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Sam (228 KP) rated Get Out (2017) in Movies
Mar 2, 2019
Thriller (1 more)
Twisted
A True Masterpiece of Psychological Horror
I am sadly disappointed to see this film so unappreciated as I truly believe it is nothing less of a masterpiece. From the carefully painted scenes to the perfectly executed acting this film holds nothing but love in my heart as it captures the true twisted outlook of today's world, carefully balancing racial ideas that would make many uncomfortable while hiding themes throughout the whole picture that keeps you watching again and again. When this film first came out I went to see it three times unable to get enough of this twisted, psychological thriller. This film is not for the faint of heart or those who get uncomfortable at the mention of racial topics. This is a film for those who enjoy tackling hard topics and are unafraid to face the truly twisted truths of the world.
Creepier than the original (1 more)
Acting
Weird CGI (1 more)
Still not scary
Competes well with the original
I was a fan of the original despite the horror themes being laughable. It's a classic, you know? I had high hopes for this updated version. My biggest expection was that the producers make it actually scary, mainly making Pennywise scarier. I waited to see this because I was skeptical about this being achieved. Because I did wait till it was out on DVD/Blueray, I was influenced by the media's opinion of it. Needless to say, Kate McKinnon as Pennywise was hilarious. My hopes for this movie being scarier than it's original version were squashed, but I was now more motivated to see it. No, it isn't much scarier than the original, but it was really well done aside from some obviously CGIed moments. Superior cinematography did achieve a creepier movie. The acting was great. Overall, this was done much better than the original, actually.
Matthew Krueger (10051 KP) rated District 9 (2009) in Movies
Jul 26, 2019 (Updated Jul 26, 2019)
When Aliens Attack
Contains spoilers, click to show
District 9- was a intresting film.
The film is partially presented in a found footage format by featuring fictional interviews, news footage, and video from surveillance cameras witch is really intresting.
The story, which explores themes of humanity, xenophobia and social segregation, begins in an alternate 1982, when an alien spaceship appears over Johannesburg, South Africa. When a population of sick and malnourished insectoid aliens are found aboard the ship, the South African government confines them to an internment camp called District 9. Years later, during the government's relocation of the aliens to another camp, one of the confined aliens named Christopher Johnson tries to escape with his son and return home, crossing paths with a bureaucrat named Wikus van der Merwe.
It was Neill Blomkamp director debut and he did a great job.
District 9- mixs sci-fi with action, found footage, horror, suspense, thrills, chills, drama all into one film.
A highly reccordmend movie.
The film is partially presented in a found footage format by featuring fictional interviews, news footage, and video from surveillance cameras witch is really intresting.
The story, which explores themes of humanity, xenophobia and social segregation, begins in an alternate 1982, when an alien spaceship appears over Johannesburg, South Africa. When a population of sick and malnourished insectoid aliens are found aboard the ship, the South African government confines them to an internment camp called District 9. Years later, during the government's relocation of the aliens to another camp, one of the confined aliens named Christopher Johnson tries to escape with his son and return home, crossing paths with a bureaucrat named Wikus van der Merwe.
It was Neill Blomkamp director debut and he did a great job.
District 9- mixs sci-fi with action, found footage, horror, suspense, thrills, chills, drama all into one film.
A highly reccordmend movie.
Charlotte (184 KP) rated Dagger Hill in Books
Sep 10, 2021
Silent hill for teenagers....Creepy and pretty terrifying.
The potential to be made into a film is definitely lurking there.
The four main characters, teenagers on the threshold of their senior year, are interesting and quirky. Each has a different personality that gels well with the others but doesn't then blend into one boring entity.
Set in 1989, a time before the internet and mobile phones (as we know them now and the actual ability to carry one) Dagger Hill has a small town charm. A charm that contrasts against the awful things that happen there.
This is at least a young adult read with themes of horror and violence. It could easily sit on a shelf with books written by such greats as King and Laymon. It's the kind of book that crawls into your thoughts when you least expect it and creates vivid scenes in your mind.
@Merissa
The potential to be made into a film is definitely lurking there.
The four main characters, teenagers on the threshold of their senior year, are interesting and quirky. Each has a different personality that gels well with the others but doesn't then blend into one boring entity.
Set in 1989, a time before the internet and mobile phones (as we know them now and the actual ability to carry one) Dagger Hill has a small town charm. A charm that contrasts against the awful things that happen there.
This is at least a young adult read with themes of horror and violence. It could easily sit on a shelf with books written by such greats as King and Laymon. It's the kind of book that crawls into your thoughts when you least expect it and creates vivid scenes in your mind.
@Merissa
Neon's Nerd Nexus (360 KP) rated Ready or Not (2019) in Movies
Sep 2, 2019 (Updated Sep 2, 2019)
F*cking rich people
Ready Or Not is a delightful mash up of blood soaked horror and devilish comedy that intertwines well making this film an absolute blast. When Ready or not's certificate came up everyone was shocked it was 18 rated (I found kind of sad as to me it symbolised how there is 100% still a big market for the more violent and mature horror film yet these days they sadly seem few and far between. I proud to say this does not disappoint and delivers on gore, grossness and tons of unnecessary yet hilariously fitting cursing. Made by people with clear love for the genre this movie echoes what made 80s horror movies so fun. Its goofy, silly, humorous, cool, violent, over the top, cheesy and stylish with it all working well together as well as being extremely serious and tense when it needs to be too. A great mix of movies like your next, the purge, cabin in the woods and even evil dead this movie doesnt hesitate getting straight to the good stuff moving at a constant brisk pace. Although predictable at times it ride with the horror cliches mixing them up just enough for them to feel modern and refreshingly satisfying. Anti rich themes take front and centre and the film isnt shy of mocking wealthy people constantly questioning their morals, beliefs, way of life, ignorance, naivety, lack of empathy and ability to think they can do as they please. In fact you might say the most horrific parts of the film are just how stupid, desensitized, gullible, careless and void of empathy these people have become which adds a nice real world connection. Theres also some visually impressive/creative scenes that really stand out as they are flawlessly combine with music too. Great tension is also present here and a it has a good eending that keeps you on your toes guessing. Not perfect by any means but go into it with a mind set that you can just sit back and enjoy a well made film that's only interested in you having a good time and you will leave entertained.
Awix (3310 KP) rated The Skin I Live In (La piel que habito) (2011) in Movies
Apr 7, 2020
Operatically twisted (and twisty) erotic psycho-horror-thriller-drama from Almodovar. Brilliant scientist and surgeon (Banderas) seems to be keeping a young woman (Anaya) prisoner in his house, and performing various experiments on her (even his mum thinks he is insane). But the truth turns out to be a little more complicated than it at first seems...
Initially seems like much more of a plot-driven genre movie than is typical for this director, but the familiar themes (sex, desire, obsession, family ties) soon resurface albeit in somewhat modulated form. The plot grips like a vice, the performances are superb, it looks fabulous, and the (warped) sensuality of the film makes most so-called erotic thrillers look very bland and tame. This would qualify as a masterpiece, as good as anything Almodovar has ever done, except for the ending, which feels like a significant misstep, stumbling for conventional closure in a way that just doesn't ring true or feel satisfying. Nevertheless, a brilliant piece of film-making. (Do NOT read or hear a plot synopsis before watching if you can possibly avoid it.)
Initially seems like much more of a plot-driven genre movie than is typical for this director, but the familiar themes (sex, desire, obsession, family ties) soon resurface albeit in somewhat modulated form. The plot grips like a vice, the performances are superb, it looks fabulous, and the (warped) sensuality of the film makes most so-called erotic thrillers look very bland and tame. This would qualify as a masterpiece, as good as anything Almodovar has ever done, except for the ending, which feels like a significant misstep, stumbling for conventional closure in a way that just doesn't ring true or feel satisfying. Nevertheless, a brilliant piece of film-making. (Do NOT read or hear a plot synopsis before watching if you can possibly avoid it.)
LoganCrews (2861 KP) rated The Invisible Man (2020) in Movies
Sep 21, 2020
There are three things that are certain in life:
1. Death
2. Taxes
3. Leigh Whannell is the fucking *man*.
Just fantastic. Obviously very few films could ever hope to match the rampant badassery of Whannell's previous masterwork, 𝘜𝘱𝘨𝘳𝘢𝘥𝘦 - but this is about as stellar as a follow-up as one could hope for. A constant guessing game with your eyes, something could be hiding in just about every corner - never stop looking, you could miss it right in plain sight. Melds horror, thriller, drama, and action in a way that is simply euphoric - especially after the decade-worst slump of movies we experienced in 2019. Does Jordan Peele better than Jordan Peele in every aspect except image-making, which only falls behind by a tad. Moss is - naturally - amazing, probably her best film performance in a career chock full of first-rate ones. And the themes are loud and clear without ever having to spoon feed or turn into a rote, mawkish Hallmark movie with the material. Starts small, methodically grows, then ends with a bang. A riot.
1. Death
2. Taxes
3. Leigh Whannell is the fucking *man*.
Just fantastic. Obviously very few films could ever hope to match the rampant badassery of Whannell's previous masterwork, 𝘜𝘱𝘨𝘳𝘢𝘥𝘦 - but this is about as stellar as a follow-up as one could hope for. A constant guessing game with your eyes, something could be hiding in just about every corner - never stop looking, you could miss it right in plain sight. Melds horror, thriller, drama, and action in a way that is simply euphoric - especially after the decade-worst slump of movies we experienced in 2019. Does Jordan Peele better than Jordan Peele in every aspect except image-making, which only falls behind by a tad. Moss is - naturally - amazing, probably her best film performance in a career chock full of first-rate ones. And the themes are loud and clear without ever having to spoon feed or turn into a rote, mawkish Hallmark movie with the material. Starts small, methodically grows, then ends with a bang. A riot.
RyzorGick (43 KP) rated Doctor Sleep (2019) in Movies
Nov 11, 2019
Atmosphere (3 more)
Acting
Effective Horror Moments
Special Effects
I was a bit dubious about this sequel to The Shining. I didn't think Kubrick style was really something that could be reproduced. Luckily the film mainly does it's own thing but when it does call back to the original film I felt it did succeed.
I've seen some people complain abouy Rebecca Ferguson being wrong for the role of villain but I have to disagree. She does behave animated and feels less serious in some scenes but this does fit her character. She is powerful being that has lived longer than natural and feels she has little to fear, so it makes sense she would be overly confident and nonchalant.
Overall this film succeeds as a sequel. It gives us answers about what happened to the characters of the first film while having it's own plot and themes that connects to the original without relying on it too much. However some references may go over your head if you've not seen The Shining for a while.
It was a bit jarring to have people playing Jack Nicholson and Shelley Duvall but they did give it their all.
Doctor Sleep is a horror film that has more than just the usual jump scares. It's atmosphere and sense of foreboding are what truly sold me on it from the very beginning of the film. (I will never look at a shower curtain the same way again.)
I've seen some people complain abouy Rebecca Ferguson being wrong for the role of villain but I have to disagree. She does behave animated and feels less serious in some scenes but this does fit her character. She is powerful being that has lived longer than natural and feels she has little to fear, so it makes sense she would be overly confident and nonchalant.
Overall this film succeeds as a sequel. It gives us answers about what happened to the characters of the first film while having it's own plot and themes that connects to the original without relying on it too much. However some references may go over your head if you've not seen The Shining for a while.
It was a bit jarring to have people playing Jack Nicholson and Shelley Duvall but they did give it their all.
Doctor Sleep is a horror film that has more than just the usual jump scares. It's atmosphere and sense of foreboding are what truly sold me on it from the very beginning of the film. (I will never look at a shower curtain the same way again.)
Chris Sawin (602 KP) rated Videodrome (1983) in Movies
Jun 22, 2019
Max Renn is the president of Civic TV channel 83, a channel known for showcasing the most erotic and violent programming that anyone has ever come across. As you can imagine, the channel has a specific audience and Max takes it upon himself to find the next big thing for the network. Everything he comes across is too tame until Max gets ahold of Harlan. Harlan is an employee who specializes in pirate video broadcasts. It's through Harlan that Max is first exposed to Videodrome, an hour program that centralizes on torture and murder. Max becomes obsessed with Videodrome and realizes it may be the next step for channel 83. He does everything within his power to find out more about Videodrome ranging from where it's originally broadcast to tracking down the original supplier and even watching countless hours of bootleg videotapes. In addition to his obsession, Max begins hallucinating. Through his investigations, he finds out Videodrome transmissions cause tumors in the brain of whoever is able to actually watch it and therefore alter reality through hallucination. As Max begins to lose touch with reality, the people behind Videodrome have bigger plans for Max. Much bigger.
Videodrome is an interesting sci-fi horror film. It's the type of film that gets better with each viewing. It's also got some pretty amazing make-up effects by the incredible Rick Baker (An American Werewolf in London, The Frighteners). So while the film does show its age at times (mainly during the segment where Max is having his hallucination recorded by Spectacular Optacle owner, Barry Convex), the majority of the special effects hold up incredibly well after 26 years. It also boasts one of the most original and intriguing death scenes (Barry Convex's) of any horror film.
The David Cronenberg helmed psycological thriller is more than just great special effects. In all honesty, it's spectacularly odd. The hallucinations alone will leave some viewers scratching their heads, but there is a clever and intelligent story beneath all the weirdness. The story focuses on TV, which is a source of entertainment that everyone relies on and it takes aim at sex and violence. The two themes people are attracted to the most, but the consequences the film comes up with for watching a program that uses these themes to the extreme is truly one of its defining moments. So while whipping a TV set may seem like an illogical idea to most, Videodrome's superb writing makes it seem almost logical. The fact that the film concentrates on something like television that everyone can relate to while creating an intelligent reasoning for it makes the entire experience more believable.
Videodrome is a cult classic for a good reason. While it may seem odd at first, it's actually an intelligent and well-made sci-fi horror film. That old layer of skin may look and feel like a film that is too weird for most audiences that's outdated and doesn't make any sense, but beneath that old flesh is the new flesh. In this case, the new flesh is actually a superb film with a quick witted script, a terrific story, special effects that hold up to this day, and just a worthwhile experience overall. It's a cult classic that's worthy of being added to any horror or sci-fi fan's collection. Long live the new flesh.
Videodrome is an interesting sci-fi horror film. It's the type of film that gets better with each viewing. It's also got some pretty amazing make-up effects by the incredible Rick Baker (An American Werewolf in London, The Frighteners). So while the film does show its age at times (mainly during the segment where Max is having his hallucination recorded by Spectacular Optacle owner, Barry Convex), the majority of the special effects hold up incredibly well after 26 years. It also boasts one of the most original and intriguing death scenes (Barry Convex's) of any horror film.
The David Cronenberg helmed psycological thriller is more than just great special effects. In all honesty, it's spectacularly odd. The hallucinations alone will leave some viewers scratching their heads, but there is a clever and intelligent story beneath all the weirdness. The story focuses on TV, which is a source of entertainment that everyone relies on and it takes aim at sex and violence. The two themes people are attracted to the most, but the consequences the film comes up with for watching a program that uses these themes to the extreme is truly one of its defining moments. So while whipping a TV set may seem like an illogical idea to most, Videodrome's superb writing makes it seem almost logical. The fact that the film concentrates on something like television that everyone can relate to while creating an intelligent reasoning for it makes the entire experience more believable.
Videodrome is a cult classic for a good reason. While it may seem odd at first, it's actually an intelligent and well-made sci-fi horror film. That old layer of skin may look and feel like a film that is too weird for most audiences that's outdated and doesn't make any sense, but beneath that old flesh is the new flesh. In this case, the new flesh is actually a superb film with a quick witted script, a terrific story, special effects that hold up to this day, and just a worthwhile experience overall. It's a cult classic that's worthy of being added to any horror or sci-fi fan's collection. Long live the new flesh.
Neon's Nerd Nexus (360 KP) rated The Secret of Marrowbone (2018) in Movies
May 14, 2019
Keep a secret
#marrowbone #marrowbonemovie is enchanting, tense & bleak psychological drama with a slow pace that ensures you feel the emotion its packed full of. To start with I feel this #film has been marketed completely wrong, its not a horror movie & more of a drama with slight horror elements (these being mainly psychological). This isnt a bad thing at all but for those of you expecting the like of #thenun you may want to avoid this one. Its also a tough movie to review for me as while i loved acts 1 & 2 so incredibly much that once the twist his in act 3 I felt a tad let down & cheated. Thats not saying act 3 is bad it just felt sub par to the rest of the film, rushed, tacked on & far too hand holding for my liking. Shot really creative & with a #gorgeous eye for cinematography at first marrowbone feels almost dreamlike with a sence of mysterious #fairytale edge to it. This doesnt last long however as what follows is an anxiety riddled downward spiral of a tale about the destruction of a family as it slowly falls apart because of its abusive past. Symbolism & metaphors are cleverly inserted everywhere from broken mirrors representing the cracks in family & a stain on the ceiling representing guilt that keeps seeping in. Watching as this #family gradually falls apart is upsetting & uncomfortable with themes of mental instability, deceit, abuse, loss & jealousy really hitting home constantly. Music is awesome too as well as the use of silence yo great pin sharp tension & dread. #anyataylorjoy steals the show here as always not only with her acting but with her beauty too. Over all its a great little film that could of been fantastic if it wasnt for its messy end chapter but its still a very well made deep, smart & well acted piece of work that id encourage film #fans to see at least once. Think #Split meets #itcomesatnight. #odeon #odeonlimitless #screamunseen #drama #horror #jumpy #scary #witch #metalillness #thesecretofmarrowbone #filmbuff #filmcritic #review #haunted #love #murder #gore #blood #mondaymotivation