Search
Search results
Scott Tostik (389 KP) rated Charlie's Farm (2014) in Movies
Jun 18, 2017
Imaginative kills (2 more)
Great special effects
Another cool slasher icob
A head smashing fun romp
Poor Charlie, orpaned at age 9 when his cannibalizing parents were lynched by the locals for murdering and eating the transient workers they hired on their desolate pig farm.
Fast forward 25 years and Tara Reid and her friends are roaming the Australian land in search of urban legend Charlie and his farm. What they find will definitely satisfy the veiwer once they locate the farm and all hell breaks loose.
A good script, excellent effects, and a beast of a killer played with absolute disdain for the trespassing adults by a mountain of a man named Nathan Jones who portrays Charlie with an almost childlike innocence even though he's slaughters his victims he seems to be playing with them, like a kid with a magnifying glass who enjoys burning ants. Jones has played beasts before in films like Troy. And a few years after the release of this he was the monster of a man in Mad Max:Fury Road.
Jones kills(pardon the pun) this role.
I recommend this film for people who enjoy a good slasher flick. Charlie's Farm gives the watcher what they're looking for, and leaves you yearning for one more kill.
Fast forward 25 years and Tara Reid and her friends are roaming the Australian land in search of urban legend Charlie and his farm. What they find will definitely satisfy the veiwer once they locate the farm and all hell breaks loose.
A good script, excellent effects, and a beast of a killer played with absolute disdain for the trespassing adults by a mountain of a man named Nathan Jones who portrays Charlie with an almost childlike innocence even though he's slaughters his victims he seems to be playing with them, like a kid with a magnifying glass who enjoys burning ants. Jones has played beasts before in films like Troy. And a few years after the release of this he was the monster of a man in Mad Max:Fury Road.
Jones kills(pardon the pun) this role.
I recommend this film for people who enjoy a good slasher flick. Charlie's Farm gives the watcher what they're looking for, and leaves you yearning for one more kill.
Fran Donohoe (856 KP) rated Atomic Blonde (2017) in Movies
Aug 11, 2017
Should be atomic bomb
What can I say ,this was suppose to set Charlie theron as a action hero but fell way off the mark, the story is confusing at best action sequences are over choreographed ,having said that it has a brilliant 80's soundtrack with lesser known songs from that time and a great support cast including James mcavoy,john goodman and toby Jones
Lyndsey Gollogly (2893 KP) rated First Grave on the Right (Charley Davidson, #1) in Books
Aug 25, 2019
Brilliant series
Contains spoilers, click to show
This is a re-read for me! After finishing 13th Grave there was only ever one option and that was to start from the beginning! I can't really put into words how much I love this series. It's funny , witty with great characters. I love Charlie and her ways! Darynda Jones is just brilliant I have read this one a little slower than I originally did I wanted to go over everything I knew again and take it all in properly. Highly recommended.
Sensitivemuse (246 KP) rated Beastly Bones (Jackaby, #2) in Books
Aug 10, 2018
I expected a more darker story
Contains spoilers, click to show
So it may help to read the first one in order to grasp a bit of understanding of the character relationships and the overall plot (there’s a main one underneath the layers here)
***Possible spoilers here you’ve been warned***
I loved the first one, really liked the characters and Jackaby’s quirkiness. With this one though, it’s a different type of case, albeit still with a supernatural/fantastical element but it felt like you were reading an Indiana Jones type of adventure. Which is all right and it made things different and interesting but I was looking forward to something a little more darker and spookier.
However, the adventure aspect with the missing bones was still well written and enjoyable to read. It took more of a comedic tone and I enjoyed the fighting between Lamb and Horner over the bones while poor Charlie seems to be always stuck in the middle of each argument. Abigail really shined in this one with her passion of dinosaur bones, she was in her element and showed how much she loved doing the job despite the obstacles she had because of her father and society. She really stepped up and developed a lot in this book.
And yes! She breaks the tension with Charlie!!! Finally! It was all throughout the novel until she finally took matters into her own hands. I like them both together. They seem to complement each other well enough even though it seems she has a much more determined and strong minded temperament whereas Charlie is more mellow and laid back. Well maybe Abigail will slowly bring him out of his shell?
What I enjoyed the most about this plot is there’s an even deeper and darker story underneath and this was just a diversion. That pale man is creepy and I hope it gets explored more in the next book as it features Jenny’s story too. This was a fun read but I’ll be happier going onto much darker things in the story.
***Possible spoilers here you’ve been warned***
I loved the first one, really liked the characters and Jackaby’s quirkiness. With this one though, it’s a different type of case, albeit still with a supernatural/fantastical element but it felt like you were reading an Indiana Jones type of adventure. Which is all right and it made things different and interesting but I was looking forward to something a little more darker and spookier.
However, the adventure aspect with the missing bones was still well written and enjoyable to read. It took more of a comedic tone and I enjoyed the fighting between Lamb and Horner over the bones while poor Charlie seems to be always stuck in the middle of each argument. Abigail really shined in this one with her passion of dinosaur bones, she was in her element and showed how much she loved doing the job despite the obstacles she had because of her father and society. She really stepped up and developed a lot in this book.
And yes! She breaks the tension with Charlie!!! Finally! It was all throughout the novel until she finally took matters into her own hands. I like them both together. They seem to complement each other well enough even though it seems she has a much more determined and strong minded temperament whereas Charlie is more mellow and laid back. Well maybe Abigail will slowly bring him out of his shell?
What I enjoyed the most about this plot is there’s an even deeper and darker story underneath and this was just a diversion. That pale man is creepy and I hope it gets explored more in the next book as it features Jenny’s story too. This was a fun read but I’ll be happier going onto much darker things in the story.
Darren (1599 KP) rated Jasper Jones (2016) in Movies
Sep 13, 2019
Characters – Charlie Bucktin is the teenager that is in the middle of the mystery about the death of the girl in the town. He befriends the one person everyone thinks it is as he must see the prejudice that the non-locals deal with being in the town. Ruth is Charlie’s mother that is always worrying about Charlie when he keeps breaking the curfew. Eliza is the sister of the dead girl, she becomes friends with Charlie as she needs someone to keep her feeling the right mind set during the wait. Jasper Jones is the outcast of the town who is easily the suspect the town will blame for the murder.
Performances – Levi Miller is good in the leading role, we have seen him in other movies and he has been making a reputation with this type of role. Toni Collette shines as we know she always will, she is such an incredible actress. Angourie Rice after The Nice Guys is an actress we want to see where she went next, here she is good and shows her potential. The rest of the stars are good for what they need to do.
Story – The story follows the mystery surrounding the death of a young woman and the mystery about who was the one responsible. We get secrets which help with the mystery as well as dealing with racial behaviour of the town’s people towards the ones that aren’t Australian. We do touch on other important subjects which come from the ending of the film, so won’t be spoiling them. This feels like a story that should have such a big impact though we don’t get enough time to process each moment to its full effect, this only disappoints because you do need to process large parts of this film.
Mystery – The mystery in this film comes from just wondering who was behind the death of the girl, even though this isn’t the only major talking point in the film as we end up seeing other subjects getting dealt with.
Settings – The small town setting in one that works for the film, it shows you could never know everything about your neighbours and you will need to be friends when things go wrong.
Scene of the Movie – The truth about the body.
That Moment That Annoyed Me – So many serious subjects, not enough time to process.
Final Thoughts – This does feel like a massively powerful movie that just doesn’t give us the time to process all the major talking points within the movie, this needed to be longer or a television show.
Overall: Too much to process at times.
Performances – Levi Miller is good in the leading role, we have seen him in other movies and he has been making a reputation with this type of role. Toni Collette shines as we know she always will, she is such an incredible actress. Angourie Rice after The Nice Guys is an actress we want to see where she went next, here she is good and shows her potential. The rest of the stars are good for what they need to do.
Story – The story follows the mystery surrounding the death of a young woman and the mystery about who was the one responsible. We get secrets which help with the mystery as well as dealing with racial behaviour of the town’s people towards the ones that aren’t Australian. We do touch on other important subjects which come from the ending of the film, so won’t be spoiling them. This feels like a story that should have such a big impact though we don’t get enough time to process each moment to its full effect, this only disappoints because you do need to process large parts of this film.
Mystery – The mystery in this film comes from just wondering who was behind the death of the girl, even though this isn’t the only major talking point in the film as we end up seeing other subjects getting dealt with.
Settings – The small town setting in one that works for the film, it shows you could never know everything about your neighbours and you will need to be friends when things go wrong.
Scene of the Movie – The truth about the body.
That Moment That Annoyed Me – So many serious subjects, not enough time to process.
Final Thoughts – This does feel like a massively powerful movie that just doesn’t give us the time to process all the major talking points within the movie, this needed to be longer or a television show.
Overall: Too much to process at times.
Lyndsey Gollogly (2893 KP) rated A Bad Day for Sunshine in Books
Jun 6, 2020
99 of 200
Kindle
A Bad Day for Sunshine ( Sunshine Vicram book 1)
By Darynda Jones
Del Sol, New Mexico is known for three things: its fry-an-egg-on-the-cement summers, strong cups of coffee - and, now, a nationwide manhunt?
Del Sol native Sunshine Vicram has returned to town as the elected sheriff, expecting nothing more than a quiet ride. But now a teenage girl is missing, a kidnapper is on the loose, and all of this is reminding Sunshine why she left Del Sol in the first place. Add to that the trouble at her daughter's new school, plus a kidnapped rooster named Puff Daddy, and, well, the forecast looks anything but sunny.
But even clouds have their silver linings. This one's got Levi, Sunshine's sexy, almost-old flame, and Quincy Cooper, a fiery-hot US Marshall. With temperatures rising everywhere she turns, Del Sol's normally cool-minded sheriff is finding herself knee-deep in drama and danger.
Can Sunshine face the call of duty - and find the kidnapper who's terrorising her beloved hometown - without falling head over high heels in love . . . or worse?
I’m a huge Darynda fan! I’ve read her Charlie books so many times! This was just brilliant I loved everything about! The characters the story the mystery just everything! The quotes from Del Sol police blotter were so so funny! Darynda has a way of completely sucking you in to everything she writes! Brilliant!!!
Kindle
A Bad Day for Sunshine ( Sunshine Vicram book 1)
By Darynda Jones
Del Sol, New Mexico is known for three things: its fry-an-egg-on-the-cement summers, strong cups of coffee - and, now, a nationwide manhunt?
Del Sol native Sunshine Vicram has returned to town as the elected sheriff, expecting nothing more than a quiet ride. But now a teenage girl is missing, a kidnapper is on the loose, and all of this is reminding Sunshine why she left Del Sol in the first place. Add to that the trouble at her daughter's new school, plus a kidnapped rooster named Puff Daddy, and, well, the forecast looks anything but sunny.
But even clouds have their silver linings. This one's got Levi, Sunshine's sexy, almost-old flame, and Quincy Cooper, a fiery-hot US Marshall. With temperatures rising everywhere she turns, Del Sol's normally cool-minded sheriff is finding herself knee-deep in drama and danger.
Can Sunshine face the call of duty - and find the kidnapper who's terrorising her beloved hometown - without falling head over high heels in love . . . or worse?
I’m a huge Darynda fan! I’ve read her Charlie books so many times! This was just brilliant I loved everything about! The characters the story the mystery just everything! The quotes from Del Sol police blotter were so so funny! Darynda has a way of completely sucking you in to everything she writes! Brilliant!!!
Daniel Boyd (1066 KP) rated Marvel's Daredevil - Season 2 in TV
Jul 21, 2017
Brilliant writing (1 more)
Fantastic performances
Down and Dirty Crimefighting
These shows are fantastic. The Netflix/Marvel TV universe that has been built off of the back of these shows is awesome. If you are a fan of the Marvel Max comic books, then these shows have been made for you. Marvel reintroduces Daredevil (and Punisher in Daredevil Season 2,) in epic fashion. This is a world where the events of the Avengers movies have taken place, but these are gritty, street level stories that tell tales of a more personal, visceral kind of battle. If you like your Marvel superheroes, but find the Avengers too tame, then wade right in. These heroes are foul mouthed, real people who happen to have some amazing abilities. Charlie Cox is a fantastic Matt Murdock and Krysten Ritter is a brilliant Jessica Jones, the supporting characters are also well implemented, such as Elektra, Stick, Foggy Nelson, Karen Paige, Night Nurse, Nuke, Luke Cage and Trish. The villains in each show are also some of the best the Marvel have had so far, Vincent D’Onofrio plays a tragic, but still scheming and suitably evil version of Kingpin, which gives the character a depth that hasn’t yet been explored. I really hope that they use the character in the solo Spiderman movie. David Tennant plays Killgrave or The Purple Man in Jessica Jones and he also kills it, you can tell he really had fun with the role too, which makes him even more entertaining whenever he is onscreen. Season 2 of Daredevil just recently finished up and during it we were introduced to the new Punisher, played by Jon Bernthal, who again gives us the chance to explore the character and his psyche to a level that we haven’t seen before. He is still the hardcore badass that you would expect, but his mentality in this universe goes deeper than that and that is something that is very cool to see. Overall I have loved every episode of these shows to date and as long as they carry on the tone and the overall production standard that they have set themselves so far, I can’t wait to see what else this universe has to offer. There is also exciting rumours stating that they could appear in the Avengers Infinity War films. I can’t wait to see all of this and I really feel that all of these characters show great potential. Keep doing what you are doing Marvel, because it is truly awesome. Doing these character’s origin stories in an R rated TV show setting was a great idea and the writing and performances on Netflix stand up to any show on HBO or AMC. If you haven’t seen the entirety of these shows yet, stop what you are doing and go marathon them right now, you will not regret it.
Gareth von Kallenbach (965 KP) rated Whiplash (2014) in Movies
Aug 6, 2019
Well, I must’ve done something to incur this kind of karma recently … My editors have been assigning me some excellent films this past month and this one is another on that string …
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
Gareth von Kallenbach (965 KP) rated Horrible Bosses (2011) in Movies
Aug 7, 2019
We have all had them at some point in our life. You may even have one now. That’s right, I am talking about horrible bosses. So I was more than happy to go see Horrible Bosses, mostly to get suggestions on how to treat my subordinates. What? I never said that I was a great boss. But enough about me, the movie is about three friends whose superiors are making their lives unbearable, so they decide to murder their horrible bosses.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
Movie Metropolis (309 KP) rated The BFG (2016) in Movies
Jun 10, 2019
Spielberg, where are you?
Roald Dahl’s inspiring novels have had a chequered history when it comes to turning them into films. Danny DeVito’s Matilda is widely regarded as one of the best adaptations, with Tim Burton’s Charlie & the Chocolate Factory rendered a monstrosity by fans of the author and movie critics alike.
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/