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Darren (1599 KP) rated 2001 Maniacs: Field of Screams (2010) in Movies
Jun 20, 2019
Story: 2001 Maniacs: Field of Screams starts by Mayor Buckman (Mosely) explaining why they are out for vengeances where they town of Pleasant Valley lost 2001 residents in the 1800s. When the deal with a local Sheriff is getting pushed to the limits Buckman makes sure his maniacs are safe. This leads to them going on tour to get the people from the north. We then meet High society sister Rome (Johnson) and Tina (Hope) part of Road Rascal reality show going to the south. After their camper gets run off the crashes they get stuck in the middle of nowhere where they bump into the Pleasant Valley community.
The producer Val (Leon) takes this chance to make the event simpler without having to go full south. Not knowing the true nature of the Pleasant Valley people are the reality show crew become the latest victims in the most gruesome possible ways.
2001 Maniacs: Field of Screams is a follow up to 2001 Maniacs a remake in its own right. Sadly this sequel is simply terrible, losing Robert Englund is always going to be bad but he just got out in time. The sound is awful the acting is terrible the story gets bogged down because the very outline of the story is well acceptable for horror. The characters or victims are all unlikable and you simple don’t care what happens to them, so how I am supposed to like this if none of the characters need supporting and nothing shocking happens? This was simple terrible rant over. (1/10)
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Actor Review
Bill Moseley: Mayor George W Buckman leader of the Pleasant Valley people whose ability to talk people into them being friend works for them but soon we see his true nature. I know Bill is a cult favourite but this, was just bad man. (2/10)
Lin Shaye: Granny Boone old wise lady of the Pleasant Valley people who is just as crazy as Buckman. Lin would be the biggest name in the film but why is she here? Has anyone seen Insidious, yeah it is the same woman. (1/10)
Support Cast: 2001 Maniacs: Field of Screams every single member of the supporting cast is unlikable annoying and you might actually cheer when they die.
Director Review: Tim Sullivan – Tim just retire. (0/10)
Comedy: 2001 Maniacs: Field of Screams is not funny. (0/10)
Horror: 2001 Maniacs: Field of Screams is not scary. (0/10)
Settings: 2001 Maniacs: Field of Screams has a random setting that doesn’t make sense. (2/10)
Special Effects: 2001 Maniacs: Field of Screams blows the special effects that should be good for the kills that are sloppy. (2/10)
Suggestion: 2001 Maniacs: Field of Screams is one to avoid and never think twice about. (AVOID)
Best Part: My copy had adverts, so I knew what was good to watch.
Worst Part: The Film
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God no
Post Credits Scene: No
Awards: No
Oscar Chances: No
Runtime: 1 Hour 24 Minutes
Tagline: If They Kill You, They Will Come!
Overall: I need my time back
https://moviesreview101.com/2015/02/06/2001-maniacs-field-of-screams-2010/
The producer Val (Leon) takes this chance to make the event simpler without having to go full south. Not knowing the true nature of the Pleasant Valley people are the reality show crew become the latest victims in the most gruesome possible ways.
2001 Maniacs: Field of Screams is a follow up to 2001 Maniacs a remake in its own right. Sadly this sequel is simply terrible, losing Robert Englund is always going to be bad but he just got out in time. The sound is awful the acting is terrible the story gets bogged down because the very outline of the story is well acceptable for horror. The characters or victims are all unlikable and you simple don’t care what happens to them, so how I am supposed to like this if none of the characters need supporting and nothing shocking happens? This was simple terrible rant over. (1/10)
REPORT THIS AD
Actor Review
Bill Moseley: Mayor George W Buckman leader of the Pleasant Valley people whose ability to talk people into them being friend works for them but soon we see his true nature. I know Bill is a cult favourite but this, was just bad man. (2/10)
Lin Shaye: Granny Boone old wise lady of the Pleasant Valley people who is just as crazy as Buckman. Lin would be the biggest name in the film but why is she here? Has anyone seen Insidious, yeah it is the same woman. (1/10)
Support Cast: 2001 Maniacs: Field of Screams every single member of the supporting cast is unlikable annoying and you might actually cheer when they die.
Director Review: Tim Sullivan – Tim just retire. (0/10)
Comedy: 2001 Maniacs: Field of Screams is not funny. (0/10)
Horror: 2001 Maniacs: Field of Screams is not scary. (0/10)
Settings: 2001 Maniacs: Field of Screams has a random setting that doesn’t make sense. (2/10)
Special Effects: 2001 Maniacs: Field of Screams blows the special effects that should be good for the kills that are sloppy. (2/10)
Suggestion: 2001 Maniacs: Field of Screams is one to avoid and never think twice about. (AVOID)
Best Part: My copy had adverts, so I knew what was good to watch.
Worst Part: The Film
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God no
Post Credits Scene: No
Awards: No
Oscar Chances: No
Runtime: 1 Hour 24 Minutes
Tagline: If They Kill You, They Will Come!
Overall: I need my time back
https://moviesreview101.com/2015/02/06/2001-maniacs-field-of-screams-2010/
Chris Sawin (602 KP) rated Re-Animator (1985) in Movies
Jun 22, 2019
Herbert West is no ordinary doctor. He's brilliant and obviously knows quite a bit about the field of medicine, but something is peculiar about him. He acts strangely and tends to keep to himself while getting absorbed into his work. Throughout his research, Dr. West may have finally perfected his serum. A serum that brings the dead back to life. The consequences of the serum are hectic, as expected. The sooner the serum is injected into a fresh corpse in comparison to one that's been lying around for a few hours, the better the results. Based on the H.P. Lovecraft tale, Herbert West-Reanimator, West finds himself at a medical college when his stint in Switzerland ends a bit abruptly. There he meets Dan Cain, a student at the college who is held in high regard, and Dan's girlfriend, Meg, whose father is the dean to the medical college. When Dan puts a notice up looking for a roommate in his dorm, West comes knocking. Things seem to be a constant downward spiral from there as West continues his research and the bodies begin to pile up.
Re-Animator is one of the few cult classics that I'll stick up for. I usually wind up feeling like most classic horror films that are recommended or held in such high regard aren't good at all or are extremely overrated. This film is a lot of fun though. It's definitely got its campy qualities with a headless corpse stumbling around the third act of the film, but it doesn't feel out of place for a film built around a concoction that's injected into the brain to bring corpses back from the dead. The music, especially the opening theme, tends to get a bad wrap because it blatantly rips off (or pays homage, depending on how you look at it) the Psycho score. While the similarities are crystal clear once they're heard, I honestly didn't mind it. It's kind of hard to imagine this film with different music, so I have no complaints.
The Herbert West role really fits Jeffrey Combs like a glove. His attraction to weird and quirky roles pretty much began with films like this one. As West's unusual personality is revealed throughout the film, you can't help but get a sense of uneasiness as his character traits unravel before your very eyes. The best example is when West brings Dan's cat Rufus back to life. After it's been killed for the second time, Dan is shocked to discover it's Rufus and turns to look at West. West points at the cat and tells Dan to, "Look out!" Dan quickly turns his attention back to poor Rufus, who's still lying there motionless. West begins to burst into maniacal laughter as Dan looks on in horror. With the upcoming remake on the horizon, it's hard to imagine anyone else in the role of Herbert West especially with Jeffrey Combs confirmed for a cameo.
While Re-Animator could definitely be considered cheesy and campy at times, its strengths outweigh its flaws. The story is simple, but tends to unfold nicely and the acting is solid (David Gale as Dr. Hill is up for debate though). The film is pretty much exactly what you would expect a horror film to be like from the eighties; gory, cheesy, tons of nudity and sex, and a few creative twists along the way. And when it comes to horror, what else could you really ask for?
Re-Animator is one of the few cult classics that I'll stick up for. I usually wind up feeling like most classic horror films that are recommended or held in such high regard aren't good at all or are extremely overrated. This film is a lot of fun though. It's definitely got its campy qualities with a headless corpse stumbling around the third act of the film, but it doesn't feel out of place for a film built around a concoction that's injected into the brain to bring corpses back from the dead. The music, especially the opening theme, tends to get a bad wrap because it blatantly rips off (or pays homage, depending on how you look at it) the Psycho score. While the similarities are crystal clear once they're heard, I honestly didn't mind it. It's kind of hard to imagine this film with different music, so I have no complaints.
The Herbert West role really fits Jeffrey Combs like a glove. His attraction to weird and quirky roles pretty much began with films like this one. As West's unusual personality is revealed throughout the film, you can't help but get a sense of uneasiness as his character traits unravel before your very eyes. The best example is when West brings Dan's cat Rufus back to life. After it's been killed for the second time, Dan is shocked to discover it's Rufus and turns to look at West. West points at the cat and tells Dan to, "Look out!" Dan quickly turns his attention back to poor Rufus, who's still lying there motionless. West begins to burst into maniacal laughter as Dan looks on in horror. With the upcoming remake on the horizon, it's hard to imagine anyone else in the role of Herbert West especially with Jeffrey Combs confirmed for a cameo.
While Re-Animator could definitely be considered cheesy and campy at times, its strengths outweigh its flaws. The story is simple, but tends to unfold nicely and the acting is solid (David Gale as Dr. Hill is up for debate though). The film is pretty much exactly what you would expect a horror film to be like from the eighties; gory, cheesy, tons of nudity and sex, and a few creative twists along the way. And when it comes to horror, what else could you really ask for?
Heather Cranmer (2721 KP) rated The Girl Behind the Red Rope in Books
Oct 15, 2019
I'm a fan of dystopian novels, so when I heard about The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker, I knew it was a book that I just had to read sooner rather than later. Everything about the synopsis was calling out my name. Luckily, this book lived up to the hype.
As I stated previously, the synopsis of The Girl Behind the Red Rope definitely left me intrigued. Grace has seen what not following her religious community's strict rules can bring. However, when a young boy makes his way into their tight community, Grace begins to question everything she's been taught which puts her in extreme danger.
Everything flowed so smoothly including the pacing which never let me down. I was constantly finding excuses to finish reading The Girl Behind the Red Rope since I had to know what would happen next. While I felt the plot was predictable more often than not, I still really enjoyed this book. I felt like their were no cliff hangers, and all of my questions were answered by the ending.
As for the Christian aspect of this book, it didn't read like a Christian novel most of the way through. I'd say it was probably around the last quarter of the book where Christianity came into play. I didn't think it was overly preachy although I think that those who aren't very spiritual or who are agnostic or are atheist may feel it's a tad on the preachy side. I would say The Girl Behind the Red Rope is more anti-religion and pro-Christianity overall. That's what I took from it anyway. It does have a really good message regarding love though which I found really nice to read about.
I very much enjoyed how every character in The Girl Behind the Red Rope was written. I felt like I was actually part of their world, stuck in the same community with them. Grace is a very likable character. I loved how the characters made her feel like a real person by giving her the conflicting thoughts as to who was to be believed throughout the novel. I enjoyed Grace's thought process about everything throughout the book. While I knew who and what she should choose, it was easy to see why she was so torn. Bobbie and Sylous were both very intriguing characters. I never trusted Sylous from the start, but Bobbie was one character that I wasn't sure if she actually had Grace's best interest at heart or if she had ulterior motives. There were times I despised Rose, not because she wasn't written poorly, in fact, she was written perfectly, but because of how much trust she put into Sylous and how overly judgmental she could be sometimes. I know that Rose was only going on what she thought to be true, but there were just so many times I wanted Rose to disappear! My favorite character was Eli. I loved his innocence and how happy go lucky he was.
Trigger warnings for The Girl Behind the Red Rope include cult mentality, violence, and murder.
All in all, The Girl Behind the Red Rope is such a fantastic read with such a powerful message. The characters are written beautifully, and the plot is done superbly. I would definitely recommend The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker to those aged 15+. Christians will definitely enjoy this book, but I think even non-Christians will probably love it as well.
As I stated previously, the synopsis of The Girl Behind the Red Rope definitely left me intrigued. Grace has seen what not following her religious community's strict rules can bring. However, when a young boy makes his way into their tight community, Grace begins to question everything she's been taught which puts her in extreme danger.
Everything flowed so smoothly including the pacing which never let me down. I was constantly finding excuses to finish reading The Girl Behind the Red Rope since I had to know what would happen next. While I felt the plot was predictable more often than not, I still really enjoyed this book. I felt like their were no cliff hangers, and all of my questions were answered by the ending.
As for the Christian aspect of this book, it didn't read like a Christian novel most of the way through. I'd say it was probably around the last quarter of the book where Christianity came into play. I didn't think it was overly preachy although I think that those who aren't very spiritual or who are agnostic or are atheist may feel it's a tad on the preachy side. I would say The Girl Behind the Red Rope is more anti-religion and pro-Christianity overall. That's what I took from it anyway. It does have a really good message regarding love though which I found really nice to read about.
I very much enjoyed how every character in The Girl Behind the Red Rope was written. I felt like I was actually part of their world, stuck in the same community with them. Grace is a very likable character. I loved how the characters made her feel like a real person by giving her the conflicting thoughts as to who was to be believed throughout the novel. I enjoyed Grace's thought process about everything throughout the book. While I knew who and what she should choose, it was easy to see why she was so torn. Bobbie and Sylous were both very intriguing characters. I never trusted Sylous from the start, but Bobbie was one character that I wasn't sure if she actually had Grace's best interest at heart or if she had ulterior motives. There were times I despised Rose, not because she wasn't written poorly, in fact, she was written perfectly, but because of how much trust she put into Sylous and how overly judgmental she could be sometimes. I know that Rose was only going on what she thought to be true, but there were just so many times I wanted Rose to disappear! My favorite character was Eli. I loved his innocence and how happy go lucky he was.
Trigger warnings for The Girl Behind the Red Rope include cult mentality, violence, and murder.
All in all, The Girl Behind the Red Rope is such a fantastic read with such a powerful message. The characters are written beautifully, and the plot is done superbly. I would definitely recommend The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker to those aged 15+. Christians will definitely enjoy this book, but I think even non-Christians will probably love it as well.
JT (287 KP) rated The Avengers (2012) in Movies
Mar 10, 2020
As the dust settles on a film that has seriously ‘hulk smashed’ the box office its clear to see why this film has been met with such high acclaim from critics and fans alike. There is no getting away from the fact that this is one hell of a blockbuster, with more superheroes than you can cram into a S.H.I.E.L.D. meeting room and a villain that almost stole the whole show, it had pretty much everything.
The film opens as S.H.I.E.L.D. is mid evacuation after The Tesseract, an energy source of unknown potential, has activated. Loki (Tom Hiddleston) has plans to take over the world with a strong army and have everyone kneel before him, he’s cunning but “lacks conviction” as is pointed out by cult fan favourite Agent Coulson (Clark Gregg).
So, Nick Fury activates the Avengers initiative, pulling resource from Thor, Captain America, Iron Man, Black Widow, Hawkeye and of course Bruce Banner in order to stop the impending attack. The good thing about the Avengers is that no time needs to be spent setting the characters up, as given the previous films we know all about them and their powers. However, this gives more time for them to decipher each others egos.
Tony Stark feels like the team’s unofficial leader, brash and bold he has to contend with a number of personalities, remember he doesn’t play well with others. A great scene sees Thor, Captain America and Iron Man all come to blows but its hard to say if there was any clear winner.
Natasha Romanoff aka Black Widow and Clint ‘Hawkeye’ Barton who have popped up in previous films but neither had their own title struggle at times to fit in, but they are integral to the group and plot. However if there were not part of the assemble you wouldn’t miss them too much.
As for Bruce Banner, Weadon’s Hulk is probably the most realistic CGI transformation to date. Ang Lee’s looked ridiculous and Louis Leterrier’s Hulk looked liked he’d been pumped full of steroids as opposed to gamma radiation.
Weadon though achieved a great balance and with Mark Ruffalo stepping in as the green monster the Hulk had a lot of charisma in this, even having time for some humour. T.V. original big man Lou Ferrigno provided the voice so it all seemed like the Hulk was back.
The perfect villain – Loki
Hiddleston for me though was the stand-out here, as comic book villains go he brought so much to the role. It was a dark, composed and at times sinister portrayal of a man desperate for revenge and to be worshipped like the god he feels he deserves to be.
The films action sequences are second to none, with everything from the initial opening evacuation at S.H.I.E.L.D. to the climactic ending all choreographed to perfection. The only gripe is that it boarder lines on Transformers styled destruction, in which some parts are drawn out. I mean just how many Chitauri can one group of superheroes fend off?
Another post credits scene certainly would pave the way for a sequel, and given the film’s massive haul which is well in excess of $450m no one would stand in the way. It should pretty much be a forgone conclusion that the team will at some point reunite.
The film opens as S.H.I.E.L.D. is mid evacuation after The Tesseract, an energy source of unknown potential, has activated. Loki (Tom Hiddleston) has plans to take over the world with a strong army and have everyone kneel before him, he’s cunning but “lacks conviction” as is pointed out by cult fan favourite Agent Coulson (Clark Gregg).
So, Nick Fury activates the Avengers initiative, pulling resource from Thor, Captain America, Iron Man, Black Widow, Hawkeye and of course Bruce Banner in order to stop the impending attack. The good thing about the Avengers is that no time needs to be spent setting the characters up, as given the previous films we know all about them and their powers. However, this gives more time for them to decipher each others egos.
Tony Stark feels like the team’s unofficial leader, brash and bold he has to contend with a number of personalities, remember he doesn’t play well with others. A great scene sees Thor, Captain America and Iron Man all come to blows but its hard to say if there was any clear winner.
Natasha Romanoff aka Black Widow and Clint ‘Hawkeye’ Barton who have popped up in previous films but neither had their own title struggle at times to fit in, but they are integral to the group and plot. However if there were not part of the assemble you wouldn’t miss them too much.
As for Bruce Banner, Weadon’s Hulk is probably the most realistic CGI transformation to date. Ang Lee’s looked ridiculous and Louis Leterrier’s Hulk looked liked he’d been pumped full of steroids as opposed to gamma radiation.
Weadon though achieved a great balance and with Mark Ruffalo stepping in as the green monster the Hulk had a lot of charisma in this, even having time for some humour. T.V. original big man Lou Ferrigno provided the voice so it all seemed like the Hulk was back.
The perfect villain – Loki
Hiddleston for me though was the stand-out here, as comic book villains go he brought so much to the role. It was a dark, composed and at times sinister portrayal of a man desperate for revenge and to be worshipped like the god he feels he deserves to be.
The films action sequences are second to none, with everything from the initial opening evacuation at S.H.I.E.L.D. to the climactic ending all choreographed to perfection. The only gripe is that it boarder lines on Transformers styled destruction, in which some parts are drawn out. I mean just how many Chitauri can one group of superheroes fend off?
Another post credits scene certainly would pave the way for a sequel, and given the film’s massive haul which is well in excess of $450m no one would stand in the way. It should pretty much be a forgone conclusion that the team will at some point reunite.
Gareth von Kallenbach (980 KP) rated Hansel and Gretel: Witch Hunters (2013) in Movies
Aug 7, 2019
In 2009, writer/director by Tommy Wirkola gained a cult following with his Zombie splatter film “Dead Snow”. Hollywood took notice and he was awarded with a larger budget and bigger stars for his follow up film “Hansel & Gretel: Witch Hunters”. The film chronicles the fairytale brother and sister duo after they escaped the gingerbread house and started hunting down witches. Originally supposed to be released in 2012, the film was pushed back to a January 2013 release in hopes of generating more buzz on Jeremy Renner’s rising star. When the film was complete, Renner had yet to appear in last year’s films “The Avengers” and “The Bourne Legacy”. A good strategy, if the standard TV trailers did not make this movie look worse than it actually is.
I have to be honest. I went into this movie expecting it to be terrible. Personally I do not have much faith in Renner (Hansel) as a leading man. I know he is somewhat hot right now but to me he is best as a supporting role. I also have only seen Gemma Arterton (Gretel) in “Clash of the Titans” (2010) where she was nothing more than a pretty face in that lack luster film. Perhaps it was because of such low expectations that together they worked. They were both “bad ass” as the brother sister bounty hunters. Not spectacular performances or anything but easily entertaining and likeable performances.
The story follows the duo as they attempt to hunt down some missing children form a small village that is troubled by witches. Famke Janssen (Taken 2) leads the supporting cast as Leader of the witches who is trying to cast a spell that will make the witches stronger than ever. The three clash it out and that is basically the story.
From a stylistic standpoint fans of Wirkola’s films will not be disappointed. The dark and grim fairytale world he creates is charming and helps us fall into the fantasy. Furthermore this film has several gruesome scenes that are shockingly comical in the way they are over the top. At no point do they feel unnecessary for shock value, but rather they happen in a way that seems normal and plausible in the world we are shown on film. Additionally the pacing of this film is fast. There was not a dull moment as the 88 minute run time is one action or story driven transition to the next. Together these aspects help the film feel fun, lighthearted and surprisingly entertaining. Also the 3D effects help the film and do not seem distracting.
The finished product accomplishes something that other fast paced ridiculous action flicks do not. It keeps it simple. Tommy Wirkola shows his talent by keeping various stylistic factors and pacing together in a way that makes the simplistic story complete. Often times in films like this there comes a point where your suspended disbelief is tested beyond its limits. But that is not the case here. Hansel & Gretel: Witch Hunters delivers an entertaining fast paced movie that the TV previews do not to justice. If you are a fan of zombies, vampires, witches or any other supernatural type characters then you will not want to miss this film.
I have to be honest. I went into this movie expecting it to be terrible. Personally I do not have much faith in Renner (Hansel) as a leading man. I know he is somewhat hot right now but to me he is best as a supporting role. I also have only seen Gemma Arterton (Gretel) in “Clash of the Titans” (2010) where she was nothing more than a pretty face in that lack luster film. Perhaps it was because of such low expectations that together they worked. They were both “bad ass” as the brother sister bounty hunters. Not spectacular performances or anything but easily entertaining and likeable performances.
The story follows the duo as they attempt to hunt down some missing children form a small village that is troubled by witches. Famke Janssen (Taken 2) leads the supporting cast as Leader of the witches who is trying to cast a spell that will make the witches stronger than ever. The three clash it out and that is basically the story.
From a stylistic standpoint fans of Wirkola’s films will not be disappointed. The dark and grim fairytale world he creates is charming and helps us fall into the fantasy. Furthermore this film has several gruesome scenes that are shockingly comical in the way they are over the top. At no point do they feel unnecessary for shock value, but rather they happen in a way that seems normal and plausible in the world we are shown on film. Additionally the pacing of this film is fast. There was not a dull moment as the 88 minute run time is one action or story driven transition to the next. Together these aspects help the film feel fun, lighthearted and surprisingly entertaining. Also the 3D effects help the film and do not seem distracting.
The finished product accomplishes something that other fast paced ridiculous action flicks do not. It keeps it simple. Tommy Wirkola shows his talent by keeping various stylistic factors and pacing together in a way that makes the simplistic story complete. Often times in films like this there comes a point where your suspended disbelief is tested beyond its limits. But that is not the case here. Hansel & Gretel: Witch Hunters delivers an entertaining fast paced movie that the TV previews do not to justice. If you are a fan of zombies, vampires, witches or any other supernatural type characters then you will not want to miss this film.
In An Open Field by Nicholas Krgovich
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Sarah (7798 KP) rated Monty Python's Life of Brian (1979) in Movies
Mar 15, 2021
A classic
Film #16 on the 100 Movies Bucket List: Monty Python’s Life of Brian
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Darren (1599 KP) rated St. Agatha (2018) in Movies
Oct 2, 2019
Characters – Mary is a pregnant young lady with a tragic past which saw her running from her abusive father, she seeks refuge to have her child, which sees her in a convent, only for this to be a worse hell than her previous life, she is stuck with the abusive religious nuns that want her baby, even renaming her Agatha. Mother Superior runs the convent, she has strict rules and expects the women to follow these rules or face punishment, she does however want the children to be born, which means the punishments won’t put the babies at risks, she has women under her control, but when it comes to Mary she must go to new extremes to keep her position of power in place. Catherine is one of the few women that offers Mary any help within the walls, she is also pregnant further along than Mary, meaning the two teaming up would mean more risk for her. We do have other girls that are under different levels of control, while we also have other nuns who are trying to prove their level of strictness to the Mother Superior.
Performances – Sabrina Kern in the leading role is great to watch, she brings the broken figure and shows us just how determined she is to make the most out of her life with her child. Carolyn Hennessy does bring us the strict figure required for her role which will show how capable to she to take control of the scenes through the film. the rest of the cast do a solid job throughout, they each get their moment to shine in the film’s story too.
Story – The story follows a young woman who seeks refuge in a convent to help her have her child only to find the convent is being controlled by nuns that don’t always follow the bible when it comes to helping the young women that come to them for help. With this story we do get to give until the personal life of Mary that does have a tragic past and does show how far she has had to go to fix the problems in her life. The main focus is on the convent which does keep us guessing to what the Mother Superior will do next because they want the babies and can’t risk damaging them, but do need to punish the women. We do get elements of the theme around the idea of cults which does play an important factor in just where the film ends up going. We also have women at different stages of pregnancy which shows us and Mary just what will happen to her if she stays.
Horror – The horror in the film follows the events in the convent, we get a mix of hauntings and torture, which are only making Mary look like she is losing her mind.
Settings – The film is set in the convent, we get to see how the locked doors keep people in and just how they are going to be forcing the woman to follow the rules.
Special Effects – The effects in this film are used to show the injuries which aren’t as graphic as they could have been, though they imply horrific injuries given.
Scene of the Movie – The baby is coming.
That Moment That Annoyed Me – It could have gone a lot darker that is does go.
Final Thoughts – This is a solid enough horror that uses the themes of religious cults to make the horror seem more realistic and shocking.
Overall: Religious Cult 101
Performances – Sabrina Kern in the leading role is great to watch, she brings the broken figure and shows us just how determined she is to make the most out of her life with her child. Carolyn Hennessy does bring us the strict figure required for her role which will show how capable to she to take control of the scenes through the film. the rest of the cast do a solid job throughout, they each get their moment to shine in the film’s story too.
Story – The story follows a young woman who seeks refuge in a convent to help her have her child only to find the convent is being controlled by nuns that don’t always follow the bible when it comes to helping the young women that come to them for help. With this story we do get to give until the personal life of Mary that does have a tragic past and does show how far she has had to go to fix the problems in her life. The main focus is on the convent which does keep us guessing to what the Mother Superior will do next because they want the babies and can’t risk damaging them, but do need to punish the women. We do get elements of the theme around the idea of cults which does play an important factor in just where the film ends up going. We also have women at different stages of pregnancy which shows us and Mary just what will happen to her if she stays.
Horror – The horror in the film follows the events in the convent, we get a mix of hauntings and torture, which are only making Mary look like she is losing her mind.
Settings – The film is set in the convent, we get to see how the locked doors keep people in and just how they are going to be forcing the woman to follow the rules.
Special Effects – The effects in this film are used to show the injuries which aren’t as graphic as they could have been, though they imply horrific injuries given.
Scene of the Movie – The baby is coming.
That Moment That Annoyed Me – It could have gone a lot darker that is does go.
Final Thoughts – This is a solid enough horror that uses the themes of religious cults to make the horror seem more realistic and shocking.
Overall: Religious Cult 101
Andy K (10821 KP) rated The Fly (1986) in Movies
Oct 3, 2019
Be Afraid...Be Very Afraid
Seth Brundle is his own version of Dr Frankenstein. Instead of reanimating dead issue, his desire is to teleport flesh from one "telepod" to another.
After a chance meeting at a social magazine function, Veronica "Ronnie" Quaife meets the eccentric genius Brundle. She agrees to come back to his spacious, warehouse studio loft to see what he has been working on. He tells her about his masterpiece that will change the concept of travel throughout the world. After a short demonstration, Ronnie is not sure what to believe.
The next day, she explains what happened to her editor and scummy, sexist former boyfriend who suggests Brundle is just a con man. Eventually, Ronnie takes the offer to be Brundle's exclusive recorder of the evolution of his creation which has still one major flaw, it can only teleport inanimate objects. When tried on something living, the computer doesn't understand "the flesh" turn disembowels its subjects.Ronnie and Brundle begin a torrid affair amidst more work on the pods ultimately concluding with the successful teleportation of a baboon.
After Ronnie's boss and former lover threatens to publish her story early, Brundle gets drunk and decides it is time for a human trial of his newly perfected equipment. In his haste, he does not notice an insect guest present within his pod with him. Although successful, Brundle is not aware of his transformation yet to come.
His evolution from man to man/insect begins slowly, but continues relentlessly though Brundle does not know the cause. Once he looks through his records and discovers the genesis of his misfortune, he may be too late to stop it.
The Fly has to be director David Cronenberg's biggest financial hit grossing north of $40 million in 1986. Adjusted for inflation and considering the subject matter, genre and R rating, that would have to be much more if released today. It's hard to say the film would be Cronenberg's highest critical success, although most of his early films are now considered cult classics since they had a hard time finding mainstream audiences due to their "body horror" often gruesome visuals and offbeat subject matter.
Although most would classify as horror due to the shocking visuals within the last 30 minutes of the film, I have always felt it was more of a thriller. Once Bundle is infected, he has to use his sharp, but now deteriorating wits to figure a solution to his problem before it is too late. Every subsequent Ronnie visit to Brundle's loft finds unexpected results which keep the viewer on edge and wondering what horrors they will view next.
The make up effects in the film rivaled any of the top work ever at that time and garnered effect artist Chris Walas an Academy Award in 1986. By today's standards of CGI and film perfection, some elements could look a bit dated to modern audiences, but I believe still hold up to present day scrutiny.
The film score by frequent Cronenberg collaborator Howard Shore is haunting, bleak somber, and excellent.
Too often mesmerizing acting performances in horror/thriller movies get overlooked for the Oscars (except if you are Anthony Hopkins) which is a shame here. Jeff Goldblum undergoes not only a physical transformation, but his mannerisms, ticks and speech all go from human to insect and he deserves a lot of credit for what he did to bring "Brundlefly" to life.
After a chance meeting at a social magazine function, Veronica "Ronnie" Quaife meets the eccentric genius Brundle. She agrees to come back to his spacious, warehouse studio loft to see what he has been working on. He tells her about his masterpiece that will change the concept of travel throughout the world. After a short demonstration, Ronnie is not sure what to believe.
The next day, she explains what happened to her editor and scummy, sexist former boyfriend who suggests Brundle is just a con man. Eventually, Ronnie takes the offer to be Brundle's exclusive recorder of the evolution of his creation which has still one major flaw, it can only teleport inanimate objects. When tried on something living, the computer doesn't understand "the flesh" turn disembowels its subjects.Ronnie and Brundle begin a torrid affair amidst more work on the pods ultimately concluding with the successful teleportation of a baboon.
After Ronnie's boss and former lover threatens to publish her story early, Brundle gets drunk and decides it is time for a human trial of his newly perfected equipment. In his haste, he does not notice an insect guest present within his pod with him. Although successful, Brundle is not aware of his transformation yet to come.
His evolution from man to man/insect begins slowly, but continues relentlessly though Brundle does not know the cause. Once he looks through his records and discovers the genesis of his misfortune, he may be too late to stop it.
The Fly has to be director David Cronenberg's biggest financial hit grossing north of $40 million in 1986. Adjusted for inflation and considering the subject matter, genre and R rating, that would have to be much more if released today. It's hard to say the film would be Cronenberg's highest critical success, although most of his early films are now considered cult classics since they had a hard time finding mainstream audiences due to their "body horror" often gruesome visuals and offbeat subject matter.
Although most would classify as horror due to the shocking visuals within the last 30 minutes of the film, I have always felt it was more of a thriller. Once Bundle is infected, he has to use his sharp, but now deteriorating wits to figure a solution to his problem before it is too late. Every subsequent Ronnie visit to Brundle's loft finds unexpected results which keep the viewer on edge and wondering what horrors they will view next.
The make up effects in the film rivaled any of the top work ever at that time and garnered effect artist Chris Walas an Academy Award in 1986. By today's standards of CGI and film perfection, some elements could look a bit dated to modern audiences, but I believe still hold up to present day scrutiny.
The film score by frequent Cronenberg collaborator Howard Shore is haunting, bleak somber, and excellent.
Too often mesmerizing acting performances in horror/thriller movies get overlooked for the Oscars (except if you are Anthony Hopkins) which is a shame here. Jeff Goldblum undergoes not only a physical transformation, but his mannerisms, ticks and speech all go from human to insect and he deserves a lot of credit for what he did to bring "Brundlefly" to life.
Darren (1599 KP) rated Rabid (2019) in Movies
Oct 14, 2019
Characters – Rose is the quiet assistant to a fashion designer, she has her own ideas that she does want to see made, the girls come to her to get small adjustments, but the designer treats her like a carpet. She isn’t seen in the same light as the models and often keeps to herself. She gets involved in an accident which first sees her horribly disfigured and secondly lose her job, desperate to fix this, she turns to an experimental procedure which fixes everything, giving her a new lease for life and a taste for blood. Brad is one of the co-workers that does try to help Rose come out of her shell by inviting her to the party before the accident. Chelsea is the foster sister to Rose that has been working with her too, she is the one that opens up her home after the accident, helping her get back on her feet, supporting her through the treatment, not looking away like most the others in her life would.
Performances – Laura Vandervoort does give us a strong performance throughout, being able to balance the losing her mind and determined personality. Hanneke Talbot is strong too and the supportive friend, that does get to show the pushy personality her character has around Rose. Benjamin Hollingsworth does show us a strong friend or potential love interest in the film, while big names like Stephen McHattie and C.M. Punk make entertaining supporting appearance.
Story – The story here follows a young lady that sees her life turned upside down after an accident leaves her disfigured, only for an experiment procedure bringing out a new version of herself and an unwanted side effect along the way. This is a remake and one story that can remain similar is places, while bringing the social side of the film to new heights, the fashion world does make a wonderful backdrop for the story because it reflects the world that image needs to be fix with surgery. There are certain ways the story does feel weaker, that is mostly seeing how everything is spreading, which is important, but it doesn’t follow Rose, which is the important side of the story.
Horror/Sci-Fi – The horror side of the film comes from the real world situation that Rose goes through, with the accident before hitting the graphic violence of what is happening to Rose, which is also the sci-fi side of the film, the changes Rose goes through.
Settings – The film uses the fashion world as the main settings backdrop, it shows us just how important image is to Rose and the people close to her.
Special Effects – The complete highlight of this film comes from the practical effects, which look as graphic as they can, the injury suffered by Rose is one of the worst wounds you will see in this year’s horror films. We should give a shout out to the team (According to IMDB) Graham Chivers, Jeff Derushie, Anahita Loghmanifar, Emily O’Quinn and Omar Roessler
Scene of the Movie – The first reveal from the injury.
That Moment That Annoyed Me – We do move away from Rose, as the bigger problems spread around the city, we could have been given more fear from not seeing this, only hearing about it.
Final Thoughts – This is a practical effects masterclass in horror, it will use some of the best you will see this year even if the story is a modernised look at a cult classic.
Overall: Bloody graphic horror.
Performances – Laura Vandervoort does give us a strong performance throughout, being able to balance the losing her mind and determined personality. Hanneke Talbot is strong too and the supportive friend, that does get to show the pushy personality her character has around Rose. Benjamin Hollingsworth does show us a strong friend or potential love interest in the film, while big names like Stephen McHattie and C.M. Punk make entertaining supporting appearance.
Story – The story here follows a young lady that sees her life turned upside down after an accident leaves her disfigured, only for an experiment procedure bringing out a new version of herself and an unwanted side effect along the way. This is a remake and one story that can remain similar is places, while bringing the social side of the film to new heights, the fashion world does make a wonderful backdrop for the story because it reflects the world that image needs to be fix with surgery. There are certain ways the story does feel weaker, that is mostly seeing how everything is spreading, which is important, but it doesn’t follow Rose, which is the important side of the story.
Horror/Sci-Fi – The horror side of the film comes from the real world situation that Rose goes through, with the accident before hitting the graphic violence of what is happening to Rose, which is also the sci-fi side of the film, the changes Rose goes through.
Settings – The film uses the fashion world as the main settings backdrop, it shows us just how important image is to Rose and the people close to her.
Special Effects – The complete highlight of this film comes from the practical effects, which look as graphic as they can, the injury suffered by Rose is one of the worst wounds you will see in this year’s horror films. We should give a shout out to the team (According to IMDB) Graham Chivers, Jeff Derushie, Anahita Loghmanifar, Emily O’Quinn and Omar Roessler
Scene of the Movie – The first reveal from the injury.
That Moment That Annoyed Me – We do move away from Rose, as the bigger problems spread around the city, we could have been given more fear from not seeing this, only hearing about it.
Final Thoughts – This is a practical effects masterclass in horror, it will use some of the best you will see this year even if the story is a modernised look at a cult classic.
Overall: Bloody graphic horror.