"At an early point in this novel, Lessing’s heroine, Anna, says that she wishes she could write ‘a book powered with an intellectual or moral passion strong enough to create order, to create a new way of looking at life.’ That’s as good a way as any to describe this book and its effect on me—but it’s also a genuinely involving and surprisingly enjoyable read, especially given that it is by a writer with almost no sense of humor. There was a time when I believed that any modern woman had to read The Golden Notebook, but I’m no longer given to pronouncements that are quite so doctrinaire."

"This would have to be my favorite classic novel. It’s such a beautiful, tragic love story—a book that will just destroy you. And Faulkner’s language is so utterly descriptive. He can write an entire page that consists of only adjectives and two commas. Actually, he’s the reason I ended up passing high school English, because my punctuation was always kind of…eccentric. I would say to my teacher, ‘Well, you know, William Faulkner—he doesn’t use proper punctuation.’ And one of my teachers ended up devising a system with two grades, where you were graded on content and then on whether it was properly written."

"Huge, magical, realist epic about Indian Independence through the eyes of a child born on the stroke of midnight. Funny, dense, flowery, the story goes on huge tangents, but I love this crazy novel, which somehow manages to depict and sum up the essence of the incredible vast country of India. A real education for me as someone who grew up in London, who had never been to India while growing up. This book helped me better understand what my parents had been through, where they came from before they chose to travel across the world to settle in the the U.K., where I was born."

"The novel begins “Long ago in 1945 all the nice people in England were poor, allowing for exceptions.” It’s in the bombed out London of 1945 at the end of the war in a shabby, genteel boarding house for young ladies called the May of Teck Club. We meet the various girls of slender means and follow their lives and love affairs. I love all Muriel Spark’s books and think she is witty and elegant and spiky and weird. I met her once in Italy when I was a teenager and she told me, “For the next ten years all you should do is sleep and go to parties.”"

"This novel is cited by many of my author friends as the best in the English language. I, too, am awed by its beauty and intelligence, so much so that I sometimes feel I should stop writing. (I won’t.) The narrator of this story has been bestowed with telepathic powers by virtue of the time of his birth. This proves useful in recounting his life, which is coincidentally wrapped around historical events in India. Rushdie injects much political criticism of the powers that came to be, and this trait in his writing recalls for me George Orwell’s treatise on why we write: politics has much to do with it."

"I don’t hesitate to state that no one becomes a great writer without drinking from the spring of fables. Sometimes their influence shows on the surface and at other times it remains hidden inside the story like bones in a body. In this magnificent collection of dark stories, Vollmann — who many consider having written the Great American Novel more than once — proves himself a master storyteller whose pitcher of that fabled water never runs dry. Drawing on sources from the North, The South, The East and the West he takes us on a journey through many last nights on earth and in the worlds beyond."

"In a politically fractious America in which “bearing witness” has been attacked as a motive for art in recent years, emerging writers have nonetheless written boldly across divides of class, ethnic identity, and gender. Outstanding among these has been Anthony Marra, a young American author whose first two books are set mainly in Russia and the former Soviet Union. In A Constellation of Vital Phenomena, Marra’s debut novel, three survivors of the Second Chechen War band together in an abandoned hospital. In 2015’s The Tsar of Love and Techno, linked short stories follow various characters’ dreams and dashed hopes from the 1930s to the present, and then beyond."

"In a politically fractious America in which “bearing witness” has been attacked as a motive for art in recent years, emerging writers have nonetheless written boldly across divides of class, ethnic identity, and gender. Outstanding among these has been Anthony Marra, a young American author whose first two books are set mainly in Russia and the former Soviet Union. In A Constellation of Vital Phenomena, Marra’s debut novel, three survivors of the Second Chechen War band together in an abandoned hospital. In 2015’s The Tsar of Love and Techno, linked short stories follow various characters’ dreams and dashed hopes from the 1930s to the present, and then beyond."

"The novel is set in three parts in the Ramsays' summer home, on the Isle of Skye. On the surface, Mrs. Ramsay — the devoted mother and matriarch of the family, and Lily Briscoe — a female artist committed to personal autonomy, stand in stark contrast of each other. Mrs Ramsay appears to have it all, but underneath, the responsibilities of being an ideal woman — a wife and mother — is slowly killing her. Throughout the first part of the book, Mrs. Ramsay is almost never without her knitting, a fact that becomes even more prominent in her absence, when the remaining characters return to the summer house after Mrs Ramsay’s death."