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Emma @ The Movies (1786 KP) rated If Beale Street Could Talk (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Oh man, here's another one where I wonder what I missed. I just don't see what a lot of other people see in this one.
Fairly early on I thought to myself that there seems to be a lot going on but nothing happening. My opinion didn't waver much from there.
The music was wonderful but even so it felt like it was oddly misplaced in here. I found myself actively nothing it because it didn't feel right for the setting.
When we come to the acting I found it a bit hit and miss. The only performance that really blew me away was Regina King, she's a consistently good actress and this role has already won her a lot of supporting actress critics awards. I honestly think she's very deserving of the Oscar too. I haven't seen Roma yet (it's on the list, I'm getting to it!) to compare, but Vice and The Favourite don't hold up to the standard of King's acting in this.
A lot of If Beale Street Could Talk felt like it was being artsy for the sake of it. There was a fairly long scene where we see Fonny working a bit of wood. I really couldn't see any need for it to be there, certainly not in that form. It was one of many bits that didn't seem to have much relevance. I'm a little undecided on... well... a lot of things. The voiceovers, the characters that pop up outside the main cast...
All in all it felt like there were too many things it was trying to be. A romance, a crime drama, a discourse on racial inequality? It left me with more questions than answers.
What you should do
Here we are again. I probably wouldn't recommend this to anyone, but yet again I'm in the minority.
Movie thing you wish you could take home
I'm afraid that I was too bewildered by what was going on to pay attention to any of the things I might want... if invisible fridges really are functional though I'd be interested in one.
Fairly early on I thought to myself that there seems to be a lot going on but nothing happening. My opinion didn't waver much from there.
The music was wonderful but even so it felt like it was oddly misplaced in here. I found myself actively nothing it because it didn't feel right for the setting.
When we come to the acting I found it a bit hit and miss. The only performance that really blew me away was Regina King, she's a consistently good actress and this role has already won her a lot of supporting actress critics awards. I honestly think she's very deserving of the Oscar too. I haven't seen Roma yet (it's on the list, I'm getting to it!) to compare, but Vice and The Favourite don't hold up to the standard of King's acting in this.
A lot of If Beale Street Could Talk felt like it was being artsy for the sake of it. There was a fairly long scene where we see Fonny working a bit of wood. I really couldn't see any need for it to be there, certainly not in that form. It was one of many bits that didn't seem to have much relevance. I'm a little undecided on... well... a lot of things. The voiceovers, the characters that pop up outside the main cast...
All in all it felt like there were too many things it was trying to be. A romance, a crime drama, a discourse on racial inequality? It left me with more questions than answers.
What you should do
Here we are again. I probably wouldn't recommend this to anyone, but yet again I'm in the minority.
Movie thing you wish you could take home
I'm afraid that I was too bewildered by what was going on to pay attention to any of the things I might want... if invisible fridges really are functional though I'd be interested in one.
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Kickboxer Retaliation (2018)
Movie Watch
Kickboxer: Retaliation continues where Kickboxer:Vengeance left off. It has now been 12 months since...
Kane & Lynch: Dead Men
Video Game
Kane & Lynch: Dead Men is a violent and chaotic journey of two men - a flawed mercenary and a...
Rojo (2018)
Movie
Argentina, 1976. Claudio Morán is a successful and respected lawyer of an Argentinian town that...
BankofMarquis (1832 KP) rated Kimi (2022) in Movies
Feb 22, 2022
Better-Than-Average, but nothing more
Oscar winning Director Steven Soderbergh (TRAFFIC) could rightfully be called the current “Master of Suspense” as most of his films fall into the “Psychological Drama” category - and his latest HBO MAX film, KIMI, is a perfectly ordinary entry in his catalogue.
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated 100 Streets (2017) in Movies
Jun 20, 2019
Story: 100 Streets starts as we meet our characters, troublemaking drug dealing thief Kingsley (Dramah), former rugby player Max (Elba) who is going through a marriage problem after his own affair with his wife Emily (Arterton) who in an act of revenge is dating photographer Jake (Cullen). The final couple we meet are cabbie George (Creed-Miles) and Kathy (Wareing) who are trying to adopt a child, though his past is causing problems in this pursuit.
As the lives cross-paths the people must learn about the mistakes they make to prevent themselves from making any more mistakes.
Thoughts on 100 Streets
Characters – Max is a former England rugby captain, since retiring he started cheating on his wife and getting caught up with the drugs, seeing his future career going up in smoke, he needs to clean up his own actions in any hope of winning his wife back. Emily is the wife of Max who has been going through the struggles of her husbands action, thinking about getting back into acting and trying to move on with her life. Kingsley is the streetwise drug dealing thief that has been caught up against the law, even though he believes he could go onto something bigger, he receives the guidance required to escape this life. We have a cabbie that makes a terrible mistake and must learn to live with the consequences and a photographer that wants to be part of Emily’s life.
Performances – Idris Elba, Gemma Arterton are both great in their roles in the film, we know and expect it from them. Elsewhere we get the less known actors in Franz Drameh and Charlie Creed-Miles that shine in this film.
Story – The story follows the lives of three people, the problems they are facing and the changes that will define them. We get three different worlds, one is the celebrity world and marriage, where the vices can control someone, the middle-class who just want normal lives which can fall apart from past action and the lower-class that must fight for a chance or face the same circles of crime. The way the three lives cross without interaction shows how people can be going through their own struggles meters away from you. Each life will be changed by the events in the film, which is important to see and we can see how theses moments can do the moments that create a future.
Settings – The film is set in London with the idea that we are within 100 streets of each other, in a position where lives can cross paves.
Scene of the Movie – Leaving the gang.
That Moment That Annoyed Me – Not sure what will happen with Jake next.
Final Thoughts – This is a wonderfully engaging drama that shows the lives people are living without you knowing within metres of your own life. Strong performances throughout do help the film stand out too.
Overall: Drama well worth watching.
https://moviesreview101.com/2019/02/02/gemma-arterton-weekend-100-streets-2016/
As the lives cross-paths the people must learn about the mistakes they make to prevent themselves from making any more mistakes.
Thoughts on 100 Streets
Characters – Max is a former England rugby captain, since retiring he started cheating on his wife and getting caught up with the drugs, seeing his future career going up in smoke, he needs to clean up his own actions in any hope of winning his wife back. Emily is the wife of Max who has been going through the struggles of her husbands action, thinking about getting back into acting and trying to move on with her life. Kingsley is the streetwise drug dealing thief that has been caught up against the law, even though he believes he could go onto something bigger, he receives the guidance required to escape this life. We have a cabbie that makes a terrible mistake and must learn to live with the consequences and a photographer that wants to be part of Emily’s life.
Performances – Idris Elba, Gemma Arterton are both great in their roles in the film, we know and expect it from them. Elsewhere we get the less known actors in Franz Drameh and Charlie Creed-Miles that shine in this film.
Story – The story follows the lives of three people, the problems they are facing and the changes that will define them. We get three different worlds, one is the celebrity world and marriage, where the vices can control someone, the middle-class who just want normal lives which can fall apart from past action and the lower-class that must fight for a chance or face the same circles of crime. The way the three lives cross without interaction shows how people can be going through their own struggles meters away from you. Each life will be changed by the events in the film, which is important to see and we can see how theses moments can do the moments that create a future.
Settings – The film is set in London with the idea that we are within 100 streets of each other, in a position where lives can cross paves.
Scene of the Movie – Leaving the gang.
That Moment That Annoyed Me – Not sure what will happen with Jake next.
Final Thoughts – This is a wonderfully engaging drama that shows the lives people are living without you knowing within metres of your own life. Strong performances throughout do help the film stand out too.
Overall: Drama well worth watching.
https://moviesreview101.com/2019/02/02/gemma-arterton-weekend-100-streets-2016/
Darren (1599 KP) rated A Few Good Men (1992) in Movies
Jun 20, 2019
Plot: At Guantanamo Marine Base, a private is attacked by 2 other marines and dies as a result. An investigation is conducted by Lt. Commander Jo Galloway and reveals to her superiors that she believes that the private was attacked by because he was going over the head of Colonel Jessup, the base commander and was threatening to reveal something unless he gets a transfer, so Jessup ordered a “code red” which is basically a type hazing done which is not legal. Galloway wants to be assigned to defend the 2 marines but her superior prefers that the whole go away quietly so he denies her request and has the case assigned to Lt. Dan Kaffee, a Naval lawyer who hasn’t tried a case in court and prefers to plea his cases out. But Galloway warns him that if he pleads the case out, Jessup will get away with murder. Kaffee decides not to plead the case out and tries to defend them but there’s no proof that Jessup actually gave the order.
Verdict: Courtroom Masterpiece
Story: Who doesn’t like a good investigation story? Well this gives us a look at how a team of lawyers need to uncover the truth about a marine’s death. We know who is meant to have committed the crime but we need to see who gave the final order. The team of lawyers are all very different and clash over every decision. They must put the differences behind them to work together to gain the evidence to prove the truth and it all comes to a clash in the courtroom creating one of the most iconic scenes in film history. It seems like quite a boring subject but put together it is one of the most engrossing stories in film. (9/10)
Actor Review
Tom Cruise: Lt. Daniel Kaffee top lawyer who comes off as a slacker, he has never lost a case but he now has to take one of the biggest of his career. Cruise nails this using his charm to get over how easy it all seems but also shows he can go toe to toe with the best in the business with the courtroom scene with Jack. (9/10)
cruise
Jack Nicholson: Col. Nathan R. Jessup believes he is top of any chain, he gives out orders to anyone and his old fashion techniques will be his downfall. Great performance from Jack showing what one man with all the power can do. (9/10)
jack
Demi Moore: Lt. Cdr. JoAnne Galloway officer who wants to take the case and wants to make it her own but if forced to work with Kaffee very much against her will. Good performance but sometime gets out shown by Cruise. (7/10)
demi
Kevin Bacon: Capt. Jack Ross an old friend of Kaffee who is going up against him in court, he will do what is right in his role but he won’t go over any laws to make sure he wins. Good supporting performance. (7/10)
Director Review: Rob Reiner – Great directing throughout to create one of the most interesting films of all time. (9/10)
Crime: Searching for the truth has never been so interesting. (10/10)
Drama: Top drama showing how each line is leading to something much bigger. (10/10)
Mystery: We have to watch as the lawyers uncover the truth. (9/10)
Thriller: Brings you to the edge of your seat from start to finish. (10/10)
Settings: Most of the settings work well, but the courtroom is the highlight arena of choice. (6/10)
Suggestion: This is a must watch for all, it is a classic that has one of the most iconic film scenes of all time. (Watch)
Best Part: Tom v Jack in courtroom.
Worst Part: Not one
Favourite Quote: See Video
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for four Oscars including ‘Best Picture, Best Supporting Actor, Best Sound, Best Film Editing.
Box Office: $243 Million
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: In the heart of the nation’s capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth.
Overall: Brilliant Thriller
https://moviesreview101.com/2014/12/17/a-few-good-men-1992/
Verdict: Courtroom Masterpiece
Story: Who doesn’t like a good investigation story? Well this gives us a look at how a team of lawyers need to uncover the truth about a marine’s death. We know who is meant to have committed the crime but we need to see who gave the final order. The team of lawyers are all very different and clash over every decision. They must put the differences behind them to work together to gain the evidence to prove the truth and it all comes to a clash in the courtroom creating one of the most iconic scenes in film history. It seems like quite a boring subject but put together it is one of the most engrossing stories in film. (9/10)
Actor Review
Tom Cruise: Lt. Daniel Kaffee top lawyer who comes off as a slacker, he has never lost a case but he now has to take one of the biggest of his career. Cruise nails this using his charm to get over how easy it all seems but also shows he can go toe to toe with the best in the business with the courtroom scene with Jack. (9/10)
cruise
Jack Nicholson: Col. Nathan R. Jessup believes he is top of any chain, he gives out orders to anyone and his old fashion techniques will be his downfall. Great performance from Jack showing what one man with all the power can do. (9/10)
jack
Demi Moore: Lt. Cdr. JoAnne Galloway officer who wants to take the case and wants to make it her own but if forced to work with Kaffee very much against her will. Good performance but sometime gets out shown by Cruise. (7/10)
demi
Kevin Bacon: Capt. Jack Ross an old friend of Kaffee who is going up against him in court, he will do what is right in his role but he won’t go over any laws to make sure he wins. Good supporting performance. (7/10)
Director Review: Rob Reiner – Great directing throughout to create one of the most interesting films of all time. (9/10)
Crime: Searching for the truth has never been so interesting. (10/10)
Drama: Top drama showing how each line is leading to something much bigger. (10/10)
Mystery: We have to watch as the lawyers uncover the truth. (9/10)
Thriller: Brings you to the edge of your seat from start to finish. (10/10)
Settings: Most of the settings work well, but the courtroom is the highlight arena of choice. (6/10)
Suggestion: This is a must watch for all, it is a classic that has one of the most iconic film scenes of all time. (Watch)
Best Part: Tom v Jack in courtroom.
Worst Part: Not one
Favourite Quote: See Video
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for four Oscars including ‘Best Picture, Best Supporting Actor, Best Sound, Best Film Editing.
Box Office: $243 Million
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: In the heart of the nation’s capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth.
Overall: Brilliant Thriller
https://moviesreview101.com/2014/12/17/a-few-good-men-1992/
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
James P. Sumner (65 KP) rated Gemini Man (2019) in Movies
Oct 11, 2019
Not even two Will Smiths can save it.
"Gemini Man (2019)" is a blend of action, drama, crime and sci-fi, and tells the story of Henry Brogan (portrayed by Will Smith), the world's most renowned assassin who is looking to retire from the government agency he's been working for.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.






