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Lucy Buglass (45 KP) rated Broken Ceiling (2018) in Movies
Jun 20, 2019
A critique of toxic workplace culture
We’ve all had to endure conference calls at work, and we all know how boring they can be. When I realised that Broken Ceiling takes place almost entirely within a conference call, I was worried that they wouldn’t be able to keep my attention for a full hour and a half. However, I’m pleased to say I was wrong!
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Gareth von Kallenbach (980 KP) rated Shaun of the Dead (2004) in Movies
Aug 14, 2019
With the recent influx of the walking dead at your local multiplex, it would be easy to dismiss the British film “Shaun of the Dead” as just another cheap zombie film. While few will mistake “Shaun” as a landmark in cinematic history, but despite its flaws, there are a few funny moments on the film.
The film attempts to mix horror and comedy and largely but works best if viewed as a comedic satire of the genre. Shaun, (Simon Pegg), (who also helped write the film), is a working class stiff who toils away his time in an London district selling electronics by day and squiring the love of his life Liz (Kate Ashfield), to the local pub much to her dismay as the monotony of the situation and Shaun’s obscene slacker friend Ed (Nick Frost), have worn on her last nerve.
Despite getting an ultimatum from Liz to take her to someplace other than the pub, Shaun becomes distracted and fails to secure a table elsewhere, causing Liz to storm out and send Shaun into a spiral as he begins to question his place in life and suspect that there is much more that he should be doing.
As if this was not enough of a burden for Shaun to endure, the local population seems to be acting oddly as reports of mayhem and carnage are starting to arise and the streets start to fill with Zombies. At first Shaun and Ed are oblivious to the changes around them as they continue their daily routines without noticing the blood stains, bodies and walking dead in the neighborhood, that is until one decided to attack.
Shaun and Ed soon get a nasty dose of reality and Shaun eventually decides that he must get his mother and Liz to safety, so armed with his Cricket bat, he takes on the grisly horde of undead against overwhelming odds.
While the film does have some good comedic moments, it drags horribly for the last 20 minutes as only a funny but albeit brief segment involving a zombie attack to a Queen classic is the only respite in the monotone that the film crawls to. The biggest problem is that the film seems to run out of material about 40 minutes in and the makers of the film try to stretch the film using standards from past zombie films. We have the desperate stand in a surrounded building, the improvised weapons, the infighting between survivors, and the classic bearing of the soul when it seems darkest.
I do admire the creative element that the creators of the film came up with especially with the obvious budget restrictions they were under. That being said, the film is not worthy of the praise that is being heaped upon it. Yes, it shows promise for the cast, and yes it is a nice twist on the tired zombie genre, but any momentum that was gained in the early portion of the film is quickly destroyed by the sputtering plot that crawls its way to the finish with a ho-hum climax that will disappoint any in the audience who still care.
The film attempts to mix horror and comedy and largely but works best if viewed as a comedic satire of the genre. Shaun, (Simon Pegg), (who also helped write the film), is a working class stiff who toils away his time in an London district selling electronics by day and squiring the love of his life Liz (Kate Ashfield), to the local pub much to her dismay as the monotony of the situation and Shaun’s obscene slacker friend Ed (Nick Frost), have worn on her last nerve.
Despite getting an ultimatum from Liz to take her to someplace other than the pub, Shaun becomes distracted and fails to secure a table elsewhere, causing Liz to storm out and send Shaun into a spiral as he begins to question his place in life and suspect that there is much more that he should be doing.
As if this was not enough of a burden for Shaun to endure, the local population seems to be acting oddly as reports of mayhem and carnage are starting to arise and the streets start to fill with Zombies. At first Shaun and Ed are oblivious to the changes around them as they continue their daily routines without noticing the blood stains, bodies and walking dead in the neighborhood, that is until one decided to attack.
Shaun and Ed soon get a nasty dose of reality and Shaun eventually decides that he must get his mother and Liz to safety, so armed with his Cricket bat, he takes on the grisly horde of undead against overwhelming odds.
While the film does have some good comedic moments, it drags horribly for the last 20 minutes as only a funny but albeit brief segment involving a zombie attack to a Queen classic is the only respite in the monotone that the film crawls to. The biggest problem is that the film seems to run out of material about 40 minutes in and the makers of the film try to stretch the film using standards from past zombie films. We have the desperate stand in a surrounded building, the improvised weapons, the infighting between survivors, and the classic bearing of the soul when it seems darkest.
I do admire the creative element that the creators of the film came up with especially with the obvious budget restrictions they were under. That being said, the film is not worthy of the praise that is being heaped upon it. Yes, it shows promise for the cast, and yes it is a nice twist on the tired zombie genre, but any momentum that was gained in the early portion of the film is quickly destroyed by the sputtering plot that crawls its way to the finish with a ho-hum climax that will disappoint any in the audience who still care.
Andy K (10821 KP) rated Vertigo (1958) in Movies
Oct 20, 2019
An ex cop is asked to surveil the wife of a friend who seems to be exhibiting erratic behavior. Unfortunately, Scottie had to retire from active duty after an incident of vertigo caused the death of another officer. He takes the job and wanders with the woman as she visits an art gallery and cemetery among others. She inexplicably one day decides to hurl her body into San Francisco Bay and luckily he is there to retrieve her.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Sophia (Bookwyrming Thoughts) (530 KP) rated Siege and Storm in Books
Jan 23, 2020
I have completely mixed feelings about Leigh Bardugo's <i>Shadow and Bone trilogy.</i> So mixed, I was scared of reading <i>Siege and Storm</i>, despite the fact the librarian pretty much promised the entire series gets better by the book.
The second book in the <i>Grisha Trilogy</i> is certainly better than <i><a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank" rel="noopener">Shadow and Bone</a></i> – whereas Alina Starkov (aka Sun Summoner) was overly mopey for a good part of the first book (to the point where I started calling her Mopey), Alina is less mopey this time around. A fantastic turnaround, because I don't think I can handle Starkov being mopey for two books. Instead, our fabulous Sun Summoner "Saint" is a little more... overconfident. Spunky (but that's what I've always like about Alina). And definitely in control of the situation, even if it's not in her favor and there are unpleasant rumors about her floating among the Grisha and everyone else.
But even though Alina is in control of the situation for the most part, there's somehow not a love triangle, but a love <i>square</i> surrounding Saint Sun Summoner.
Boy #1 (Mal): My least favorite corner, Mal wasn't a terrible character back in <i>Shadow and Bone</i> – I actually liked Mal a little. I particularly liked his interactions and dialogue with Alina. In the sequel though... he turns into Adrian Ivashkov 1.0 (HOPEFULLY 1.0).
Boy #2 (Darkling): I shipped Alina and the Darkling back in book one... until the end. The Darkling doesn't grace us readers in <i>Siege and Storm</i> as much as he does in <i>Shadow and Bone,</i> but he's really just that one desperate dude with the way he constantly tells Alina that there's no else like them and that they "belong together."
Boy #3 (Nikolai): My third least favorite corner (aka my favorite corner), despite the fact Nikolai is probably going to end up as one of my favorite characters in the entire trilogy after I read <i>Ruin and Rising</i>. Nikolai's two things: arrogant and adorable. Arrogant because seeing as he's royalty, he'll obviously have a big head of sorts (but not too big). Adorable because of his conversations and dialogue with Alina – I pretty much ship them... even if Nikolai probably likes her for political purposes.
The world building, as it was in the first, is spectacular – Imperial Russia spectacularized into fantasy. The concept is phenomenal and a fantastic pitch – even though I have mixed feelings about the entire series altogether, the <i>Grisha Trilogy</i> definitely deserves the hype and praise.
The trilogy so far is essentially Alina running, getting caught, and running again (with attacks and whatnot in between) – if that's the case for the first and second book, I'm definitely scared of reading the last book now. It could go extremely ugly – down the rabbit hole – or extremely well – mind = blown.
<a href="https://bookwyrmingthoughts.com/review-siege-and-storm-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The second book in the <i>Grisha Trilogy</i> is certainly better than <i><a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank" rel="noopener">Shadow and Bone</a></i> – whereas Alina Starkov (aka Sun Summoner) was overly mopey for a good part of the first book (to the point where I started calling her Mopey), Alina is less mopey this time around. A fantastic turnaround, because I don't think I can handle Starkov being mopey for two books. Instead, our fabulous Sun Summoner "Saint" is a little more... overconfident. Spunky (but that's what I've always like about Alina). And definitely in control of the situation, even if it's not in her favor and there are unpleasant rumors about her floating among the Grisha and everyone else.
But even though Alina is in control of the situation for the most part, there's somehow not a love triangle, but a love <i>square</i> surrounding Saint Sun Summoner.
Boy #1 (Mal): My least favorite corner, Mal wasn't a terrible character back in <i>Shadow and Bone</i> – I actually liked Mal a little. I particularly liked his interactions and dialogue with Alina. In the sequel though... he turns into Adrian Ivashkov 1.0 (HOPEFULLY 1.0).
Boy #2 (Darkling): I shipped Alina and the Darkling back in book one... until the end. The Darkling doesn't grace us readers in <i>Siege and Storm</i> as much as he does in <i>Shadow and Bone,</i> but he's really just that one desperate dude with the way he constantly tells Alina that there's no else like them and that they "belong together."
Boy #3 (Nikolai): My third least favorite corner (aka my favorite corner), despite the fact Nikolai is probably going to end up as one of my favorite characters in the entire trilogy after I read <i>Ruin and Rising</i>. Nikolai's two things: arrogant and adorable. Arrogant because seeing as he's royalty, he'll obviously have a big head of sorts (but not too big). Adorable because of his conversations and dialogue with Alina – I pretty much ship them... even if Nikolai probably likes her for political purposes.
The world building, as it was in the first, is spectacular – Imperial Russia spectacularized into fantasy. The concept is phenomenal and a fantastic pitch – even though I have mixed feelings about the entire series altogether, the <i>Grisha Trilogy</i> definitely deserves the hype and praise.
The trilogy so far is essentially Alina running, getting caught, and running again (with attacks and whatnot in between) – if that's the case for the first and second book, I'm definitely scared of reading the last book now. It could go extremely ugly – down the rabbit hole – or extremely well – mind = blown.
<a href="https://bookwyrmingthoughts.com/review-siege-and-storm-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Hidden Gold: A True Story of the Holocaust in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I'm generally not a memoir person. But if I'm going to read a memoir (or even nonfiction), I'll choose anything about the Holocaust (I find that time period sadistically interesting).
<i>Hidden Gold</i> deserves about as much praise as Anne Frank's <i>Diary of a Young Girl</i>. A story set in another part of Europe (Poland) during Hitler's reign, Burakowski tells us her family's survival, hidden away from society in the hopes that they won't be found out.
For two years, the Golds hid with the Lanskis in a small part of a barn in Kolkow, surviving with very little sustenance. During that time, their hope dwindles little by little, but the two families still cling on to their pasts, even if that life will be impossible to get back to after everything blows over.
I loved how Burakowski introduces us to her family and the people that the Golds were involved with, giving us lots of background information on how Leib met Hanna and how the Golds lived their life in the early parts of the war. Burakowski also gives us insight on the growing hypocrisy and horrors among society as Hitler's power and anti-Semitism grew, giving us visuals on how life was like for the Jews back in the late 1930s and early 1940s. We're also shown the inner turmoils going on with those who had good relations with Jews and now having to choose whether or not they should help Jews, or give in to the propaganda.
Shoshana, Hanna's daughter, is extremely admirable. She's willing to go out to the Germans, pretending to be one of them, to buy her family time. She is also willing to risk her life a few times to get her family's money from Pi?czów, and going back again <em>while</em> she felt ill. If I were in her place, I'd probably continue to curl up in a fetal little ball. (Despite the fact I'm considered living in "poverty," I'm pretty much a lucky duckling. Also, being an only child, I'm probably a <em>little</em> spoiled.)
David is perhaps one of those where all the feels will come. Like any little kid, he's full of mischief and mayhem, but going through such a dark time at a really young age, he's extremely brave, confident, and has the most hope for the family getting out alive.
Although most of <i>Hidden Gold</i> is focused on the Gold's survival during Hitler running rampant with the final solution, Burakowski finalizes the story from David's viewpoint with how each of the family members were impacted years later in the future. For those interested in what happened in other parts of Europe or a survival story outside of concentration camps, Ella Burakowski's <i>Hidden Gold</i> makes a fantastic contribution depicting the horrors of the Holocaust.
<a href="https://bookwyrmingthoughts.com/arc-review-hidden-gold-by-ella-burakowski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I'm generally not a memoir person. But if I'm going to read a memoir (or even nonfiction), I'll choose anything about the Holocaust (I find that time period sadistically interesting).
<i>Hidden Gold</i> deserves about as much praise as Anne Frank's <i>Diary of a Young Girl</i>. A story set in another part of Europe (Poland) during Hitler's reign, Burakowski tells us her family's survival, hidden away from society in the hopes that they won't be found out.
For two years, the Golds hid with the Lanskis in a small part of a barn in Kolkow, surviving with very little sustenance. During that time, their hope dwindles little by little, but the two families still cling on to their pasts, even if that life will be impossible to get back to after everything blows over.
I loved how Burakowski introduces us to her family and the people that the Golds were involved with, giving us lots of background information on how Leib met Hanna and how the Golds lived their life in the early parts of the war. Burakowski also gives us insight on the growing hypocrisy and horrors among society as Hitler's power and anti-Semitism grew, giving us visuals on how life was like for the Jews back in the late 1930s and early 1940s. We're also shown the inner turmoils going on with those who had good relations with Jews and now having to choose whether or not they should help Jews, or give in to the propaganda.
Shoshana, Hanna's daughter, is extremely admirable. She's willing to go out to the Germans, pretending to be one of them, to buy her family time. She is also willing to risk her life a few times to get her family's money from Pi?czów, and going back again <em>while</em> she felt ill. If I were in her place, I'd probably continue to curl up in a fetal little ball. (Despite the fact I'm considered living in "poverty," I'm pretty much a lucky duckling. Also, being an only child, I'm probably a <em>little</em> spoiled.)
David is perhaps one of those where all the feels will come. Like any little kid, he's full of mischief and mayhem, but going through such a dark time at a really young age, he's extremely brave, confident, and has the most hope for the family getting out alive.
Although most of <i>Hidden Gold</i> is focused on the Gold's survival during Hitler running rampant with the final solution, Burakowski finalizes the story from David's viewpoint with how each of the family members were impacted years later in the future. For those interested in what happened in other parts of Europe or a survival story outside of concentration camps, Ella Burakowski's <i>Hidden Gold</i> makes a fantastic contribution depicting the horrors of the Holocaust.
<a href="https://bookwyrmingthoughts.com/arc-review-hidden-gold-by-ella-burakowski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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