Search
Search results
Rachel King (13 KP) rated River Marked (Mercy Thompson, #6) in Books
Feb 11, 2019
This book takes a different direction than previous books in the series, because Mercy is doing something that I think is quite rare in the typical Urban Fantasy heroine -- she is getting married. As a married woman, I quite like this turn and the extra confidence and sense of permanence it gives Mercy, but I don't think this is something that every reader will fully appreciate. Still, it feels fresh and new to me, and I think it has the potential to "breathe new life" into the series.
The loose ends of Stefan's mess from the previous book are quickly tied up, and the plot swiftly moves on to a "surprise" wedding for Mercy. The set-up of the wedding was quite endearing, and I even teared up a bit over it. These two sub-plots take place rather quickly, though, as the main focus of the book is what occurs during Mercy and Adam's honeymoon.
Mercy figures out quickly that they have been set up by certain fairy acquaintances for reasons that no one really knows. I was laughing at this, as it feels like a bumper sticker motto: If the world needs saving - send Mercy! So of course, Urban Fantasy heroine Mercy does not get a typical honeymoon, but one fraught with peril and impending doom.
While it may seem on the surface to be a random way to introduce new characters and magical elements into the series, I think that the events that happened at the Columbia River were a great way to focus on Mercy's native heritage and answer many of the questions that I have been harboring through the series about her ability to transform into a coyote. She makes some new friends of native descent that are able to help her tackle her looming battle with the river monster, and she discovers that she is not the only native who can become another animal. She also learns more about her father and his relationship with her mother. The walking stick also plays a major part, though I hope this is not the last we've seen of it. That stick has too many quirks to just let it go.
The river monster itself was quite a creation - as much fantasy as I have read, I've never come across anything quite like it, though some creatures of Greek mythology comes close. Abominations like that remind me why I avoid watching horror movies. The behavior of the otterkin also reminded me of the way members of a cult exalt their leader - creepy. I can't wait for the next book!
The loose ends of Stefan's mess from the previous book are quickly tied up, and the plot swiftly moves on to a "surprise" wedding for Mercy. The set-up of the wedding was quite endearing, and I even teared up a bit over it. These two sub-plots take place rather quickly, though, as the main focus of the book is what occurs during Mercy and Adam's honeymoon.
Mercy figures out quickly that they have been set up by certain fairy acquaintances for reasons that no one really knows. I was laughing at this, as it feels like a bumper sticker motto: If the world needs saving - send Mercy! So of course, Urban Fantasy heroine Mercy does not get a typical honeymoon, but one fraught with peril and impending doom.
While it may seem on the surface to be a random way to introduce new characters and magical elements into the series, I think that the events that happened at the Columbia River were a great way to focus on Mercy's native heritage and answer many of the questions that I have been harboring through the series about her ability to transform into a coyote. She makes some new friends of native descent that are able to help her tackle her looming battle with the river monster, and she discovers that she is not the only native who can become another animal. She also learns more about her father and his relationship with her mother. The walking stick also plays a major part, though I hope this is not the last we've seen of it. That stick has too many quirks to just let it go.
The river monster itself was quite a creation - as much fantasy as I have read, I've never come across anything quite like it, though some creatures of Greek mythology comes close. Abominations like that remind me why I avoid watching horror movies. The behavior of the otterkin also reminded me of the way members of a cult exalt their leader - creepy. I can't wait for the next book!
Molly J (Cover To Cover Cafe) (106 KP) rated The Second Wife in Books
Mar 25, 2019
Suspense (2 more)
Characters
Plot Line
This Book Is A Cosmic Roller Coaster Of Thrills and Chills!
Do you ever come across a book that is absolutely mind boggling, leaving you scraping what’s left of your jaw, up off the floor because the entire time you read it, you were in awe, and on the edge of your seat? Yea, well I was just like that with this book here. The Second Wive is a cosmic explosion of twists, turns, and unexpected elements as you fly through this book. I read it a month or so ago, via NetGalley, and oh my word. There are no words to describe how this book made me feel.
Every minute of Rebecca’s life changing experiences became my own. Every pounding heart beat, mine. Every questionable thought, mine. Every. Thing. Mine. Watching what she went through as she stepped into her deceased friend’s life as the second wife…..well, sometimes, I had to stop reading because it became that intense for me. Watching her uncover the truth, watching her fears form….it was utterly chilling at times.
With Rebecca’s and Richard’s characters, you have the perfect blend of good and evil. But, the question is this: are they really good, evil and who they say they are? Browne did a fantastic job of waiting til the very end to let her readers know just what they wanted answered. These characters take your heart and squeeze…..squeeze so hard, your heart feels like it might burst and then, at the end of this white-knuckle thriller, you can finally breathe again. Your heart starts beating again, your breath starts to even out, your mind starts to think about all you just endured to reach the end.
If you looking for a book full of laughs and romance, don’t buy this book. You won’t like it if that’s what you are expecting. If you are looking for a book that will make you drool because your jaw is opened like a codfish the entire time, then buy this book. If you are looking for a page-turner, edge-of-seat, white-knuckle, heart pounding to bursting experience, then absolutely, without a doubt, 100% buy this book. You will not be disappointed and you will be giving it 5 star praises as I did. Fantastically down, Browne. Fantastically done.
*I received a complimentary copy of this book from NetGalley, Bookouture and was under no obligation to post a review, positive or negative.*
Every minute of Rebecca’s life changing experiences became my own. Every pounding heart beat, mine. Every questionable thought, mine. Every. Thing. Mine. Watching what she went through as she stepped into her deceased friend’s life as the second wife…..well, sometimes, I had to stop reading because it became that intense for me. Watching her uncover the truth, watching her fears form….it was utterly chilling at times.
With Rebecca’s and Richard’s characters, you have the perfect blend of good and evil. But, the question is this: are they really good, evil and who they say they are? Browne did a fantastic job of waiting til the very end to let her readers know just what they wanted answered. These characters take your heart and squeeze…..squeeze so hard, your heart feels like it might burst and then, at the end of this white-knuckle thriller, you can finally breathe again. Your heart starts beating again, your breath starts to even out, your mind starts to think about all you just endured to reach the end.
If you looking for a book full of laughs and romance, don’t buy this book. You won’t like it if that’s what you are expecting. If you are looking for a book that will make you drool because your jaw is opened like a codfish the entire time, then buy this book. If you are looking for a page-turner, edge-of-seat, white-knuckle, heart pounding to bursting experience, then absolutely, without a doubt, 100% buy this book. You will not be disappointed and you will be giving it 5 star praises as I did. Fantastically down, Browne. Fantastically done.
*I received a complimentary copy of this book from NetGalley, Bookouture and was under no obligation to post a review, positive or negative.*
Ashley Valencia (5 KP) rated Beauty and the Beast (2017) in Movies
Apr 13, 2019
I Wanted to Like It
The animated Beauty and the Beast is one of my favorite movies to this day so i really wanted to like this film and tried to go in with no expectations.
I knew we were in trouble when Emma Watson started her first song of the film HEAVILY autotuned. The practice used to be that if an actor couldnt sing, they would lip sync and have someone else do the singing voice. This was also common practice for the animated films, one actor for singing and another for spoken lines. I wish they would've gone this route. The autotuning is just so heavy I found it cringey.
The film is gorgeous, a lot of pleasing visuals and effects but the Beast just looks, strange. Not really animalistic. Honestly more like if his face was carved out of a tree.
Despite the singing issue I do think the cast was well chosen. They all do a good job with what they have. Especially the actor playing Gaston. It seemed clear that they weren't 100% sure what to do with the character. At a few points it seemed like they were going to try to make him sympathetic but then they'd fall back on him just being awful. Still the actor did an amazing job and really sold it.
For the most part the plot sticks close to the original film though there are a few new elements, some background on Belle's mom, and new songs.
A few weeks before the film's release the director announced that there was definitely a gay character in the film. There are a few implications that there might be but that's it. I think honestly it would've come across better, he would've been given more credit, if he'd just let it be instead of making a big announcement and patting himself on the back. It would've seemed like a subtle nod to the lgbtq community instead of the false disappointing promise it turned out to be. He wanted the credit without actually putting in the work and it shows.
Overall I just didn't care for it. It's fine. Nothing spectacular. The animated film was definitely better. So I'd say stick with the classic however it is worth watching just to see the different interpretation of the story.
If you want a live action version I would recommend La Belle et la Bete, the 2014 French-Germanic version instead. It's a more interesting and visually stunning version of the story.
I knew we were in trouble when Emma Watson started her first song of the film HEAVILY autotuned. The practice used to be that if an actor couldnt sing, they would lip sync and have someone else do the singing voice. This was also common practice for the animated films, one actor for singing and another for spoken lines. I wish they would've gone this route. The autotuning is just so heavy I found it cringey.
The film is gorgeous, a lot of pleasing visuals and effects but the Beast just looks, strange. Not really animalistic. Honestly more like if his face was carved out of a tree.
Despite the singing issue I do think the cast was well chosen. They all do a good job with what they have. Especially the actor playing Gaston. It seemed clear that they weren't 100% sure what to do with the character. At a few points it seemed like they were going to try to make him sympathetic but then they'd fall back on him just being awful. Still the actor did an amazing job and really sold it.
For the most part the plot sticks close to the original film though there are a few new elements, some background on Belle's mom, and new songs.
A few weeks before the film's release the director announced that there was definitely a gay character in the film. There are a few implications that there might be but that's it. I think honestly it would've come across better, he would've been given more credit, if he'd just let it be instead of making a big announcement and patting himself on the back. It would've seemed like a subtle nod to the lgbtq community instead of the false disappointing promise it turned out to be. He wanted the credit without actually putting in the work and it shows.
Overall I just didn't care for it. It's fine. Nothing spectacular. The animated film was definitely better. So I'd say stick with the classic however it is worth watching just to see the different interpretation of the story.
If you want a live action version I would recommend La Belle et la Bete, the 2014 French-Germanic version instead. It's a more interesting and visually stunning version of the story.
Movie Metropolis (309 KP) rated Pan (2015) in Movies
Jun 11, 2019
Where's the magic? Where's the sparkle?
The mesmerising story of Peter Pan has been told by numerous directors, playwrights and novelists over the years with Disney’s brilliant animation being one of the highlights in a series of standout moments.
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Kyera (8 KP) rated Clockwork Prince in Books
Jan 31, 2018
The Infernal Devices continues with the second book in the series, Clockwork Prince. The story continues not long after the events of Clockwork Angel and takes place in the now familiar London. In retrospect, I realize that there is not a lot of action in these books. While there are some fantastically written scenes, there are a lot less active, fighting elements than in her other series. For example, you frequently see the characters of the Dark Artifices either training or fighting demons - yet that doesn't happen very often in the Infernal Devices.
As I've re-read this series, I've come to appreciate just how character driven these novels are. While there is action, most of the scenes focus on the characters themselves. You delve deeper into Will's psyche as he continues to push everyone away and wonders if the mask he wears will soon become who he is. You watch as Jem struggles with his illness and how much those around him mean to him. You understand Tessa's struggle to understand who, and what, she is. You feel for Charlotte's struggle for the Institute and the distraction of her husband.
Even though the series is a work of fiction, it just feels real and I believe that that is the mark of a fantastic novel. You connect with the characters and go on this emotional journey with them. As they learn about themselves, grow, change, learn, love and lose - you also feel that you have been affected. Each and every character is further developed in this novel, which I think is the strongest aspect of Clockwork Prince. Tessa, Jem and Will are some of my favourite fictional characters from all of the books that I've read.
I do feel that this book falls prey, to a small degree, to the curse of the second book - which being a bridge between the first and final books in the series can be lacking. Cassandra Clare moved the plot along, allowed us and the characters to discover new information, but overall not a lot happened. I still loved this book, but it was not quite as good as Clockwork Angel and likely won't be anywhere near as good as Clockwork Princess (proclaimed by many to be the best conclusion).
I highly recommend this series to fans of fantasy, who enjoy character driven plots and immerse worlds. Of course, you must read Clockwork Angel first as this is a series and the book would not entirely make sense otherwise.
As I've re-read this series, I've come to appreciate just how character driven these novels are. While there is action, most of the scenes focus on the characters themselves. You delve deeper into Will's psyche as he continues to push everyone away and wonders if the mask he wears will soon become who he is. You watch as Jem struggles with his illness and how much those around him mean to him. You understand Tessa's struggle to understand who, and what, she is. You feel for Charlotte's struggle for the Institute and the distraction of her husband.
Even though the series is a work of fiction, it just feels real and I believe that that is the mark of a fantastic novel. You connect with the characters and go on this emotional journey with them. As they learn about themselves, grow, change, learn, love and lose - you also feel that you have been affected. Each and every character is further developed in this novel, which I think is the strongest aspect of Clockwork Prince. Tessa, Jem and Will are some of my favourite fictional characters from all of the books that I've read.
I do feel that this book falls prey, to a small degree, to the curse of the second book - which being a bridge between the first and final books in the series can be lacking. Cassandra Clare moved the plot along, allowed us and the characters to discover new information, but overall not a lot happened. I still loved this book, but it was not quite as good as Clockwork Angel and likely won't be anywhere near as good as Clockwork Princess (proclaimed by many to be the best conclusion).
I highly recommend this series to fans of fantasy, who enjoy character driven plots and immerse worlds. Of course, you must read Clockwork Angel first as this is a series and the book would not entirely make sense otherwise.
Kyera (8 KP) rated Rise of the Elgen (Michael Vey, #2) in Books
Feb 1, 2018
Michael is a 14-year-old who has electrical powers and is joined in this novel by his fellow Electro-Clan members. In this book, Michael and his friends must battle the Elgen again in order to save his mother from their clutches. It was nice to see the world we had come to inhabit in the first book expanded in the second. We got a deeper look into the Elgen, their plans and one of their other secret locations. If you haven't read the first book, this may spoil you so please read that (or my first review) before you read the second book's review.
I felt the same way about the second book as I did the first. The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
There was a little more character development in this novel than the first, as I found myself connecting to the characters more. Although I still don't find that they are three-dimensional enough, I do care if they succeed or not. The relationship between Michael and Taylor was very insta-love-y in the first book, but I liked seeing more support for it in this book. It is starting to feel more authentic and less like an overused trope.
As there are five other books in the series, I hope that the character development and world building will be improved upon. It definitely continued from the first to the second book and I felt more knowledgeable about the world as the story continued. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
I felt the same way about the second book as I did the first. The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
There was a little more character development in this novel than the first, as I found myself connecting to the characters more. Although I still don't find that they are three-dimensional enough, I do care if they succeed or not. The relationship between Michael and Taylor was very insta-love-y in the first book, but I liked seeing more support for it in this book. It is starting to feel more authentic and less like an overused trope.
As there are five other books in the series, I hope that the character development and world building will be improved upon. It definitely continued from the first to the second book and I felt more knowledgeable about the world as the story continued. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
Zuky the BookBum (15 KP) rated Mary Rose in Books
Mar 15, 2018
3.5 stars
I wasnt sure what to think about this book when I first saw the synopsis, I couldnt tell whether it was going to be a horror or something else. It turned out to be something else.
Going into this book I was impressed with the writing and the building of characters. Both elements really helped set the mysterious, brooding tone that this book portrays.
I began the book enjoying Simons character but eventually, like a lot of over-bearing husband characters, he got on my nerves. I understand the books whole thing was about protecting Mary Rose but the way he crawled around on all fours for her got really irritating. I understand this was done to add a layer to the story, however, I didnt enjoy that aspect of it. I much prefer books that arent all loved up and mushy. I think my annoyance with the characters in this ruined a certain aspect of the book and made it less enjoyable for me overall.
I really liked the story for this one, however. A twenty year old mystery of how a young girl when missing on a mysterious and creepy Scottish island is definitely the sort of book I like. The tension and paranoia built throughout the story is superb and youre really stuck wondering is Mary Rose dead? Is Mary Rose a portal to some sort of dark magic? Is the island really filled with paranormal things? Its a great book that keeps you guessing all the way through.
This book does give all it secrets up at once, which normally isnt my kind of mystery book, but it worked in this one. I know many people are disappointed by the ending but I thought it was equally shocking as it was poignant. Reading the afterthought bit about the original story of Mary Rose and Hitchcocks ideas for a movie of it really helped me understand and appreciate how the novel ended.
I would recommend this novel for readers who have a slightly different taste in mysteries than me. If you like themes such as love and loss, then you will really get on with this one. I personally thought it was going to be more spooky and less emotional, but I still enjoyed the bulk of it.
<i>Thanks to Netgalley, Adaptive Books and Sunshine Sachs for giving me the opportunity to read this in exchange for an honest review.</i>
I wasnt sure what to think about this book when I first saw the synopsis, I couldnt tell whether it was going to be a horror or something else. It turned out to be something else.
Going into this book I was impressed with the writing and the building of characters. Both elements really helped set the mysterious, brooding tone that this book portrays.
I began the book enjoying Simons character but eventually, like a lot of over-bearing husband characters, he got on my nerves. I understand the books whole thing was about protecting Mary Rose but the way he crawled around on all fours for her got really irritating. I understand this was done to add a layer to the story, however, I didnt enjoy that aspect of it. I much prefer books that arent all loved up and mushy. I think my annoyance with the characters in this ruined a certain aspect of the book and made it less enjoyable for me overall.
I really liked the story for this one, however. A twenty year old mystery of how a young girl when missing on a mysterious and creepy Scottish island is definitely the sort of book I like. The tension and paranoia built throughout the story is superb and youre really stuck wondering is Mary Rose dead? Is Mary Rose a portal to some sort of dark magic? Is the island really filled with paranormal things? Its a great book that keeps you guessing all the way through.
This book does give all it secrets up at once, which normally isnt my kind of mystery book, but it worked in this one. I know many people are disappointed by the ending but I thought it was equally shocking as it was poignant. Reading the afterthought bit about the original story of Mary Rose and Hitchcocks ideas for a movie of it really helped me understand and appreciate how the novel ended.
I would recommend this novel for readers who have a slightly different taste in mysteries than me. If you like themes such as love and loss, then you will really get on with this one. I personally thought it was going to be more spooky and less emotional, but I still enjoyed the bulk of it.
<i>Thanks to Netgalley, Adaptive Books and Sunshine Sachs for giving me the opportunity to read this in exchange for an honest review.</i>
Hazel (1853 KP) rated Where Are You Hiding, God? in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Where Are You Hiding, God?</i> is a children’s picture book by the Austrian illustrator Elisabeth Zartl. Originally published in 2013 under the German title <i>Wo versteckst du dich, lieber Gott?</i> it has been translated into English in order to reach a wider audience. Primarily targeted at children of Christian families, the book attempts to explain the concept of God.
The short story begins with an anonymous little girl searching for God in a manner that resembles a game of Hide and Seek. She looks in her bedroom, the bathroom and the garden before giving up in defeat. As she sits desolately alone, a gust of wind and a falling leaf prompt her to realise that God does not have a corporeal body, but is, in fact, everywhere. Exhilarated by her newfound understanding, she exclaims that God was in all the places she looked and that he is inside her, too. God is everywhere.
Aimed at children ages three and over, <i>Where Are You Hiding, God?</i> explores the confusion a child may have in comprehending the idea of God. For a child, knowing something or someone is there but not being able to see them is a difficult idea to grasp. This book, through the demonstration of someone their own age, helps to explain their questions and uncertainties.
Elizabeth Zartl’s illustrations capture the attention of those reading or looking at the pages. Filling each page with a full-colour palette, the drawings are child-friendly but realistic, making it easy to process, and accurately creates a visual narrative of the written words. The language is also suitable for the intended demographic and, although three-year-olds may not be able to read it themselves, they will certainly understand the story.
From a design point of view, the text and illustrations do not quite match up. The full-page artworks make it difficult to place the short sentences in a way that both elements can work together. This, however, is not the fault of the author/illustrator who would have originally been working with a German text.
Overall,<i> Where Are You Hiding, God?</i> is a sweet, short story that can be read to children or grandchildren over and over again. As well as being a source of entertainment, it introduces them to the beliefs they will encounter during their Christian upbringing and prepares them to develop a greater understanding of God.
Where Are You Hiding, God?</i> is a children’s picture book by the Austrian illustrator Elisabeth Zartl. Originally published in 2013 under the German title <i>Wo versteckst du dich, lieber Gott?</i> it has been translated into English in order to reach a wider audience. Primarily targeted at children of Christian families, the book attempts to explain the concept of God.
The short story begins with an anonymous little girl searching for God in a manner that resembles a game of Hide and Seek. She looks in her bedroom, the bathroom and the garden before giving up in defeat. As she sits desolately alone, a gust of wind and a falling leaf prompt her to realise that God does not have a corporeal body, but is, in fact, everywhere. Exhilarated by her newfound understanding, she exclaims that God was in all the places she looked and that he is inside her, too. God is everywhere.
Aimed at children ages three and over, <i>Where Are You Hiding, God?</i> explores the confusion a child may have in comprehending the idea of God. For a child, knowing something or someone is there but not being able to see them is a difficult idea to grasp. This book, through the demonstration of someone their own age, helps to explain their questions and uncertainties.
Elizabeth Zartl’s illustrations capture the attention of those reading or looking at the pages. Filling each page with a full-colour palette, the drawings are child-friendly but realistic, making it easy to process, and accurately creates a visual narrative of the written words. The language is also suitable for the intended demographic and, although three-year-olds may not be able to read it themselves, they will certainly understand the story.
From a design point of view, the text and illustrations do not quite match up. The full-page artworks make it difficult to place the short sentences in a way that both elements can work together. This, however, is not the fault of the author/illustrator who would have originally been working with a German text.
Overall,<i> Where Are You Hiding, God?</i> is a sweet, short story that can be read to children or grandchildren over and over again. As well as being a source of entertainment, it introduces them to the beliefs they will encounter during their Christian upbringing and prepares them to develop a greater understanding of God.
Hazel (1853 KP) rated The Cure for Dreaming in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
On her seventeenth birthday 1900, Olivia Meade gets invited onto a stage to be hypnotized by the young Monsieur Henri Reverie in this historical, paranormal novel. In Oregon at this period of time women were not allowed to vote in presidential elections and Olivia’s father is determined that she does not get influenced by the campaigning suffragists. On hearing about the hypnotist, Dr. Meade hires him with the job of removing the “selfish” and “unladylike dreams” from his daughter’s head. However this causes Olivia more problems than expected. She begins to see horrible images but are these as a result of Henri telling her “you will see the world the way it truly is”, or is she hallucinating as a result of reading Dracula more times than necessary?
<i>The Cure For Dreaming</i> contains a mix of historical references and paranormal ideas as both Henri and Olivia struggle to find a successful way of reversing the effects of the hypnosis as well as involving themselves in the women’s suffrage movement.
Cat Winters, despite the added fantasy elements, has kept the book historically accurate. A typical novel about women’s equality would result in life changing successes, however as Oregon did not did not gain full suffrage until 1912 this of course was not impossible to include in <i>The Cure For Dreaming</i>. Ultimately it is a novel about growing up to be who you want to be and knowing your own mind rather than succumbing to the “natural” views of society.
The writing is contemporary and easy to understand which makes it suitable for ages twelve and older. The downside to this is that it detracts from the historical setting, making Olivia appear a lot more modern than she actually is. Apart from mimicking a classic novel type style, which would make it less suitable for its target audience, there is not a lot that can be done about that.
Between chapters of the book are relevant photographs or images from the appropriate time period, which help to illustrate the events in the plot. There are also quotes from authors such as Kate Chopin and Mark Twain as well as more political lines from various speeches. These also help to provide an understanding of the historical setting.
Overall <i>The Cure For Dreaming</i> is a great book for teenagers. There may be paranormal themes but it is not a horror novel, in fact there is just as much romance as anything else.
On her seventeenth birthday 1900, Olivia Meade gets invited onto a stage to be hypnotized by the young Monsieur Henri Reverie in this historical, paranormal novel. In Oregon at this period of time women were not allowed to vote in presidential elections and Olivia’s father is determined that she does not get influenced by the campaigning suffragists. On hearing about the hypnotist, Dr. Meade hires him with the job of removing the “selfish” and “unladylike dreams” from his daughter’s head. However this causes Olivia more problems than expected. She begins to see horrible images but are these as a result of Henri telling her “you will see the world the way it truly is”, or is she hallucinating as a result of reading Dracula more times than necessary?
<i>The Cure For Dreaming</i> contains a mix of historical references and paranormal ideas as both Henri and Olivia struggle to find a successful way of reversing the effects of the hypnosis as well as involving themselves in the women’s suffrage movement.
Cat Winters, despite the added fantasy elements, has kept the book historically accurate. A typical novel about women’s equality would result in life changing successes, however as Oregon did not did not gain full suffrage until 1912 this of course was not impossible to include in <i>The Cure For Dreaming</i>. Ultimately it is a novel about growing up to be who you want to be and knowing your own mind rather than succumbing to the “natural” views of society.
The writing is contemporary and easy to understand which makes it suitable for ages twelve and older. The downside to this is that it detracts from the historical setting, making Olivia appear a lot more modern than she actually is. Apart from mimicking a classic novel type style, which would make it less suitable for its target audience, there is not a lot that can be done about that.
Between chapters of the book are relevant photographs or images from the appropriate time period, which help to illustrate the events in the plot. There are also quotes from authors such as Kate Chopin and Mark Twain as well as more political lines from various speeches. These also help to provide an understanding of the historical setting.
Overall <i>The Cure For Dreaming</i> is a great book for teenagers. There may be paranormal themes but it is not a horror novel, in fact there is just as much romance as anything else.