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Gods, Ghosts and Black Dogs: The Fascinating Folklore and Mythology of Dogs
Book
Here is a rich collection of folklore, mythology, and tall tales concerning dogs. These provide a...
Sarah (7798 KP) rated Yesterday (2019) in Movies
May 3, 2020
Enjoyable to a point
I love Danny Boyle, he's one of my favourite directors (and he's a local lad) although I have to admit this is probably one of my least favourite films of his so far.
Richard Curtis and Danny Boyle working on the same film should be a match made in heaven. However the result is this enjoyable but sadly rather predictable romcom. Himesh Patel is a likeable lead, but I found the romance aspect with him and Lily James entirely corny and completely predictable, even for Richard Curtis. The music is good, it would be seen as it's the Beatles, however I did find it odd that in the story Himesh finds out about a number of bands and things that no longer exist (some are quite funny), yet only decides to choose the songs from the Beatles. Could they not get the rights for anything else?
There's a few laughs in this although not as many as I'd expected, and I loved the nod to Love Actually. Overall the film is enjoyable and your typical feel good Brit flick, however I don't think it's particularly memorable or exceptional.
Richard Curtis and Danny Boyle working on the same film should be a match made in heaven. However the result is this enjoyable but sadly rather predictable romcom. Himesh Patel is a likeable lead, but I found the romance aspect with him and Lily James entirely corny and completely predictable, even for Richard Curtis. The music is good, it would be seen as it's the Beatles, however I did find it odd that in the story Himesh finds out about a number of bands and things that no longer exist (some are quite funny), yet only decides to choose the songs from the Beatles. Could they not get the rights for anything else?
There's a few laughs in this although not as many as I'd expected, and I loved the nod to Love Actually. Overall the film is enjoyable and your typical feel good Brit flick, however I don't think it's particularly memorable or exceptional.
Keeper of Souls (The Revenant Trilogy #1)
Book
“What would you do if Death gave you a second chance?” Most people who escaped death were...
New Adult Paranormal
Sex in the Name of God
8.0
Rate It
Book
Whether atheist or Christian, man or woman, straight or gay, tolerant or not . . . how much does the...
Religion Philosophy
Walk the Edge (Thunder Road, #2)
Book
Smart. Responsible. That's seventeen-year-old Breanna's role in her large family, and heaven forbid...
Katie McGarry Walk the Edge Young Adult Young Adult Fiction
Haunted House Murder
5.0
Rate It
Book
Falling leaves, chill winds, shorter days . . . and spooky houses. Halloween in Maine transports...
Hazel (2934 KP) rated No Lawyers in Heaven [Audiobook] in Books
Aug 28, 2022
![No Lawyers in Heaven [Audiobook]](/uploads/profile_image/dc1/86ac7f50-b2e0-4dc5-8fd7-a2e789f59dc1.jpg?m=1661693426)
I read and listen a lot of crime books and I thought it would be interesting to listen to something a bit different and I wasn't disappointed.
This is a glimpse into the life of a criminal defence lawyer and whilst this might sound a bit heavy going, let me reassure you it is not. It's an interesting insight into side of the defence with lots of humour thrown in. The cases discussed might be familiar to some, especially if you're in the UK, and some of the alleged criminals defended by Mr Milner are 'household names'.
This is not a sensationalised or in depth look into the alleged crimes committed but rather an account of a man who clearly cares about the law and everyone's right to be represented regardless of their guilt or innocence.
Mr Milner made what could have a been a very dry subject come to life all helped by the excellent narration of Mark Elstob whose voice was absolutely perfect for this book and my thanks must go to W.F. Howes Ltd and NetGalley for enabling me to listen to No Lawyers in Heaven and share my thoughts.
This is a glimpse into the life of a criminal defence lawyer and whilst this might sound a bit heavy going, let me reassure you it is not. It's an interesting insight into side of the defence with lots of humour thrown in. The cases discussed might be familiar to some, especially if you're in the UK, and some of the alleged criminals defended by Mr Milner are 'household names'.
This is not a sensationalised or in depth look into the alleged crimes committed but rather an account of a man who clearly cares about the law and everyone's right to be represented regardless of their guilt or innocence.
Mr Milner made what could have a been a very dry subject come to life all helped by the excellent narration of Mark Elstob whose voice was absolutely perfect for this book and my thanks must go to W.F. Howes Ltd and NetGalley for enabling me to listen to No Lawyers in Heaven and share my thoughts.
Gareth von Kallenbach (977 KP) rated Constantine (2005) in Movies
Aug 14, 2019
The battle between Heaven and Hell has been chronicled numerous times on film. Ranging from the “Omen” and “Exorcist” series to the recent “Hellboy” and “End of Days”, Hollywood has never shied away from the struggle between good and evil and audiences have usually responded by attending in droves.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
Awix (3310 KP) rated Star Trek Beyond (2016) in Movies
Feb 25, 2018 (Updated Feb 25, 2018)
'You know what the problem is with this Star Trek movie script for the 50th anniversary Star Trek movie,' said the studio executives to the writers of this film. 'It's just a bit too Star Trek-y. Go away and make the new Star Trek film less like Star Trek.' Well, heaven forbid a Star Trek film should actually be Star Trek-y. One imagines that the studio was pretty happy with the finished product, as it is certainly not very Star Trek-y. It's a bit Star Wars-y and very Guardians of the Galaxy-y, to the point where you wonder why they bothered putting the Star Trek name on this at all.
Well, okay, as a knockabout sci-fi adventure it is not too bad, I suppose, but very undistinguished and really lacking in its own identity. The karaoke performances of some of the cast as the original Star Trek characters are also impressively faithful. But the fact remains that while you're watching it, the only bits which carry any kind of emotional resonance are the ones inherited from previous iterations of the franchise, and you never forget that. An indifferent tribute to the original series; as a celebration of Star Trek as a whole, really poor.
Well, okay, as a knockabout sci-fi adventure it is not too bad, I suppose, but very undistinguished and really lacking in its own identity. The karaoke performances of some of the cast as the original Star Trek characters are also impressively faithful. But the fact remains that while you're watching it, the only bits which carry any kind of emotional resonance are the ones inherited from previous iterations of the franchise, and you never forget that. An indifferent tribute to the original series; as a celebration of Star Trek as a whole, really poor.
Michael Packner (32 KP) rated Child's Play 2 (1990) in Movies
Jun 22, 2019
The final fight in the toy factory is one of the best in slasher history. (4 more)
Chucky is even better the second time around
The kills continue to be inventive
The film successfully keeps the dark tone from the first
The film finds a perfect balance of darkness and humor
Close your eyes and count to seven. When you wake you'll be in heaven.
Child's Play 2 is the perfect horror sequel. The film takes everything that made the first one great and ups the ante without going too far. More violence, more gore, more comedy, and more Chucky. Yes, part 2 saw Chucky starting to find his footing as a king of zing with the one liners before he kills you, but it wasn't until Bride of Chucky that I felt they took it too far. It's great to have Alex Vincent back as Andy and Christine Elise steps into the series as Kyle, Andy's foster sibling with a rocker chick edge. The kills are great and the suspense is still there. The film is not quite as dark as the original, but the tone is still on point. The climax in the toy factory is one of the best, at least in slasher history. Definitely a must watch in the Child's Play series.
Child's Play 2 is the perfect horror sequel. The film takes everything that made the first one great and ups the ante without going too far. More violence, more gore, more comedy, and more Chucky. Yes, part 2 saw Chucky starting to find his footing as a king of zing with the one liners before he kills you, but it wasn't until Bride of Chucky that I felt they took it too far. It's great to have Alex Vincent back as Andy and Christine Elise steps into the series as Kyle, Andy's foster sibling with a rocker chick edge. The kills are great and the suspense is still there. The film is not quite as dark as the original, but the tone is still on point. The climax in the toy factory is one of the best, at least in slasher history. Definitely a must watch in the Child's Play series.