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Olivia Munn recommended Forrest Gump (1994) in Movies (curated)
Sarah (7798 KP) rated Airplane! (1980) in Movies
Dec 8, 2020
Surely you can't be serious?
Film #6 on the 100 Movies Bucket List: Airplane!
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Neon's Nerd Nexus (360 KP) rated Joker (2019) in Movies
Oct 5, 2019 (Updated Oct 5, 2019)
You were never really here.
Joker buries a knife deep into your chest right from the start and just when you feel it might finally be pulled out to give you relief it twists it in a little deeper. Make no mistake about it Joker is a slow burn drama/character study so those expecting big action and Batman are in for a real shock here but then again thats also what I think is so special. Joker works hard and earns its big explosive moments with such a steady, progresive, careful character build up that ensures when vilolence hits its shocking, powrful, cold and chilling and thats whats so refreshing and brave about it especially for a mainstream film. Theres no hand holding, no sugar coating and no holding back here and its absolutely riveting and glorious to behold playing out a cross between taxi driver and you were never really here joaquin phoenix plays an already dangerously unstable man pushed over his breaking point by life and society. From the moment we first set eyes on Arthur we see his pain seeping out through his pupils and an insight into his tortured mind. Its a story about an already fragile mind being pushed to a point where it finally snaps and shows how especially without the right help and support an avoidable monster is unleashed. We have all become so uncaring and selfish because of our own problems in life we fail to care and empathise with each other but its lack of care and understanding of mental ilness (treating it esentially like a joke) that leads Arther to finally snap. When he does finaly give its like a release for him all his sadness, anxiety and lack of confidence vanishes and we see man reshaped and reborn. Then theres his uncontrolable laugh which seems to come about when he's anxious or stressed and actually feels like it physicaly pains him everytime its released. Character progression is steady and realistic this man is clearly sick, had a rough upbringing, suffering from mental illness and he longs for a father figure and just to be loved which he tries to achieve from performing. Theres so many themes explored here the big one being how society and the media are partaily responsible for glamorising and encouraging violent behavior/serial killers making them popular/trendy and swaying other fragile tried and tested minds to rise up a follow the lead. Theres just so much to say about this film and its frying my head trying to get it all down and in readable state. At the end of the day Joker is fantastic and without a doubt the best comic book movie we have had to date setting the bar for all those that follow now. Its mature, graphic, highly depresing, intricate, unnerving, relevant and iteligent leaving such a thought provoking lasting impression that you cant help but be fearful and worried about the current state of the world we live in and how its changing for the worse becoming such a terifying and unsafe place.
Stylish Sprint
Games and Entertainment
App
Stylish Sprint is an action running game where you play as a stickman who travels the world in...
Debbiereadsbook (1197 KP) rated Tamarillo Tart (Southern Lights #2) in Books
May 14, 2020
LOVED this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Southern Lights series, but you don't NEED to have read book 1, Powder & Pavlova, before this one. Ethan and Tanner DO pop up, but their story is not necessary for this one to make sense. However, personally, I recommend you DO read it, if only because that was a great read, and you knwo, I said so!
Stefan is a city boy, through and through, but his friend booked this trip, so he was gonna enjoy a trip up the mountian to see some Lord of The Rings scenery. Then his friend pulled out, and Stefan is faced withthe trip on his own, he is here already, so why not? How hard can it be? Cass is the tour guide, and Stefan pushes all kinds of buttons he didn't know needed pushing. How can they keep their hands off each other, when the attraction is scorching hot?
Oh my days, I loved this book!
Loved the snark, the jokes, the witty comments that Stefan throws at Cass, knowing that he is using every single double entrendre he can think of. Stefan KNOWS he wants Cass, but it's at a level he never had before. Cass is, though, a country boy and Stefan a city boy. However being in the country? It does something to Stefan, and it makes him think. Getting Cass off the mountian, when he was injured, was just what Stefan needed to show he wasn't just a pretty boy, he was someone who can get it done. Stefan just needs Cass to see that they would be great together.
Cass is mostly in the closet, and he does, bless him, TRY to fight his attraction to Stefan but it isn't long before he cannot any longer. I mean the whole book takes place over couple days, so it really isn't long but once they give in? OOOOEEEEEE these boys burn HOT!
While that hotness is great, what I particularly loved about this book was the soul-searching that both Stefan and Cass do. Both men are stuck in their lives, and they are *mostly* happy, but they know something is missing. Stefan is more profound in his musings, I must admit, and he does break your heart a couple of times, he really does. I was very impressed with his outward portrayal of being in control when Cass was sick, and how he managed to keep it together till Cass was safe. THEN he lost it.
Loved that Ethan and Tanner (book 1) pop up, even if it was near the end just to kick Stefan out his stupor, but they are referenced a lot by Stefan throughout the book, as it is THEIR relationship, while not jealous, he wants what they have.
Loved Stefan's t-shirt slogans and why he got them in the first place.
I love this series, I especially love the covers that reflect where the book takes place.
5 full and shiny stars
**same worded review will appear elsewhere**
This is book 2 in the Southern Lights series, but you don't NEED to have read book 1, Powder & Pavlova, before this one. Ethan and Tanner DO pop up, but their story is not necessary for this one to make sense. However, personally, I recommend you DO read it, if only because that was a great read, and you knwo, I said so!
Stefan is a city boy, through and through, but his friend booked this trip, so he was gonna enjoy a trip up the mountian to see some Lord of The Rings scenery. Then his friend pulled out, and Stefan is faced withthe trip on his own, he is here already, so why not? How hard can it be? Cass is the tour guide, and Stefan pushes all kinds of buttons he didn't know needed pushing. How can they keep their hands off each other, when the attraction is scorching hot?
Oh my days, I loved this book!
Loved the snark, the jokes, the witty comments that Stefan throws at Cass, knowing that he is using every single double entrendre he can think of. Stefan KNOWS he wants Cass, but it's at a level he never had before. Cass is, though, a country boy and Stefan a city boy. However being in the country? It does something to Stefan, and it makes him think. Getting Cass off the mountian, when he was injured, was just what Stefan needed to show he wasn't just a pretty boy, he was someone who can get it done. Stefan just needs Cass to see that they would be great together.
Cass is mostly in the closet, and he does, bless him, TRY to fight his attraction to Stefan but it isn't long before he cannot any longer. I mean the whole book takes place over couple days, so it really isn't long but once they give in? OOOOEEEEEE these boys burn HOT!
While that hotness is great, what I particularly loved about this book was the soul-searching that both Stefan and Cass do. Both men are stuck in their lives, and they are *mostly* happy, but they know something is missing. Stefan is more profound in his musings, I must admit, and he does break your heart a couple of times, he really does. I was very impressed with his outward portrayal of being in control when Cass was sick, and how he managed to keep it together till Cass was safe. THEN he lost it.
Loved that Ethan and Tanner (book 1) pop up, even if it was near the end just to kick Stefan out his stupor, but they are referenced a lot by Stefan throughout the book, as it is THEIR relationship, while not jealous, he wants what they have.
Loved Stefan's t-shirt slogans and why he got them in the first place.
I love this series, I especially love the covers that reflect where the book takes place.
5 full and shiny stars
**same worded review will appear elsewhere**
Skateboard Party 2 Lite
Games and Sports
App
Skateboard Party 2 brings all the fun of skateboarding to your mobile device allowing you to ride in...
Learn Japanese - Phrasebook for Travel in Japan
Travel and Education
App
**Best Japanese learning app on the go! Ranks above 100 place in Travel section in the App Store in...
Debbiereadsbook (1197 KP) rated Blood King (Heart Stones #1) in Books
May 4, 2022
Left with so many questions but so bloody good!!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
I'm not gonna write a bit about this book. I'm not gonna rehash any sort of plot line, but what I am gonna say is this:
ARGGGGGGGGGGGGGGGGGGHHHH!
Sayle has a particular way of messing with my head, she leaves me with question after question. Mostly, questions I cannot voice, but my head knows it has questions and Sayle drives me freaking nuts about it!
So, once I got over my spit-your-dummy-out, throw-your-toys-out-the-pram and I'll-scream-and-scream-and-scream-until-I'm-sick kind of tantrum, here's what I thought about this book.
So good, this first book in a new series, a very different book than of late for Sayle and I read this and flung my kindle at the wall and my partner looked at me like I grew a third head!
Why, you ask? Because questions, people, I have a lot, A LOT of freaking questions about this book and it's taken me 3 days to manage to write something about this book that actually makes sense!
I am, however, fairly certain that I will not be the only one why has questions, hell, I'm not even sure if Sayle has all the questions, let alone the answers to everything that was NOT said here.
Because while you get everything you need about Aion and Shiesha NOW, there is much, so (I really wanna use the Fword here but some sites don't like that, but I need to stress the point!) freaking MUCH, that is not said. About who Aion and Shiesha are running from, about what happened to Aion's family, about who Shiesha really is, about WHAT he is! And those bloody monks? Cryptic or what! But those monks, I understood. They are bound by a higher power and sworn to secrecy. Aion and Shiesha have all the answers, they just need to listen to their hearts to find them.
And then we get to the ending! A cliff hanger, people, of massive proportions! I knew this was coming, the blurb says so, but still. I had 10 minutes left in the book and then it was finished and sheesh, I was not happy! There is a teeny tiny bit that happens next, a bit of an epilogue slash sneak peak but I would rather have not had that, to be honest! I think it would have had a bigger reaction from people to not have that sneak peak, and I am left a little . . .annoyed . . .maybe. . . by it! I don't know WHY, but book feelings, people, I'm sharing my book feelings!
Anyway!
Because I have questions;
because I read it in one sitting;
because I threw my kindle at the wall (and it's been a long ass time since I did that!)
because of that freaking cliff hanger;
because, even, of that sneak peek;
because it's my review and I can. . .
5 freaking amazing stars!
But write quicker, Ms Sayle.
Write.
Quicker.
*same worded review will appear elsewhere
I'm not gonna write a bit about this book. I'm not gonna rehash any sort of plot line, but what I am gonna say is this:
ARGGGGGGGGGGGGGGGGGGHHHH!
Sayle has a particular way of messing with my head, she leaves me with question after question. Mostly, questions I cannot voice, but my head knows it has questions and Sayle drives me freaking nuts about it!
So, once I got over my spit-your-dummy-out, throw-your-toys-out-the-pram and I'll-scream-and-scream-and-scream-until-I'm-sick kind of tantrum, here's what I thought about this book.
So good, this first book in a new series, a very different book than of late for Sayle and I read this and flung my kindle at the wall and my partner looked at me like I grew a third head!
Why, you ask? Because questions, people, I have a lot, A LOT of freaking questions about this book and it's taken me 3 days to manage to write something about this book that actually makes sense!
I am, however, fairly certain that I will not be the only one why has questions, hell, I'm not even sure if Sayle has all the questions, let alone the answers to everything that was NOT said here.
Because while you get everything you need about Aion and Shiesha NOW, there is much, so (I really wanna use the Fword here but some sites don't like that, but I need to stress the point!) freaking MUCH, that is not said. About who Aion and Shiesha are running from, about what happened to Aion's family, about who Shiesha really is, about WHAT he is! And those bloody monks? Cryptic or what! But those monks, I understood. They are bound by a higher power and sworn to secrecy. Aion and Shiesha have all the answers, they just need to listen to their hearts to find them.
And then we get to the ending! A cliff hanger, people, of massive proportions! I knew this was coming, the blurb says so, but still. I had 10 minutes left in the book and then it was finished and sheesh, I was not happy! There is a teeny tiny bit that happens next, a bit of an epilogue slash sneak peak but I would rather have not had that, to be honest! I think it would have had a bigger reaction from people to not have that sneak peak, and I am left a little . . .annoyed . . .maybe. . . by it! I don't know WHY, but book feelings, people, I'm sharing my book feelings!
Anyway!
Because I have questions;
because I read it in one sitting;
because I threw my kindle at the wall (and it's been a long ass time since I did that!)
because of that freaking cliff hanger;
because, even, of that sneak peek;
because it's my review and I can. . .
5 freaking amazing stars!
But write quicker, Ms Sayle.
Write.
Quicker.
*same worded review will appear elsewhere
honingwords (32 KP) rated No Good Reason in Books
Jul 5, 2018
Cari Hunter is most definitely as top notch a writer as you are going to find in crime/thriller writing.
Cari Hunter’s Dark Peak crime series, starting with No Good Reason, was recommended to me by a Lesfic author. I reckon you have to be pretty good for your peers to claim you are ‘top notch’ and after reading four of her books in quick succession I can guarantee that Cari is most definitely as top notch a writer as you are going to find in crime/thriller writing.
Let me admit to you that I generally find crime novels too much hard work to follow. I like my books to be romances, and the sexier the better. I’m surprised as all get out to find I love Cari’s thrilling ride through these Police stroke Hospital novels. Especially as there is almost no juicy sex to lubricate the grit. The infrequency of sex scenes is because the main characters, Sanne and Meg, aren’t officially a couple. Or maybe they are. It’s entirely possible everyone knows they are, except themselves.
The story isn't necessarily about their sexual tension, but it was always in the back of my mind that they would see sense in the end and I patiently waited them out.
I have found in the last few years that there are many padded-out books on the market by well-respected authors, where you can skip through whole pages at a time without losing any real sense of the plot. Not so with No Good Reason which kept me riveted through each paragraph and exquisite word right from the tense prologue.
Cari definitely makes every single word count and I felt engaged in the story and with her main characters within the first few pages.
I’d already read Snowbound, which was a fantastic debut novel, but the characters in No Good Reason are one smidge more sophisticatedly written.
Sanne and Meg go back a very long time, from before their first kiss at the age of twelve, and they know each other better than they know themselves. They have generated a world around them where they are each others’ support and comfort. They are BFFs, they are Friends With Benefits, but somehow Cari has written them as even more than these things. They are each others’ absolute other halves.
These two girls have aches and bruises, and tears and emotions, and genuine exhaustion from their ridiculously long work hours.
They do things like accidentally drop perishable shopping on the floor, but eat it anyway; burn their tea; and turn the shower off when the toilet flushes for fear of being scalded.
I love details like these. I love that they can have a discussion about putting the bins out and HobNobs can fall in their tea the same as they do for you and me, without making the whole book boring and mundane. It simply endears the characters to me all the more.
They made me smile a lot. Meg prefers ham and quaver butties, for goodness sake, what’s not to love?
It doesn’t take long for Cari to completely draw you into their world in Northern England, around the Manchester area, and mainly in the Peak District which is where Cari lives and I feel like I have travelled the hills and crunched the snow and tramped through the same streets as she has now.
This area has its own accent, Northern English, and it is noticeable that she uses phrases and words particular to there. I can’t remember which words I picked up on first, probably some dialogue, but you quickly become used to the fact this is not written by an American. It’s refreshing to have only regional UK main characters: no Londoners; no Americans.
Don’t let the idea of a local accent and local characters put you off, there is nothing in the book you wouldn’t understand, it is still all ‘plain English’ and if you come across a word you can’t decipher I will more than happily translate for you!
Other than the almost-a-romance-but-so-much-more between the two girls there is also this whole other kidnapping / crime malarkey going on. Sanne is a little too personally involved in the case right from the beginning, being caught up in the initial rescue of the victim. She and her police partner, the sensitive, caring, supportive, gorgeously written Nelson, are embroiled in working the case together. Needless to say they spend a lot of time visiting Meg in her role as A&E Doctor in the local hospital for one reason or another. Nelson is a beautiful soul and just the kind of partner Sanne needs, but that writers seldom allow their straight characters to be, especially in Police fiction.
The kidnapping plot is fast paced and exciting. The characters on both sides of the investigation were all believable and there was an audible ‘Huh!’ out of me with the final twist at the end. I really didn’t see that coming. Such a simple way to pull the whole plot together. Chilling!
Cari has a remarkable flair for descriptive writing and she pays particular attention to details like sounds and how things feel against skin. You are left in no doubt every time a character is sore, almost feeling the pain and peeling off the scabs with them.
Sometimes you have to reread a passage to understand the gist of what an author means, or furrow your brow over a combination of words because they just don’t make sense or even belong together, but with Cari Hunter the only thing I can point out to her is ‘Try feeding goldfinches niger seeds instead of nuts.’ That’s it. No other tweaking or corrections required. Nothing. Cari Hunter writes sheer perfection.
My favourite line in the book is the first one I stopped at, blinked appreciatively and re-read.
“Sanne ran her fingertips across the gritstone, letting it wear away her skin like an over-keen emery board.”
From that point on I knew I was going to love not only the book, but also Cari’s style and I wasn’t disappointed with further chapters.
I have a simple test for new authors, to find out how much I like them. The test is ‘how sick has this author made me?’ By that I mean - how long did they keep me awake reading when I ought to have been asleep for work the next day. If I am awake too long it makes me sick for several days after - it shouldn’t be something I am proud of but
Let me admit to you that I generally find crime novels too much hard work to follow. I like my books to be romances, and the sexier the better. I’m surprised as all get out to find I love Cari’s thrilling ride through these Police stroke Hospital novels. Especially as there is almost no juicy sex to lubricate the grit. The infrequency of sex scenes is because the main characters, Sanne and Meg, aren’t officially a couple. Or maybe they are. It’s entirely possible everyone knows they are, except themselves.
The story isn't necessarily about their sexual tension, but it was always in the back of my mind that they would see sense in the end and I patiently waited them out.
I have found in the last few years that there are many padded-out books on the market by well-respected authors, where you can skip through whole pages at a time without losing any real sense of the plot. Not so with No Good Reason which kept me riveted through each paragraph and exquisite word right from the tense prologue.
Cari definitely makes every single word count and I felt engaged in the story and with her main characters within the first few pages.
I’d already read Snowbound, which was a fantastic debut novel, but the characters in No Good Reason are one smidge more sophisticatedly written.
Sanne and Meg go back a very long time, from before their first kiss at the age of twelve, and they know each other better than they know themselves. They have generated a world around them where they are each others’ support and comfort. They are BFFs, they are Friends With Benefits, but somehow Cari has written them as even more than these things. They are each others’ absolute other halves.
These two girls have aches and bruises, and tears and emotions, and genuine exhaustion from their ridiculously long work hours.
They do things like accidentally drop perishable shopping on the floor, but eat it anyway; burn their tea; and turn the shower off when the toilet flushes for fear of being scalded.
I love details like these. I love that they can have a discussion about putting the bins out and HobNobs can fall in their tea the same as they do for you and me, without making the whole book boring and mundane. It simply endears the characters to me all the more.
They made me smile a lot. Meg prefers ham and quaver butties, for goodness sake, what’s not to love?
It doesn’t take long for Cari to completely draw you into their world in Northern England, around the Manchester area, and mainly in the Peak District which is where Cari lives and I feel like I have travelled the hills and crunched the snow and tramped through the same streets as she has now.
This area has its own accent, Northern English, and it is noticeable that she uses phrases and words particular to there. I can’t remember which words I picked up on first, probably some dialogue, but you quickly become used to the fact this is not written by an American. It’s refreshing to have only regional UK main characters: no Londoners; no Americans.
Don’t let the idea of a local accent and local characters put you off, there is nothing in the book you wouldn’t understand, it is still all ‘plain English’ and if you come across a word you can’t decipher I will more than happily translate for you!
Other than the almost-a-romance-but-so-much-more between the two girls there is also this whole other kidnapping / crime malarkey going on. Sanne is a little too personally involved in the case right from the beginning, being caught up in the initial rescue of the victim. She and her police partner, the sensitive, caring, supportive, gorgeously written Nelson, are embroiled in working the case together. Needless to say they spend a lot of time visiting Meg in her role as A&E Doctor in the local hospital for one reason or another. Nelson is a beautiful soul and just the kind of partner Sanne needs, but that writers seldom allow their straight characters to be, especially in Police fiction.
The kidnapping plot is fast paced and exciting. The characters on both sides of the investigation were all believable and there was an audible ‘Huh!’ out of me with the final twist at the end. I really didn’t see that coming. Such a simple way to pull the whole plot together. Chilling!
Cari has a remarkable flair for descriptive writing and she pays particular attention to details like sounds and how things feel against skin. You are left in no doubt every time a character is sore, almost feeling the pain and peeling off the scabs with them.
Sometimes you have to reread a passage to understand the gist of what an author means, or furrow your brow over a combination of words because they just don’t make sense or even belong together, but with Cari Hunter the only thing I can point out to her is ‘Try feeding goldfinches niger seeds instead of nuts.’ That’s it. No other tweaking or corrections required. Nothing. Cari Hunter writes sheer perfection.
My favourite line in the book is the first one I stopped at, blinked appreciatively and re-read.
“Sanne ran her fingertips across the gritstone, letting it wear away her skin like an over-keen emery board.”
From that point on I knew I was going to love not only the book, but also Cari’s style and I wasn’t disappointed with further chapters.
I have a simple test for new authors, to find out how much I like them. The test is ‘how sick has this author made me?’ By that I mean - how long did they keep me awake reading when I ought to have been asleep for work the next day. If I am awake too long it makes me sick for several days after - it shouldn’t be something I am proud of but
Daniel Boyd (1066 KP) rated American Idiot by Green Day in Music
Nov 2, 2017
Soda Pop & Ritalin
For some reason people like to slag Green Day, they are the butt of a lot of punk music jokes and to be honest I do get why. I understand why people see their use of makeup and their whole zany persona as a farce and don’t take them seriously, but no matter what you think of them in general, it is hard to deny that their seventh album, ‘American Idiot,’ perfectly captured the zeitgeist at the time, especially in the US. The album was an unexpected maturation of any of the band’s previous efforts and capitalised on their potential. When Billie Joe Armstrong wrote the album, he chose to channel his feelings into a cast of various characters and use a concept album format to display the emotions he and his peers felt at the time. I would argue the fact that American Idiot is definitively a concept album, as it doesn’t actually tell a cohesive story with a beginning, middle and end, instead opting for the approach of latching on to a certain feeling, whether it be rage or love and assigning that to a specific character and then throwing all of these characters into the mixing pot together. We hear the album from the perspective of the protagonist in the story, Jesus Of Suburbia, a young man who is sick of a broken system and feels disillusioned and uninspired by everything that he sees around him. The reason that so many people felt this way at the time of this album’s release, 2004, was due to the Bush administration’s misguidance and outright lies and due to the fallout from the 9/11 terrorists attacks that has never really gone away in America since the incident occurred. So, fed up of his suburban, dead end town Jesus leaves home and begins a quest of self discovery that involves a great deal of substance abuse, which ends up leading to the creation of an alter ego residing in Jesus’ mind who calls himself Saint Jimmy. Think Tyler Durden in fight club, but if he had a Mohican and ear stretchers. Jimmy leads Jesus on the thinly veiled path to revolution, which simply turns out to be a path to self destruction and eventually when Jesus hits rock bottom, (just like Fight Club,) he forces Jimmy to commit suicide and rids his mind of him. At the end of the album though Jesus’ fate is left ambiguous, but what is clear is that his journey has taken its toll on him, which is signified by the fact that he forgets the name of the girl that he fell in and out of love with during his spiritual quest. This album perfectly captured the mindset of a generation of kids forgotten by the system that was put in place to help them grow. American Idiot gives the man on the street a well informed, unified voice and actually injects some form of leadership into the political and social landscape at the time, even if it probably isn’t the form of leadership that your parents had in mind, or the government had put in place for you. A wake up call that is essential and still relevant today, this album and its story and character carries the important message that we shouldn’t settle for any less than what we deserve and what we deserve is often a lot better than what we end up getting. This album is pretty much the American version of Never Mind The Bollocks.