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Catherine Hardwicke recommended The Act in TV (curated)
Kevin Phillipson (9912 KP) rated The princess (2022) in Movies
May 21, 2023
Joey king (1 more)
Dominic cooper
Not a disney princess
Watched this morning don't understand this and many other movies and TV are coming off disney plus just to save them money not right the movie itself I liked it for the fact its not trying to be a disney princess type movie where she needs saving but saving the day herself joey king was badass in every scene she's in especially against an entire army overall good action romp
Mark Halpern (153 KP) rated The Shining (1980) in Movies
Dec 31, 2017
Stephen King
The best King book I have read to date. I agree with Joey Tribianni that it should be kept in the freezer. The acting is amazing is this suspenseful thirller. I suggest you read the book first cause seeing the movie then reading it kinds of lets the book down. Here's Jhonny
Madbatdan82 (341 KP) rated The Act in TV
May 13, 2019
Loving this wont be an Act!
I had heard of the Gypsy Rose Blanchard case so I had an idea of the story heading into this however i didnt know everything and this show was AMAZING!! It tells the story of Gypsy Rose, a wheelchair bound young girl with many different life threatening illnesses and her mum Dee Dee as they move into a new charity built house. By the end of the first episode Dee Dee is dead and Gypsy is missing. The series is the story of what lead to this incident and all is not as it seems. The performances are amazing. Patricia Arquette was almost unrecognisable as Dee Dee - I didnt even realise it was her till ep 3! However the star of the show is Joey King as Gypsy Rose. She completely becomes Gypsy and is simply amazing. After watching this I watched the HBO documentary 'mummy dead and dearest' and its scary how much King looks, sounds and acts like Gypsy. Truly awesome
LeftSideCut (3778 KP) rated The Lie (2020) in Movies
Nov 18, 2020
To sum up The Lie in one word - frustrating.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
Movie Metropolis (309 KP) rated War Horse (2011) in Movies
Jun 11, 2019
Steven Spielberg is undoubtedly one of the world’s most loved directors and is without question, the king of blockbuster cinema. He thrilled us with dinosaurs in 1993’s blockbuster Jurassic Park, had us in tears with E.T. and had our hearts pumping out of our chests with the Indiana Jones series.
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
Tim McGuire (301 KP) rated 1917 (2020) in Movies
Mar 3, 2020
Saving a whole bunch of Privates.
397. 1917. Think Saving Private Ryan with a smaller cast, smaller family, different war, different ally, same enemy. Filmed in one long shot, tells the story of two soldiers sent on a slightly dangerous mission, ok, one soldier and he drags his poor buddy along with him for the ride. Friendship!! Lance Corporal Blake (played by Dean-Charles Chapman, ok pull up a picture of him. Observe. Now look up the actress Joey King. Observe.) is called to see the General, he has an important mission for him, to head over to another regiment before they walk into a trap, and cost the lives of up to 1600 men, including Blakes' own brother. And yay, just for being his friend, and standing next to him while he gets the orders, Lance Corporal Schofield gets to go through hell with him! An exciting and grotesque look at the battlefield, being filmed in one shot gave it intense feel. Doesn't let up until the end! Several popular Brits pop up in there for cameos, spotted Sherlock Holmes, a Kingsman, and Rob Stark in there. Worth the watch!! Filmbufftim on FB
Darren (1599 KP) rated Slender Man (2018) in Movies
Jul 5, 2019
Director: Sylvain White
Writer: David Birke, Victor Surge (Screenplay)
Starring: Joey King, Julia Goldani Telles, Jaz Sinclair, Annalise Basso, Alex Fitzalan, Taylor Richardson, Javier Botet
Plot: In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.
Runtime: 1 Hour 33 Minutes
There may be spoilers in the rest of the review
Verdict: The Worst Horror Film of 2018
Story: Slender Man starts with four high school friends Wren (King), Hallie (Telles), Chloe (Sinclair) and Katie (Basso) decide to learn about Slender Man on the internet, they watch a video to summon him and the next morning the girls have had nightmares, before Katie vanishes.
The three remaining girls start searching for answers after the police come up with nothing and soon find themselves the latest target for the Slender Man.
Thoughts on Slender Man
Characters – Usually I would start to describe the characters here, but this film could well be the worst character development film I have ever seen, we have Wren and Hallie who are the longest surviving members of the group, who mostly just scream and think they are better than everyone else. Chloe is here too, she doesn’t listen to instructions and Katie is the one that goes missing. This is how little we learn about the characters in this film.
Performances – With terrible characters, comes no chance for the poor actresses in the main roles of the film to get anything memorable in, it is hard to give any of them any praise for their performance, mostly because it was hard to tell Joey King and Julia Goldani Telles apart too.
Story – The story follows four girls that play along with a Slender Man mystery that leaves them being terrorised by the mythical monster. The problem with this story is that we are force to follow four boring high characters that are given nothing to make them standout in a crowd, we have a internet video starting the nightmare which doesn’t create any sort of rules behind the mysterious figure. We have one person literally vanish, another one getting chased which just makes it hard to believe just what is happening with the characters will be going through. It is the most lacklustre pointless story we have seen that almost feels like everything is complete list of what not to do when making a movie.
Horror/Mystery – The horror in the film could be high tension moment, only for it to come back flat on its face not building the tension just, this is a scary moment, over. We even have a mystery which should be interesting but soon turns into nothing important.
Settings – The film is set in a city, didn’t notice which one, but it is surround by woodlands which only get to add what could be the mystery about the Slender Man who could use this area for hiding places.
Special Effects – The effects are just complete the weak attempt to make a movie here, with the Slender Man never getting anything remotely looking scary which he should be if he is literally kidnapping children.
Scene of the Movie – Ummmmmmm, the credits were good.
That Moment That Annoyed Me – The kids have nothing that makes them look different.
Final Thoughts – This is one of the weakest horror films you will ever see, it is just a terrible mess, with no scares and doesn’t give the talent a chance to shine in.
Overall: Bad is being nice.
Rating
Writer: David Birke, Victor Surge (Screenplay)
Starring: Joey King, Julia Goldani Telles, Jaz Sinclair, Annalise Basso, Alex Fitzalan, Taylor Richardson, Javier Botet
Plot: In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.
Runtime: 1 Hour 33 Minutes
There may be spoilers in the rest of the review
Verdict: The Worst Horror Film of 2018
Story: Slender Man starts with four high school friends Wren (King), Hallie (Telles), Chloe (Sinclair) and Katie (Basso) decide to learn about Slender Man on the internet, they watch a video to summon him and the next morning the girls have had nightmares, before Katie vanishes.
The three remaining girls start searching for answers after the police come up with nothing and soon find themselves the latest target for the Slender Man.
Thoughts on Slender Man
Characters – Usually I would start to describe the characters here, but this film could well be the worst character development film I have ever seen, we have Wren and Hallie who are the longest surviving members of the group, who mostly just scream and think they are better than everyone else. Chloe is here too, she doesn’t listen to instructions and Katie is the one that goes missing. This is how little we learn about the characters in this film.
Performances – With terrible characters, comes no chance for the poor actresses in the main roles of the film to get anything memorable in, it is hard to give any of them any praise for their performance, mostly because it was hard to tell Joey King and Julia Goldani Telles apart too.
Story – The story follows four girls that play along with a Slender Man mystery that leaves them being terrorised by the mythical monster. The problem with this story is that we are force to follow four boring high characters that are given nothing to make them standout in a crowd, we have a internet video starting the nightmare which doesn’t create any sort of rules behind the mysterious figure. We have one person literally vanish, another one getting chased which just makes it hard to believe just what is happening with the characters will be going through. It is the most lacklustre pointless story we have seen that almost feels like everything is complete list of what not to do when making a movie.
Horror/Mystery – The horror in the film could be high tension moment, only for it to come back flat on its face not building the tension just, this is a scary moment, over. We even have a mystery which should be interesting but soon turns into nothing important.
Settings – The film is set in a city, didn’t notice which one, but it is surround by woodlands which only get to add what could be the mystery about the Slender Man who could use this area for hiding places.
Special Effects – The effects are just complete the weak attempt to make a movie here, with the Slender Man never getting anything remotely looking scary which he should be if he is literally kidnapping children.
Scene of the Movie – Ummmmmmm, the credits were good.
That Moment That Annoyed Me – The kids have nothing that makes them look different.
Final Thoughts – This is one of the weakest horror films you will ever see, it is just a terrible mess, with no scares and doesn’t give the talent a chance to shine in.
Overall: Bad is being nice.
Rating
Gareth von Kallenbach (962 KP) rated Wish Upon (2017) in Movies
Jul 11, 2019
We often wonder what wishes we would cast if given the opportunity. We think of the riches, second chances, and various selfish or generous choices we would make. In Wish Upon, we bear witness to how this plays out for one teenage girl.
Wish Upon stars Ryan Phillippe as a widowed father to a teen daughter, Clare, played by Joey King (Ramona and Beezus). Working as a salvager, he comes across an antique Chinese Box that he gives to her for her birthday. Clare quickly understands that the box has the ability to grant wishes, but her limited understanding of Chinese prevents her from being able to decipher all of the characters on it which reveal an all important disclaimer: each wish will result in the death of someone you know.
The film is ambitious with its premise yet falls flat in its execution. What seemed to be a promising mix of The Box and Final Destination, resulted in an uninspiring teen thriller that, at times, seemed more slapstick than a film that would grab your attention and fill its viewers with anxiety and tension. Wish Upon checks off many of the cliché boxes with respect to their storytelling and interactions between characters and provides little originality.
Wish Upon misses the mark in not finding an identity. It jumps from being a slasher, to being a teen comedy, to being a romance. This would not be problematic if it incorporated all of these facets into creating a film that takes advantage of these aspects, but it does little to allow for the story to seem as one that would be memorable. Wish Upon will leave audiences wishing they had made a different choice at the box office.
Wish Upon stars Ryan Phillippe as a widowed father to a teen daughter, Clare, played by Joey King (Ramona and Beezus). Working as a salvager, he comes across an antique Chinese Box that he gives to her for her birthday. Clare quickly understands that the box has the ability to grant wishes, but her limited understanding of Chinese prevents her from being able to decipher all of the characters on it which reveal an all important disclaimer: each wish will result in the death of someone you know.
The film is ambitious with its premise yet falls flat in its execution. What seemed to be a promising mix of The Box and Final Destination, resulted in an uninspiring teen thriller that, at times, seemed more slapstick than a film that would grab your attention and fill its viewers with anxiety and tension. Wish Upon checks off many of the cliché boxes with respect to their storytelling and interactions between characters and provides little originality.
Wish Upon misses the mark in not finding an identity. It jumps from being a slasher, to being a teen comedy, to being a romance. This would not be problematic if it incorporated all of these facets into creating a film that takes advantage of these aspects, but it does little to allow for the story to seem as one that would be memorable. Wish Upon will leave audiences wishing they had made a different choice at the box office.