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The Iron Giant (1999)
8.2
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The film takes place in October of 1957, when America had plenty to be worried about. Rock ’n’...
Charlie Cobra Reviews (1840 KP) rated Men in Black International (2019) in Movies
Jul 7, 2020
Weighed, Measured and Found Wanting
Men In Black International is a 2019 sci-fi action/comedy directed by F. Gary Gray and written by Art Marcum and Matt Holloway. It is based on the Malibu/Marvel comic book series by Lowell Cunningham. The film was produced by Amblin Entertainment, Columbia Pictures, Image Nation, Tencent Pictures and MacDonald/Parkes Productions and distributed by Sony Pictures Releasing. The movie stars Chris Hemsworth, Tessa Thompson, Rebecca Ferguson, Kumail Nanjiani, Emma Thompson, and Liam Neeson.
Molly Wright (Tessa Thompson) witnesses her parents being neuralized by agents of Men in Black in Brooklyn 1996. Avoiding neuralization as her parents assumed that she was asleep, she helps an alien escape. Twenty-three years later, she manages to track Men in Black agents back to MiB headquarters in New York. Molly makes an impression on Agent O (Emma Thompson), despite being caught entering the building. She is assigned to the London branch on a probationary agent status as "Agent M".
This movie was very predictable. There really wasn't one part of the movie that surprised me plot wise. From the twists and turns that they try and throw at you to the big reveal at the end. A lot of critics said this movie was very forgettable with lackluster action and they are not wrong. However, the movie was quite enjoyable for myself and others. The chemistry between Thompson and Hemsworth was awesome and particularly the voice acting for Kumail Nanjiani's character. His character Pawney, stole the show and really made the movie good. He was the comic relief and center of any scene he was in. The special effects were great and they even threw in a couple of new aliens as they often do with the sequels of this series. The movie also didn't have near the emotional impact of the sequels. It was a decent movie but not as funny, surprising, or stupendous as the first film in the franchise. I give it a 7/10,
Molly Wright (Tessa Thompson) witnesses her parents being neuralized by agents of Men in Black in Brooklyn 1996. Avoiding neuralization as her parents assumed that she was asleep, she helps an alien escape. Twenty-three years later, she manages to track Men in Black agents back to MiB headquarters in New York. Molly makes an impression on Agent O (Emma Thompson), despite being caught entering the building. She is assigned to the London branch on a probationary agent status as "Agent M".
This movie was very predictable. There really wasn't one part of the movie that surprised me plot wise. From the twists and turns that they try and throw at you to the big reveal at the end. A lot of critics said this movie was very forgettable with lackluster action and they are not wrong. However, the movie was quite enjoyable for myself and others. The chemistry between Thompson and Hemsworth was awesome and particularly the voice acting for Kumail Nanjiani's character. His character Pawney, stole the show and really made the movie good. He was the comic relief and center of any scene he was in. The special effects were great and they even threw in a couple of new aliens as they often do with the sequels of this series. The movie also didn't have near the emotional impact of the sequels. It was a decent movie but not as funny, surprising, or stupendous as the first film in the franchise. I give it a 7/10,
LeftSideCut (3778 KP) rated AVP - Alien Vs. Predator (2004) in Movies
Jul 24, 2020
A missed opportunity
More than anything, AVP just pisses me off, usually when thinking about what could have been.
Why on earth is it PG-13, and why oh why was this historic meeting of two of cinemas most iconic aliens entrusted to Paul WS Anderson!?
I mean, in all honesty, both series had run out of gas at this point, so by the time AVP finally rolled around (14 years after the conflict had been teased at the end of Predator 2), it was never going to be much more than a gimmick, a shameless cash grab to get people in the cinema, hence the family friendly blockbuster nature of the film.
In terms of a big blockbuster, it's not terrible. There are some relatively entertaining moments here and there. The first clash between the titular monsters about 30 minutes in is undeniably surrounded by a sense of child like glee.
In terms of cast, it was a great touch to have Lance Henrikson involved, and Sanaa Lathan is a likeable enough badass-female lead, but everyone else is typical forgettable mercenary cannon fodder.
The effects work is pretty decent for the most part as well.
I can't help but feel that AVP is indeed a missed opportunity. The lack of tension, scares, or viscera just doesn't cut it when it comes to these franchises (although the piss poor sequel proved that more violence doesn't always improve a films quality), but I would have gladly accepted just one of the above mentioned features, but it lacks all of it.
There's a brief flashback which shows a handful of Predators fighting waves upon waves of xenomorphs, and whilst it's a great visual, it serves to remind you that there could have been a much better film produced.
I know that I sound like a miserable bastard and that's a fair enough assumption, and for what it's worth, AVP is watchable - easy Hollywood trash to digest, which is the exact opposite of what I feel an Alien film should be.
Why on earth is it PG-13, and why oh why was this historic meeting of two of cinemas most iconic aliens entrusted to Paul WS Anderson!?
I mean, in all honesty, both series had run out of gas at this point, so by the time AVP finally rolled around (14 years after the conflict had been teased at the end of Predator 2), it was never going to be much more than a gimmick, a shameless cash grab to get people in the cinema, hence the family friendly blockbuster nature of the film.
In terms of a big blockbuster, it's not terrible. There are some relatively entertaining moments here and there. The first clash between the titular monsters about 30 minutes in is undeniably surrounded by a sense of child like glee.
In terms of cast, it was a great touch to have Lance Henrikson involved, and Sanaa Lathan is a likeable enough badass-female lead, but everyone else is typical forgettable mercenary cannon fodder.
The effects work is pretty decent for the most part as well.
I can't help but feel that AVP is indeed a missed opportunity. The lack of tension, scares, or viscera just doesn't cut it when it comes to these franchises (although the piss poor sequel proved that more violence doesn't always improve a films quality), but I would have gladly accepted just one of the above mentioned features, but it lacks all of it.
There's a brief flashback which shows a handful of Predators fighting waves upon waves of xenomorphs, and whilst it's a great visual, it serves to remind you that there could have been a much better film produced.
I know that I sound like a miserable bastard and that's a fair enough assumption, and for what it's worth, AVP is watchable - easy Hollywood trash to digest, which is the exact opposite of what I feel an Alien film should be.
ET
Expelling the Poor: Atlantic Seaboard States and the Nineteenth-Century Origins of American Immigration Policy
Book
Expelling the Poor examines the origins of immigration restriction in the United States, especially...
Joe Goodhart (27 KP) rated Rocket: The Blue River Score in Books
Nov 30, 2020
I have to confess: I went into this one with low expectations, largely due to trying to read the previous Rocket outing, Matthew Rosenberg's ROCKET RACCOON: GROUNDED! That book was just depressing as hell, and every character in it just felt wholly out-of-character, as if Rosenberg no flarking clue as to who the characters actually were and how they were SUPPOSED to behave! Fortunately, my pre-"low expectations" were ill-placed, as Trash Panda's outing was as far from the depressing wreck that Rosenberg churned out!
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Dianne Robbins (1738 KP) rated We Drink and We Know Things in Podcasts
Oct 18, 2020 (Updated Oct 26, 2020)
The hosts: Andrea and Tom. (6 more)
The variety of topics.
Keeps my interests throughout.
The humor.
The coolness factor.
Not over-produced or over-commercialized.
Homegrown in Kentucky
Doused in alcohol and lit with knowledge.
I am an avid podcast listener. We're talking up to 12 hours a day, sometimes more, so I'm always looking for something good to feed my ears. I heard a We Drink and We Know Things promo on one of the podcasts in my usual rotation and was so taken by the hosts' personalities and rapport that I paused my usual podcast and went to WDAWKT and immediately dove into their latest podcast. It was so much fun, so interesting, and intriguing that I had to hear more! So for the next three days, I binged their podcast.
To say it's delightful may seem weird to some, considering the topics they cover, but nonetheless, it's true. It made me very happy to hear that they are from my home state of Kentucky because we have such interesting stories from here that need to be told, though that is not the focus of the podcast. Married hosts, Andrea and Tom, are charming, funny, authentic, and real, and their thirst for knowledge cannot be quenched. For that, I am grateful as it means they will never run out of material for their podcast and I'll get to listen to them every week.
Some of the topics they've covered are true crime, ghosts, haunted locations, paranormal, aliens, UFOs, cryptids, urban legends, conspiracies, weird science, strange historical events, and more, and regular episodes Florida Man Friday, Let's Not Meet stories, and Creepypastas.
I have several paranormal stories to share with them so maybe one day, you'll hear my story on one of their episodes.
If these kinds of topics interest you, give this podcast a try. I think you'll like it.
To say it's delightful may seem weird to some, considering the topics they cover, but nonetheless, it's true. It made me very happy to hear that they are from my home state of Kentucky because we have such interesting stories from here that need to be told, though that is not the focus of the podcast. Married hosts, Andrea and Tom, are charming, funny, authentic, and real, and their thirst for knowledge cannot be quenched. For that, I am grateful as it means they will never run out of material for their podcast and I'll get to listen to them every week.
Some of the topics they've covered are true crime, ghosts, haunted locations, paranormal, aliens, UFOs, cryptids, urban legends, conspiracies, weird science, strange historical events, and more, and regular episodes Florida Man Friday, Let's Not Meet stories, and Creepypastas.
I have several paranormal stories to share with them so maybe one day, you'll hear my story on one of their episodes.
If these kinds of topics interest you, give this podcast a try. I think you'll like it.
What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Kelly Knows (95 KP) rated The House of Doors in Books
Jun 28, 2019
Worlds of Horror
Wow, what a fantastic book. I am still surprised this story has not been optioned for a movie adaptation. House of Doors is a unique tale with a simple concept, the age old question of man meets aliens and how that first contact would go down. What if we were tested? Brutally? Would we measure up? This book answers those questions and more in terrifying fashion. Brian Lumley spins a rich tale of daring and adventure, with a new even more terrifying world behind each door the characters open. The illustrative text will illuminate wondrous monsters in your mind and fill your head to the brim with images of strange worlds twisted by alien machinery, born of the desires and fears within us all. The alien species in this story is unlike anything you've seen before. The characters are witty and engaging. Even the ones you hate are written so well you can't help but question your instinct to despise them. My personal favorite aspects of this book are the world designs. No spoilers, you'll just have to find out what I mean, but it is seriously awesome. Also bringing a lot to this fast paced thrill ride is the main character, Spencer Gill. A wry, clever man with more to him than meets the eye, Spencer Gill reminds me of the Indiana Jones/Jack Ryan, kind of heroes I grew up admiring. All of the characters involved have their moments to shine, whether it be a bright light or a darker moment. Even the sinister alien Thone get a role in the narrative in an unlikely writing style that pays off the investment, with interest. This is the kind of book that gets you into reading books, and if you like it, there is a pretty good sequel as well. Sci-fi and horror clash spectacularly as humanity finds out if they measure up, and the terrible consequences that will occur if they don't.
Sarah (7798 KP) rated Ad Astra (2019) in Movies
Oct 9, 2019
An atmospheric slow-burner
I usually can't stand films that are slow burners as I just don't have the interest or the patience, but there's something about Ad Astra that really appealed to me.
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
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