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Kyera (8 KP) rated Unborn (Unborn, #1) in Books
Feb 1, 2018
I was incredibly and pleasantly (surprised) autopsied by this novel. Don't get me wrong, there are a number of things that leave the reader wanting more (and not in a good way), but overall it was well thought out.
There is a prevalent element of mythology in this novel. Aspects of Greek mythology like the Underworld, Hades, Ares, and other (demi-)godly players are rampant throughout the story. But, it's combined with the (fallen) angels and heaven of religious mythology and stories. It's a strange combination that doesn't lend itself to logical commingling, although it worked relatively well here. Perhaps I'm just biased because I adore the mythology in all cultures.
My highest praise for this novel is the writing quality, not the characters, world, or plot - just the simple allure of a book that's written in proper, intelligent English. A surprising rarity in Y.A. books. The author has a wonderful command of the English language and uses vocabulary that make a reader wonder, "What does that mean?" I love books that will chose to use words strode or sauntered, rather than another banal alternative when expressing how someone made their way down the street. You want them to reference a thesaurus to make their lexicon as diverse as possible. No one wants to hear, he said, she said, they said over and over. Perhaps they shouted, or she bit back her words? Anything to give the story real depth and reality.
The shortcomings? Character development and world building. Don't get me wrong, it was certainly there but not as well thought out as it should have been. Relationships were crafted much more quickly than reasonably could be expected and it created a sense of falseness. If more attention had been given to those two aspects, it would have been a strong 4-star rating (rather than my 3/4 rating.)
Another trait of a good story, be it in a book, movie, tv show, or something else is lack of predictability. If you can guess what it going to happen in the story from just the first 50 pages, than it seems less appealing to continue. On this account, the author both confirmed my suspicions and utterly surprised me. Not long into my reading, I was jotting down notes and thoughts as I felt a situation professing. I wanted to have quotes, events, and feelings to reference later - especially if my expectations were fufilled. The end of the book on the other hand - completely unexpected.
There is a prevalent element of mythology in this novel. Aspects of Greek mythology like the Underworld, Hades, Ares, and other (demi-)godly players are rampant throughout the story. But, it's combined with the (fallen) angels and heaven of religious mythology and stories. It's a strange combination that doesn't lend itself to logical commingling, although it worked relatively well here. Perhaps I'm just biased because I adore the mythology in all cultures.
My highest praise for this novel is the writing quality, not the characters, world, or plot - just the simple allure of a book that's written in proper, intelligent English. A surprising rarity in Y.A. books. The author has a wonderful command of the English language and uses vocabulary that make a reader wonder, "What does that mean?" I love books that will chose to use words strode or sauntered, rather than another banal alternative when expressing how someone made their way down the street. You want them to reference a thesaurus to make their lexicon as diverse as possible. No one wants to hear, he said, she said, they said over and over. Perhaps they shouted, or she bit back her words? Anything to give the story real depth and reality.
The shortcomings? Character development and world building. Don't get me wrong, it was certainly there but not as well thought out as it should have been. Relationships were crafted much more quickly than reasonably could be expected and it created a sense of falseness. If more attention had been given to those two aspects, it would have been a strong 4-star rating (rather than my 3/4 rating.)
Another trait of a good story, be it in a book, movie, tv show, or something else is lack of predictability. If you can guess what it going to happen in the story from just the first 50 pages, than it seems less appealing to continue. On this account, the author both confirmed my suspicions and utterly surprised me. Not long into my reading, I was jotting down notes and thoughts as I felt a situation professing. I wanted to have quotes, events, and feelings to reference later - especially if my expectations were fufilled. The end of the book on the other hand - completely unexpected.
Dana (24 KP) rated Sabriel (Abhorsen, #1) in Books
Mar 23, 2018
This was an interesting read for me. I would not say it was my favorite high fantasy novel in the world. That't mainly because this is one of my favorite genres to read, so I have read quite a few as of late.
This book took me a while to get into. There was a lot going on in the beginning, and it being a relatively short beginning of a story, it was hard to follow along. I am not saying I didn't like it, not by a long shot. Overall, it was a generally interesting and fun read. It just took a little longer than I had hoped to get into.
This book has been on my to be read list for over two years now, ever since a classmate of mine told me about it after our French class one day. I thought I would finally give it a read.
I do like Sabriel. She is pretty cool. I think I started liking her more in the second half of the book because she was growing into her role of the Abhorsen. She didn't shy away from her duties or try and get rid of them as she had more in the first half of the book. I like that she started taking charge of the situation.
Touchstone is interesting because I don't know how I feel about him. Honestly, I have no opinion of him at all, which is weird. We spend almost three hundred pages with him, and I can't find a connection with him. I do love the cat though. He's a demon, in cat form. So, a cat. (Don't get me wrong, cats are one of my favorite animals.) I am just not sure about Touchstone.
I still don't quite know what happened at the end of the book. It felt like it was wrapped up really fast and I didn't have time to process it.
I hope that if I get the next book, I will have a better understanding of how I feel about the characters and the story than I do right now.
This book took me a while to get into. There was a lot going on in the beginning, and it being a relatively short beginning of a story, it was hard to follow along. I am not saying I didn't like it, not by a long shot. Overall, it was a generally interesting and fun read. It just took a little longer than I had hoped to get into.
This book has been on my to be read list for over two years now, ever since a classmate of mine told me about it after our French class one day. I thought I would finally give it a read.
I do like Sabriel. She is pretty cool. I think I started liking her more in the second half of the book because she was growing into her role of the Abhorsen. She didn't shy away from her duties or try and get rid of them as she had more in the first half of the book. I like that she started taking charge of the situation.
Touchstone is interesting because I don't know how I feel about him. Honestly, I have no opinion of him at all, which is weird. We spend almost three hundred pages with him, and I can't find a connection with him. I do love the cat though. He's a demon, in cat form. So, a cat. (Don't get me wrong, cats are one of my favorite animals.) I am just not sure about Touchstone.
I still don't quite know what happened at the end of the book. It felt like it was wrapped up really fast and I didn't have time to process it.
I hope that if I get the next book, I will have a better understanding of how I feel about the characters and the story than I do right now.
SM
Superbike Magazine South Africa – For All Kinds Of Riders On All Kinds of Bikes
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Packed with local content Superbike South Arfica includes a wealth of features and articles such as...
Jamie Magazine
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Jamie Magazine is the recipe-packed food title from Jamie Oliver. Inside each issue, you’ll find...
Andy K (10821 KP) rated Back to the Future Part III (1990) in Movies
Apr 14, 2019
By the time you get to Back to the Future 3, you have seen Marty go "Back to the Future" twice, and Doc and Marty save us from the world of Biff Tannen the casino boss, Lorraine's very large breasts, and Marty's family going down a tumultuous bad trail to a life of disappointments.
Marty discovers Doc will be murdered within a week of him receiving a letter from his friend in 1885 and decides it is worth the risk to go "back" one more time to save him.
Marty finds more relatives in the Old West, as well as that time's version of Biff, now called "Mad Dog" Tannen before eventually reuniting with Doc.
Unlike Back to the Future 2, this film really takes its time and slows the pace down. This element really let's the relationship between lifelong friends develop as well as introduce Doc to the one mystery he has yet to conquer in the universe, Women! Mary Steenburgen was a welcome addition to the cast, although I wish Lea Thompson would have been in this one more.
The climactic scene with the steam locomotive trying to push the DeLorean up to 88 mph to get the duo back to their own time is one of my favorite endings of all time. It is executed with precision and great music and editing to achieve the desired effect.
It is funny, when I was listening to the audio commentary after viewing the film, director Robert Zemeckis said when they finished shooting the film, the land owners who let them use the property while filming asked if they could leave the western town they had built as an homage to the production an filmmakers agreed. Years later they found out the entire town had been destroyed when it had been struck by lightning during a storm.
I thought that was a good end to the story.
Marty discovers Doc will be murdered within a week of him receiving a letter from his friend in 1885 and decides it is worth the risk to go "back" one more time to save him.
Marty finds more relatives in the Old West, as well as that time's version of Biff, now called "Mad Dog" Tannen before eventually reuniting with Doc.
Unlike Back to the Future 2, this film really takes its time and slows the pace down. This element really let's the relationship between lifelong friends develop as well as introduce Doc to the one mystery he has yet to conquer in the universe, Women! Mary Steenburgen was a welcome addition to the cast, although I wish Lea Thompson would have been in this one more.
The climactic scene with the steam locomotive trying to push the DeLorean up to 88 mph to get the duo back to their own time is one of my favorite endings of all time. It is executed with precision and great music and editing to achieve the desired effect.
It is funny, when I was listening to the audio commentary after viewing the film, director Robert Zemeckis said when they finished shooting the film, the land owners who let them use the property while filming asked if they could leave the western town they had built as an homage to the production an filmmakers agreed. Years later they found out the entire town had been destroyed when it had been struck by lightning during a storm.
I thought that was a good end to the story.
BankofMarquis (1832 KP) rated The Laundromat (2019) in Movies
Aug 1, 2021
Fun and Interesting
Do remember the Oscar nominated film THE BIG SHORT from 2015, where Director Adam McKay would make sense out of a dry subject (the financial crisis of 2008) by breaking the 4th wall and speaking directly to the audience, while also wrapping in a very strong emotional drama?
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated Logan (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Third time lucky?
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
Janeeny (200 KP) rated Things Fall Apart in Books
Jun 10, 2019
I was very confused by February’s ‘Penguin Reading Challenge’, as I don’t think I got one. Their February newsletter did recommend ‘Pride and Prejudice’ as a valentine read so potentially that may have been my classic recommendation for the month, however I’ve already read that one so I decided this month to go for January’s second recommendation of Chinua Achebe’s ‘Things fall apart’.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
LeftSideCut (3778 KP) rated The Batman (2022) in Movies
Mar 7, 2022
Like many others, I've been pretty much sold on The Batman since the first trailer dropped, to the point where I was worried that my own hype would leave me disappointed. Luckily that's not the case. Matt Reeves has crafted the definitive live action Batman experience.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
Bonnie and Clyde: Radioactive
Clark Hays and Kathleen McFall
Book
THE REVENGE OF BONNIE AND CLYDE Saving the future by exploding the past It's January 1945, six...
thriller Bonnie & Clyde Bonnie and Clyde adult fiction