"If you haven’t seen Spinal Tap, it’s your loss. The best mockumentary ever, with lines that made me fall out of my seat the first time I watched it, laughing so hard I couldn’t catch my breath. I’ve watched it countless times since and still crack up. Christopher Guest as Nigel is too good for words."

"Rock films, or rock bands for that matter, were never looked at quite the same way after this film was released. Rob Reiner, er, Marty DiBergi gets the director credit, but somehow I feel the combined improvisational talent of Christopher Guest, Michael McKean, and Harry Shearer has an awful lot to do with the sublime content within. Yes, it’s funny, but it’s also as painful as any Bergman epic. Such is life."

"A great mockumentary about a reunion of three folk bands that’s gently observed but also spot-on. I love how it quietly gets behind the scenes into the backbiting and the jealousy that leads up to their reunion concert, and I especially love the attitudes towards the shiny sellouts. The characters are so well done, too – the troubled former couple, the old-school trio, the Folksmen – but not every moment is mined for gags, which is what makes it work. You can tell everyone taking part genuinely loves music, and that’s why Christopher Guest always gets it right."

"Sadly, this Criterion edition isn’t available anymore on DVD, but back in the nineties this was my quintessential laserdisc (along with the Criterion lasers for Boogie Nights and Taxi Driver). This was the only place you could get a commentary track by Rob Reiner as well as an alternate commentary track with Christopher Guest, Michael McKean, and Harry Shearer out of character. It also contained the original twenty-minute demo reel Spinal Tap: The Final Tour and the band’s first performance on TV five years before making the film. Thank God I still have my laserdisc player!"

"What else? Waiting for Guffman! Stop already, right? Christopher Guest and all of his tomfoolery. Of course, there was Spinal Tap, but in more recent years…I think the storyline of [Guffman] was so relatable to any actor who’s ever done community theater in their hometown. Here were all these egos, in a small town, where it just didn’t matter. I come from Indiana, and when you’re doing stage productions in high school, or in your community theater, or on the college stage, you think you’re Broadway bound, for sure. You’re all going to be stars! It’s delusional theater, is what it is. But that whole cast of people, having their basic storyline, and then vamping on their own brilliance, was just golden. Just golden."