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Bob Mann (459 KP) rated Halloween (2018) in Movies
Sep 28, 2021
“He’s waited for me; I’ve waited for him”.
A blood-soaked history.
There’s such a familiarity with the content of these films that it’s difficult to put yourself back in 1978 for Jamie Lee Curtis‘s original battle with Michael Myers when the teen-slasher genre was in its infancy. Arguably “The Texas Chain Saw Massacre” four years earlier booted the 70’s/80’s genre; but thanks to its huge success John Carpenter’s “Halloween” opened the flood-gates… or should I say, blood-gates.
The plot.
40 years after the terrifying events of Halloween night in Haddonfield, Illinois, Michael Myers is still mute and incarcerated in a psychiatric unit being studied by Dr Sartain (Haluk Bilginer). He is joined by two investigative journalists – Aaron Korey (Jefferson Hall) and Dana Haines (Basingstoke’s-own Rhian Rees: “Where are your loos?”… classic!). They are keen to reunite Myers with his nemesis Laurie Strode (Jamie Lee Curtis) to watch the fireworks.
Strode is unfortunately damaged goods: still mentally traumatised and with failed marriages and a child taken into care, she lives in a fortified home in the middle of the woods. But she knows she has a date with destiny. As Halloween 2018 approaches, an ‘incident’ puts Myers on a collision course with Haddonfield’s teenage population all over again.
The turns.
Wow… you forget what an effective actress Jamie Lee Curtis is and here she absolutely owns every single scene she’s in, bringing enormous energy to the screen as the paranoid but ever-prepared hunter-in-waiting. The original Halloween was Lee Curtis’s movie debut and the film that made her a household name, and it almost feels like this is a passion-project for her to say “thanks for all the fish” for her career. Impressive.
As her eye-rolling daughter, Judy Greer rather pales in comparison (I found her character is a bit whiny and annoying), but the acting stakes pick up again with Andi Matichak as the granddaughter Allyson.
Of the other teens, Virginia Gardner is particularly effective as Vicky: the cute “favourite” babysitter who you can’t help but empathise with.
The review.
It’s very easy to make a very bad slasher movie, but this isn’t such a movie. Although having a wonderfully retro feel (when is the last time you saw “traditional” opening titles like this?) and despite mining every horror cliché known to man (ALWAYS look in the back seat when you get in a car!) it’s all obviously been done with loving care by the director David Gordon Green.
Above all, the director knows that what’s more scary than seeing violent murders is what your imagination can visualise happening off-screen. Don’t get me wrong, there is some SERIOUS gore meted out, with a few ‘cover your eyes’ moments. However, a good proportion of the violence is not shown, and very effective that is too, supported by Carpenter’s classic and insistent theme and some kick-ass foley work to add spice to your imagination!
The script (by the writing team of David Gordon Green, Danny McBride and Jeff Fradley) also wickedly plays with your darkest fear of where the plot *could* go if it wanted to: in a brilliant piece of misdirection (you’ll know the scene) your “OMG surely not” nerves twang and then un-twang with relief.
The script also works well to help you care about the teens on the menu, in much the same way as “Jaws” did with the tourists to Amity Beach.
Where the plot nearly lost me was in a rather daft twist before the final reel (which actually made more sense of what happened in the first reel, but was still hugely improbable). The ship rights itself fairly quickly (if messily) and normal order is resumed for the finale it deserves.
Final thoughts.
I’m not really a “horror nut” but this was popcorn horror of the best sort and I enjoyed it. Reverential to the original classic, it made for some entertaining reactions in the sparsely populated showing I attended: I imagine if seen in a packed auditorium on a Saturday night (or perhaps tomorrow night!) it would literally be a scream.
One’s thing for sure: when I got into my car in the dark cinema car park, I did take a sneaky look into the back seat!
There’s such a familiarity with the content of these films that it’s difficult to put yourself back in 1978 for Jamie Lee Curtis‘s original battle with Michael Myers when the teen-slasher genre was in its infancy. Arguably “The Texas Chain Saw Massacre” four years earlier booted the 70’s/80’s genre; but thanks to its huge success John Carpenter’s “Halloween” opened the flood-gates… or should I say, blood-gates.
The plot.
40 years after the terrifying events of Halloween night in Haddonfield, Illinois, Michael Myers is still mute and incarcerated in a psychiatric unit being studied by Dr Sartain (Haluk Bilginer). He is joined by two investigative journalists – Aaron Korey (Jefferson Hall) and Dana Haines (Basingstoke’s-own Rhian Rees: “Where are your loos?”… classic!). They are keen to reunite Myers with his nemesis Laurie Strode (Jamie Lee Curtis) to watch the fireworks.
Strode is unfortunately damaged goods: still mentally traumatised and with failed marriages and a child taken into care, she lives in a fortified home in the middle of the woods. But she knows she has a date with destiny. As Halloween 2018 approaches, an ‘incident’ puts Myers on a collision course with Haddonfield’s teenage population all over again.
The turns.
Wow… you forget what an effective actress Jamie Lee Curtis is and here she absolutely owns every single scene she’s in, bringing enormous energy to the screen as the paranoid but ever-prepared hunter-in-waiting. The original Halloween was Lee Curtis’s movie debut and the film that made her a household name, and it almost feels like this is a passion-project for her to say “thanks for all the fish” for her career. Impressive.
As her eye-rolling daughter, Judy Greer rather pales in comparison (I found her character is a bit whiny and annoying), but the acting stakes pick up again with Andi Matichak as the granddaughter Allyson.
Of the other teens, Virginia Gardner is particularly effective as Vicky: the cute “favourite” babysitter who you can’t help but empathise with.
The review.
It’s very easy to make a very bad slasher movie, but this isn’t such a movie. Although having a wonderfully retro feel (when is the last time you saw “traditional” opening titles like this?) and despite mining every horror cliché known to man (ALWAYS look in the back seat when you get in a car!) it’s all obviously been done with loving care by the director David Gordon Green.
Above all, the director knows that what’s more scary than seeing violent murders is what your imagination can visualise happening off-screen. Don’t get me wrong, there is some SERIOUS gore meted out, with a few ‘cover your eyes’ moments. However, a good proportion of the violence is not shown, and very effective that is too, supported by Carpenter’s classic and insistent theme and some kick-ass foley work to add spice to your imagination!
The script (by the writing team of David Gordon Green, Danny McBride and Jeff Fradley) also wickedly plays with your darkest fear of where the plot *could* go if it wanted to: in a brilliant piece of misdirection (you’ll know the scene) your “OMG surely not” nerves twang and then un-twang with relief.
The script also works well to help you care about the teens on the menu, in much the same way as “Jaws” did with the tourists to Amity Beach.
Where the plot nearly lost me was in a rather daft twist before the final reel (which actually made more sense of what happened in the first reel, but was still hugely improbable). The ship rights itself fairly quickly (if messily) and normal order is resumed for the finale it deserves.
Final thoughts.
I’m not really a “horror nut” but this was popcorn horror of the best sort and I enjoyed it. Reverential to the original classic, it made for some entertaining reactions in the sparsely populated showing I attended: I imagine if seen in a packed auditorium on a Saturday night (or perhaps tomorrow night!) it would literally be a scream.
One’s thing for sure: when I got into my car in the dark cinema car park, I did take a sneaky look into the back seat!
Neon's Nerd Nexus (360 KP) rated Halloween (2018) in Movies
May 13, 2019
I got chills
#halloween? while at times extremely #silly is a very enjoyable & fitting tribute to the #johncarpenter original. I must confess I hadn't seen the #original Halloween until a few weeks ago (its 4k release) & found it to be incredibly tense, dripping in dread, unnerving & extremely #creepy with an awesome soundtrack. #Halloween2018 manages to lovingly recreate everything people love about the first one but doesn't manage to do it quite as well. While I did enjoy this film a heck of a lot it does have a lot of problems - first of all the first half fails to create a chilling atmosphere & any tension for that matter, there's just far to many silly jokes/bad humour & the pacing is far to fast with scenes rushing by quicker than a #michaelbay movie. This leaves no time for dread, tension or the #chills the creepy lingering shots the first film brought us & I really hoped it would slow down at some point & thankfully it does. Approaching the second half things take a real turn & the movie really starts to have #fun feeling less like a tv movie & more like a #horror film, there are some great stationary camera shots, cool cinematography moments, great imagery, messy deaths & some really suspenseful stalking scenes with genuinely scary reveals/brutal attacks. Soundtrack wise it also switches it up a bit while still feeling #nostalgic too & there's an amazing garden scene where it really heightens the fear & dread. Themes of #depression & how it can make us feel cast out/alone & how our mental burdens can be passed down & effect our our children are handled well while metaphors for fighting our demons together as a family also feel refreshing & current. Overall its opening 10 minutes are brilliant then the film makes some really bad choices but recovers itself well enough to make it a film that's so worth seeing at the cinema. A big #nostalgia trip done right & with all its flaws looking at the film now as a whole I think it works well & is a great #love letter to #80s #slasher films & to #terminator2 haha. #odeon #odeonlimitless #jamieleecurtis #michaelmyers #killer #gore #horror #scary #retro #fridayfeeling #filmbuff #filmcritic #mask #frightnight
LeftSideCut (3778 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Nick Friesen (96 KP) rated Stranger Things - Season 1 in TV
Jul 12, 2017
David Harbour (4 more)
All of the kids
That theme music
The pitch-perfect retro atmosphere
Barb!
Nostalgia Perfected
Stranger Things is everything I wanted J.J. Abrams' Super 8 to be, and more. The atmosphere of the show is pitch-perfect and well established from the very first episode. The creeping tension builds until it touches the viewer's core and finally "resolves" in a full-on creature feature of a final episode. Like any good mystery/thriller TV show, it saves plenty of mysteries for future seasons. Here's to hoping the Duffer brothers don't bungle it up like Hemlock Grove after the interesting mysteries in its first season. Stranger Things is a much better show, however, and the Duffer brothers seem to have a much better idea of where this story is going. The child actors are all fantastic, and of the few notable adults/teens, David Harbour is my favorite. I cannot wait for season two in October (the kids have Ghostbusters Halloween costumes!).
Mark @ Carstairs Considers (2165 KP) rated Trick or Deceit (Celebration Bay, #4) in Books
Mar 9, 2018
Trick or Deceit by Shelley Freydont (Celebration Bay #4) – 5
The first annual haunted house contest in Celebration Bay ends in tragedy when the winning house is vandalized and a dead body is found in with the fake body parts. Is the jealous runner up to blame? Who else might have wanted to kill the victim?
This is my fourth trip to Celebration Bay in the last year, and I’ve enjoyed each of them. Once again, the book provides some unique clues and red herrings that I found lots of fun. It was great to visit the core characters again, although I wish we would see a bit more character growth in a few of them. The new characters are just as charming. This is a great stop for your Halloween (or any time of the year) reading list.
NOTE: I was sent a copy of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/09/book-review-trick-or-deceit-by-shelley.html">Carstairs Considers</a>.
The first annual haunted house contest in Celebration Bay ends in tragedy when the winning house is vandalized and a dead body is found in with the fake body parts. Is the jealous runner up to blame? Who else might have wanted to kill the victim?
This is my fourth trip to Celebration Bay in the last year, and I’ve enjoyed each of them. Once again, the book provides some unique clues and red herrings that I found lots of fun. It was great to visit the core characters again, although I wish we would see a bit more character growth in a few of them. The new characters are just as charming. This is a great stop for your Halloween (or any time of the year) reading list.
NOTE: I was sent a copy of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/09/book-review-trick-or-deceit-by-shelley.html">Carstairs Considers</a>.
Erika (17788 KP) rated The Shining (1980) in Movies
Nov 25, 2018 (Updated Nov 25, 2018)
I just watched this film for the first time yesterday. I don't typically watch horror films/scary movies because I have an overactive imagination and don't need any other nightmare fuel.
I was finally convinced after a conversation with a co-worker when we were talking about how sometimes people just snap, and he emphasized how Jack Torrance's actions were completely fitting with a psychological break. I had also seen various references to the film, such as the extended scene in Ready Player One, and a South Park Halloween episode when Randy Marsh buys a Blockbuster and the same situation happens.
I wouldn't actually deem this as a straight-up horror film, it was definitely more of a psychological thriller. It was so well done (haven't read the book, nor will I ever, not a fan of Stephen King). The music fitting with the cinematography and creating the mood and overall tension in the film. It's definitely one of the best films I've watched as of late, and I'm glad I finally got around to it.
I was finally convinced after a conversation with a co-worker when we were talking about how sometimes people just snap, and he emphasized how Jack Torrance's actions were completely fitting with a psychological break. I had also seen various references to the film, such as the extended scene in Ready Player One, and a South Park Halloween episode when Randy Marsh buys a Blockbuster and the same situation happens.
I wouldn't actually deem this as a straight-up horror film, it was definitely more of a psychological thriller. It was so well done (haven't read the book, nor will I ever, not a fan of Stephen King). The music fitting with the cinematography and creating the mood and overall tension in the film. It's definitely one of the best films I've watched as of late, and I'm glad I finally got around to it.
BobbiesDustyPages (1259 KP) rated How to Hang a Witch (How to Hang a Witch, #1) in Books
Jan 24, 2019
Great mix of history and fiction.
I kept saying this around Halloween and I finally got around to reading it. I got to be honest I wasn't expecting much sounded a little trophie but I got to be honest I really did enjoy it from start to finish. The author is apparently related to the actual guy in the book which was a really cool take I really love the setting of Salem the author really got the detail down great and made for really interesting story. I got to be honest the plot was probably my favorite part it was a great mix of historical fiction and YA high school drama with the perfect amount of a good old myster novel.
Really my only complaint was the really tired love triangle storyline I really didn't feel like it was needed she could have easily have just been friends with one of them but that's just my personal opinion because I honestly I absolutely hate love triangles.
I'm definitely going to be chexking out book 2.
Really my only complaint was the really tired love triangle storyline I really didn't feel like it was needed she could have easily have just been friends with one of them but that's just my personal opinion because I honestly I absolutely hate love triangles.
I'm definitely going to be chexking out book 2.
Lyndsey Gollogly (2893 KP) rated Miss Frost Solves A Cold Case (Jayne Frost #1) in Books
Apr 8, 2020
Welcome to Nocturne Falls, the town that celebrates Halloween 365 days a year.
Jayne Frost is a lot of things. Winter elf, Jack Frost’s daughter, Santa Claus’s niece, heir to the Winter Throne and now…private investigator. Sort of.
Needing someone he can trust, her father sends her undercover to Nocturne Falls to find out why employees at the Santa’s Workshop toy store are going missing.
Doing that requires getting to know the town, which leads to interesting encounters with a sexy vampire, an old flame, and an elevator that’s strictly off-limits. The more Jayne finds out, the more questions she has, but the answers lead her deeper into danger.
Will her magic save her? Or will she come up cold?
First of all I don't think I've read anything like this ever! I found it so bizarre at first I really couldn't get my head round Jack frost and uncle Kris 🤣. But once into it I loved it! I think Jayne is brilliant! The whole idea was so refreshing I definitely need to start the Nocturne series too!
Jayne Frost is a lot of things. Winter elf, Jack Frost’s daughter, Santa Claus’s niece, heir to the Winter Throne and now…private investigator. Sort of.
Needing someone he can trust, her father sends her undercover to Nocturne Falls to find out why employees at the Santa’s Workshop toy store are going missing.
Doing that requires getting to know the town, which leads to interesting encounters with a sexy vampire, an old flame, and an elevator that’s strictly off-limits. The more Jayne finds out, the more questions she has, but the answers lead her deeper into danger.
Will her magic save her? Or will she come up cold?
First of all I don't think I've read anything like this ever! I found it so bizarre at first I really couldn't get my head round Jack frost and uncle Kris 🤣. But once into it I loved it! I think Jayne is brilliant! The whole idea was so refreshing I definitely need to start the Nocturne series too!
LeftSideCut (3778 KP) rated Halloween 4: The Return of Michael Myers (1988) in Movies
Mar 15, 2021
Ignore the fact that Michael Myers' mask looks a bit silly in this one and there's a lot to love.
It's back-to-basics approach of Myers stalking his way though Haddonfield is a welcome one after the hospital setting of II, and the bonkers acid trip of III.
Danielle Harris displays a damn fine performance as lead kid character Jamie Lloyd, and Donald Pleasance returns again as Loomis (apparently not dead after the almost certainly fatal explosion he was right next to at the end of II), acting suitably crazy as is to be expected by now.
There are some great shots on display, once again, courtesy of the simple, striking, and terrifying look of Michael Myers (from far away this time though, seriously, the mask looks really silly close up) and the general production values are pretty decent.
It's of course not a patch on the original, but as far as sequels go, Halloween 4 is one of the better ones. Also, one character gets impaled with a shotgun, which is just ridiculous and fantastic at the same time.
It's back-to-basics approach of Myers stalking his way though Haddonfield is a welcome one after the hospital setting of II, and the bonkers acid trip of III.
Danielle Harris displays a damn fine performance as lead kid character Jamie Lloyd, and Donald Pleasance returns again as Loomis (apparently not dead after the almost certainly fatal explosion he was right next to at the end of II), acting suitably crazy as is to be expected by now.
There are some great shots on display, once again, courtesy of the simple, striking, and terrifying look of Michael Myers (from far away this time though, seriously, the mask looks really silly close up) and the general production values are pretty decent.
It's of course not a patch on the original, but as far as sequels go, Halloween 4 is one of the better ones. Also, one character gets impaled with a shotgun, which is just ridiculous and fantastic at the same time.
LeftSideCut (3778 KP) rated Prince of Darkness (1987) in Movies
Feb 15, 2021
John Carpenter is rightly considered a master of his craft, especially in the horror genre, and Prince of Darkness is yet another prime example of why.
The overall tone of PoD is one of constant dread, thanks in no small part to Carpenters' fantastic score work (probably my favourite film music of his), and also his directing style. It's a portfolio of wonderful shots, plenty of them are creepy as hell, and there's an air of mystery to compliment it all. The narrative is never clear cut, even by then end. The viewer has a solid idea of what if happening, but it's not a handled in a hand holding way, and leaves a load of questions in its wake, well still being satisfying in its conclusion.
It has a decent cast headed by Halloween alumni Donald Pleasence, and features the talents of Lisa Blout and era fixture Victor Wong, and an engaging screenplay. The dialogue is plentiful here, but none of it comes across like dead weight, and the finished product is a competent and unsettling religious horror.
The overall tone of PoD is one of constant dread, thanks in no small part to Carpenters' fantastic score work (probably my favourite film music of his), and also his directing style. It's a portfolio of wonderful shots, plenty of them are creepy as hell, and there's an air of mystery to compliment it all. The narrative is never clear cut, even by then end. The viewer has a solid idea of what if happening, but it's not a handled in a hand holding way, and leaves a load of questions in its wake, well still being satisfying in its conclusion.
It has a decent cast headed by Halloween alumni Donald Pleasence, and features the talents of Lisa Blout and era fixture Victor Wong, and an engaging screenplay. The dialogue is plentiful here, but none of it comes across like dead weight, and the finished product is a competent and unsettling religious horror.