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Lee (2222 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019 (Updated May 31, 2019)
Well, I liked it!
Before heading into Godzilla: King of the Monsters, I saw a lot of wildly mixed reviews online. People were either hating it or loving it, with nobody really feeling anything in-between. Even those cinema goers who were fully prepared for nothing more than a bunch of big monsters fighting alongside insignificant human bystanders were coming away from it fuming. Well, I’m happy to say that I’m putting myself firmly in the ‘loved it’ category, although I do understand and appreciate a lot of the issues that the haters have with it.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Awix (3310 KP) rated Kong: Skull Island (2017) in Movies
Mar 18, 2019
Considering no-one has managed to make an entirely satisfactory King Kong movie since the early 1930s, and also bearing in mind that the same company's Godzilla movie left a bit to be desired, my expectations for this one were low, to put it mildly. Government survey team, aided by semi-unhinged Vietnam veterans (the setting is the 1970s), fly off to unexplored tropical island and discover all manner of weird wildlife awaiting them, including the greatest of great apes.
Truth be told, ostensible stars Tom Hiddleston and Brie Larson feel a bit surplus to requirements (Sam Jackson, John Goodman and John C Reilly chew the scenery quite satisfactorily), but in all other respects this is a hugely enjoyable pulp monster movie that isn't afraid to relax and have some fun. It does feel a bit odd to do a Kong movie entirely set on the island, but the story hangs together well, there are some interesting creatures, and the set-up for the next Godzilla movie is well handled. Doing a monster movie in the style of a Vietnam film is also an inspired touch. Raises the bar for the rest of the films in this series; highly entertaining stuff.
Truth be told, ostensible stars Tom Hiddleston and Brie Larson feel a bit surplus to requirements (Sam Jackson, John Goodman and John C Reilly chew the scenery quite satisfactorily), but in all other respects this is a hugely enjoyable pulp monster movie that isn't afraid to relax and have some fun. It does feel a bit odd to do a Kong movie entirely set on the island, but the story hangs together well, there are some interesting creatures, and the set-up for the next Godzilla movie is well handled. Doing a monster movie in the style of a Vietnam film is also an inspired touch. Raises the bar for the rest of the films in this series; highly entertaining stuff.
Awix (3310 KP) rated Godzilla (1954) in Movies
Mar 24, 2018 (Updated Mar 24, 2018)
The very first Godzilla movie is essentially an unlicensed remake of Eugene Lourie's The Beast from 20,000 Fathoms, with a prehistoric monster roused by atomic testing and going on the rampage - but being a bit worried about atom bombs is clearly not the same thing as actually having them used on your country, for this movie has a dark, traumatised quality to it completely absent from American monster movies.
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.
Dork_knight74 (881 KP) rated Pacific Rim (2013) in Movies
Apr 10, 2019
Surprising
I put this one off for a long time because I heard it wasn't very good. I'm glad I finally watched it. The effects were pretty cool and the acting was on par with most action movies. The story was "fantastical" like any sci-fi movie should be- not really believable but fun to watch. It played out well and had plenty of great action sequences. The monsters were pretty cool too. This eas like "Halo" meets "Godzilla". It's even "kid friendly".If you love sci-fi action adventures(and haven't seen it already) this one is worth a watch!
tommylank (31 KP) rated Ready Player One (2018) in Movies
May 19, 2019
Action (2 more)
Story
Nostalgia
Amazing nod to my childhood
Wow, simple as that!
Was so excited for this film and can safely say it didn't disappoint me. The storyline is brilliant and well thought out. The characters are likeable without being irritating. The most amazing part for me was watching the film over and over looking out for all the hidden characters from my childhood.
The icing on the cake was the epic battle with the Iron Giant, Mecha Godzilla and Gundam Wing!!!!!!!
Must watch for anyone born in 80s or 90s who loves games and fantasy.
Was so excited for this film and can safely say it didn't disappoint me. The storyline is brilliant and well thought out. The characters are likeable without being irritating. The most amazing part for me was watching the film over and over looking out for all the hidden characters from my childhood.
The icing on the cake was the epic battle with the Iron Giant, Mecha Godzilla and Gundam Wing!!!!!!!
Must watch for anyone born in 80s or 90s who loves games and fantasy.
Gamera: Guardian of the Universe (1995)
7.0
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Movie
The success of Toho's series of Godzilla films in the early and mid 1990s inspired Daiei to...
monster movie
Rodney Barnes (472 KP) rated Kong: Skull Island (2017) in Movies
Mar 17, 2019
Finally Kong is Alive
Contains spoilers, click to show
Let me begin by saying that I love Kong, Godzilla and the like...so for me to hate this movie it would have to be really bad. As it stands I love this movie. It's not only a break from the traditional tragic Kong ending but it's part of the monsterverse with Kong and Godzilla heading for a battle. This movie had great character support. Everyone played their parts well. You would eventually hate Jackson's character and Hiddleston and Larson's characters. As well as the other supporting cast. Kong looked amazing and it showed his level of devastation on an intelligent level. When he wiped out all of the choppers that invaded the island, it left the group in a hopeless situation. Kong was The least of their worries as The island had many more monstrous threats that killed more of the explorerers. The group would come across a WW2 vet named Marlow (John C Riley). With a lot of smarts and ingenuity, the survivors along with Kong battling the dangerous Skull Crawlers, they make it off the island. The ending however would Conrad (Hiddleston) and Weaver (Larson) "prisoners" in a room only to learn their are more creatures like Kong in the world.....I recommend watching this movie
Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Lee KM Pallatina (951 KP) rated Music To Be Murdered By by Eminem in Music
Mar 19, 2020
Music to be listened to
So after another album drop, Eminem surprised us with another loaded playlist which includes multiple spitfire spots that'll make your jaw ache and head pound attempting to imitate, or maybe that's just me?
Music to be murdered by features some instant hits like Godzilla, farewell, stepdad & leaving Heaven - just to name a few.
Featuring several other talents including Royce da 5'9, young ma, skylar grey, Anderson .Paak & juice world (R.I.P)
This was a unique musical puzzle.
This album is clearly showing signs of old school Eminem well blended with a Modern day Marshall Mathers.
Music to be murdered by features some instant hits like Godzilla, farewell, stepdad & leaving Heaven - just to name a few.
Featuring several other talents including Royce da 5'9, young ma, skylar grey, Anderson .Paak & juice world (R.I.P)
This was a unique musical puzzle.
This album is clearly showing signs of old school Eminem well blended with a Modern day Marshall Mathers.
The Wall (2017)
7.0
Rate It
Movie
The Wall is a deadly psychological thriller that follows two soldiers pinned down by an Iraqi...