"He was the great innovator and the forerunner to make black music ‘acceptable’ to the general white population of America, and the world. When he came out, you just couldn’t ignore the impact of his voice and delivery of music with piano and arrangements. Putting him and Little Richard together, they’re kind of similar in a way because they had such a big influence. But I can’t ignore the contribution that Ray Charles has made to soul and music at large. If there’s one person that I could emulate with my voice, it would be Ray Charles, perhaps with a little bit of Nina Simone thrown in. I never saw myself as a white boy singer."

"For funny movies, Scorsese — you know, I have an affection for The King of Comedy. It’s just fun to watch. I like Rupert Pupkin… it’s hilarious. I like that it’s dark, and how this guy gets to be famous. But I like De Niro’s performance; I like Jerry Lewis; I like Sandra Bernhard. I like the Ray Charles song that comes on at the beginning. It’s terrific."

"Quincy Jones' autobiography Q is very good. Because he's a master at music, he's one of our greatest composers and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles. The reason he got to work with so many people was because he was one of the few musicians around who could write out the arrangements. He was in everybody's session. He learned so much."

"To go back to the ’30s, which is the movies I saw when I was growing up on television — it was one that they never showed, because it was lost for years and it was by James Whale. It’s called The Old Dark House, 1932. It’s currently about to be reissued on Blu-ray. For years, all you could see were these sort of beat-up prints I think they found in the mid-’60s, and they had been lost, because of a remake and some rights issues and stuff. Now, it’s sort of come back, and it’s got a great cast of Charles Laughton, Gloria Stuart, Boris Karloff, Melvyn Douglas, Raymond Massey. It’s the classic “travelers stranded in the haunted house and the bridge has washed out”, but it’s the template for all the movies that followed it. It’s still one of the more watchable and disturbing movies from that period. And it’s a shame that it isn’t better known; it never got television distribution, and it wasn’t included in the package of Universal horror pictures because it wasn’t in their library anymore. It’s a chance, I think, for people to catch up with it now. I’m a big James Whale fan, and this might be his best picture."