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Bob Mann (459 KP) rated The Suicide Squad (2021) in Movies
Aug 10, 2021
Anarchic and very funny script, with some great visual gags (1 more)
Elba, Davis and Robbie all great. As is new name Daniela Melchior.
What a difference a "The" makes! The original "Suicide Squad" from 2016 was a botched and lacklustre affair, getting just 5/10 from me. James Gunn's semi-reboot is hyper-violent, overlong, totally ludicrous but a whole bunch of fun.
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Erika (17789 KP) rated Shadow and Bone - Season 1 in TV
Jul 16, 2021
Shadow and Bone is based upon the popular Young Adult series, The Grisha Trilogy, which takes place in a steampunk-ish, Russian fantasy world at war. The story’s main character is Alina Starkov (Jessie Mei Li), an orphan who discovers she has some magical powers when she journeys into something called the Fold with her childhood friend Malyen, “Mal” (Archie Renaux), for short. The witches in this fantasy world are called Grisha and are trained to help with military operations for some king. The General of this witch army is Kirigan, played by Ben Barnes. There are also two other storylines, this group of kidnappers, and a Grisha that’s enslaved.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
Matthew Krueger (10051 KP) rated Drag Me to Hell (2009) in Movies
Oct 28, 2020
Sam Raimi (1 more)
Alison Lohman
PG-13 (1 more)
Justin Long
Old Lady Curse
Drag me to Hell- is a anethor movie that ive wanted to see for couple years now and it was not disappointed. Its gory, horrorfying, terrorfying, scary, gory and overall a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
Kristy H (1252 KP) rated Detransition, Baby in Books
Jan 28, 2021
A meandering but insightful look into the lives of an interconnected trio
Reese and Amy nearly had it all--a loving relationship, an apartment, and safety in each other: something extremely difficult for trans women to find. But that all changes when Amy decides to detransition and become Ames. Now Reese feels lost and alone, turning to her old patterns of sleeping with men who treat her poorly. And Ames isn't particularly happy either, though he's found a sort of comfort in his relationship with his boss, Katrina. But when Katrina discovers she's pregnant--with Ames' child--Ames is forced to confront a lot of his fears about masculinity and fatherhood. He also wonders if it's a chance for family. Reese has always longed for a baby; could he, Reese, and Katrina raise this child together?
"Somewhere, somehow, Amy did the impossible. She got herself a baby."
I love that this diverse book was my 300th read for Netgalley. I love love love that there is a story about trans women being celebrated and heralded on "must read" lists. I enjoyed so much about this book. Reese and Amy are detailed and realistic characters who--to me at least--did not seem stereotypical or one-dimensional. I felt like I learned so much reading their raw, emotional, and lovely story.
The tale of Ames becoming a parent--and wanting to involve Reese--was an interesting and dynamic one for me. I could completely understand Reese's longing for motherhood and how she felt on the outside looking in. This part of the book was original and fascinating. Pieces of the story were utterly hilarious, despite some of the serious subject matter. There is a chapter where Reese attends an essential oils party with Katrina and other straight/cis women that made me laugh out loud. Peters captures her voice so perfectly. There's a vulnerability and realness to Reese that makes her a captivating character from the start.
"Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude."
The hardest part for me about this book had nothing to do with its subject matter (if that's a problem for you, you're the problem), but the fact that it veers between the past and the present, going on tangents about Reese and Amy's past. Sometimes it seemed like it just needed a strong edit, with someone willing to strike about half of those passages. Or perhaps I just wanted to get on with the present, the impending baby, and Reese, Katrina, and Ames' story. I'm not sure. But I was nearly compelled to skim some of these long passages. It was just a lot. And then, after all that, the book just sort of ended, to me, without much resolution, and I felt a bit betrayed.
Still, do not get me wrong. This is an excellent and important story, and more such stories like this need to be told. I definitely recommend it, and I bet any forthcoming books from Peters will only get better and better. 3.5
Reese and Amy nearly had it all--a loving relationship, an apartment, and safety in each other: something extremely difficult for trans women to find. But that all changes when Amy decides to detransition and become Ames. Now Reese feels lost and alone, turning to her old patterns of sleeping with men who treat her poorly. And Ames isn't particularly happy either, though he's found a sort of comfort in his relationship with his boss, Katrina. But when Katrina discovers she's pregnant--with Ames' child--Ames is forced to confront a lot of his fears about masculinity and fatherhood. He also wonders if it's a chance for family. Reese has always longed for a baby; could he, Reese, and Katrina raise this child together?
"Somewhere, somehow, Amy did the impossible. She got herself a baby."
I love that this diverse book was my 300th read for Netgalley. I love love love that there is a story about trans women being celebrated and heralded on "must read" lists. I enjoyed so much about this book. Reese and Amy are detailed and realistic characters who--to me at least--did not seem stereotypical or one-dimensional. I felt like I learned so much reading their raw, emotional, and lovely story.
The tale of Ames becoming a parent--and wanting to involve Reese--was an interesting and dynamic one for me. I could completely understand Reese's longing for motherhood and how she felt on the outside looking in. This part of the book was original and fascinating. Pieces of the story were utterly hilarious, despite some of the serious subject matter. There is a chapter where Reese attends an essential oils party with Katrina and other straight/cis women that made me laugh out loud. Peters captures her voice so perfectly. There's a vulnerability and realness to Reese that makes her a captivating character from the start.
"Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude."
The hardest part for me about this book had nothing to do with its subject matter (if that's a problem for you, you're the problem), but the fact that it veers between the past and the present, going on tangents about Reese and Amy's past. Sometimes it seemed like it just needed a strong edit, with someone willing to strike about half of those passages. Or perhaps I just wanted to get on with the present, the impending baby, and Reese, Katrina, and Ames' story. I'm not sure. But I was nearly compelled to skim some of these long passages. It was just a lot. And then, after all that, the book just sort of ended, to me, without much resolution, and I felt a bit betrayed.
Still, do not get me wrong. This is an excellent and important story, and more such stories like this need to be told. I definitely recommend it, and I bet any forthcoming books from Peters will only get better and better. 3.5
Darren (1599 KP) rated The Ides of March (2011) in Movies
Sep 13, 2019 (Updated Sep 13, 2019)
Characters – Stephen Meyers is the ambitious campaign manager who is wildly considered one of the best in the business with his ability to handle the media and remain calm through any situation. His life is turned upside when he becomes a pawn in the dirty tactics involved in an election race and he will need to roll his sleeves up to fight back. Governor Mike Morris is the man Stephen is working for, he is the underdog in the race and seems like the perfect candidate, only he has secrets which could ruin his campaign. Paul is Stephen’s boss, the man who took a chance on Stephen, he values loyalty over anything else and doesn’t always trust the people around him. Tom Duffy is the campaign manager on the opposite side, he does like the ideas Stephen is playing and wants him on his team, he is the first one to play him into his own game. Molly is the intern on the staff that could bring down the whole campaign with her secret. Ida is a journalist that will do anything for a story which will get her on the front page.
Performances – In the performances we have a list of all-star actors that show us just how an ensembled cast can make a movie so enjoyable. We have Ryan Gosling taking centre stage, George Clooney playing a role her is perfect for and Hoffman and Giamatti that are just acting masters with these roles showing just how talented they are.
Story – The story here follows a younger political man o the verge of his biggest campaign victory, when he gets shown the darker side of politics. Now this is an interesting story as we see how the innocent man must get dirty to survive the game and how the seasoned veterans of the game know every trick that will come their way. The mix of this keeps us on the edge of our seat through the film, the weakness in the film comes from the non-Americans struggle to keep up with who is one which Republican or Democratic side of the discussion and what level this is for the presidential candidate races. Unless you know the American political system you might fall short knowing everything going on here.
Thriller – This film does keep us on edge through the events of the campaign, this is what we want and the twists in the darker side of the political system become clear by the end.
Settings – The film throws us into every potential political arena you can think of, we get plenty of discussions some in secret others in an open forum to just what goes on behind the scenes of a campaign race.
Scene of the Movie – This will be my campaign.
That Moment That Annoyed Me – Not understand the American political system.
Final Thoughts – This is a good political thriller that will keep you guessing from start to finish, it has a brilliant cast that all shine too.
Overall: Keeps you guessing from start to finish.
Performances – In the performances we have a list of all-star actors that show us just how an ensembled cast can make a movie so enjoyable. We have Ryan Gosling taking centre stage, George Clooney playing a role her is perfect for and Hoffman and Giamatti that are just acting masters with these roles showing just how talented they are.
Story – The story here follows a younger political man o the verge of his biggest campaign victory, when he gets shown the darker side of politics. Now this is an interesting story as we see how the innocent man must get dirty to survive the game and how the seasoned veterans of the game know every trick that will come their way. The mix of this keeps us on the edge of our seat through the film, the weakness in the film comes from the non-Americans struggle to keep up with who is one which Republican or Democratic side of the discussion and what level this is for the presidential candidate races. Unless you know the American political system you might fall short knowing everything going on here.
Thriller – This film does keep us on edge through the events of the campaign, this is what we want and the twists in the darker side of the political system become clear by the end.
Settings – The film throws us into every potential political arena you can think of, we get plenty of discussions some in secret others in an open forum to just what goes on behind the scenes of a campaign race.
Scene of the Movie – This will be my campaign.
That Moment That Annoyed Me – Not understand the American political system.
Final Thoughts – This is a good political thriller that will keep you guessing from start to finish, it has a brilliant cast that all shine too.
Overall: Keeps you guessing from start to finish.
Darren (1599 KP) rated The Village in the Woods (2019) in Movies
Sep 13, 2019
Characters – Stephen Meyers is the ambitious campaign manager who is wildly considered one of the best in the business with his ability to handle the media and remain calm through any situation. His life is turned upside when he becomes a pawn in the dirty tactics involved in an election race and he will need to roll his sleeves up to fight back. Governor Mike Morris is the man Stephen is working for, he is the underdog in the race and seems like the perfect candidate, only he has secrets which could ruin his campaign. Paul is Stephen’s boss, the man who took a chance on Stephen, he values loyalty over anything else and doesn’t always trust the people around him. Tom Duffy is the campaign manager on the opposite side, he does like the ideas Stephen is playing and wants him on his team, he is the first one to play him into his own game. Molly is the intern on the staff that could bring down the whole campaign with her secret. Ida is a journalist that will do anything for a story which will get her on the front page.
Performances – In the performances we have a list of all-star actors that show us just how an ensembled cast can make a movie so enjoyable. We have Ryan Gosling taking centre stage, George Clooney playing a role her is perfect for and Hoffman and Giamatti that are just acting masters with these roles showing just how talented they are.
Story – The story here follows a younger political man o the verge of his biggest campaign victory, when he gets shown the darker side of politics. Now this is an interesting story as we see how the innocent man must get dirty to survive the game and how the seasoned veterans of the game know every trick that will come their way. The mix of this keeps us on the edge of our seat through the film, the weakness in the film comes from the non-Americans struggle to keep up with who is one which Republican or Democratic side of the discussion and what level this is for the presidential candidate races. Unless you know the American political system you might fall short knowing everything going on here.
Thriller – This film does keep us on edge through the events of the campaign, this is what we want and the twists in the darker side of the political system become clear by the end.
Settings – The film throws us into every potential political arena you can think of, we get plenty of discussions some in secret others in an open forum to just what goes on behind the scenes of a campaign race.
Scene of the Movie – This will be my campaign.
That Moment That Annoyed Me – Not understand the American political system.
Final Thoughts – This is a good political thriller that will keep you guessing from start to finish, it has a brilliant cast that all shine too.
Overall: Keeps you guessing from start to finish.
Performances – In the performances we have a list of all-star actors that show us just how an ensembled cast can make a movie so enjoyable. We have Ryan Gosling taking centre stage, George Clooney playing a role her is perfect for and Hoffman and Giamatti that are just acting masters with these roles showing just how talented they are.
Story – The story here follows a younger political man o the verge of his biggest campaign victory, when he gets shown the darker side of politics. Now this is an interesting story as we see how the innocent man must get dirty to survive the game and how the seasoned veterans of the game know every trick that will come their way. The mix of this keeps us on the edge of our seat through the film, the weakness in the film comes from the non-Americans struggle to keep up with who is one which Republican or Democratic side of the discussion and what level this is for the presidential candidate races. Unless you know the American political system you might fall short knowing everything going on here.
Thriller – This film does keep us on edge through the events of the campaign, this is what we want and the twists in the darker side of the political system become clear by the end.
Settings – The film throws us into every potential political arena you can think of, we get plenty of discussions some in secret others in an open forum to just what goes on behind the scenes of a campaign race.
Scene of the Movie – This will be my campaign.
That Moment That Annoyed Me – Not understand the American political system.
Final Thoughts – This is a good political thriller that will keep you guessing from start to finish, it has a brilliant cast that all shine too.
Overall: Keeps you guessing from start to finish.
Juventus Fantasy Manager 2018
Games and Sports
6.0
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NodeBeat - Playful Music for All
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Kristy H (1252 KP) rated Behind Her Eyes in Books
Oct 1, 2020
This is the second book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Louise has a pretty boring life. A single mom and part-time secretary, most of her life revolves around her young son. But then one night she meets a man in a bar and feels an instant attraction. Though it stops with a kiss, she feels excited by the prospect of finally having met someone. So imagine Louise's surprise when, the next morning, she sees the man again. At work. He's her new boss. And he's also very married, to a beautiful younger wife, Adele. Soon, Louise accidentally runs into Adele and the two form a friendship. Louise knows it's wrong, but she feels drawn to Adele as well. She appears lonely. Plus, the more Louise learns about Adele, the more she feels something is off: Adele seems afraid and almost controlled by David. Before she knows it, Louise is spending time with Adele and David, unable to tell the other about what she's doing. She's also realizing that there's something very wrong with this marriage. But how wrong, Louise has no idea.
"You can never know everything about a person. You'd go mad trying to."
Well, this was a spellbinding thriller. It's a wild ride that keeps you guessing the entire time, wondering who is twisting whose mind and what on earth is going on between David, Adele, and even Louise. Is David an abusive husband controlling his wife? Is Adele a cowed and crazy housewife? What happened between David and Adele when they were young and Adele's parents died? Is Louise complicit in their games? I felt befuddled and mesmerized as I madly flipped the pages, trying to figure out what on earth was going on.
"The more I fall for David, the more fascinated I become with Adele. It's a vicious circle."
I knew I didn't really like any of these people, but I didn't care, as I had to know what was going to happen next. Trying to put together the pieces in this psychological puzzle is nearly impossible; it seems like everyone is playing mind games with everyone else. It's told in a Now and Then format, with perspectives from Adele and Louise. But who can we trust? Does anyone tell the truth in this book? I won't spoil it for you, but I can say that the short chapters and flip in time periods make for a captivating read.
Some of the plot is strange and again, the characters are not particularly likeable (Louise, come on, let's make better choices), but the book makes up for it in psychological thrills and twists. Behind Her Eyes has been on my shelf for a while, as I'd heard about its surprises and big ending. I'm glad I used this challenge to pick it up. It was a different read and a crazy one. 3.75 stars, rounded to 4 here.
Louise has a pretty boring life. A single mom and part-time secretary, most of her life revolves around her young son. But then one night she meets a man in a bar and feels an instant attraction. Though it stops with a kiss, she feels excited by the prospect of finally having met someone. So imagine Louise's surprise when, the next morning, she sees the man again. At work. He's her new boss. And he's also very married, to a beautiful younger wife, Adele. Soon, Louise accidentally runs into Adele and the two form a friendship. Louise knows it's wrong, but she feels drawn to Adele as well. She appears lonely. Plus, the more Louise learns about Adele, the more she feels something is off: Adele seems afraid and almost controlled by David. Before she knows it, Louise is spending time with Adele and David, unable to tell the other about what she's doing. She's also realizing that there's something very wrong with this marriage. But how wrong, Louise has no idea.
"You can never know everything about a person. You'd go mad trying to."
Well, this was a spellbinding thriller. It's a wild ride that keeps you guessing the entire time, wondering who is twisting whose mind and what on earth is going on between David, Adele, and even Louise. Is David an abusive husband controlling his wife? Is Adele a cowed and crazy housewife? What happened between David and Adele when they were young and Adele's parents died? Is Louise complicit in their games? I felt befuddled and mesmerized as I madly flipped the pages, trying to figure out what on earth was going on.
"The more I fall for David, the more fascinated I become with Adele. It's a vicious circle."
I knew I didn't really like any of these people, but I didn't care, as I had to know what was going to happen next. Trying to put together the pieces in this psychological puzzle is nearly impossible; it seems like everyone is playing mind games with everyone else. It's told in a Now and Then format, with perspectives from Adele and Louise. But who can we trust? Does anyone tell the truth in this book? I won't spoil it for you, but I can say that the short chapters and flip in time periods make for a captivating read.
Some of the plot is strange and again, the characters are not particularly likeable (Louise, come on, let's make better choices), but the book makes up for it in psychological thrills and twists. Behind Her Eyes has been on my shelf for a while, as I'd heard about its surprises and big ending. I'm glad I used this challenge to pick it up. It was a different read and a crazy one. 3.75 stars, rounded to 4 here.