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The Texas Chain Saw Massacre (1974)
8.3
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The film opens by revealing that a cemetery in rural Texas has been vandalized; several gravesites...
horror
Lee (2222 KP) rated The Hitman's Bodyguard (2017) in Movies
Aug 16, 2017
The double act bickering of Reynolds and Jackson (1 more)
Salma Hayek!
Surprisingly Good
I wasn't sure what to make of The Hitman's Bodyguard when I first saw the poster. Movies which try to squeeze some comedy out of two people being thrown together who don't really like each other generally tend to suck. But then I saw the trailer, which made it look entertaining and worth a watch. However, if it hadn't been for the fact that I was away on holiday last week I may well have read some of the early negative reviews and thought about giving it a miss. Luckily though, I was on holiday, I didn't read any reviews and I ended up watching one of the funniest action packed movies I've seen in a while.
Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.
Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.
It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.
Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.
Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!
Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.
Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.
It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.
Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.
Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!
RəX Regent (349 KP) rated The Passion of Joan of Arc (1928) in Movies
Feb 19, 2019
Silent cinema is not my strongest subject but one which I have been making a concerted effort to learn about over the past decade, but admittedly at a slow pace. The idea of sitting through a silent film can seem to be chore to a modern audience and to be honest, it can be inconceivable to the vast majority, but these attitudes only serve to deprive us of 30 years of cinema, both in primitive evolution and cinematic excellence.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
Cyn Armistead (14 KP) rated Forever Werewolf in Books
Mar 1, 2018
Full disclosure: I was given a copy of this book to review. I'm glad I didn't buy it. I imagine I might have been harsher.
In <i>Forever Werewolf</i>, Tryst is just delivering a package to Wulfsiege on behalf of his father's security company when he gets trapped there by an avalanche. He doesn't mind, though, because the recipient of that package has a luscious daughter, Lexi.
Female werewolves are rare, and those few are protected like the precious treasures they are. Even though Tryst wasn't brought up in a pack, he knows that much. He also knows there's something very strange about the fact that Lexi isn't claimed by any of the males in the pack - in fact, they seem to give her a wide berth. She's obviously highly intelligent and competent, and she's beautiful. She's far more alluring to him than her spoiled, pampered princess sister could ever be.
Lexi is fascinated by Tryst, despite being warned away from the half-blooded wolf by her ailing father. He seems interested in her, as well, but she fears that's only because he doesn't know her crippling secret: she hasn't ever shifted. A werewolf who can't shift can't mate, so she's useless in the eyes of the pack.
Tryst is warned away from Lexi by her father, head of the pack, as well, but he can't seem to stay away from her. She's like no other woman, werewolf or mortal, he's ever encountered. What is it that draws them to each other? Is it worth risking their lives for?
It was obvious to me from the first pages of the book that Tryst and Lexi would get together, and that it would cost Tryst many bruises and much grief. The bad guy was all too obvious, as well - if the average reader can't identify him in the first mention, I'll be shocked. (Perhaps I should be more specific and say "experienced romance reader" instead.)
As for <i>Moon Kissed</i>, it was so forgettable that I'd have to look up the main male's name. The female was Bella, something I only recall due to bad memories of <i>Twilight</i>. Oh, wait, the male was Severo! Right then. Severo saves Bella from vampires who chase her, while frightening the hell out of her himself, groping her, and offering absolutely no explanations of the strange new realities her world is suddenly encompassing.
After that event, Bella learns that her best friend Seth's new girlfriend is a vampire, something Seth just hadn't quite gotten around to mentioning. Seth explains that Severo (whose name she doesn't yet know) is probably a werewolf, from her description of him and his actions. Severo has, in the meantime, started stalking Bella to protect her from the vampires he's sure will continue to hunt her (for reasons unknown to him when he starts on this plan of action). After seeing Seth with vampire Evie, with whom Severo has history, Severo realizes that Evie probably sicced the vampires on Bella due to jealousy.
One of the many, many things that bothered me about this book is that Bella is supposedly a web designer, but she never seems to work. She certainly doesn't have a laptop, which would be de rigeur, and she lives in a ridiculously upscale place (an apartment with its very own heated pool?) for someone in that profession. She can afford a lot of dance lessons, too - but her real source of income or capital is never explained. Apparently Hauf was just looking for a profession that could be "done anywhere" and someone suggested "web designer" so she grabbed that and ran with it.
Of course, Severo is also supposed to "do something with real estate" - how believable is that as a character detail? I guess we're supposed to just accept that he's rich, can spend his time as he pleases, and let everything else go without question. How is it that he has a Brownie for a housekeeper? What's the relationship between Faery and werewolves and vampires? Who knows?
The story does not get more believable as it goes on. Of course Bella falls in love with her stalker and trusts him completely. There are evil vampires. There's one good vampire, just to show that they aren't uniformly bad. But you can tell where Severo and Bella's relationship is going in the earliest scenes, and that's the most important part of the book, because it's a romance. There are complications but they'll be overcome, or it wouldn't be a romance.
In <i>Forever Werewolf</i>, Tryst is just delivering a package to Wulfsiege on behalf of his father's security company when he gets trapped there by an avalanche. He doesn't mind, though, because the recipient of that package has a luscious daughter, Lexi.
Female werewolves are rare, and those few are protected like the precious treasures they are. Even though Tryst wasn't brought up in a pack, he knows that much. He also knows there's something very strange about the fact that Lexi isn't claimed by any of the males in the pack - in fact, they seem to give her a wide berth. She's obviously highly intelligent and competent, and she's beautiful. She's far more alluring to him than her spoiled, pampered princess sister could ever be.
Lexi is fascinated by Tryst, despite being warned away from the half-blooded wolf by her ailing father. He seems interested in her, as well, but she fears that's only because he doesn't know her crippling secret: she hasn't ever shifted. A werewolf who can't shift can't mate, so she's useless in the eyes of the pack.
Tryst is warned away from Lexi by her father, head of the pack, as well, but he can't seem to stay away from her. She's like no other woman, werewolf or mortal, he's ever encountered. What is it that draws them to each other? Is it worth risking their lives for?
It was obvious to me from the first pages of the book that Tryst and Lexi would get together, and that it would cost Tryst many bruises and much grief. The bad guy was all too obvious, as well - if the average reader can't identify him in the first mention, I'll be shocked. (Perhaps I should be more specific and say "experienced romance reader" instead.)
As for <i>Moon Kissed</i>, it was so forgettable that I'd have to look up the main male's name. The female was Bella, something I only recall due to bad memories of <i>Twilight</i>. Oh, wait, the male was Severo! Right then. Severo saves Bella from vampires who chase her, while frightening the hell out of her himself, groping her, and offering absolutely no explanations of the strange new realities her world is suddenly encompassing.
After that event, Bella learns that her best friend Seth's new girlfriend is a vampire, something Seth just hadn't quite gotten around to mentioning. Seth explains that Severo (whose name she doesn't yet know) is probably a werewolf, from her description of him and his actions. Severo has, in the meantime, started stalking Bella to protect her from the vampires he's sure will continue to hunt her (for reasons unknown to him when he starts on this plan of action). After seeing Seth with vampire Evie, with whom Severo has history, Severo realizes that Evie probably sicced the vampires on Bella due to jealousy.
One of the many, many things that bothered me about this book is that Bella is supposedly a web designer, but she never seems to work. She certainly doesn't have a laptop, which would be de rigeur, and she lives in a ridiculously upscale place (an apartment with its very own heated pool?) for someone in that profession. She can afford a lot of dance lessons, too - but her real source of income or capital is never explained. Apparently Hauf was just looking for a profession that could be "done anywhere" and someone suggested "web designer" so she grabbed that and ran with it.
Of course, Severo is also supposed to "do something with real estate" - how believable is that as a character detail? I guess we're supposed to just accept that he's rich, can spend his time as he pleases, and let everything else go without question. How is it that he has a Brownie for a housekeeper? What's the relationship between Faery and werewolves and vampires? Who knows?
The story does not get more believable as it goes on. Of course Bella falls in love with her stalker and trusts him completely. There are evil vampires. There's one good vampire, just to show that they aren't uniformly bad. But you can tell where Severo and Bella's relationship is going in the earliest scenes, and that's the most important part of the book, because it's a romance. There are complications but they'll be overcome, or it wouldn't be a romance.
Darren (1599 KP) rated 28 Days Later (2002) in Movies
Jun 20, 2019
Verdict: Modern Zombie Gem
Story: 28 Days Later starts by showing a group of activists breaking into a laboratory where chimps are forced to watch some of the most gruesome sites in human history. This was designed to create pure rage and when the chimps are released an epidemic starts. 28 Days Later (title drop) we meet Jim (Murphy) who wakes up in a hospital, alone he searches looking for help but the hospital, streets and everywhere is empty. Wonder around the empty London Jim finds a church filled with infected that chase him before getting save by Mark (Huntley) and Selena (Harris) who also fill in the blanks of what happened.
Jim finds out the harsh reality of the world now but meeting Frank (Gleeson) and his daughter Hannah (Burns) gives them a chance to go to a radio signal left by the military. The group soon find the military holding up in a mansion lead by Major Henry West (Eccleston) but not everything is as it seems.
28 Days Later brings the modern infected zombie film to life in one of the best story ideas we have seen. It is good to see a story that the infection can only be spread rather than you turn when you die which is big change to all we have seen. The journey itself is been there seen that but what we get is a revenge film with infected around once we meet the military. This shows us that the enemy could come from all direction and our characters are never going to be safe in the world now. This is easily one of the best zombie based films in recent years. (9/10)
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Actor Review
Cillian Murphy: Jim waking up alone in a hospital he wonders the empty city before being found by other survivors, with a group he heads to the military safe zone where he ends up having to fight to save the rest of his group from not only infected but the soldiers. Cillian gives a great performance and this put him on the map for bigger roles. (9/10)
jim
Naomie Harris: Selena the nonsense survivor who takes no prisoners which we see from the moment her fellow survivor gets infected. Naomie gives a good performance showing that she was always going to be in bigger films. (8/10)
Brendan Gleeson: Frank caring father who has waited for support before taking his daughter to a radio signal he has been hearing. This character may only be a supporting character but his final moments are one of the most memorable turns in this genre history. Brendan does a good job in what is just a supporting performance. (8/10)
Christopher Eccleston: Major Henry West who is running the military unit that has been calling for the survivors but his motives are not what they seem. Christopher gives a good performance in the role. (7/10)
Support Cast: 28 Days Later doesn’t have the biggest supporting cast we have a couple of other survivors as well as the soldiers in the military unit. They all help as they show us what the characters are capable off.
Director Review: Danny Boyle – Danny does a great job directing this zombie classic that is easily one of the best in the genre. (9/10)
Horror: 28 Days Later uses plenty of horror elements with survival horror shinning through. (10/10)
Music: 28 Days Later uses brilliant scores to build the tension up through the scenes. (9/10)
Settings: 28 Days Later uses the settings really well to show how empty busy places could be when the world comes to an end. (9/10)
Special Effects: 28 Days Later uses great special effects with the infected creation. (9/10)
Suggestion: 28 Days Later is one to watch for every horror fan out there. (Horror Fans Watch)
Best Part: Suspense building.
Worst Part: Nothing
Action Scene Of The Film: Jim breaks into the mansion
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Kill Of The Film: Frank
Scariest Scene: Jim’s returns home
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel with talks of another always around.
Post Credits Scene: There is the alternative ending
Oscar Chances: No
Box Office: $82 Million
Budget: $8 Million
Runtime: 1 Hour 53 Minutes
Tagline: His fear began when he woke up alone. His terror began when he realised he wasn’t.
Trivia: The scene where Jim and Selena celebrate with Frank and Hannah was shot on September 11, 2001. Danny Boyle said it felt extremely strange to shoot a celebratory scene on that particular day.
Overall: Brilliant Infected Film
https://moviesreview101.com/2015/03/14/28-days-later-2002/
Story: 28 Days Later starts by showing a group of activists breaking into a laboratory where chimps are forced to watch some of the most gruesome sites in human history. This was designed to create pure rage and when the chimps are released an epidemic starts. 28 Days Later (title drop) we meet Jim (Murphy) who wakes up in a hospital, alone he searches looking for help but the hospital, streets and everywhere is empty. Wonder around the empty London Jim finds a church filled with infected that chase him before getting save by Mark (Huntley) and Selena (Harris) who also fill in the blanks of what happened.
Jim finds out the harsh reality of the world now but meeting Frank (Gleeson) and his daughter Hannah (Burns) gives them a chance to go to a radio signal left by the military. The group soon find the military holding up in a mansion lead by Major Henry West (Eccleston) but not everything is as it seems.
28 Days Later brings the modern infected zombie film to life in one of the best story ideas we have seen. It is good to see a story that the infection can only be spread rather than you turn when you die which is big change to all we have seen. The journey itself is been there seen that but what we get is a revenge film with infected around once we meet the military. This shows us that the enemy could come from all direction and our characters are never going to be safe in the world now. This is easily one of the best zombie based films in recent years. (9/10)
REPORT THIS AD
Actor Review
Cillian Murphy: Jim waking up alone in a hospital he wonders the empty city before being found by other survivors, with a group he heads to the military safe zone where he ends up having to fight to save the rest of his group from not only infected but the soldiers. Cillian gives a great performance and this put him on the map for bigger roles. (9/10)
jim
Naomie Harris: Selena the nonsense survivor who takes no prisoners which we see from the moment her fellow survivor gets infected. Naomie gives a good performance showing that she was always going to be in bigger films. (8/10)
Brendan Gleeson: Frank caring father who has waited for support before taking his daughter to a radio signal he has been hearing. This character may only be a supporting character but his final moments are one of the most memorable turns in this genre history. Brendan does a good job in what is just a supporting performance. (8/10)
Christopher Eccleston: Major Henry West who is running the military unit that has been calling for the survivors but his motives are not what they seem. Christopher gives a good performance in the role. (7/10)
Support Cast: 28 Days Later doesn’t have the biggest supporting cast we have a couple of other survivors as well as the soldiers in the military unit. They all help as they show us what the characters are capable off.
Director Review: Danny Boyle – Danny does a great job directing this zombie classic that is easily one of the best in the genre. (9/10)
Horror: 28 Days Later uses plenty of horror elements with survival horror shinning through. (10/10)
Music: 28 Days Later uses brilliant scores to build the tension up through the scenes. (9/10)
Settings: 28 Days Later uses the settings really well to show how empty busy places could be when the world comes to an end. (9/10)
Special Effects: 28 Days Later uses great special effects with the infected creation. (9/10)
Suggestion: 28 Days Later is one to watch for every horror fan out there. (Horror Fans Watch)
Best Part: Suspense building.
Worst Part: Nothing
Action Scene Of The Film: Jim breaks into the mansion
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Kill Of The Film: Frank
Scariest Scene: Jim’s returns home
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel with talks of another always around.
Post Credits Scene: There is the alternative ending
Oscar Chances: No
Box Office: $82 Million
Budget: $8 Million
Runtime: 1 Hour 53 Minutes
Tagline: His fear began when he woke up alone. His terror began when he realised he wasn’t.
Trivia: The scene where Jim and Selena celebrate with Frank and Hannah was shot on September 11, 2001. Danny Boyle said it felt extremely strange to shoot a celebratory scene on that particular day.
Overall: Brilliant Infected Film
https://moviesreview101.com/2015/03/14/28-days-later-2002/
Darren (1599 KP) rated The A Plate (2012) in Movies
Jun 20, 2019
Story: The A Plate starts by introducing us to Jay Roth (Jacobsen) a car salesman working for Stevens Motors, Jay sees himself as one of the best in the business and uses his position to pick up woman but what he really wants it to be the manager which is currently filled by Dick Stevens (McMurray). When Dick gets cheating on his wife Candice (Barnes) she wants divorce which includes taking the dealership.
Jay sees this as a chance to take over the dealership by playing both sides of the divorce to put everything into place to become a partner. Jay takes a turn when he meets the Stevens’ daughter Andrea (Emery) who he gets told is off limits. As we know Jay won’t say no to a lady leading him to continue chase Andrea before getting involved in a relationship that will put his dealership dreams in threat.
The A Plate is a romantic comedy that is filled with hugely unlikable characters. We have an owner of car dealership going through a divorce which seems to end up getting pushed to the back while an awkward painfully romantic angle where the girl still falls for the guys crap even though she knows what car dealers are meant to be like. I don’t think the storylines mix together enough to have an impact upon each other and as soon as the romantic angle starts the whole business idea gets forgotten. We do have funny moments but I just never got into the idea of this being realistic story because of the characters. (4/10)
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Actor Review
Shane Jacobsen: Jay Roth is the slick car salesman who uses all his skills on selling cars to get woman into bed. Jay wants to becoming the dealer but to do so he must play both sides of the owners into making them agree with them. All his plans get put at risk when he starts dating his boss’ daughter. Shane does a solid job even if his character is hugely unlikable. (6/10)
Sam McMurray: Dick Stevens is the owner of the dealership who is going to lose everything after getting caught cheating. He has to try and work out a way to make sure he keeps the dealership. Sam does a solid job but seems to over try and make each scene seem important. (5/10)
Julie Ann Emery: Andrea Stevens is the daughter of the boss who has caught the eye of Jay who even after being told to keep away goes after her as she returns home to help with the parents’ divorce. Julie does a solid job but never really has enough chemistry with Shane. (5/10)
Priscilla Barnes: Candice Stevens is the wife of Dick’s who wants everything after she catches him cheating and working with Jay tries to get the dealership. Priscilla does a solid job with her limited scenes. (6/10)
Support Cast: The A Plate has a supporting characters that are mainly used to add comedy to the film, we have Jay’s grandfather who steals the scenes.
Director Review: Terre Weisman – Terre creates a standard romantic comedy that will not go down as ground breaking. (5/10)
Comedy: The A Plate has its moments but never makes you laugh out loud. (5/10)
Romance: The A Plate has what looks like an awkward romantic angle where both sides should know better and still get involved. (5/10)
Chemistry: The A Plate struggles to create enough chemistry between the two leads. (4/10)
Settings: The A Plate has standard group of settings but none of which will make you remember anything in the film. (5/10)
Suggestion: The A Plate is one for the romantic comedy fans to try but I didn’t find it one of the good ones. (Rom Com Fans Try)
Best Part: Whip cream moments.
Worst Part: The stories don’t work well enough together.
Funniest Scene: Second whip cream moment.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Awards: Won 3 Awards in small festivals including Boston International and Hoboken International.
Oscar Chances: No
Runtime: 1 Hour 30 Minutes
Release Date: 2nd June 2015 on VOD
Overall: Rom Coms have to do a lot to make me interested, this didn’t do enough.
https://moviesreview101.com/2015/05/31/the-a-plate-2011/
Jay sees this as a chance to take over the dealership by playing both sides of the divorce to put everything into place to become a partner. Jay takes a turn when he meets the Stevens’ daughter Andrea (Emery) who he gets told is off limits. As we know Jay won’t say no to a lady leading him to continue chase Andrea before getting involved in a relationship that will put his dealership dreams in threat.
The A Plate is a romantic comedy that is filled with hugely unlikable characters. We have an owner of car dealership going through a divorce which seems to end up getting pushed to the back while an awkward painfully romantic angle where the girl still falls for the guys crap even though she knows what car dealers are meant to be like. I don’t think the storylines mix together enough to have an impact upon each other and as soon as the romantic angle starts the whole business idea gets forgotten. We do have funny moments but I just never got into the idea of this being realistic story because of the characters. (4/10)
REPORT THIS AD
Actor Review
Shane Jacobsen: Jay Roth is the slick car salesman who uses all his skills on selling cars to get woman into bed. Jay wants to becoming the dealer but to do so he must play both sides of the owners into making them agree with them. All his plans get put at risk when he starts dating his boss’ daughter. Shane does a solid job even if his character is hugely unlikable. (6/10)
Sam McMurray: Dick Stevens is the owner of the dealership who is going to lose everything after getting caught cheating. He has to try and work out a way to make sure he keeps the dealership. Sam does a solid job but seems to over try and make each scene seem important. (5/10)
Julie Ann Emery: Andrea Stevens is the daughter of the boss who has caught the eye of Jay who even after being told to keep away goes after her as she returns home to help with the parents’ divorce. Julie does a solid job but never really has enough chemistry with Shane. (5/10)
Priscilla Barnes: Candice Stevens is the wife of Dick’s who wants everything after she catches him cheating and working with Jay tries to get the dealership. Priscilla does a solid job with her limited scenes. (6/10)
Support Cast: The A Plate has a supporting characters that are mainly used to add comedy to the film, we have Jay’s grandfather who steals the scenes.
Director Review: Terre Weisman – Terre creates a standard romantic comedy that will not go down as ground breaking. (5/10)
Comedy: The A Plate has its moments but never makes you laugh out loud. (5/10)
Romance: The A Plate has what looks like an awkward romantic angle where both sides should know better and still get involved. (5/10)
Chemistry: The A Plate struggles to create enough chemistry between the two leads. (4/10)
Settings: The A Plate has standard group of settings but none of which will make you remember anything in the film. (5/10)
Suggestion: The A Plate is one for the romantic comedy fans to try but I didn’t find it one of the good ones. (Rom Com Fans Try)
Best Part: Whip cream moments.
Worst Part: The stories don’t work well enough together.
Funniest Scene: Second whip cream moment.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Awards: Won 3 Awards in small festivals including Boston International and Hoboken International.
Oscar Chances: No
Runtime: 1 Hour 30 Minutes
Release Date: 2nd June 2015 on VOD
Overall: Rom Coms have to do a lot to make me interested, this didn’t do enough.
https://moviesreview101.com/2015/05/31/the-a-plate-2011/
Corey Richard Bennett (10 KP) rated Days Gone in Video Games
Jul 18, 2019
A story that captivates from beginning to end (2 more)
Characters worth getting invested in
Addicting Gameplay
Contains spoilers, click to show
Days Gone is a story of Deacon St. John as he deals with a world tortured by a zombie horde known as Freakers. The story happens a few years after the outbreak and after seemingly losing his wife after sending her off on a rescue helicopter. Deacon travels around beautiful Oregon with his best friend Boozer on their trusty bikes. Throughout the game Deacon will intertwine his story with 4 other survivor camps, as he helps them survive the zombie stricken world.
Deacon fights not only the hordes and hordes of undead, but crazy cultist who worship the Freakers, other bikers, and just plain others trying to survive in his quest to save his friend and then to find out the truth of what happened to his wife after letting her go.
The scenery is captivating of the many places you will explore, scour, and loot. From the mountains to the forests to the snowy peaks, to a massive island fortress, you will never stop scanning the horizon as you drive the roads on your motorcycle. I would often crash into a tree or drive off the road, as I was too busy looking through the scenery or just captivated by the beauty of it all.
The one part I hate the most, is not anything that's wrong with the game, but more just my fear of the zombie menace. One big part of the game is destroying "Hordes" or simply big ass groups of these zombies, that move like a pack, and can kill you in an instant. Many parts of the story include you need to clear out a Horde, and the biggest one in the whole game known as the Sawmill Horde still gives me nightmares.
But the taker of the cake for me is the captivating story between Deacon and his search for the truth of what happened to his wife Sarah. If you haven't finished the game, go do that and then come back.
So the story is Deacon can't truly come to terms with the death of Sarah, as he would often visit the site of the helicopter supposedly carrying Sarah crashed. Deacon would eventually happen upon the scientist who allowed her onto the helicopter, which gives hope that she is still alive. After chasing lead after lead, and leaving his buddy Boozer behind, Deacon makes a treacherous journey through a snow-covered mountain top, which he can't return from, to chase the last hope of seeing his wife once more. And the moment that made me unable to put the controller down for a few hours, Deacon joins a militia after noticing the mongrel ring he placed on Sarah's finger before placing on the helicopter, on another man's finger. After initiation, he is lead around the camp until he is introduced to the local scientist who turns out to be the long lost Sarah.
This moment alone made this game a 10 alone. It made me feel as though I had reunited two people who were separated by the chaos of this new world. But the bliss doesn't last all too long as, Deacon must keep his relationship a secret, so they both don't get hurt or caught. But after a long mission together, the two are stranded in a snowstorm in a cold shack, which reignites the flame of their past. After being exposed by a rat name Skizzo, Deacon is exiled and sent for execution, but due to the friends he had made on way, he is saved. Deacon with all those he had helped, storm the island and overthrow the psychotic General and finally saves Sarah for good. And as the credits roll, Deacon and Sarah ride into the sunset, to a life reunited.
Now this game has its detractions and a few bugs, but as a whole, this is probably one of the most underrated games that have been released recently. One crucial part of the game was ruined in playthrough as somehow the audio of a long cutscene was desynched so it just made it hard to focus and enjoy the scene. The only other thing that I can complain about was that there is still much of the side missions to attend to when you connect with Sarah again, but I threw it all out the door after that point as I wanted to get to the story between the two, and everything else didn't really matter to me, and if I was forced to detract from her, I got annoyed and rushed through. But besides that, this game is a must play.
Deacon fights not only the hordes and hordes of undead, but crazy cultist who worship the Freakers, other bikers, and just plain others trying to survive in his quest to save his friend and then to find out the truth of what happened to his wife after letting her go.
The scenery is captivating of the many places you will explore, scour, and loot. From the mountains to the forests to the snowy peaks, to a massive island fortress, you will never stop scanning the horizon as you drive the roads on your motorcycle. I would often crash into a tree or drive off the road, as I was too busy looking through the scenery or just captivated by the beauty of it all.
The one part I hate the most, is not anything that's wrong with the game, but more just my fear of the zombie menace. One big part of the game is destroying "Hordes" or simply big ass groups of these zombies, that move like a pack, and can kill you in an instant. Many parts of the story include you need to clear out a Horde, and the biggest one in the whole game known as the Sawmill Horde still gives me nightmares.
But the taker of the cake for me is the captivating story between Deacon and his search for the truth of what happened to his wife Sarah. If you haven't finished the game, go do that and then come back.
So the story is Deacon can't truly come to terms with the death of Sarah, as he would often visit the site of the helicopter supposedly carrying Sarah crashed. Deacon would eventually happen upon the scientist who allowed her onto the helicopter, which gives hope that she is still alive. After chasing lead after lead, and leaving his buddy Boozer behind, Deacon makes a treacherous journey through a snow-covered mountain top, which he can't return from, to chase the last hope of seeing his wife once more. And the moment that made me unable to put the controller down for a few hours, Deacon joins a militia after noticing the mongrel ring he placed on Sarah's finger before placing on the helicopter, on another man's finger. After initiation, he is lead around the camp until he is introduced to the local scientist who turns out to be the long lost Sarah.
This moment alone made this game a 10 alone. It made me feel as though I had reunited two people who were separated by the chaos of this new world. But the bliss doesn't last all too long as, Deacon must keep his relationship a secret, so they both don't get hurt or caught. But after a long mission together, the two are stranded in a snowstorm in a cold shack, which reignites the flame of their past. After being exposed by a rat name Skizzo, Deacon is exiled and sent for execution, but due to the friends he had made on way, he is saved. Deacon with all those he had helped, storm the island and overthrow the psychotic General and finally saves Sarah for good. And as the credits roll, Deacon and Sarah ride into the sunset, to a life reunited.
Now this game has its detractions and a few bugs, but as a whole, this is probably one of the most underrated games that have been released recently. One crucial part of the game was ruined in playthrough as somehow the audio of a long cutscene was desynched so it just made it hard to focus and enjoy the scene. The only other thing that I can complain about was that there is still much of the side missions to attend to when you connect with Sarah again, but I threw it all out the door after that point as I wanted to get to the story between the two, and everything else didn't really matter to me, and if I was forced to detract from her, I got annoyed and rushed through. But besides that, this game is a must play.
Gareth von Kallenbach (971 KP) rated Brick Mansions (2014) in Movies
Aug 6, 2019
3 weeks ago, I had never heard of this movie. I happened upon the commercial as I was watching TV
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
Gareth von Kallenbach (971 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 23, 2020
Gal Gadot returns as Diana Prince in “Wonder Woman 1984” which has seen its release date shift a few times due to the Covid-19 pandemic. The film has started to open overseas and will arrive in the U.S. on Christmas day with a limited debut on HBO Max as well.
The story sees Diana now living in Washington D.C. in 1984. Diana is popular but has refused male companionship as she still longs for her late love Steve Trevor (Chris Pine).
Diana works in the Smithsonian Institute in antiquities and keeps her secret identity under wraps even when a daring mall heist forces her to leap into action.
A shy and passive employee named Barbara (Kirsten Wiig); who is afraid of her own shadow and largely ignored by her peers is befriended by Diana and they discover one item from the heist is inscribed with the ability to grant a wish. Unknowingly Diana wishes for Steve to return and Barbara wishes to be more like Diana which sets a chain of events into motion.
A shady business man named Maxwell Lord (Perdro Pascal) has his site on obtaining the relic as he believes having the ability to grant wishes will allow him to save his failing business and give him the power he craves.
With such a promising setup; the film ultimately does not deliver on its premise and becomes bogged down in drawn out sequences with surprisingly little action and gaps in logic that defy even standards for a comic book film.
The first 90 minutes of the film has roughly 10-15 minutes of action tops and we are instead given lengthy scenes of Steve trying to find an 80s fashion look; flying over fireworks, and Maxwell trashing from one locale to another without much needed continuity.
An action scene involving a convoy chase through the desert seems very inspired by “Raiders of the Lost Ark” and ultimately does not deliver especially with such a long gape between the action sequences.
The final act does attempt to redeem the film as seeing Barbara transform into her new persona is interesting and Wiig does a very solid job with the role. This sadly is undermined with a single line of dialogue which takes away a big part of the transformation that audiences deserved to see.
There was also a sequence where Diana races down the streets and takes to flight with her Lasso and then discovers she can fly like Superman. Not only is this not in keeping with the character; but we see this extended fast moving sequence where she is clearly heading away from D.C. at great speed only to arrive at a destination with an item which had been established to be back at her home in D.C. It is this sort of sloppiness that really detracts from the film. There is also the fact that Steve has to fly her around on a jet that even as a pilot he should not know how to fly as he has never flown a jet aircraft in his life.
When the big confrontation comes it is a letdown as it is not overly epic and the CGI really does not seem to mesh. What is an even bigger disappointment is that a certain character stands emoting for several minutes while Diana gives such a bland and extended speech that even my wife had to ask “who wrote these lines”.
The film was not a total disaster as the characters were interesting and worked well with one another making the film entertaining in parts despite being really disappointed with it.
The film strikes me as a product of the talented Patty Jenkins being able to do whatever she wanted after the success of the first film. Jenkins not only Directed but did the screenplay for it. Considering the amazing job she did writing “Monster” I had high expectations for the film but to me it seemed like it could have used a bit more attention to several aspects.
My summary would be the following… good cast, entertaining in parts, not much action over two hours, takes huge liberties with Diana and her abilities, massive gaps in logic even for a comic movie. It aims to be epic and comes up lacking. At least the mid. credit scene was worth it.
3 stars out of 5
The story sees Diana now living in Washington D.C. in 1984. Diana is popular but has refused male companionship as she still longs for her late love Steve Trevor (Chris Pine).
Diana works in the Smithsonian Institute in antiquities and keeps her secret identity under wraps even when a daring mall heist forces her to leap into action.
A shy and passive employee named Barbara (Kirsten Wiig); who is afraid of her own shadow and largely ignored by her peers is befriended by Diana and they discover one item from the heist is inscribed with the ability to grant a wish. Unknowingly Diana wishes for Steve to return and Barbara wishes to be more like Diana which sets a chain of events into motion.
A shady business man named Maxwell Lord (Perdro Pascal) has his site on obtaining the relic as he believes having the ability to grant wishes will allow him to save his failing business and give him the power he craves.
With such a promising setup; the film ultimately does not deliver on its premise and becomes bogged down in drawn out sequences with surprisingly little action and gaps in logic that defy even standards for a comic book film.
The first 90 minutes of the film has roughly 10-15 minutes of action tops and we are instead given lengthy scenes of Steve trying to find an 80s fashion look; flying over fireworks, and Maxwell trashing from one locale to another without much needed continuity.
An action scene involving a convoy chase through the desert seems very inspired by “Raiders of the Lost Ark” and ultimately does not deliver especially with such a long gape between the action sequences.
The final act does attempt to redeem the film as seeing Barbara transform into her new persona is interesting and Wiig does a very solid job with the role. This sadly is undermined with a single line of dialogue which takes away a big part of the transformation that audiences deserved to see.
There was also a sequence where Diana races down the streets and takes to flight with her Lasso and then discovers she can fly like Superman. Not only is this not in keeping with the character; but we see this extended fast moving sequence where she is clearly heading away from D.C. at great speed only to arrive at a destination with an item which had been established to be back at her home in D.C. It is this sort of sloppiness that really detracts from the film. There is also the fact that Steve has to fly her around on a jet that even as a pilot he should not know how to fly as he has never flown a jet aircraft in his life.
When the big confrontation comes it is a letdown as it is not overly epic and the CGI really does not seem to mesh. What is an even bigger disappointment is that a certain character stands emoting for several minutes while Diana gives such a bland and extended speech that even my wife had to ask “who wrote these lines”.
The film was not a total disaster as the characters were interesting and worked well with one another making the film entertaining in parts despite being really disappointed with it.
The film strikes me as a product of the talented Patty Jenkins being able to do whatever she wanted after the success of the first film. Jenkins not only Directed but did the screenplay for it. Considering the amazing job she did writing “Monster” I had high expectations for the film but to me it seemed like it could have used a bit more attention to several aspects.
My summary would be the following… good cast, entertaining in parts, not much action over two hours, takes huge liberties with Diana and her abilities, massive gaps in logic even for a comic movie. It aims to be epic and comes up lacking. At least the mid. credit scene was worth it.
3 stars out of 5
Debbiereadsbook (1107 KP) rated Shifter Protection Specialists, Inc Box Set in Books
Jun 28, 2019
different and different is GOOD!
Independent reviewer for Archaeolibrarian, I was gifted my copy of these books
Kale’s brother drags him to the Shifter Protection Specialists when a deranged fan starts sending threatening male. Kale doesn’t want close protection, but when the mountain of a man walks into the room, Kale knows he would suffer anything to be with this man. Aleski’s sabre tooth tiger takes a shine to Kale, and he quickly realised they could be mates. But the fan is getting closer, and more deadly, and not even Aleski knows if he can keep Kale safe.
I have a soft spot of shifters of a different sort, and you don’t see many (not EVER!) some of the animal halves of these shifters who work together and a sabre tooth tiger is somewhat different and I really rather enjoyed this!
There isn’t that MINE moment, at least not right away, and I loved watching Aleski and Kale fall for each other. Kale calms Aleski’s tiger, stands up to the man where others would run a mile. Oh Aleski would LOVE that Kale ran away, if only for his tiger to play chase with the much smaller model! But Kale isn’t others, and he knows that Aleski is the man and the TIGER for him.
I did not see who the fan might be coming at me, not at all, so well played there!
It’s sexy and sweet, steamy and emotional and I really did enjoy it!
4 solid stars
**same worded review will appear elsewhere**
Protecting his asset
tags: debbie, 4 stars, male/male, romance, shifters, military dudes
I had read this book previously, but when I went back to read my review, I couldn’t pull it up, cos my review really did not give anything away, so I read it again. This is my original review, though.
George knew his father was bad to the bane, he just didn't think he'd go as low as he did. George needs help. The sort of help Scott and his brothers provide. But George has secrets he didn't know he had, and those secrets could kill Scott.
I liked this, a lot! I've not read book one in this series, and I think it would have helped me to. Its just for me, it doesn't affect my star rating or my reading experience. I'll probably go back at some point and read it.
This is told from both Scott and George's POV, so we get to hear from both of them/
It has drama and danger. Some twists I did not see coming. Some interesting shifter types too. Snakes, lizards, phoenix and dragons as well as the usual bears and big cats.
It was an easy read, with just enough information filtered through, all in the right places, to keep you on your toes and interested.
Its the first I've read of this author. I will, as I said, go back and read book one in this series. I should also like to read any future books too. Some hints were made to possible future story lines and I would like to see them through.
4 stars.
**same worded review will appear elsewhere**
Guarding his Mark,
4 stars, male/male, shifters, military dudes, romance, crime/thriller
Khan was subjected to experiments as a child, and as an adult tries to steer clear of hospitals. But when he comes across a sexy man who is testing the use of snake venom on children with cancer, Khan can’t stay away. He needs to make sure that Casey is actually doing what he says he is. He also needs to keep the man safe, cos someone is clearly out to get Casey.
This one is my favourite of the three!
Khan is a King Cobra, and his venom is helping Casey find a cure for his niece. But someone else wants Casey’s research, and not for what Casey intended it for.
Casey and Khan have instant and powerful attraction right from the start, and it burns hot and bright right through the book. It’s super hawt!
I am really enjoying reading about these guys, there are a few of them who have tales to tell, I hope. I can’t find any more than these three though, and I do hope the author hasn’t left them other things!
I almost read all three books in one sitting, but the darn day job got in the way. I would have, though, had it not. I loved these.
Definitely different, and different is ALWAYS good in my book!
4 solid stars across all three books.
Kale’s brother drags him to the Shifter Protection Specialists when a deranged fan starts sending threatening male. Kale doesn’t want close protection, but when the mountain of a man walks into the room, Kale knows he would suffer anything to be with this man. Aleski’s sabre tooth tiger takes a shine to Kale, and he quickly realised they could be mates. But the fan is getting closer, and more deadly, and not even Aleski knows if he can keep Kale safe.
I have a soft spot of shifters of a different sort, and you don’t see many (not EVER!) some of the animal halves of these shifters who work together and a sabre tooth tiger is somewhat different and I really rather enjoyed this!
There isn’t that MINE moment, at least not right away, and I loved watching Aleski and Kale fall for each other. Kale calms Aleski’s tiger, stands up to the man where others would run a mile. Oh Aleski would LOVE that Kale ran away, if only for his tiger to play chase with the much smaller model! But Kale isn’t others, and he knows that Aleski is the man and the TIGER for him.
I did not see who the fan might be coming at me, not at all, so well played there!
It’s sexy and sweet, steamy and emotional and I really did enjoy it!
4 solid stars
**same worded review will appear elsewhere**
Protecting his asset
tags: debbie, 4 stars, male/male, romance, shifters, military dudes
I had read this book previously, but when I went back to read my review, I couldn’t pull it up, cos my review really did not give anything away, so I read it again. This is my original review, though.
George knew his father was bad to the bane, he just didn't think he'd go as low as he did. George needs help. The sort of help Scott and his brothers provide. But George has secrets he didn't know he had, and those secrets could kill Scott.
I liked this, a lot! I've not read book one in this series, and I think it would have helped me to. Its just for me, it doesn't affect my star rating or my reading experience. I'll probably go back at some point and read it.
This is told from both Scott and George's POV, so we get to hear from both of them/
It has drama and danger. Some twists I did not see coming. Some interesting shifter types too. Snakes, lizards, phoenix and dragons as well as the usual bears and big cats.
It was an easy read, with just enough information filtered through, all in the right places, to keep you on your toes and interested.
Its the first I've read of this author. I will, as I said, go back and read book one in this series. I should also like to read any future books too. Some hints were made to possible future story lines and I would like to see them through.
4 stars.
**same worded review will appear elsewhere**
Guarding his Mark,
4 stars, male/male, shifters, military dudes, romance, crime/thriller
Khan was subjected to experiments as a child, and as an adult tries to steer clear of hospitals. But when he comes across a sexy man who is testing the use of snake venom on children with cancer, Khan can’t stay away. He needs to make sure that Casey is actually doing what he says he is. He also needs to keep the man safe, cos someone is clearly out to get Casey.
This one is my favourite of the three!
Khan is a King Cobra, and his venom is helping Casey find a cure for his niece. But someone else wants Casey’s research, and not for what Casey intended it for.
Casey and Khan have instant and powerful attraction right from the start, and it burns hot and bright right through the book. It’s super hawt!
I am really enjoying reading about these guys, there are a few of them who have tales to tell, I hope. I can’t find any more than these three though, and I do hope the author hasn’t left them other things!
I almost read all three books in one sitting, but the darn day job got in the way. I would have, though, had it not. I loved these.
Definitely different, and different is ALWAYS good in my book!
4 solid stars across all three books.