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TeeHi (11 KP) rated Game Of Thrones - Season 8 in TV
May 29, 2019
I Loved It
Contains spoilers, click to show
I actually enjoyed the season, though I do agree that it was rushed. And I was pretty satisfied with each individual episode. My only real quibbles were that I didn't like Cersei and Jaime's deaths; I actually would have been okay if Jaime had lived, but Cersei needed to die in a slow and torturous manner, so I really felt robbed of seeing that. I also wasn't thrilled about Bran being named the King. I know that Jon/Aigon didn't want the position, but surely someone else could have been named! Thirdly, I would liked to have seen a real battle with the Night King; a lengthy sword match, if nothing else, at least.
LeftSideCut (3778 KP) rated Game Of Thrones - Season 7 in TV
Jul 29, 2019
The start of the mad rush to the finish line
Contains spoilers, click to show
Season 7 of Game of Thrones for me, is where the show went from the most finely and carefully crafted show of all time, to dumb hollywood-esque blockbuster.
The slow burning plot of the earlier seasons have all but gone, after it was announced that season 8 would be the last, causing long gestating plotlines to be rushed towards a conclusion, and causing the show to suffer for it. It's a real shame.
Season 7 is by no means bad though, once I had swallowed my bitterness and accepted that this was how it was going to be, there was still plenty to enjoy.
The intricate character arcs may have taken a huge blow, but when Game of Thrones decides to throw out an epic set piece, it's still the undisputed king.
Danaerys has (finally!) landed in Westeros, and begins her campaign to take the Iron Throne for herself. Characters that have been embroiled in politics for seven seasons are suddenly faced with seeing dragons for the first time, and that's a pretty satisfying moment for anyone who has been watching for years.
Episode 4 in particular serves as a highlight, as Danaerys unleashes the power of her dragons on the Lannister army. It's truly a spectacle.
The same episode however unfortunately confirms that certain characters are covered in plot-armour. Last minute life saving heroics replace the once sudden brutality of beloved characters being offed (obviously referring to Bring saving Jaime here), and for the first time since this show started, everyone just sort of feels safe. It's weird.
Elsewhere, Jon Snow leads a team north of the wall to acquire proof of the White Walkers in an attempt to sway Cersei onto his side of the upcoming war.
This episode was particularly dumb, but again, a huge spectacle. Seeing Viserion plummet to the ground was a pretty epic moment, and the season of course culminates in a moment all of us had been waiting for, as a huge chunk of The Wall falls, and the Night King leads his undead army into Westeros.
It's all very stylish, but unfortunately a lot of the substance gets left by the wayside.
The slow burning plot of the earlier seasons have all but gone, after it was announced that season 8 would be the last, causing long gestating plotlines to be rushed towards a conclusion, and causing the show to suffer for it. It's a real shame.
Season 7 is by no means bad though, once I had swallowed my bitterness and accepted that this was how it was going to be, there was still plenty to enjoy.
The intricate character arcs may have taken a huge blow, but when Game of Thrones decides to throw out an epic set piece, it's still the undisputed king.
Danaerys has (finally!) landed in Westeros, and begins her campaign to take the Iron Throne for herself. Characters that have been embroiled in politics for seven seasons are suddenly faced with seeing dragons for the first time, and that's a pretty satisfying moment for anyone who has been watching for years.
Episode 4 in particular serves as a highlight, as Danaerys unleashes the power of her dragons on the Lannister army. It's truly a spectacle.
The same episode however unfortunately confirms that certain characters are covered in plot-armour. Last minute life saving heroics replace the once sudden brutality of beloved characters being offed (obviously referring to Bring saving Jaime here), and for the first time since this show started, everyone just sort of feels safe. It's weird.
Elsewhere, Jon Snow leads a team north of the wall to acquire proof of the White Walkers in an attempt to sway Cersei onto his side of the upcoming war.
This episode was particularly dumb, but again, a huge spectacle. Seeing Viserion plummet to the ground was a pretty epic moment, and the season of course culminates in a moment all of us had been waiting for, as a huge chunk of The Wall falls, and the Night King leads his undead army into Westeros.
It's all very stylish, but unfortunately a lot of the substance gets left by the wayside.
LeftSideCut (3778 KP) rated My Bloody Valentine 3-D (2009) in Movies
Jan 13, 2021
One of the avalanche of classic horror remakes to surface during the 00s, My Bloody Valentine (in "spectacular" 3D of course) isn't the worst of them by a long shot, but it still suffers from the soul-less-ness that the majority of them seem all to keen to pack in.
Its certainly more action packed and gory than it's 80s older sibling. The violence on display packs a punch for sure, some of it looks great, some of its looks terrible. The Harry Warden killer, much like the Michaels and Jasons of this remake era, is more of a machine than before. Relentless, brutal, faster, and pretty intimidating as far as these things go. It also packs in a fair amount of character development, which is a nice touch that gives the whole narrative some much needed gravitas, and the cast all do a good job with the by-the-numbers slasher-remake screenplay, with highlights being Jaime King and the ever reliable Tom Atkins.
You know how these things go though, and the simple fact is that this do over isn't as good as the original. It lacks the realness and charm (there's that word again) that the original had. There's a twist near the end that is designed to pull the rug out from under fans of the original, and it's actually a pretty interesting one, albeit executed poorly, and requires the viewer to really suspend disbelief in order to glaze over some gaping plot holes.
All in all, it's gory and fun enough to easily pass a couple of hours, and manages to feel like a homage to the original, rather than a straight up copy, and that I can respect, but ultimately, it's not a strong argument for the case of remakes.
Its certainly more action packed and gory than it's 80s older sibling. The violence on display packs a punch for sure, some of it looks great, some of its looks terrible. The Harry Warden killer, much like the Michaels and Jasons of this remake era, is more of a machine than before. Relentless, brutal, faster, and pretty intimidating as far as these things go. It also packs in a fair amount of character development, which is a nice touch that gives the whole narrative some much needed gravitas, and the cast all do a good job with the by-the-numbers slasher-remake screenplay, with highlights being Jaime King and the ever reliable Tom Atkins.
You know how these things go though, and the simple fact is that this do over isn't as good as the original. It lacks the realness and charm (there's that word again) that the original had. There's a twist near the end that is designed to pull the rug out from under fans of the original, and it's actually a pretty interesting one, albeit executed poorly, and requires the viewer to really suspend disbelief in order to glaze over some gaping plot holes.
All in all, it's gory and fun enough to easily pass a couple of hours, and manages to feel like a homage to the original, rather than a straight up copy, and that I can respect, but ultimately, it's not a strong argument for the case of remakes.
Hazel (1853 KP) rated Blood and Stars in Books
Sep 24, 2017
Children's Fantasy
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Finally, after leaving everyone on tenterhooks, the fifth book in the Legend of Rhyme series is here. Blood and Stars by Jaime Lee Mann continues on from the tense ending to book four, finally resolving a lot of loose ends. With all the favourite characters from the series, this book transports readers back into the fantasy world of Coraira for more adventure and magic.
Blood and Stars is split into four stories, which eventually all merge together in an explosive climax. Firstly, as expected, the main characters, twins Ariana and Asher, have found themselves separated from each other once again. With Ariana destined to rule Coraira, legend suggests that Asher will be the opposite – a ruler of darkness. But, is there a chance he can be saved from this fate? Meanwhile, the present ruler of Coraira is dying. The only person who could potentially save Calla is her evil twin sister Elora, the infamous witch in the previous books. Can she be trusted enough with such an important task?
Concurrently, in the ethereal world of the mermaids, readers are reintroduced to the mer-queen, Starla and her apprentice, Teagan. Abandoned at birth, Teagan is hoping to discover what happened to her parents; however, her curiosity leads her into the lair of a sea witch. Be that as it may, some dangerous situations result in silver linings.
Eventually, with the majority of the book already concluded, another character is brought back into the story. Grimblerod is still under the curse of an evil king, but he now has hope that it can be broken. As long as his love for Freya does not fail, Grimblerod’s patient determination will lead him back to where he belongs.
With a mix of new and old characters, Jaime Lee Mann smoothly draws her fans back into the storyline with a (mostly) happy ending. There are a couple of things left incomplete, but nothing that will majorly irritate readers. There is no dreaded cliffhanger.
As it may have been some time since children read the last book, or parents and teachers are only just being introduced to the story, the author has provided an in-depth character guide in the end pages to bring everyone up to speed.
Blood and Stars was a more straightforward story than previous books. It resolved more issues than it created. There will be a final book coming (hopefully) soon, but there is no way of guessing what it will feature.
Legend of Rhyme is a series suitable for girls and boys. Mildly scary in parts, the adventure of the twins and their companions will entertain children and their parents. With discussion questions at the end, the books make readers think more about the storyline and help them to understand and interact with the narrative. This is certainly a series for young fantasy lovers.
Finally, after leaving everyone on tenterhooks, the fifth book in the Legend of Rhyme series is here. Blood and Stars by Jaime Lee Mann continues on from the tense ending to book four, finally resolving a lot of loose ends. With all the favourite characters from the series, this book transports readers back into the fantasy world of Coraira for more adventure and magic.
Blood and Stars is split into four stories, which eventually all merge together in an explosive climax. Firstly, as expected, the main characters, twins Ariana and Asher, have found themselves separated from each other once again. With Ariana destined to rule Coraira, legend suggests that Asher will be the opposite – a ruler of darkness. But, is there a chance he can be saved from this fate? Meanwhile, the present ruler of Coraira is dying. The only person who could potentially save Calla is her evil twin sister Elora, the infamous witch in the previous books. Can she be trusted enough with such an important task?
Concurrently, in the ethereal world of the mermaids, readers are reintroduced to the mer-queen, Starla and her apprentice, Teagan. Abandoned at birth, Teagan is hoping to discover what happened to her parents; however, her curiosity leads her into the lair of a sea witch. Be that as it may, some dangerous situations result in silver linings.
Eventually, with the majority of the book already concluded, another character is brought back into the story. Grimblerod is still under the curse of an evil king, but he now has hope that it can be broken. As long as his love for Freya does not fail, Grimblerod’s patient determination will lead him back to where he belongs.
With a mix of new and old characters, Jaime Lee Mann smoothly draws her fans back into the storyline with a (mostly) happy ending. There are a couple of things left incomplete, but nothing that will majorly irritate readers. There is no dreaded cliffhanger.
As it may have been some time since children read the last book, or parents and teachers are only just being introduced to the story, the author has provided an in-depth character guide in the end pages to bring everyone up to speed.
Blood and Stars was a more straightforward story than previous books. It resolved more issues than it created. There will be a final book coming (hopefully) soon, but there is no way of guessing what it will feature.
Legend of Rhyme is a series suitable for girls and boys. Mildly scary in parts, the adventure of the twins and their companions will entertain children and their parents. With discussion questions at the end, the books make readers think more about the storyline and help them to understand and interact with the narrative. This is certainly a series for young fantasy lovers.
LeftSideCut (3778 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
I absolutely adored Sin City when it first released way back in 2005, and I still do to a point, albeit a little less than I used to.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
LeftSideCut (3778 KP) rated Frank Miller's Sin City: A Dame to Kill For (2014) in Movies
Jan 17, 2021
I think that I actually prefer A Dame to Kill For over the first Sin City...
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.