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Kevin Phillipson (9912 KP) rated Dolittle (2020) in Movies
Feb 27, 2020
Robert Downey Jr (2 more)
The animals
Michael sheen
Finally got to watch a week late due to the floods did I like the yes it perfect but I preferred it to the Eddie Murphy version I won't spoil it to much plot wise. Robert Downey Jr is always abley suppored by Michael sheen who gets to Han it up perfectly but the real stars are the animals themselves who steal the movie from Downey Jr and less said about the accent
Awix (3310 KP) rated West Side Story (1961) in Movies
Feb 22, 2018
Robert Wise and Jerome Robbins' toweringly brilliant musical should be ring-fenced for eternity, regardless of what Steven Spielberg thinks. Racial tension and gang violence is rife on New York's west side, but when co-founder of the Jets Tony (Beymer) falls in love with Maria (Wood), sister of the leader of the Sharks, can this bring about peace and understanding between the two street gangs? (Probably not.)
Appealing leads and some soaringly beautiful love songs, but also whip-smart humour and social commentary in many of the other numbers, all superbly directed and choreographed. The darkening of the story into genuine tragedy is masterfully done. One of those transcendentally great films, especially on the big screen; the reason that we have a 10 on the scale.
Appealing leads and some soaringly beautiful love songs, but also whip-smart humour and social commentary in many of the other numbers, all superbly directed and choreographed. The darkening of the story into genuine tragedy is masterfully done. One of those transcendentally great films, especially on the big screen; the reason that we have a 10 on the scale.
Darren (1599 KP) rated Robert The Bruce (2019) in Movies
Jul 2, 2019
Story: Robert the Bruce starts after William Wallace is defeated, Robert the Bruce (Macfadyen) and John Comyn (Harris) are fighting for control of Scotland, with John coming up the winner, Robert isn’t willing to take this defeat laying down, with his loyal soldiers James Douglas (Murtagh) planning to take Scotland back.
With Robert injured, Morag (Hutchison) and her family discover him, nursing him back to health despite being in a heavily Comyn control area, with Brandubh (McGowan) hunting down anyone who supporting Robert the Bruce, he must regain his strength to take his rightful place on the throne of Scotland.
Thoughts on Robert the Bruce
Characters – Robert the Bruce is the man that was crowned king of Scotland after the English were defeated, he wasn’t everybody’s first choice, which sees him needing to fight for his place on the throne, which sees him being left for dead, while his opposition takes control of the land, eliminating anybody who supports him. John Comyn is the other man that believes he could be king of Scotland, he has taken control in the battle against Robert, which sees him continuing to use the connections with English, much to anger of the Scots. Morag is the single mother that saw her husband killed fighting for Robert, she must raise her children believing John is the rightful ruler, either if her stories tell of Robert’s bravery. Brandubh is related to Morag, he is willing to kill anybody that doesn’t fight for his own country, which sees him trying to hunt down Robert the Bruce.
Performances – Angus Macfadyen reprises his former role of Robert the Bruce, one he played in Braveheart, he brings us a wise leader performance through the film. Jared Harris might have a supporting role, but after this year, you want to pause and watch any scene this man is in. Anna Hutchison does bring us a stronger performance than you would expect from her, with her getting to show that she can handle a serious role. Zach McGowan does a lot of the heavy lifting in this film, he is the one that gets to handle the most action through the film, with him being the villain for large parts of the film which otherwise would involve less action.
Story – The story here follows Robert the Bruce who became of the King of Scotland in the aftermath of the William Wallace battles against the English. Now this is set up to be some what of a sequel to Braveheart, which it is only in continuing a story, not in film story. we do play into the idea of how Scotland was left in the unknown after the battle, with two people fighting for the leadership, with the people left divided and calm required to make the land complete once again. The pacing of the story does come off slow in places which doesn’t help because, it is mostly a mother trying to prove to her children who should be king, and who they should tell people they respect more to remain safe. If you know your history the end of the film isn’t going to be a mystery to you and it does feel like there could have been a bigger impact with certain things that happen in this story.
History – This is a history lesson to the people that wanted to know more historic accuracy behind Scotland’s independence from England, unlike what Braveheart did.
Settings – The film does make us feel like we are in part of Scotland, we get to see how the condition made the events of the film difficult for the men fighting for the rightful cause.
Scene of the Movie – The crown.
That Moment That Annoyed Me – It is about 30 minutes too long for everything that is told in this story.
Final Thoughts – This is an interesting look at the history of Robert the Bruce and his rise to become king of Scotland, seeing how he overcame odds to take his place on the throne. Everything is acted well, never looking out of place.
Overall: History lesson.
With Robert injured, Morag (Hutchison) and her family discover him, nursing him back to health despite being in a heavily Comyn control area, with Brandubh (McGowan) hunting down anyone who supporting Robert the Bruce, he must regain his strength to take his rightful place on the throne of Scotland.
Thoughts on Robert the Bruce
Characters – Robert the Bruce is the man that was crowned king of Scotland after the English were defeated, he wasn’t everybody’s first choice, which sees him needing to fight for his place on the throne, which sees him being left for dead, while his opposition takes control of the land, eliminating anybody who supports him. John Comyn is the other man that believes he could be king of Scotland, he has taken control in the battle against Robert, which sees him continuing to use the connections with English, much to anger of the Scots. Morag is the single mother that saw her husband killed fighting for Robert, she must raise her children believing John is the rightful ruler, either if her stories tell of Robert’s bravery. Brandubh is related to Morag, he is willing to kill anybody that doesn’t fight for his own country, which sees him trying to hunt down Robert the Bruce.
Performances – Angus Macfadyen reprises his former role of Robert the Bruce, one he played in Braveheart, he brings us a wise leader performance through the film. Jared Harris might have a supporting role, but after this year, you want to pause and watch any scene this man is in. Anna Hutchison does bring us a stronger performance than you would expect from her, with her getting to show that she can handle a serious role. Zach McGowan does a lot of the heavy lifting in this film, he is the one that gets to handle the most action through the film, with him being the villain for large parts of the film which otherwise would involve less action.
Story – The story here follows Robert the Bruce who became of the King of Scotland in the aftermath of the William Wallace battles against the English. Now this is set up to be some what of a sequel to Braveheart, which it is only in continuing a story, not in film story. we do play into the idea of how Scotland was left in the unknown after the battle, with two people fighting for the leadership, with the people left divided and calm required to make the land complete once again. The pacing of the story does come off slow in places which doesn’t help because, it is mostly a mother trying to prove to her children who should be king, and who they should tell people they respect more to remain safe. If you know your history the end of the film isn’t going to be a mystery to you and it does feel like there could have been a bigger impact with certain things that happen in this story.
History – This is a history lesson to the people that wanted to know more historic accuracy behind Scotland’s independence from England, unlike what Braveheart did.
Settings – The film does make us feel like we are in part of Scotland, we get to see how the condition made the events of the film difficult for the men fighting for the rightful cause.
Scene of the Movie – The crown.
That Moment That Annoyed Me – It is about 30 minutes too long for everything that is told in this story.
Final Thoughts – This is an interesting look at the history of Robert the Bruce and his rise to become king of Scotland, seeing how he overcame odds to take his place on the throne. Everything is acted well, never looking out of place.
Overall: History lesson.
Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
Boris Karloff (1 more)
Bela Lugosi
Invasion
The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
Charlie Cobra Reviews (1840 KP) rated Manifest in TV
Jul 7, 2020
Intriguingly Good
Manifest is a supernatural/drama tv series created by Jeff Rake and executive producer Robert Zemeckis. It is produced by Compari Entertainment, Jeff Rake Productions, Universal Television and Warner Bros. Television and distributed by NBC Universal Television Distributions and Warner Bros. Television Distributions. It stars Melissa Roxburgh, Josh Dallas, Athena Karkanis, J.R. Ramirez and Luna Blaise.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
RəX Regent (349 KP) rated The Sound of Music (1965) in Movies
Mar 7, 2019
The hills are alive...
Contains spoilers, click to show
The film opens with a long travelogue styled flight through the Alps, with little music and just the wind and the clear air for company, until we end up on that now famous hill top, where the sound of music soars high and loud. This was shot in one of the many rival formats of the day, in this case, TODD-AO, a dynamic 70mm frame, and projected onto a massive screen, to great effect.
It is on that hilltop that we meet Maria, Julie Andrews, as she sings her way around the hills and Austria, unable to contain her musical aspiration or free spirit. We soon learn that she is finding it difficult to find her way as a nun, and is sent to work as a governess for Christopher Plummer's, Capatin von Trapp's, seven children.
Once there, she manages to endear herself to the family and well, the rest is history. The film is based on a true story but there a are several differences, mainly surrounding the political situation to added effect and the names and ages of the children to name but a few.
In the end the film looks great, with the von Trapp's villa set in a glorious location in Austria, relaxing a peaceful. There is a great sense of the family's interaction and growing bonds, both with the children and the Captain, whilst there is a gentle threat and tension from the baroness, the third party in the love triangle within the film, but there is little nastiness within the film, with the exception of the Nazi element, obviously.
With memorable songs, beautiful surroundings and great direction from Robert Wise, this has more than earned its place within the annuls of Hollywood greatness and will no doubt continue to flourish for generations to come, as timeless is not the word.
It is on that hilltop that we meet Maria, Julie Andrews, as she sings her way around the hills and Austria, unable to contain her musical aspiration or free spirit. We soon learn that she is finding it difficult to find her way as a nun, and is sent to work as a governess for Christopher Plummer's, Capatin von Trapp's, seven children.
Once there, she manages to endear herself to the family and well, the rest is history. The film is based on a true story but there a are several differences, mainly surrounding the political situation to added effect and the names and ages of the children to name but a few.
In the end the film looks great, with the von Trapp's villa set in a glorious location in Austria, relaxing a peaceful. There is a great sense of the family's interaction and growing bonds, both with the children and the Captain, whilst there is a gentle threat and tension from the baroness, the third party in the love triangle within the film, but there is little nastiness within the film, with the exception of the Nazi element, obviously.
With memorable songs, beautiful surroundings and great direction from Robert Wise, this has more than earned its place within the annuls of Hollywood greatness and will no doubt continue to flourish for generations to come, as timeless is not the word.
Kristy H (1252 KP) rated Small Admissions in Books
Feb 13, 2018
Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed?
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
Sassy Brit (97 KP) rated 11 Missed Calls in Books
Jun 5, 2019
11 Missed Calls by is a cleverly told story written from several points of view, with two different timelines. We see what happens before Debbie disappears leaving her two young children behind, we also see her grownup children Anna and Robert 30 years later, as they are still struggling to come to terms with the reason their mother would just walk away from them whilst they’re away on holiday in Tenerife. During this time, Anna has become increasingly worried that there is something her family is not telling her, and she begins to do some digging around and finds a private detective to help her.
Is their mother dead, or is there another reason she walked out of their lives for good? Would you forgive your mother if she did that to YOU?
OMG! If you love books about dysfunctional families and all the drama that attracts, you should really enjoy this one. Honestly, if you think your family were crazy, try this one; They’ll suddenly look like saints and you’ll feel so much better about your life for reading this!
Carpenter captured both Debbie’s and Anna’s characters (and what they each went through), very well. I totally did not see that ending coming and I was convinced I had all the answers, right up until the very end. I also got really involved for Anna’s plight for answers, and felt for how lonely she was when she finds her husband’s love letter from another woman, which ingeniously added another twist to this family drama. Despite the holiday in Spain’s Canary Islands, this book has a very British feel to it, which stands to reason as both the author and setting are based in the north of England and it can be quite grim (weather-wise) up North! Overall this was an entertaining read, rife with family secrets, lies and surprises!
And a touch of bad weather, too.
Is their mother dead, or is there another reason she walked out of their lives for good? Would you forgive your mother if she did that to YOU?
OMG! If you love books about dysfunctional families and all the drama that attracts, you should really enjoy this one. Honestly, if you think your family were crazy, try this one; They’ll suddenly look like saints and you’ll feel so much better about your life for reading this!
Carpenter captured both Debbie’s and Anna’s characters (and what they each went through), very well. I totally did not see that ending coming and I was convinced I had all the answers, right up until the very end. I also got really involved for Anna’s plight for answers, and felt for how lonely she was when she finds her husband’s love letter from another woman, which ingeniously added another twist to this family drama. Despite the holiday in Spain’s Canary Islands, this book has a very British feel to it, which stands to reason as both the author and setting are based in the north of England and it can be quite grim (weather-wise) up North! Overall this was an entertaining read, rife with family secrets, lies and surprises!
And a touch of bad weather, too.
Charlie Cobra Reviews (1840 KP) rated Alita: Battle Angel (2019) in Movies
Jul 3, 2020
A Phenomenal Anime Adaptation - 8/10
Alita: Battle Angel is a sci-fi/action movie based on the manga/anime by Yukito Kishiro, written by James Cameron and directed by Robert Rodriguez. Set to officially release on February 14th, it stars Rosa Salazar, Christolph Waltz, Jennifer Connelly, and Mahershala Ali. This movie was phenomenal and does a great job of transporting the viewer and immersing them into the world that is Iron City.
Dr. Ido (Christolph Waltz) searches the scrap pile junkyard of the metropolis known as Iron City for parts to repair patients at the clinic he owns and operates. He finds a badly damaged female cyborg (Rosa Salazar) that is still alive and chooses to repair her. When she awakens, she has no memory of her past, her name, or who she is. Dr. Ido allows her to live with him and names her Alita but doesn't permit her to venture out at night into the treacherous and dangerous streets of Iron City. However Alita has a wide-eyed view of looking at the world and with the help of a young boy named Hugo (Keean Johnson) she begins her quest to remember anything about her past and who she is.
Looks like Hollywood finally got an anime movie right. If you have any doubt you need to see this film for yourself. Definitely recommended if you like sci-fi and action movies but the heart and soul of the film is Alita herself. Her journey and transformation and her personality steal the show and make this movie great. The visual effects were awesome as well as the fight choreography and film cinematography. I'll admit that somethings plot wise fell through with the storyline towards the very end but this movie had a lot of emotion (heart and soul). I give this movie an 8/10.
Dr. Ido (Christolph Waltz) searches the scrap pile junkyard of the metropolis known as Iron City for parts to repair patients at the clinic he owns and operates. He finds a badly damaged female cyborg (Rosa Salazar) that is still alive and chooses to repair her. When she awakens, she has no memory of her past, her name, or who she is. Dr. Ido allows her to live with him and names her Alita but doesn't permit her to venture out at night into the treacherous and dangerous streets of Iron City. However Alita has a wide-eyed view of looking at the world and with the help of a young boy named Hugo (Keean Johnson) she begins her quest to remember anything about her past and who she is.
Looks like Hollywood finally got an anime movie right. If you have any doubt you need to see this film for yourself. Definitely recommended if you like sci-fi and action movies but the heart and soul of the film is Alita herself. Her journey and transformation and her personality steal the show and make this movie great. The visual effects were awesome as well as the fight choreography and film cinematography. I'll admit that somethings plot wise fell through with the storyline towards the very end but this movie had a lot of emotion (heart and soul). I give this movie an 8/10.
Sarah (7798 KP) rated Tenet (2020) in Movies
Aug 28, 2020 (Updated Aug 28, 2020)
Confusingly brilliant
When it comes to Christopher Nolan, I may be a little biased. I’ve loved every film he’s ever made, and most of his films feature in my list of favourite films of all time. So unsurprisingly, I loved Tenet even if it did completely mess up my head.
This film is a complete mind f**k. Excuse the language, but there’s no better way to describe it. Right from the opening scene, you can appreciate the sheer brilliance of this whilst being totally confused at the same time. And I’ll admit I spent the majority of this film wondering what on earth was going on, but that doesn’t make it any less of an enjoyable thrill ride. As with all of Nolan’s films, the cinematography is top notch and you really can’t fault it. The action scenes are epic and hugely impressive, especially when you consider that they’ve been done without CGI. I wish other filmmakers would take not when it comes to their over reliance on CGI! The score and soundtrack are fantastic too, so dramatic and really help with the increasing the suspense and tension.
Cast-wise, I had been concerned about John David Washington mainly because I haven’t seen him in much, but my concerns were unwarranted. He makes for a likeable lead and action hero and can definitely hold the weight of this film. Robert Pattinson, who I’ve never really liked thanks to Twilight, is also rather good and I actually wish his character had been in this more. And I spent the last part of the film debating if Aaron Taylor-Johnson was Ives (he was) who also should’ve been in this a lot more.
Despite my gushing, this film isn’t perfect, I found Elizabeth Debicki’s character Kat rather irritating at times and felt like her character could have been made into someone better. I also felt when there were dips in the action and the film ran into some quieter moments, my mind tended to wander to try and dissect and understand everything I’d already seen so far which probably made me miss more! The science behind the inversion is pretty deep and confusing, especially if you try and overthink it like I did.
That said, how this film unfolds and it’s ending are brilliantly done. There are a lot of lightbulb moments in this towards the end that made me go “ohhh” when I realised it explained or referred to an earlier moment in the film. And the ending itself was both unpredicted, genius, and also tugged on the old heartstrings a little. I loved this film a lot, but I definitely need to watch it again to really appreciate it fully.
This film is a complete mind f**k. Excuse the language, but there’s no better way to describe it. Right from the opening scene, you can appreciate the sheer brilliance of this whilst being totally confused at the same time. And I’ll admit I spent the majority of this film wondering what on earth was going on, but that doesn’t make it any less of an enjoyable thrill ride. As with all of Nolan’s films, the cinematography is top notch and you really can’t fault it. The action scenes are epic and hugely impressive, especially when you consider that they’ve been done without CGI. I wish other filmmakers would take not when it comes to their over reliance on CGI! The score and soundtrack are fantastic too, so dramatic and really help with the increasing the suspense and tension.
Cast-wise, I had been concerned about John David Washington mainly because I haven’t seen him in much, but my concerns were unwarranted. He makes for a likeable lead and action hero and can definitely hold the weight of this film. Robert Pattinson, who I’ve never really liked thanks to Twilight, is also rather good and I actually wish his character had been in this more. And I spent the last part of the film debating if Aaron Taylor-Johnson was Ives (he was) who also should’ve been in this a lot more.
Despite my gushing, this film isn’t perfect, I found Elizabeth Debicki’s character Kat rather irritating at times and felt like her character could have been made into someone better. I also felt when there were dips in the action and the film ran into some quieter moments, my mind tended to wander to try and dissect and understand everything I’d already seen so far which probably made me miss more! The science behind the inversion is pretty deep and confusing, especially if you try and overthink it like I did.
That said, how this film unfolds and it’s ending are brilliantly done. There are a lot of lightbulb moments in this towards the end that made me go “ohhh” when I realised it explained or referred to an earlier moment in the film. And the ending itself was both unpredicted, genius, and also tugged on the old heartstrings a little. I loved this film a lot, but I definitely need to watch it again to really appreciate it fully.
