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Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Dean (6927 KP) rated Scream Queens - Season 1 in TV
Jun 25, 2017
Great cast (4 more)
Good cameos
Cool killer outfit
Surprisingly gory
Funny at times
Will make you Scream.... For one reason or another!
A gave this a whirl as the cast was impressive and a fan of Slasher films. This is a very bizarre series definitely more at the comedy side than horror. Featuring true Scream Queen Jamie Lee Curtis and Emma Roberts of @Scream 4. Almost like a spoof at times. Try thinking of a mix of Clueless, Mean Girls, Scream and Scary Movie. The spoilt rich kid humour won't be for all but the Killer wouldn't look out of place in a real Slasher film and there are a variety of ways he bumps off the brats.
Movie Metropolis (309 KP) rated The Shining (1980) in Movies
Jun 10, 2019
Stanley Kubrick was an absolute mastermind when it came to directing and watching his films are like a masterclass in movie-making magic. Sure, he was apparently very difficult to work with at times and on the set of The Shining in particular drove one cast member to near madness.
Based on Stephen King’s novel of the same name, The Shining is a 1980 horror classic. It’s not particularly scary anymore, but at the time, it was a deeply unnerving film set in a bleak mountain location. Look out for an incredible performance from the legendary Jack Nicholson if you haven’t seen it before. The cast member driven to madness? That would be Shelley Duvall.
https://moviemetropolis.net/2018/02/28/best-snow-movies-top-5/
Based on Stephen King’s novel of the same name, The Shining is a 1980 horror classic. It’s not particularly scary anymore, but at the time, it was a deeply unnerving film set in a bleak mountain location. Look out for an incredible performance from the legendary Jack Nicholson if you haven’t seen it before. The cast member driven to madness? That would be Shelley Duvall.
https://moviemetropolis.net/2018/02/28/best-snow-movies-top-5/
MelanieTheresa (997 KP) rated The Invisible Man (2020) in Movies
Mar 30, 2020 (Updated Mar 30, 2020)
As another reviewer pointed out ( @Dean, I believe), this immediately reminded me of @Sleeping with the Enemy (1991) - but that makes sense as they're both about controlling, abusive husbands.
I never really cared one way or the other about Elisabeth Moss, however having enjoyed her performance in @The Kitchen (2019), I was very much looking forward to seeing what she could do with this movie - and she did not disappoint; she was entirely believable as the terrified, battered wife. And it was SO FRUSTRATING when other characters didn't believe her.
The concept is terrifying when you think about it - that an abuser has figured out how to be invisible in order to continue the abuse? *shudder* That alone is horror enough.
I never really cared one way or the other about Elisabeth Moss, however having enjoyed her performance in @The Kitchen (2019), I was very much looking forward to seeing what she could do with this movie - and she did not disappoint; she was entirely believable as the terrified, battered wife. And it was SO FRUSTRATING when other characters didn't believe her.
The concept is terrifying when you think about it - that an abuser has figured out how to be invisible in order to continue the abuse? *shudder* That alone is horror enough.
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Awix (3310 KP) rated Vampire Circus (1972) in Movies
May 8, 2021
Visually striking if rather unsubtle and slightly incoherent Hammer horror movie. The usual sort of thing: humble townsfolk have enough of the local vampire and do him in, only to face a dreadful revenge years later. This time the instrument of vengeance is a circus full of (you'll never guess!) vampires.
Pretty much as extravagant as Hammer ever got, in terms of gore and nudity; the impact of the film is helped by lurid production design and cinematography. That said, the story's nothing special and most of the acting from the leads is very drab. (Extraordinary supporting cast full of culty names who don't get much to do.) The odd decent moment and sequence, not far off the average standard of early seventies Hammer. Vacuous but watchable.
Pretty much as extravagant as Hammer ever got, in terms of gore and nudity; the impact of the film is helped by lurid production design and cinematography. That said, the story's nothing special and most of the acting from the leads is very drab. (Extraordinary supporting cast full of culty names who don't get much to do.) The odd decent moment and sequence, not far off the average standard of early seventies Hammer. Vacuous but watchable.