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Womaneater (1957)
3.0
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Movie
British B-movie horror melodrama. A scientist who may not be entirely psychologically sound goes off...
botanical horror
Awix (3310 KP) rated An American Werewolf in London (1981) in Movies
May 17, 2021
Off-beat horror comedy. Two American backpackers travelling through Europe are attacked by a ferocious beast in the Yorkshire Dales; one of them is horribly slaughtered, the other is less fortunate.
In with a shout as the best werewolf movie ever, although this is partly because of the lack of serious competition. The story hits all the usual beats, but is elevated by a knowing sense of humour (and jokes which really land) and Rick Baker's still-impressive make-up effects (it's hard to know which sequence Landis seems more fascinated by, the transformation or Jenny Agutter in the shower). A fascination with the weirdness of British culture, along with a supporting cast of great character actors, also helps to make the film distinctive. Very funny, very scary, occasionally very gory; a great horror movie.
In with a shout as the best werewolf movie ever, although this is partly because of the lack of serious competition. The story hits all the usual beats, but is elevated by a knowing sense of humour (and jokes which really land) and Rick Baker's still-impressive make-up effects (it's hard to know which sequence Landis seems more fascinated by, the transformation or Jenny Agutter in the shower). A fascination with the weirdness of British culture, along with a supporting cast of great character actors, also helps to make the film distinctive. Very funny, very scary, occasionally very gory; a great horror movie.
Grand Prix (1966)
7.0
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American Grand Prix driver Pete Aron (James Garner) is fired by his Jordan-BRM racing team after a...
The Foreigner (2017)
6.9
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Movie Watch
The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in...
Bob Mann (459 KP) rated Churchill (2017) in Movies
Sep 29, 2021
“We will bore them on the beaches”.
“Churchill” tells the story of the great leader’s extreme opposition to “Operation Overlord”, the Eisenhower-led invasion of Normandy in 1944 that ultimately led – more by luck that judgement perhaps – to the fall of the Third Reich in the following year.
I’m not a historian but am married to one, so know the importance of “sources” in the pursuit of “truth”: one man’s terrorist is after all another man’s freedom fighter from a different perspective. Some sources on the internet (here for example) certainly suggest the The British (led by Churchill as Prime Minister) might have sensibly promoted the acceleration of the Italian campaign to reach Berlin rather than the far riskier Channel crossing.
This film however paints Churchill as a man demonised by his decision to send young men to their deaths in the fateful Gallipoli beach landings of World War One, with this – rather than a sensible strategic one – being the primary reason for opposing the Normandy landings. To further paint him as a bumbling old fool that is “worked around” by his peers strikes you as borderline libellous.
So the film’s script, by novice Alex von Tunzelmann, immediately set the wrong tone with me, and the undeniably strong performances of Brian Cox (“The Bourne Identity”) as Churchill and the wonderful Miranda Richardson (“Harry Potter” and the soon to be released “Stronger”) as Clemmie can’t fill the gap.
Besides anything else, diretor Jonathan Teplitzky (“The Railway Man”) delivers a piece so dull and lifeless, and with so much brooding, that its not remotely enjoyable. You think the introduction of a bullied secretary – Ms Garrett (Ella Purnell) – with a strong personal connection to ‘Overlord’ will add dramatic colour? But this angle too seems to go nowhere in particular.
There are many tales of the Normandy landings that are fascinating, over and above the dramatic sweep of “The Longest Day” (which is surely well overdue for a remake?) and Spielberg’s fictionalisation of the Niland brothers in “Saving Private Ryan”. How about the 2 out of 29 American amphibious tanks that reached Omaha beach after ignoring British advice to not launch so far from shore in rough seas?
So, as a film, it might be “worthy”. But I didn’t remotely believe the depiction of Churchill and it astonished me that such a rivetingly exciting period of British history could deliver a film that bored me. So, sorry, can’t recommend this one. Perhaps Joe Wright will have a better go with Gary Oldman as Churchill in “Darkest Hour”…
I’m not a historian but am married to one, so know the importance of “sources” in the pursuit of “truth”: one man’s terrorist is after all another man’s freedom fighter from a different perspective. Some sources on the internet (here for example) certainly suggest the The British (led by Churchill as Prime Minister) might have sensibly promoted the acceleration of the Italian campaign to reach Berlin rather than the far riskier Channel crossing.
This film however paints Churchill as a man demonised by his decision to send young men to their deaths in the fateful Gallipoli beach landings of World War One, with this – rather than a sensible strategic one – being the primary reason for opposing the Normandy landings. To further paint him as a bumbling old fool that is “worked around” by his peers strikes you as borderline libellous.
So the film’s script, by novice Alex von Tunzelmann, immediately set the wrong tone with me, and the undeniably strong performances of Brian Cox (“The Bourne Identity”) as Churchill and the wonderful Miranda Richardson (“Harry Potter” and the soon to be released “Stronger”) as Clemmie can’t fill the gap.
Besides anything else, diretor Jonathan Teplitzky (“The Railway Man”) delivers a piece so dull and lifeless, and with so much brooding, that its not remotely enjoyable. You think the introduction of a bullied secretary – Ms Garrett (Ella Purnell) – with a strong personal connection to ‘Overlord’ will add dramatic colour? But this angle too seems to go nowhere in particular.
There are many tales of the Normandy landings that are fascinating, over and above the dramatic sweep of “The Longest Day” (which is surely well overdue for a remake?) and Spielberg’s fictionalisation of the Niland brothers in “Saving Private Ryan”. How about the 2 out of 29 American amphibious tanks that reached Omaha beach after ignoring British advice to not launch so far from shore in rough seas?
So, as a film, it might be “worthy”. But I didn’t remotely believe the depiction of Churchill and it astonished me that such a rivetingly exciting period of British history could deliver a film that bored me. So, sorry, can’t recommend this one. Perhaps Joe Wright will have a better go with Gary Oldman as Churchill in “Darkest Hour”…
Awix (3310 KP) rated Early Man (2018) in Movies
Feb 8, 2018 (Updated Feb 8, 2018)
One Million Years F.C.
Another movie from the people who made Wallace and Gromit and Shaun the Sheep, and if you're familiar with either of those you will know that expectations will be high: Aardman are the British answer to Pixar or Studio Ghibli. Keeping such sky-high standards must be difficult, so we must try to be understanding when they fall a little short - as they do here.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
Devised and Directed by Mike Leigh
Bryan Cardinale-Powell and Marc DiPaolo
Book
Renowned for making films that are at once sly domestic satires and heartbreaking 'social realist'...
Lee (2222 KP) rated I Like Films in Podcasts
Feb 15, 2019
Enjoyable movie podcast with some great guests
Jonathan Ross has been a familiar face/voice on British television and radio for many years now. His connection to film goes way back to 1999 when he took over hosting duties on the BBC TV show 'Film', reviewing and discussing movies. He is also married to Jane Goldman, writer on numerous movies including Kick-Ass and Kingsman.
I've always been a fan of Jonathan Ross, although it's fair to say that his TV talk show has taken a serious dip in the quality of guests in recent years. In this relatively new podcast, the simply titled 'I Like Films', Jonathan just chats with some of the big names in the movie world - about their careers, about whatever movie they're currently plugging. I've not caught all of the episodes, but the ones I have listened to have always been very interesting and have made this podcast one of only a handful that I'll download the moment an episode becomes available. Robert Zemeckis, Samuel L Jackson, M. Night Shyamalan and Joe Cornish have all featured recently and each episode is just relaxed, informative and really enjoyable.
I've always been a fan of Jonathan Ross, although it's fair to say that his TV talk show has taken a serious dip in the quality of guests in recent years. In this relatively new podcast, the simply titled 'I Like Films', Jonathan just chats with some of the big names in the movie world - about their careers, about whatever movie they're currently plugging. I've not caught all of the episodes, but the ones I have listened to have always been very interesting and have made this podcast one of only a handful that I'll download the moment an episode becomes available. Robert Zemeckis, Samuel L Jackson, M. Night Shyamalan and Joe Cornish have all featured recently and each episode is just relaxed, informative and really enjoyable.
Sarah (7798 KP) rated Hot Fuzz (2007) in Movies
Aug 24, 2018
Hilarious
I've re-watched this again recently and it's just as funny now as it was when I first saw it in the cinema.
It's hilarious, full of wit and British humour. Not only is it a brilliant comedy, it's a great action and mystery flick too. The pairing of Simon Pegg and Nick Frost works as well here as it did in Shaun of the Dead, and there's a great supporting cast in Jim Broadbent, Paddy Considine and the rest, including those blink and you'll miss it cameos.
Whilst I work for a large urban police force, there are a lot of areas of policing I recognise in this film, which for me makes it even funnier watching it back. From having to bring cake (bribes) in for colleagues, to the old school Vauxhall cars, office banter and the more onerous side of policing, they really have done their research. Although I can safely say I've never met an officer quite as dedicated as Angel! But I do reckon a lot of our new recruits have the same view of policing as Danny does...
Such an entertaining film that doesn't get old.
It's hilarious, full of wit and British humour. Not only is it a brilliant comedy, it's a great action and mystery flick too. The pairing of Simon Pegg and Nick Frost works as well here as it did in Shaun of the Dead, and there's a great supporting cast in Jim Broadbent, Paddy Considine and the rest, including those blink and you'll miss it cameos.
Whilst I work for a large urban police force, there are a lot of areas of policing I recognise in this film, which for me makes it even funnier watching it back. From having to bring cake (bribes) in for colleagues, to the old school Vauxhall cars, office banter and the more onerous side of policing, they really have done their research. Although I can safely say I've never met an officer quite as dedicated as Angel! But I do reckon a lot of our new recruits have the same view of policing as Danny does...
Such an entertaining film that doesn't get old.
James Koppert (2698 KP) rated Rory O'Shea Was Here (aka Inside I'm Dancing) (2004) in Movies
Nov 6, 2019
One of the best films Britain made yet no one watched
You've seen Brassed Off, you've seen Four Weddings and Funeral, you've seen Notting Hill and the Full Monty. But you didn't watch this. So few people watched Inside I'm Dancing that they re-released it with the new name Rory O'Shea Was Here and removed any images of wheelchairs from the cover.
It must have been the wheelchairs that did it. No one watched this incredible film about two disabled friends and their rebellion against disability stereotypes. It's absolutely incredible and it will make you laugh, it will make you cry and will make you think and challenge your perspectives.
There are two friends, one is a reserved chap who does as he's told, the other is a punk rock rebel in a wheelchair and refuses to confirm how everyone says he has to. Watch how one comes out of their shell and the other wrestles with their sense of self.
I've shown this film to so many people who haven't heard of it but then rate it full marks after laughing and crying. Will you be another one?
It must have been the wheelchairs that did it. No one watched this incredible film about two disabled friends and their rebellion against disability stereotypes. It's absolutely incredible and it will make you laugh, it will make you cry and will make you think and challenge your perspectives.
There are two friends, one is a reserved chap who does as he's told, the other is a punk rock rebel in a wheelchair and refuses to confirm how everyone says he has to. Watch how one comes out of their shell and the other wrestles with their sense of self.
I've shown this film to so many people who haven't heard of it but then rate it full marks after laughing and crying. Will you be another one?