Attempting to expose the plan, our non-traditional protagonists encounter a numerous obstacles ranging from a lack of government acceptance to rodent chasing dogs.
The plotline in classic Disney fashion is filled with a strong moral under tone specifically concentrated on importance of family and belief in oneself. The film does manage to get these points a crossed while entertaining children who will love the popular culture references and the speed at which the action occurs.
All of the creature’s characterizations are amusing and engaging from the layer cake obsessed long-haired guinea pig, Hurley, (voice by Jon Favreau) to mice who get excited about absolutely everything. Also worth noting was the interesting casting of Zach Galifianakis (most recently of “The Hangover” success) who plays the not so mad scientist, Ben, creator of the multi-faceted “G-Force” technology and animal special task force idea.
The special effects are superb. The 3-D futuristic spy technology at the beginning was so excellent it had me wondering when I will see the medium in action flicks.
The downsides were simple; sometimes-obvious one-liners, which the kid-filled audience seemed to enjoy, and an unnecessary maybe love triangle between three of the heroes.
Not as over the top as expected with plenty of funny moments and fun heartfelt adventure “G-Force” is a worthwhile film for kids and adults alike.
Lottie disney bookworm (1056 KP) rated The Tempest Sea in Books
Oct 25, 2021
I so very nearly fell out with Robin D Mahle over this book... I still might... They're so close to breaking my heart!
The Tempest Sea is the incredible second novel in The World Apart series, whisking us away from Ceithren and across the Tempest Sea to the other side of the world.
The adventure is again told from Clark and Addie’s POV but this time we are also treated to snippets from Xavier and Nell's past.
These tidbits allow the side characters to tell their story right up to the present situation, (almost) dissolving their untrustworthy nature in the readers eyes but not ruining the tension within the plot line.
I also loved how the chapters were labelled rather than named (ie Xavier is The Protector) as this really reflected how these "off screen" moments have shaped the characters and made them grow into something much more than their assumed role.
As well as our favourite characters from The Fractured Empire *side eyes Gunther* we also get to spend a lot more time with Locke, Nell and we are finally properly introduced to the infamous general. Alongside a plethora of side characters ranging from a pirate ship full of badass women to a fair few men we love to hate, Robin D Mahle really spoils us.
This fast paced sequel is jam packed full of action, flying ships, pirates and danger: its a wonder there is any time for romance! Addie and Clark may have been through the ringer but the tension and their magnetism throughout this book will have you screaming at them to open their eyes and just accept the attraction. That would be way too easy though... You know they're just going to wind each other up and fall out a few more times 😊
With the foundations set in The Fractured Empire, Robin D Mahle could really have fun with The Tempest Sea and I think this shows. The action and suspense rolls off the page, dragging us along for the ride. There are some darker moments (big trigger warning for sexual abuse) but these serve to make the characters stronger. They'll certainly need it for the next stage of their journey!
The Tempest Sea is the incredible second novel in The World Apart series, whisking us away from Ceithren and across the Tempest Sea to the other side of the world.
The adventure is again told from Clark and Addie’s POV but this time we are also treated to snippets from Xavier and Nell's past.
These tidbits allow the side characters to tell their story right up to the present situation, (almost) dissolving their untrustworthy nature in the readers eyes but not ruining the tension within the plot line.
I also loved how the chapters were labelled rather than named (ie Xavier is The Protector) as this really reflected how these "off screen" moments have shaped the characters and made them grow into something much more than their assumed role.
As well as our favourite characters from The Fractured Empire *side eyes Gunther* we also get to spend a lot more time with Locke, Nell and we are finally properly introduced to the infamous general. Alongside a plethora of side characters ranging from a pirate ship full of badass women to a fair few men we love to hate, Robin D Mahle really spoils us.
This fast paced sequel is jam packed full of action, flying ships, pirates and danger: its a wonder there is any time for romance! Addie and Clark may have been through the ringer but the tension and their magnetism throughout this book will have you screaming at them to open their eyes and just accept the attraction. That would be way too easy though... You know they're just going to wind each other up and fall out a few more times 😊
With the foundations set in The Fractured Empire, Robin D Mahle could really have fun with The Tempest Sea and I think this shows. The action and suspense rolls off the page, dragging us along for the ride. There are some darker moments (big trigger warning for sexual abuse) but these serve to make the characters stronger. They'll certainly need it for the next stage of their journey!
Movie Metropolis (309 KP) rated Tomorrowland (2015) in Movies
Jun 11, 2019
A CGI disaster
Disney has an intriguing track record when it comes to movies. The multi-billion dollar company has produced some incredible films and some absolute stinkers, with its live-action department bearing the brunt of this misfortune.
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Paul Kellett (118 KP) rated Secrets of the Lost Tomb in Tabletop Games
May 1, 2019
Great stories (2 more)
Exciting gameplay
Great solo game with 1 hero
Rules are a little clunky in places (1 more)
Lots of little tokens to track everything
An Indiana Jones style adventure
Have you ever wanted to be Indiana Jones? Well now you can. Secrets of the Lost Tomb is an epic action adventure game in the style of 1930's pulp fiction.
Almost like a cross between Descent and Betrayal at the House on the Hill, you build the dungeon one tile at a time (from a large stack of room tiles) as you explore 3 levels trying to get to and defeat the boss and retrieve the quest item before the time track runs out.
All the creatures and events are automated making this a fully co-op game and action points are distributed evenly between the adventurers. There is also a special solo only character with a bunch of companions so you can play without having to take control of multiple characters if you wish.
I have now played through all the scenarios several times and this game is still on the top of My dungeon crawl list, it really does everything I wanted. With the base game and 7 expansions, there is a HUGE amount of content as well as rules to combine everything into a full campaign with character progression.
The scenarios are much more varied and interesting than other dungeon crawls. One mission you could be trying to stop a long dead pharaoh from coming back and spreading his evil in the world while the next mission might see you trying to stop Russian commandos from stealing Captain Nemo's submarine, The Nautilus. Each scenario has a 1930s pulp fiction feel to it and, despite the occasional typo, are very well written and thought out.
The scenarios have an introduction which sets the scene, a setup guide that tells you what tiles, creatures and items are specific to the story and need to be set aside and the win/lose conditions. There then follows a series of numbered sections which serve as chapters in the story. These are triggered by various events, normally by discovering room tiles with specific icons on them or by the comet track (which is the game's timer) hitting a certain point. This is a great feature and is easy to follow. I much prefer this to the way the quests are laid out in Descent 2e.
The scenarios are long and so far have taken nearly twice the specified amount of time as listed. That said, you are so immersed in the story and exploring the tomb, the game never feels like it is dragging or outstaying it's welcome. You just need to budget for 3-4 hours of play time per story although this does come down once you are familiar with the rules.
Yes, there are a lot of tokens and stats to keep track of, but I wouldn't say it detracts from the game or the feeling of immersion, especially after the first game or two and the fact that each player takes one action at a time going round the table until all actions have been taken means that there is less downtime than other games.
The AI is very well done with creatures moving and attacking the player with the most soul tokens (gained by killing creatures) so the most dangerous character will be the main focus of the enemy and you can plan your turn to have the right people positioned where they will be best protected/best used.
This is by far the best and most immersive dungeon crawl I've played and really has knocked Descent off as My go-to game of this genre.
Find out more about Secrets of the Lost Tomb and more at Everything Epic Games
Almost like a cross between Descent and Betrayal at the House on the Hill, you build the dungeon one tile at a time (from a large stack of room tiles) as you explore 3 levels trying to get to and defeat the boss and retrieve the quest item before the time track runs out.
All the creatures and events are automated making this a fully co-op game and action points are distributed evenly between the adventurers. There is also a special solo only character with a bunch of companions so you can play without having to take control of multiple characters if you wish.
I have now played through all the scenarios several times and this game is still on the top of My dungeon crawl list, it really does everything I wanted. With the base game and 7 expansions, there is a HUGE amount of content as well as rules to combine everything into a full campaign with character progression.
The scenarios are much more varied and interesting than other dungeon crawls. One mission you could be trying to stop a long dead pharaoh from coming back and spreading his evil in the world while the next mission might see you trying to stop Russian commandos from stealing Captain Nemo's submarine, The Nautilus. Each scenario has a 1930s pulp fiction feel to it and, despite the occasional typo, are very well written and thought out.
The scenarios have an introduction which sets the scene, a setup guide that tells you what tiles, creatures and items are specific to the story and need to be set aside and the win/lose conditions. There then follows a series of numbered sections which serve as chapters in the story. These are triggered by various events, normally by discovering room tiles with specific icons on them or by the comet track (which is the game's timer) hitting a certain point. This is a great feature and is easy to follow. I much prefer this to the way the quests are laid out in Descent 2e.
The scenarios are long and so far have taken nearly twice the specified amount of time as listed. That said, you are so immersed in the story and exploring the tomb, the game never feels like it is dragging or outstaying it's welcome. You just need to budget for 3-4 hours of play time per story although this does come down once you are familiar with the rules.
Yes, there are a lot of tokens and stats to keep track of, but I wouldn't say it detracts from the game or the feeling of immersion, especially after the first game or two and the fact that each player takes one action at a time going round the table until all actions have been taken means that there is less downtime than other games.
The AI is very well done with creatures moving and attacking the player with the most soul tokens (gained by killing creatures) so the most dangerous character will be the main focus of the enemy and you can plan your turn to have the right people positioned where they will be best protected/best used.
This is by far the best and most immersive dungeon crawl I've played and really has knocked Descent off as My go-to game of this genre.
Find out more about Secrets of the Lost Tomb and more at Everything Epic Games
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BankofMarquis (1832 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 9, 2022
Fun...with heart
Doctor Strange is my favorite Marvel character. This comes from my college days when one of my roommates had a stack of Dr. Strange comics and I tore through them - one of the few Marvel comics that I have actually read. So I was thrilled to find out that Sam Raimi was coming back (was he ever gone?) to direct the 2nd solo Dr. Strange film, DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS.
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated The Eternal Hourglass (Magickeepers, #1) in Books
Apr 27, 2018
Series Review:
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!