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Gareth von Kallenbach (971 KP) rated Transformers Rise of the Beasts (2023) in Movies
Jun 6, 2023
The latest in the long-running and popular Transformer series has arrived with “Transformers: Rise of the Beasts”. Taking a cue from the recent “Bumblebee” movie, the movie cleverly serves not only as a prequel but as a platform to introduce a series of stories leading up to the original films.
It is learned that a planet-destroying evil is fixated on obtaining a key that will allow it to travel to any point in the universe to continue its reign of destruction. The animal-based Maximals are able to escape with the key and hide it on Earth where they will also remain in secret as guardians.
Flash forward to 1994 when Noah Diaz (Anthony Ramos), following his stint in the Army is looking to find gainful employment to help his mother as well as his ailing brother. Despite being a wizard with electronics Noah is not considered to be a team player which has hampered his job prospects and leads him to consider criminal activities in an effort to obtain much-needed funds for his brother's medical bills.
In a moment of desperation, Noah attempts to steal a loaded Porsche but finds he is unable to follow through on the act as it is against his moral compass. Unknown to Noah the car is actually an Autobot named Mirage (Pete Davidson), who soon enlists Noah to help them find the key which they have recently detected.
This does not sit well with Optimus Prime (Peter Cullen), who believes that humanity will only act in your best interests and that his crew needs to find the key so that they can return to their war-ravaged, Cybertron.
It is learned that a crafty but perpetually overlooked museum intern named Elena (Dominique Fishback), has accidentally activated the key and in doing so has allowed the evil Scourge (Peter Dinklage), and his minions to zero in on its location as he attempts to obtain the key for his master and is willing to destroy all were in his way.
Noah and Elena soon find themselves paired with their unexpected allies as they race to stop the evil from obtaining both parts of the key and find themselves with some unexpected allies in the form of the Maximals.
What follows is a frantic action-adventure film that cleverly combines humor, action, dazzling visual effects, and a tail that is part Indiana Jones, and Transformers with a surprising amount of humanity.
It would be easy for the human cast the overshadowed by the massive and visually spectacular creations that frequently transform and battle it out across numerous action sequences. However, director Steven Caple Jr. takes advantage of his young talent both of whom are clearly potential stars in the making as they provide a grounding humanity to the film which makes it more than a lavish FX showcase.
The film also has an impressive era-specific soundtrack and a scene near the end that offers up some intriguing and exciting possibilities for the future. "Transformers: Rise of the Beasts" is a highly enjoyable summer action adventure as well as one the more enjoyable films in the franchise and should delight fans of the franchise and has me for the first time in a long time eagerly awaiting what comes next.
4 stars out of 5
It is learned that a planet-destroying evil is fixated on obtaining a key that will allow it to travel to any point in the universe to continue its reign of destruction. The animal-based Maximals are able to escape with the key and hide it on Earth where they will also remain in secret as guardians.
Flash forward to 1994 when Noah Diaz (Anthony Ramos), following his stint in the Army is looking to find gainful employment to help his mother as well as his ailing brother. Despite being a wizard with electronics Noah is not considered to be a team player which has hampered his job prospects and leads him to consider criminal activities in an effort to obtain much-needed funds for his brother's medical bills.
In a moment of desperation, Noah attempts to steal a loaded Porsche but finds he is unable to follow through on the act as it is against his moral compass. Unknown to Noah the car is actually an Autobot named Mirage (Pete Davidson), who soon enlists Noah to help them find the key which they have recently detected.
This does not sit well with Optimus Prime (Peter Cullen), who believes that humanity will only act in your best interests and that his crew needs to find the key so that they can return to their war-ravaged, Cybertron.
It is learned that a crafty but perpetually overlooked museum intern named Elena (Dominique Fishback), has accidentally activated the key and in doing so has allowed the evil Scourge (Peter Dinklage), and his minions to zero in on its location as he attempts to obtain the key for his master and is willing to destroy all were in his way.
Noah and Elena soon find themselves paired with their unexpected allies as they race to stop the evil from obtaining both parts of the key and find themselves with some unexpected allies in the form of the Maximals.
What follows is a frantic action-adventure film that cleverly combines humor, action, dazzling visual effects, and a tail that is part Indiana Jones, and Transformers with a surprising amount of humanity.
It would be easy for the human cast the overshadowed by the massive and visually spectacular creations that frequently transform and battle it out across numerous action sequences. However, director Steven Caple Jr. takes advantage of his young talent both of whom are clearly potential stars in the making as they provide a grounding humanity to the film which makes it more than a lavish FX showcase.
The film also has an impressive era-specific soundtrack and a scene near the end that offers up some intriguing and exciting possibilities for the future. "Transformers: Rise of the Beasts" is a highly enjoyable summer action adventure as well as one the more enjoyable films in the franchise and should delight fans of the franchise and has me for the first time in a long time eagerly awaiting what comes next.
4 stars out of 5
Movie Metropolis (309 KP) rated Pacific Rim: Uprising (2018) in Movies
Jun 10, 2019
Absolutely Bonkers
2013’s Pacific Rim was one of the most underrated films of the year. Lumbered in the same category as the Transformers series for its seemingly simple premise about robots fighting giant monsters, it had a lukewarm performance at the box office.
For those movie buffs reading this, you’ll of course know the film was directed by the Oscar-winning Guillermo Del Toro and with that came his signature quirks and visual sense of style. Oh yes, Pacific Rim was much more than a mish-mash of action.
A sequel looked very unlikely given the mediocre reception it received and then Del Toro passed on the idea altogether, instead focusing on the film that earned him a Best Director award at this year’s Oscars, The Shape of Water. I’m not going to pretend that was the wrong decision because it clearly wasn’t.
Nevertheless, Universal and Legendary pictures, with help from Del Toro handpicked little-known director Steven S. DeKnight to helm this second instalment in the new series, Pacific Rim: Uprising. It’s taken five years and $150million to get here. Was it worth it?
Jake Pentecost (John Boyega) is a once-promising Jaeger pilot whose legendary father gave his life to secure humanity’s victory against the monstrous Kaiju. Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through cities and bring the world to its knees, Jake is given one last chance by his estranged sister, Mako Mori (Rinko Kikuchi), to live up to his father’s legacy.
Coming hot off the heels of his performance in Star Wars: The Last Jedi, John Boyega channels his franchise father, Idris Elba, reasonably well and his estranged relationship with the former jaeger pilot is discussed, albeit briefly. Boyega is still discovering himself as a leading star and it’s films like Pacific Rim and Star Wars that he continues to impress in.
Here, he plays a cocky, arrogant young man who has lost his way until he’s given a second chance by returnee Mako (Kikuchi). It’s nice to see her and both Charlie Day’s Newton Geiszler and Burn Gorman’s Hermann Gottlieb return to this new series.
The inclusion of the film’s previous stars doesn’t feel unnecessarily shoe-horned in and this is a welcome change to many other films that try the same trick. Gorman and Day in particular provide some decent comic relief throughout. The weakest link over the course of the film is Scott Eastwood’s Ranger Lambert. His forced backstory with Boyega’s Pentecost isn’t particularly engaging.
The finale is punch-the-air fun and beautifully filmed in and around Tokyo
Setting the action a decade after the events of the first film is a good way to freshen things up and Uprising feels all the better for it. The world is continuing to recover from the previous war and this change in atmosphere lends a new dynamic to the film. It certainly looks and sounds a lot like its predecessor, but Uprising is a very different beast, both in storytelling and the way it presents that story.
Where Pacific Rimwas a paint-by-numbers adventure transformed by Del Toro’s stunning visual acuity, Uprising is a well-plotted movie that lacks its previous director’s soft touch. Director Steven S. DeKnight rightly carves his own path with the visuals but sometimes this is at the cost of the charm that made the original such an unexpected delight. The plot is actually much better than that of its predecessor with numerous twists and turns that create a fun atmosphere for the audience, but with four writers working on it, you’d expect nothing less.
There are some Del-Toro-isms still present however and these remind us that this is very much more than a Michael Bay Transformers film. The special effects are excellent and with De Knight’s decision to film as much as possible during the day (a stark contrast to Del Toro) there really is nowhere to hide. The jaegers and Kaiju are all as detailed as you would expect from a movie costing $150million.
At 111 minutes, Pacific Rim: Uprising zips along briskly and rarely leaves you wanting. The finale is punch-the-air fun and beautifully filmed in and around Tokyo. It may be a cynical marketing ploy to set portions of the film in Japan and China in order to appease international audiences, but it does lend itself to some lovely scenery.
Overall, Pacific Rim: Uprising is a film that manages to build upon its predecessor’s strong foundations, yet still manages to feel very much part of its universe. Sequels, especially to films that don’t perform well are risky business as movie studios try to save as much cash as possible, but thankfully Uprising is a fully-realised and confidently filmed second instalment. It’s loud, brash and completely unashamed of what it tries to be, but sometimes that’s all you want from a visit to the cinema. Call it Classy Transformers and you won’t be far from spot on.
https://moviemetropolis.net/2018/03/24/pacific-rim-uprising-absolutely-bonkers/
For those movie buffs reading this, you’ll of course know the film was directed by the Oscar-winning Guillermo Del Toro and with that came his signature quirks and visual sense of style. Oh yes, Pacific Rim was much more than a mish-mash of action.
A sequel looked very unlikely given the mediocre reception it received and then Del Toro passed on the idea altogether, instead focusing on the film that earned him a Best Director award at this year’s Oscars, The Shape of Water. I’m not going to pretend that was the wrong decision because it clearly wasn’t.
Nevertheless, Universal and Legendary pictures, with help from Del Toro handpicked little-known director Steven S. DeKnight to helm this second instalment in the new series, Pacific Rim: Uprising. It’s taken five years and $150million to get here. Was it worth it?
Jake Pentecost (John Boyega) is a once-promising Jaeger pilot whose legendary father gave his life to secure humanity’s victory against the monstrous Kaiju. Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through cities and bring the world to its knees, Jake is given one last chance by his estranged sister, Mako Mori (Rinko Kikuchi), to live up to his father’s legacy.
Coming hot off the heels of his performance in Star Wars: The Last Jedi, John Boyega channels his franchise father, Idris Elba, reasonably well and his estranged relationship with the former jaeger pilot is discussed, albeit briefly. Boyega is still discovering himself as a leading star and it’s films like Pacific Rim and Star Wars that he continues to impress in.
Here, he plays a cocky, arrogant young man who has lost his way until he’s given a second chance by returnee Mako (Kikuchi). It’s nice to see her and both Charlie Day’s Newton Geiszler and Burn Gorman’s Hermann Gottlieb return to this new series.
The inclusion of the film’s previous stars doesn’t feel unnecessarily shoe-horned in and this is a welcome change to many other films that try the same trick. Gorman and Day in particular provide some decent comic relief throughout. The weakest link over the course of the film is Scott Eastwood’s Ranger Lambert. His forced backstory with Boyega’s Pentecost isn’t particularly engaging.
The finale is punch-the-air fun and beautifully filmed in and around Tokyo
Setting the action a decade after the events of the first film is a good way to freshen things up and Uprising feels all the better for it. The world is continuing to recover from the previous war and this change in atmosphere lends a new dynamic to the film. It certainly looks and sounds a lot like its predecessor, but Uprising is a very different beast, both in storytelling and the way it presents that story.
Where Pacific Rimwas a paint-by-numbers adventure transformed by Del Toro’s stunning visual acuity, Uprising is a well-plotted movie that lacks its previous director’s soft touch. Director Steven S. DeKnight rightly carves his own path with the visuals but sometimes this is at the cost of the charm that made the original such an unexpected delight. The plot is actually much better than that of its predecessor with numerous twists and turns that create a fun atmosphere for the audience, but with four writers working on it, you’d expect nothing less.
There are some Del-Toro-isms still present however and these remind us that this is very much more than a Michael Bay Transformers film. The special effects are excellent and with De Knight’s decision to film as much as possible during the day (a stark contrast to Del Toro) there really is nowhere to hide. The jaegers and Kaiju are all as detailed as you would expect from a movie costing $150million.
At 111 minutes, Pacific Rim: Uprising zips along briskly and rarely leaves you wanting. The finale is punch-the-air fun and beautifully filmed in and around Tokyo. It may be a cynical marketing ploy to set portions of the film in Japan and China in order to appease international audiences, but it does lend itself to some lovely scenery.
Overall, Pacific Rim: Uprising is a film that manages to build upon its predecessor’s strong foundations, yet still manages to feel very much part of its universe. Sequels, especially to films that don’t perform well are risky business as movie studios try to save as much cash as possible, but thankfully Uprising is a fully-realised and confidently filmed second instalment. It’s loud, brash and completely unashamed of what it tries to be, but sometimes that’s all you want from a visit to the cinema. Call it Classy Transformers and you won’t be far from spot on.
https://moviemetropolis.net/2018/03/24/pacific-rim-uprising-absolutely-bonkers/
Ryan Hill (152 KP) rated Avengers: Infinity War (2018) in Movies
May 11, 2019
The cast specifically RDJ as Tony, Elizabeth Olsen as Scarlett Witch, Chris Hemsworth as Thor, Tom Holland as Spider-man and Benedict Cumberbatch as Doctor strange (1 more)
Josh Brolin is Phenomenal as Thanos
The Score is Incredible
The action sequences are awesome
Every character has their moment
That Ending!!
"I hope they remember you"
Cosmic warlord Thanos begins his quest to gather the six Infinity Stones which will give him God-like power over the universe. The Avengers team up with the Guardians of the Galaxy in order to stop him, but can they?
It doesn't take long for "Infinity War" to make clear that this is not another typical summer blockbuster movie. Within the first five minutes the villain has already killed a ton of innocent people (among whom a beloved main character) and has beaten to submission Hulk, the strongest Avenger. Thanos isn't your cookie cutter bad guy who lusts after power for the sake of it. He is a man on a mission, and is determined to crush anybody who stands in his way. Unlike other Marvel villains, every time he appears onscreen the sense of apprehension is palpable. This time we aren't sure that our heroes will survive the ordeal. Josh Brolin's performance, together with the amazing CGI work, give us a character that is destined to be mentioned in the future along the likes of Darth Vader and the Joker.
The biggest concern about this feature was the ability of the Russos to successfully juggle almost 30 main characters and multiple plot-lines. They succeeded in this herculean task, as if through a miracle. The film's pace is relentless and despite it's considerable length at no moment do we feel any slack. The action is rousing and nicely balanced with more quiet and personal moments that provide crucial character development.
You can't talk about this film without mentioning its ending. Surprising and gutsy don't even begin to describe it. I understand why cynics might dismiss it as a stunt. But I also contend that this doesn't take away from its visceral impact on first sight. It's a gut punch because Marvel has gotten us accustomed in boisterous, fun, happy endings.
This one has hopelessness and futility written all over it.
Within the context of the MCU, "Infinity War"'s comparison to "Empire Strikes Back" is well deserved. The final shots of the surviving heroes reeling from their defeat, while a wounded Thanos savors his victory on a distant planet, are potent.
It doesn't take long for "Infinity War" to make clear that this is not another typical summer blockbuster movie. Within the first five minutes the villain has already killed a ton of innocent people (among whom a beloved main character) and has beaten to submission Hulk, the strongest Avenger. Thanos isn't your cookie cutter bad guy who lusts after power for the sake of it. He is a man on a mission, and is determined to crush anybody who stands in his way. Unlike other Marvel villains, every time he appears onscreen the sense of apprehension is palpable. This time we aren't sure that our heroes will survive the ordeal. Josh Brolin's performance, together with the amazing CGI work, give us a character that is destined to be mentioned in the future along the likes of Darth Vader and the Joker.
The biggest concern about this feature was the ability of the Russos to successfully juggle almost 30 main characters and multiple plot-lines. They succeeded in this herculean task, as if through a miracle. The film's pace is relentless and despite it's considerable length at no moment do we feel any slack. The action is rousing and nicely balanced with more quiet and personal moments that provide crucial character development.
You can't talk about this film without mentioning its ending. Surprising and gutsy don't even begin to describe it. I understand why cynics might dismiss it as a stunt. But I also contend that this doesn't take away from its visceral impact on first sight. It's a gut punch because Marvel has gotten us accustomed in boisterous, fun, happy endings.
This one has hopelessness and futility written all over it.
Within the context of the MCU, "Infinity War"'s comparison to "Empire Strikes Back" is well deserved. The final shots of the surviving heroes reeling from their defeat, while a wounded Thanos savors his victory on a distant planet, are potent.
Andy K (10821 KP) rated Brightburn (2019) in Movies
Oct 19, 2019
I like the idea of a horror superhero genre but...
Brightburn is a classic modern example of a great idea, with mediocre execution.
The classic "Superman" story is turned on its head in a way when a spaceship falls to Earth with a baby within. The young couple who live on a farm decide to adopt the infant as their own. Now 12 years old, young Brandon starts to feel differently. He is compelled to seek out his mother ship now locked inside the depths of a barn where he seems to receive unknown demonic instruction.
Things aren't going well at school either. He injures a young girl's hand after an incident where she fails to catch his fall while playing a game of trust during their physical education class. Afterwards, the girl's mother has some distasteful words to say about Brandon which he overhears and his lust for retribution emerges.
The lack of specific direction or even which genre this movie wanted to inhabit is its biggest flaw (which means bad screenplay). At some points it was underdog outcast teen drama and at others darkened house jump scare or even some scenes involving gruesome gory horror. The first half of the short 90 minutes was devoted to establishing Brandon's status at school and with his family and wasn't terribly interesting while the 2nd half was just the standard gruesome kill after gruesome kill which were cool I guess, but won't stay with me.
Going in, I really thought the film was going to be more epic and concentrate on his emerge and then quest for world domination (which was only shown during the end credits) which I think would have been way more interesting, similar to Chronicle which was done in a much more interesting way than this.
Maybe they were hoping for huge success so the 2nd film could've explained more of the origin story. I guess I don't mind that nothing as to the source of the spaceship or the creatures within were explained. I don't need every plot point spoon fed to me, but it was a wasted opportunity to create a new completely original super villain universe which they could've drawn from indefinitely.
Is Brightburn supposed to be an antihero? Are you supposed to root for him to avenge the wrongs he has had in his ife or are you simply supposed to cringe like you would when Jason or Michael hack into a sex crazed teenager?
The classic "Superman" story is turned on its head in a way when a spaceship falls to Earth with a baby within. The young couple who live on a farm decide to adopt the infant as their own. Now 12 years old, young Brandon starts to feel differently. He is compelled to seek out his mother ship now locked inside the depths of a barn where he seems to receive unknown demonic instruction.
Things aren't going well at school either. He injures a young girl's hand after an incident where she fails to catch his fall while playing a game of trust during their physical education class. Afterwards, the girl's mother has some distasteful words to say about Brandon which he overhears and his lust for retribution emerges.
The lack of specific direction or even which genre this movie wanted to inhabit is its biggest flaw (which means bad screenplay). At some points it was underdog outcast teen drama and at others darkened house jump scare or even some scenes involving gruesome gory horror. The first half of the short 90 minutes was devoted to establishing Brandon's status at school and with his family and wasn't terribly interesting while the 2nd half was just the standard gruesome kill after gruesome kill which were cool I guess, but won't stay with me.
Going in, I really thought the film was going to be more epic and concentrate on his emerge and then quest for world domination (which was only shown during the end credits) which I think would have been way more interesting, similar to Chronicle which was done in a much more interesting way than this.
Maybe they were hoping for huge success so the 2nd film could've explained more of the origin story. I guess I don't mind that nothing as to the source of the spaceship or the creatures within were explained. I don't need every plot point spoon fed to me, but it was a wasted opportunity to create a new completely original super villain universe which they could've drawn from indefinitely.
Is Brightburn supposed to be an antihero? Are you supposed to root for him to avenge the wrongs he has had in his ife or are you simply supposed to cringe like you would when Jason or Michael hack into a sex crazed teenager?
Neon's Nerd Nexus (360 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 19, 2019
A journeys end
Star Wars The Rise Of Skywalker never quite manages at any point to achieve anything I would consider epic or even memorable making it ultimately fall flat when it comes to thrill, excitement and unique moments that you would expect the last film in a trilogy to be full of. That being said while its not exactly a very engaging film its definitely a very entertaining scifi adventure its just lacking in a personality of its own instead serving us more of the same again. My biggest problem is mainly with the first 2 acts, the first felt extremely rushed with no time at all spent with any one character or location instead zipping from scene to scene like a quick montage making me ultimately care very little for anyone or whats going on. The second act fairs much better but becomes very slow with the film focusing more on fixing the last jedis problems rather than progressing its story. Luckily the third act is top notch and contains enough space battles, lightsabre fights and warm messages that you can almost forgive all the problems the first two acts bring and leave the cinema feeling if anything entertained at the very least. Its a story about how our actions no matter how big or small have an effect on other peoples lives be it in the form of motivation, inspiration or by our actions. It all matters and if we all stand together, keep each other positive with hope in our hearts we can fight even the strongest of evils united as one. I found there to be a lot about being appreciated too and towards the end characters felt like they had actually progressed as people which was nice. Current political refrences are also quite strong too and theres a surprising amount about the struggles of being an orphan also which I found intresting. Action wise its fine but I found the film really lacking in thirlls and excitment a lot of the time (this could be down to characters feeling invincible which significantly decreased the feeling of threat). While not a bad movie its definitely the worst for me out of the new trilogy and im in no hurry to see it again. Not quite the epic ending we all expected more of a correction piece for past mistakes made but without a doubt an enjoyable film that finally means we can move on and hopefully explore some more intresting parts of the star wars universe now.
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.
Andy K (10821 KP) rated Creature from the Black Lagoon (1954) in Movies
Sep 22, 2019
The creature lurks!
In the Amazon jungle, a prehistoric amphibian claw fossil is found prodding local scientists to investigate its origins. They decide on an expedition to gain more information and possibly locate its origins.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.
colin... (64 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Sep 30, 2020
So, I'd like to preface this review by saying that I never thought i would. Thank you Star Wars fans. My experience while watching Endgame on opening night was one of the most atrocious theater going experiences I have ever had, with every single person yelping like baboons at every single line or character appearance. The Star Wars fans that showed up to almost sell out my theater were super respectful and didn't make a single peep through the runtime, thus making my experience much more enjoyable and giving me a clearer head to rate this film. Therefore, I have made the assertion that Marvel is the lowest common denominator and Star Wars gains a bit of respect in my books!
Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.
Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.
Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.
Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.
Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.
Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.
Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.
Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.
BankofMarquis (1832 KP) rated Captain Marvel (2019) in Movies
Mar 9, 2019
Chemistry between Brie Larson and Samuel L. Jackson (1 more)
As always, END CREDITS SEQUENCE
A Marvel-ous "Buddy Cop" film
For those of you who read my reviews regularly know, I am a fan of the films produced in the MARVEL CINEMATIC UNIVERSE. There has been a bit of a hiatus in these films (the last one was ANT MAN AND THE WASP last July) so it was with some excitement that I headed to the multiplex to check out the latest installment in this film franchise.
And...after an opening that paid tribute to the late, great Stan Lee, I settled in for what, I hoped would be a fun time at the movies. I started to become a little concerned in the first half hour of this film as it jumbled things around, trying to tell an origin story of a person who has no memory of where she came from while Jude Law was "man-splaining" the new worlds and the new people that the audience needs to know about it. I was becoming concerned that this film was going to become a "hot mess".
And then came Samuel L. Jackson.
Mr. Jackson is a MOVIE STAR and his presence in this film instantly catapulted it to another level. The star power, energy and pacing of the film improved and (if I am honest with myself) the performance of Brie Larson as Carol Danvers/Captain Marvel improved as well. The film stopped being an "alien Super Hero" film and it become a "buddy cop film" along the lines of LETHAL WEAPON, 48 HOURS and (my personal favorite) MIDNIGHT RUN.
The chemistry between Jackson and Larson is undeniable and they play off of each other very well, bantering and bouncing lines back and forth while chasing - and being chased - by the bad guys. This dynamic raised the level of this film from a "middle of the road" SuperHero film to a fun action/comedy that is in the upper third of the Marvel Cinematic Universe.
Aside from Jackson, Larson (eventually) is terrifically cast as the titular character. She has a difficult balancing act to fulfill in the first 1/2 hour of the film, since her character has no memories, she also was in danger of having no personality. I've heard the word "bland" thrown around to characterize her performance, but I wouldn't quite go there (especially once Jackson shows up and her character's memories start to return). This is a well rounded, fierce performance and I don't think we've really seen the "best" that this character - or Larson's portrayal - has to offer.
Jude Law, Annette Benning(!) Lashana Lynch and Clark Gregg are all "fine" in supporting roles, but they pale in comparison to Larson/Jackson. Only Ben Mendehlson was able to "up" his performance to match these two, so when Jackson/Larson/Mendehlson were on the screen together, things crackled. Oh...and I would be remiss if I didn't mention one of the best feline performances in film in quite some time - GOOSE, the cat (yes, named after the character in TOP GUN). The less I say about this character the better - but it was really fun. The only disappointment for me was the usage of Gemma Chan (CRAZY, RICH ASIANS) as Minn-Erva. She just didn't have much to do, probably because at the time of filming Chan was not much of a "name". I know here character is crucial to some Captain Marvel storylines in the comics, so I am hoping they bring her back and use her more in the future.
But...as for this film...it is a fun romp, with good action and a truly memorable pairing of Jackson/Larson - one that does not disappoint. Stay, of course, for the TWO end credits scene - the first one sets up AVENGERS: ENDGAME and the last one is...
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(OfMarquis)
And...after an opening that paid tribute to the late, great Stan Lee, I settled in for what, I hoped would be a fun time at the movies. I started to become a little concerned in the first half hour of this film as it jumbled things around, trying to tell an origin story of a person who has no memory of where she came from while Jude Law was "man-splaining" the new worlds and the new people that the audience needs to know about it. I was becoming concerned that this film was going to become a "hot mess".
And then came Samuel L. Jackson.
Mr. Jackson is a MOVIE STAR and his presence in this film instantly catapulted it to another level. The star power, energy and pacing of the film improved and (if I am honest with myself) the performance of Brie Larson as Carol Danvers/Captain Marvel improved as well. The film stopped being an "alien Super Hero" film and it become a "buddy cop film" along the lines of LETHAL WEAPON, 48 HOURS and (my personal favorite) MIDNIGHT RUN.
The chemistry between Jackson and Larson is undeniable and they play off of each other very well, bantering and bouncing lines back and forth while chasing - and being chased - by the bad guys. This dynamic raised the level of this film from a "middle of the road" SuperHero film to a fun action/comedy that is in the upper third of the Marvel Cinematic Universe.
Aside from Jackson, Larson (eventually) is terrifically cast as the titular character. She has a difficult balancing act to fulfill in the first 1/2 hour of the film, since her character has no memories, she also was in danger of having no personality. I've heard the word "bland" thrown around to characterize her performance, but I wouldn't quite go there (especially once Jackson shows up and her character's memories start to return). This is a well rounded, fierce performance and I don't think we've really seen the "best" that this character - or Larson's portrayal - has to offer.
Jude Law, Annette Benning(!) Lashana Lynch and Clark Gregg are all "fine" in supporting roles, but they pale in comparison to Larson/Jackson. Only Ben Mendehlson was able to "up" his performance to match these two, so when Jackson/Larson/Mendehlson were on the screen together, things crackled. Oh...and I would be remiss if I didn't mention one of the best feline performances in film in quite some time - GOOSE, the cat (yes, named after the character in TOP GUN). The less I say about this character the better - but it was really fun. The only disappointment for me was the usage of Gemma Chan (CRAZY, RICH ASIANS) as Minn-Erva. She just didn't have much to do, probably because at the time of filming Chan was not much of a "name". I know here character is crucial to some Captain Marvel storylines in the comics, so I am hoping they bring her back and use her more in the future.
But...as for this film...it is a fun romp, with good action and a truly memorable pairing of Jackson/Larson - one that does not disappoint. Stay, of course, for the TWO end credits scene - the first one sets up AVENGERS: ENDGAME and the last one is...
Letter Grade A-
8 (out of 10) stars and you can take that to the Bank(OfMarquis)
Gareth von Kallenbach (971 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/