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Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
Sassy Brit (97 KP) rated Forever Fudge in Books
Jun 5, 2019
Forever Fudge by Nancy Coco is a sweet cozy mystery. Readers will salivate with the fudge recipes, be charmed on the Mackinac Island, and attempt to crack the murder mystery along with the main character Allie McMurphy.
Coco is a great pseudonym for the Fudge series. “I really enjoy writing these cozy mysteries with the humor and solving the puzzle. While writing my first series, I would put recipes on my blog. Then a friend of mine suggested I should write in this genre with a gluten free bakery. My last name was specifically chosen for this series. I love fudge, actually anything chocolate. The person in the apartment next to us said it always smells like chocolate in my house. Not only does it smell good but tastes good as well.”
Allie is an amateur sleuth. She and her dog Mal have an uncanny ability to find dead bodies. In the past, she has helped the police solve cases. As the owner of a delightful hotel and fudge shop on Mackinac Island, Allie’s excitement has grown after a television crew arrives on the island to film a television pilot for a mystery series. Throwing a wrench into the enthusiasm is the dead body found by Allie’s adorable Bichon-Poo puppy, Mal. Shot in the head, the body discovered has a letter with clues from chess moves. As the killings mount up, the murderer continues to taunt Allie, trying to get her to play his game.
The island plays a role in the story. “I have a huge family living in Michigan, which is where the island is located. If you ever saw the movie, “Somewhere in Time” starring Christopher Reeve, you can picture the setting. The island does not allow cars so people travel by foot, horse and carriage, or bicycle. It is a cool touristy place.”
There is also a love triangle. Allie is being wooed by two courters. She broke up with Trent Jessup because a long-distance relationship is not working, with him spending a lot of time in Chicago. The other beau is police chief Rex Manning who is being persistent in pursuing her, yet, willing to give her time and space.
“I thought it is interesting to compare ‘in love versus loving someone.’ I love my male friends but being ‘in love’ has excitement, a commitment, and intimacy. Allie is starting to build connections but some old timers see her as an outsider. One of those who accept her as part of the community is Rex who sees it as his responsibility to protect her and the community.”
Actual recipes are dispersed throughout the story. “I purposely did it this way to show what Allie is working on. I sprinkle it throughout to give the feel and flavor to what she is actually making. I try to relate it to the story when possible. I remember my first contract with Kensington Books required me to write ten recipes per book. Luckily, they downsized that amount. Since they had to be originals it was a relief.”
This story has an intriguing mystery, some romance, and humor. It is a fun who done it plot that has no shortage of suspects. Readers will be looking forward to the next installment, Fudge Bits, out next fall, a Halloween plot. It will highlight her cat instead of her dog that finds a Zombie body.
Coco is a great pseudonym for the Fudge series. “I really enjoy writing these cozy mysteries with the humor and solving the puzzle. While writing my first series, I would put recipes on my blog. Then a friend of mine suggested I should write in this genre with a gluten free bakery. My last name was specifically chosen for this series. I love fudge, actually anything chocolate. The person in the apartment next to us said it always smells like chocolate in my house. Not only does it smell good but tastes good as well.”
Allie is an amateur sleuth. She and her dog Mal have an uncanny ability to find dead bodies. In the past, she has helped the police solve cases. As the owner of a delightful hotel and fudge shop on Mackinac Island, Allie’s excitement has grown after a television crew arrives on the island to film a television pilot for a mystery series. Throwing a wrench into the enthusiasm is the dead body found by Allie’s adorable Bichon-Poo puppy, Mal. Shot in the head, the body discovered has a letter with clues from chess moves. As the killings mount up, the murderer continues to taunt Allie, trying to get her to play his game.
The island plays a role in the story. “I have a huge family living in Michigan, which is where the island is located. If you ever saw the movie, “Somewhere in Time” starring Christopher Reeve, you can picture the setting. The island does not allow cars so people travel by foot, horse and carriage, or bicycle. It is a cool touristy place.”
There is also a love triangle. Allie is being wooed by two courters. She broke up with Trent Jessup because a long-distance relationship is not working, with him spending a lot of time in Chicago. The other beau is police chief Rex Manning who is being persistent in pursuing her, yet, willing to give her time and space.
“I thought it is interesting to compare ‘in love versus loving someone.’ I love my male friends but being ‘in love’ has excitement, a commitment, and intimacy. Allie is starting to build connections but some old timers see her as an outsider. One of those who accept her as part of the community is Rex who sees it as his responsibility to protect her and the community.”
Actual recipes are dispersed throughout the story. “I purposely did it this way to show what Allie is working on. I sprinkle it throughout to give the feel and flavor to what she is actually making. I try to relate it to the story when possible. I remember my first contract with Kensington Books required me to write ten recipes per book. Luckily, they downsized that amount. Since they had to be originals it was a relief.”
This story has an intriguing mystery, some romance, and humor. It is a fun who done it plot that has no shortage of suspects. Readers will be looking forward to the next installment, Fudge Bits, out next fall, a Halloween plot. It will highlight her cat instead of her dog that finds a Zombie body.
Miguel Covarrubias (143 KP) rated Doctor Sleep in Books
Apr 30, 2019
It was a very fitting sequel to "The Shining". As King notes, in the Author's note at the end of the book, he is a different man than the one who wrote about Jack Torrance. You can certainly tell. His story is well rounded and a complete character arch for not just the Torrance family but for the Author as well. The redemption of Jack being just a nod was more than enough for me as well. I loved the grace and love that King pours into his stories.
There was one scene that will continue to disturb me. It was Danny's secret, that he shared at the end of the book, and lived through at the beginning. That scene with the toddler just... it really upset me. It will haunt me as it haunted Danny. I think it's because I am a father of a toddler myself, and any harm done to children kills my soul a bit.
The themes of becoming better than your past are beautiful. I love King's take on this as he is also a man that has overcome his past and become better than he was. The idea of purpose is one I would argue with, but that is something that I'm struggling with myself. I do love the imagery that is borrowed from Madeleine L'Engle about collecting ages that Danny references. We are always that age at some level, and will always be. There will always be that part of us that was our past, but we can overcome it and be better than we were. The trauma in Danny's past made him a better person, rather than letting it weigh him down for his entire life. It almost did.
I almost didn't read this one, but I'm very glad that I did.
I'm also a fan of the little dig that King takes at Kubrick in his Author's note about the movie version, the mini-series was a better interpretation.
There was one scene that will continue to disturb me. It was Danny's secret, that he shared at the end of the book, and lived through at the beginning. That scene with the toddler just... it really upset me. It will haunt me as it haunted Danny. I think it's because I am a father of a toddler myself, and any harm done to children kills my soul a bit.
The themes of becoming better than your past are beautiful. I love King's take on this as he is also a man that has overcome his past and become better than he was. The idea of purpose is one I would argue with, but that is something that I'm struggling with myself. I do love the imagery that is borrowed from Madeleine L'Engle about collecting ages that Danny references. We are always that age at some level, and will always be. There will always be that part of us that was our past, but we can overcome it and be better than we were. The trauma in Danny's past made him a better person, rather than letting it weigh him down for his entire life. It almost did.
I almost didn't read this one, but I'm very glad that I did.
I'm also a fan of the little dig that King takes at Kubrick in his Author's note about the movie version, the mini-series was a better interpretation.
Emma @ The Movies (1786 KP) rated Everything, Everything (2017) in Movies
Sep 25, 2019
Eighteen-year-old Maddy's world is small. It's the size of a house.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Kristy H (1252 KP) rated Separate Lives in Books
Feb 13, 2018
It all begins when Susie sees the text on Alex's phone: "Start living a different kind of life ...P :-) xxx." Convinced he's having an affair, Susie sets off on her own trajectory that threatens their partnership of ten years and their life with their two children. And Alex? Is he completely innocent in all of this? And what about the mysterious P?
This novel is told from the alternating point of view of Susie, Alex, and Pippa. Susie's pieces come via standard narrative, Alex's mainly through email exchanges with his brothers and sister, and Pippa via emails to her sister. While this starts off as sort of enjoyable and different, it can grow old quickly (though the email format moved quickly at least). For instance, Pippa and Susie have a way of veering off into tangents about their past, which drove me absolutely insane. These summaries seemed not at all relevant to the book (what they wore and read at seventeen!) and dragged the narrative down and the story on forever.
Meanwhile, the novel sounds interesting in its premise: a group of characters brought together by a potential technological misunderstanding. It's certainly why I selected it as an ARC. The problem is that none of the characters are remotely redeemable or likeable. While a book that revolves around infidelity may not always have the most personable of characters, you can usually find some humanity them. This group: I just could not find any reason to root for them. I would find an occasional glimpse in Susie or Pippa, but overall, they all annoyed me with their whining and life choices, and I felt sorry for their children! Add to that a plot filled with a variety of twists and turns that would be better off in a soap opera or Lifetime movie (surprise pregnancies! love affairs with a spouse's siblings!), and my frustration level reached its peak. Again, there were moments I liked, but overall I just didn't find a lot of humor or enjoyment in this novel. 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 12/06/2016
This novel is told from the alternating point of view of Susie, Alex, and Pippa. Susie's pieces come via standard narrative, Alex's mainly through email exchanges with his brothers and sister, and Pippa via emails to her sister. While this starts off as sort of enjoyable and different, it can grow old quickly (though the email format moved quickly at least). For instance, Pippa and Susie have a way of veering off into tangents about their past, which drove me absolutely insane. These summaries seemed not at all relevant to the book (what they wore and read at seventeen!) and dragged the narrative down and the story on forever.
Meanwhile, the novel sounds interesting in its premise: a group of characters brought together by a potential technological misunderstanding. It's certainly why I selected it as an ARC. The problem is that none of the characters are remotely redeemable or likeable. While a book that revolves around infidelity may not always have the most personable of characters, you can usually find some humanity them. This group: I just could not find any reason to root for them. I would find an occasional glimpse in Susie or Pippa, but overall, they all annoyed me with their whining and life choices, and I felt sorry for their children! Add to that a plot filled with a variety of twists and turns that would be better off in a soap opera or Lifetime movie (surprise pregnancies! love affairs with a spouse's siblings!), and my frustration level reached its peak. Again, there were moments I liked, but overall I just didn't find a lot of humor or enjoyment in this novel. 2.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 12/06/2016
Kristy H (1252 KP) rated Eight Hundred Grapes in Books
Feb 13, 2018
I feel torn about the rating for this book, which probably truly clocks in at 3.5 stars. For a decent part of this novel, I felt slightly annoyed with its protagonist, Georgia. Georgia returns to her parents' home in disgrace a few days before her wedding, after finding out her fiance has been keeping a crazy secret from her.
Her parents' home is a vineyard in California, where Georgia grew up with her older twin brothers, Finn and Bobby. She expects to find the comfort she always experienced as a kid (but also ran away from - she's very clear that she left the vineyard for a life as a more glamorous lawyer). But upon arriving home, she finds that no one is really happy -- not her parents, not Bobby and his wife, and not Finn.Yet, she finds herself longing for life at the vineyard more and more, even as everything is falling apart around her. Hmm.
There are several plotlines in this novel that, when combined, all seem a little ludicrous. Georgia's fiance Ben's secret involves a movie star. The crazy issues between the brothers. The problems and arrangement between her parents. What happens with the vineyard. Even the ending. One or two of the storylines, perhaps, I would have found more believable. All together, it is a bit much. Add in Georgia's constant vacillating (I'm getting married! I'm not! I am!), and it gets to be a bit old.
However, I have to cut Georgia some slack, as I realize, despite the lawyerly job and upcoming wedding, she's young, and she has had quite a shock. She eventually grew on me a bit as the storyline progressed and she herself grew up a bit. And, as silly and as "neat" (as in, neatly tied up) the ending was, it warmed my heart a bit and made me end the book on a good note.
Still, I think I may pick up a Michael Jordan biography next. I'm a little tired of flighty thirty-somethings! Time for a clever, genius, and sometimes angry athlete for a change of pace.
Her parents' home is a vineyard in California, where Georgia grew up with her older twin brothers, Finn and Bobby. She expects to find the comfort she always experienced as a kid (but also ran away from - she's very clear that she left the vineyard for a life as a more glamorous lawyer). But upon arriving home, she finds that no one is really happy -- not her parents, not Bobby and his wife, and not Finn.Yet, she finds herself longing for life at the vineyard more and more, even as everything is falling apart around her. Hmm.
There are several plotlines in this novel that, when combined, all seem a little ludicrous. Georgia's fiance Ben's secret involves a movie star. The crazy issues between the brothers. The problems and arrangement between her parents. What happens with the vineyard. Even the ending. One or two of the storylines, perhaps, I would have found more believable. All together, it is a bit much. Add in Georgia's constant vacillating (I'm getting married! I'm not! I am!), and it gets to be a bit old.
However, I have to cut Georgia some slack, as I realize, despite the lawyerly job and upcoming wedding, she's young, and she has had quite a shock. She eventually grew on me a bit as the storyline progressed and she herself grew up a bit. And, as silly and as "neat" (as in, neatly tied up) the ending was, it warmed my heart a bit and made me end the book on a good note.
Still, I think I may pick up a Michael Jordan biography next. I'm a little tired of flighty thirty-somethings! Time for a clever, genius, and sometimes angry athlete for a change of pace.
Sarah (7800 KP) rated Seven (1995) in Movies
Nov 18, 2020
A timeless crime thriller
Film #2 on the 100 Movies Bucket List: Se7en
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
Scootermania: A Celebration of Style and Speed
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From its origins the Italian battlefields of the Second World War, to movie roles as Audrey...
Slip Out the Back Jack (Jack Ryder Book 2)
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They take turns with the knife, cutting their thumbs open. A drop of blood lands on the dark wooden...
horror suspense mystery contemporary fiction series
