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Movie Metropolis (309 KP) rated Pacific Rim (2013) in Movies
Jun 11, 2019
“Today, we are cancelling the apocalypse” barks Idris Elba’s Stacker Pentecost in the trailer for Pacific Rim, but it’s over 90 minutes in when you finally hear him utter that attention grabbing phrase in a movie so big, it will make your head spin. But is it worth the migraine?
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
Bob Mann (459 KP) rated Blade Runner 2049 (2017) in Movies
Sep 29, 2021
A stunning visual triumph.
I was a sufficient nerd to buy a “Back to the Future” T-shirt to celebrate “future day” from “Back to the Future 2” two-years ago, and I will probably be a sufficient nerd to buy a “Blade Runner” T-shirt in two-years time to celebrate the setting-date for the original film. One thing’s for sure… 2049 is never going to be long enough away to see the world of the new Blade Runner movie come to fruition: so I look forward to ironically buying that T-shirt too (assuming I make it to 88!). But I digress.
I lived in fear of this film since it was announced… having loved the original, a sequel was always going to be a risky prospect. But my fears were slightly quelled when I learned that Denis Villeneuve (“Arrival“) was at the helm. And having now seen it I am pleasantly relieved: this is a memorable film.
In 2049 the first-generation Nexus replicants of the original film are still causing problems, and Ryan Gosling is ‘K’ – a blade runner employed by LAPD lieutenant Joshi (Robin Wright, “Wonder Woman“, “House of Cards”) to track them down and liquidate them. On one of these missions, K uncovers a buried secret that brings the LAPD into a desperate race for a pivotal prize, against replicant-builder Niander Wallace (Jared Leto, “Dallas Buyer’s Club“) and his henchwoman Luv (Sylvia Hoeks). The mission leads to K searching out his illustrious predecessor Deckard (Harrison Ford), who is not keen to be found.
Firstly (and most impressively) this is a spectacle to watch…. “I’ve seen things…”! The visuals are just gorgeous, from the junk-yards of Greater Los Angeles to the radioactive ruins of Las Vegas, vividly glowing amber to glorious effect. Hardly a surprise with Roger Deakins (“Hail Caesar“, “Sicario“) behind the camera, but Adam Heinis (“Rogue One“) and the rest of his special effects team deserve kudos for the effects never feeling overly “CGI-like”.
The music (by Benjamin Wallfisch and Hans Zimmer, via a replaced Johann Johannsson) pays suitable tribute to the spirit of the original Vangelis soundtrack. (It’s curious though that “Tears in the Rain” from the soundtrack is a reworking of the Vangelis original, but Vangelis doesn’t seem to be credited anywhere! Vangelis and Ridley Scott clearly had a SERIOUS falling out!).
On the acting front, Ryan Gosling is his dynamic self as usual! (But here, somewhat justified). Harrison Ford is given very little screen time, but what he does do he does exceptionally well – his best performance in years. It’s some of the supporting parts though that really appeal: Dave Bautista (“Spectre“) is just superb in the opening scenes of the film, and I particularly enjoyed Ana de Armas’s portrayal of K’s holographic girlfriend Joi. I’ve seen comment in other reviews that described this relationship as “laughable” and a downward step for “woman’s rights” compared to Villeneuve’s previous strong female characters (of Louise from “Arrival” and Kate from “Sicario“). But I disagree! I found the relationship truly touching, with Joi’s procurement of a prostitute (Mackenzie Davis) to act as a surrogate body being both loving and giving. And as regards ‘woman’s rights’, come on! Get serious! This is a holographic commercial male companion…. the “Alexa” of the future…. I’m quite sure the male version looks like Ryan Reynolds! Sex still sells, even in 2049!!
My favourite character though was a cameo by Barkhad Abdi (“Captain Phillips“) luxoriating under the name of Doctor Badger!
I was less comfortable with Jared Leto’s dialogue which – for me at least – was barely audible. In general this film is both a challenge for those aurally challenged (with some fuzzy dialogue/effects/music mixes) and those visually challenged (with 8 point font for the on-screen text that was almost impossible to see on the cinema screen, so good luck with the DVD!).
I really wanted to give this film 5-Fads. But I can’t quite get there. The story – while interesting and having emotional depth – is lightweight for a film of this length (a butt-numbing 163 minutes!) and it moves at such a glacial pace that I’m ashamed to say that my mind wandered at times. (Specifically to how many different ways I could imagine harm being done to the American guy in front of me, who was constantly turning on his Apple watch and at one point (to whisperings of very British outrage!) his full-brightness iPhone!) The screenplay was by Hampton Fancher (one of the original Blade Runner writers) and Michael Green (“Logan“, “Alien: Covenant“) but even with this track record, it’s the film’s Achilles heel.
It’s a relief that Blade Runner revisited is not a complete disaster: quite the opposite in fact. It doesn’t quite match C-beams glittering in the dark near the Tannhäuser Gate (what could)… but its a damned good attempt.
I lived in fear of this film since it was announced… having loved the original, a sequel was always going to be a risky prospect. But my fears were slightly quelled when I learned that Denis Villeneuve (“Arrival“) was at the helm. And having now seen it I am pleasantly relieved: this is a memorable film.
In 2049 the first-generation Nexus replicants of the original film are still causing problems, and Ryan Gosling is ‘K’ – a blade runner employed by LAPD lieutenant Joshi (Robin Wright, “Wonder Woman“, “House of Cards”) to track them down and liquidate them. On one of these missions, K uncovers a buried secret that brings the LAPD into a desperate race for a pivotal prize, against replicant-builder Niander Wallace (Jared Leto, “Dallas Buyer’s Club“) and his henchwoman Luv (Sylvia Hoeks). The mission leads to K searching out his illustrious predecessor Deckard (Harrison Ford), who is not keen to be found.
Firstly (and most impressively) this is a spectacle to watch…. “I’ve seen things…”! The visuals are just gorgeous, from the junk-yards of Greater Los Angeles to the radioactive ruins of Las Vegas, vividly glowing amber to glorious effect. Hardly a surprise with Roger Deakins (“Hail Caesar“, “Sicario“) behind the camera, but Adam Heinis (“Rogue One“) and the rest of his special effects team deserve kudos for the effects never feeling overly “CGI-like”.
The music (by Benjamin Wallfisch and Hans Zimmer, via a replaced Johann Johannsson) pays suitable tribute to the spirit of the original Vangelis soundtrack. (It’s curious though that “Tears in the Rain” from the soundtrack is a reworking of the Vangelis original, but Vangelis doesn’t seem to be credited anywhere! Vangelis and Ridley Scott clearly had a SERIOUS falling out!).
On the acting front, Ryan Gosling is his dynamic self as usual! (But here, somewhat justified). Harrison Ford is given very little screen time, but what he does do he does exceptionally well – his best performance in years. It’s some of the supporting parts though that really appeal: Dave Bautista (“Spectre“) is just superb in the opening scenes of the film, and I particularly enjoyed Ana de Armas’s portrayal of K’s holographic girlfriend Joi. I’ve seen comment in other reviews that described this relationship as “laughable” and a downward step for “woman’s rights” compared to Villeneuve’s previous strong female characters (of Louise from “Arrival” and Kate from “Sicario“). But I disagree! I found the relationship truly touching, with Joi’s procurement of a prostitute (Mackenzie Davis) to act as a surrogate body being both loving and giving. And as regards ‘woman’s rights’, come on! Get serious! This is a holographic commercial male companion…. the “Alexa” of the future…. I’m quite sure the male version looks like Ryan Reynolds! Sex still sells, even in 2049!!
My favourite character though was a cameo by Barkhad Abdi (“Captain Phillips“) luxoriating under the name of Doctor Badger!
I was less comfortable with Jared Leto’s dialogue which – for me at least – was barely audible. In general this film is both a challenge for those aurally challenged (with some fuzzy dialogue/effects/music mixes) and those visually challenged (with 8 point font for the on-screen text that was almost impossible to see on the cinema screen, so good luck with the DVD!).
I really wanted to give this film 5-Fads. But I can’t quite get there. The story – while interesting and having emotional depth – is lightweight for a film of this length (a butt-numbing 163 minutes!) and it moves at such a glacial pace that I’m ashamed to say that my mind wandered at times. (Specifically to how many different ways I could imagine harm being done to the American guy in front of me, who was constantly turning on his Apple watch and at one point (to whisperings of very British outrage!) his full-brightness iPhone!) The screenplay was by Hampton Fancher (one of the original Blade Runner writers) and Michael Green (“Logan“, “Alien: Covenant“) but even with this track record, it’s the film’s Achilles heel.
It’s a relief that Blade Runner revisited is not a complete disaster: quite the opposite in fact. It doesn’t quite match C-beams glittering in the dark near the Tannhäuser Gate (what could)… but its a damned good attempt.
Phillip McSween (751 KP) rated Coco (2017) in Movies
Dec 11, 2017
Amazing
The Book of Life was one of my favorite films of 2014. When I first saw the trailer for Coco, it was hard not for me to draw comparisons. A celebration of the Day of the Dead. Mariachi. Centered around music. Coco brings its own flavor, however, a unique experience all its own. In fact, if it weren't for the god-awful twenty-five-minute Frozen short right before (since removed due to numerous complaints), this would have been close to a perfect moviegoing experience.
Little Miguel loves music. He has to sneak away to watch old recordings of his favorite musician Ernesto de la Cruz because the rest of his family thinks music is a curse. Following a mysterious chain of events (don't want to ruin it for you), Miguel finds himself in the Land of the Dead and must somehow find a way to get home before its too late.
The colors. Oh man, the colors. Vibrant, popping off the screen. It screams life even during the scenes in the Land of the Dead. This is one film I wish I would have seen in IMAX. The colors add an amazing pop, from the spirit animals to the city landscapes at night, making this one of the most beautiful animated films I have seen.
The colors alone are just a small touch to the overall creativity and originality behind Coco. The Land of the Dead is loaded with sights to behold, some you might miss if you blink. The attention to detail is spectacular from the cool bridge that guides the dead to the Land of the Living to the colorful spirit animals. I've seen a lot of movies and I haven't seen anything like this.
Not only are the visuals amazing, but the music holds its own as well, driving the entire story in an entertaining and powerful way. There are a lot of touching moments that revolve around the soundtrack. There will be musical numbers that make you laugh while others leave you with more of a somber feel. Maybe I cried a little. Maybe I didn't. You'll never know for sure. One thing I can say is this movie was about as touching as any I have seen this year.
Disney/Pixar is known for leaving you with a great message and Coco is no exception. Miguel was willing to follow his dreams at all costs, even if it cost him his life. How many of us can say the same? Another phenomenal job by Pixar. I give the film a 96.
Little Miguel loves music. He has to sneak away to watch old recordings of his favorite musician Ernesto de la Cruz because the rest of his family thinks music is a curse. Following a mysterious chain of events (don't want to ruin it for you), Miguel finds himself in the Land of the Dead and must somehow find a way to get home before its too late.
The colors. Oh man, the colors. Vibrant, popping off the screen. It screams life even during the scenes in the Land of the Dead. This is one film I wish I would have seen in IMAX. The colors add an amazing pop, from the spirit animals to the city landscapes at night, making this one of the most beautiful animated films I have seen.
The colors alone are just a small touch to the overall creativity and originality behind Coco. The Land of the Dead is loaded with sights to behold, some you might miss if you blink. The attention to detail is spectacular from the cool bridge that guides the dead to the Land of the Living to the colorful spirit animals. I've seen a lot of movies and I haven't seen anything like this.
Not only are the visuals amazing, but the music holds its own as well, driving the entire story in an entertaining and powerful way. There are a lot of touching moments that revolve around the soundtrack. There will be musical numbers that make you laugh while others leave you with more of a somber feel. Maybe I cried a little. Maybe I didn't. You'll never know for sure. One thing I can say is this movie was about as touching as any I have seen this year.
Disney/Pixar is known for leaving you with a great message and Coco is no exception. Miguel was willing to follow his dreams at all costs, even if it cost him his life. How many of us can say the same? Another phenomenal job by Pixar. I give the film a 96.
Connor Sheffield (293 KP) rated Vikings - Season 1 in TV
May 15, 2017
Historically Accurate in terms of culture (2 more)
Doesn't hold back on the gore and grim nature of Vikings
Great Character development
A Historically accurate fantasy series
Vikings was a show that I didn't begin watching until it was already 3 seasons in. However it is a show that I instantly fell in love with because it was very different from any show like it.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Not what I expected
I need to start off by saying that I wasnt a fan of Get Out, and I hadn't even see the trailer for Us, so I went into this with low/no expectations, and I was actually pleasantly surprised.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
Ryan Hill (152 KP) rated Iron Man (2008) in Movies
May 9, 2019
"I am iron man"
Marking the commencement of Marvel Cinematic Universe, catapulting Robert Downey Jr. into the league of Hollywood's biggest stars & also announcing the arrival of Marvel Studios into motion picture filmmaking for it is their first fully-financed project, Iron Man not only succeeds as a quality blend of style & substance but is also amongst the best origin stories cinema has come up with for a comic book superhero.
Iron Man tells the story of genius, billionaire, playboy, philanthropist Tony Stark who, while on his tour to war-torn Afghanistan for the demonstration of his new weaponry to United States military, is ambushed & taken hostage by a terrorist group. Working with another captive, he designs an exoskeleton to get out from there & after returning to US further refines his design. The plot covers the change his captivity brings in his entire personality.
Stylishly directed by Jon Favreau, Iron Man aims for the same grounded approach that Christopher Nolan applied in Batman Begins & succeeds amazingly well for the most part. The screenplay is brimming with energy, wit & charm, and is brilliantly written & narrated. Production design provides it a very modern feel, Camerawork is vibrantly carried out, Editing briskly paces the whole story which also benefits from Ramin Djawadi's fitting score as well as clever use of existing songs.
Coming to the acting department, Iron Man features a star-studded cast in Robert Downey Jr., Gwyneth Paltrow, Jeff Bridges & Terrence Howard but the film belongs to Downey Jr. who blazes brightly in red n gold with a performance that's absolutely fantastic, effortlessly charismatic & downright polished. Overshadowing the input of the rest & fitting the suit perfectly, this is one role that couldn't have gone to a better actor & how this gifted talent renders Tony Stark on screen is a further proof of that.
On an overall scale, Iron Man has enough power in it to please both fans of the comics as well as newcomers. Sure its third act isn't as impressive as the first two but the positives eclipse the negatives by a huge margin. Balancing its storytelling aspects with big budget extravaganza to triumph as a work of quality in the eyes of viewers n critics alike, Iron Man is a highly refreshing, wildly entertaining & largely satisfying crowd-pleaser that's hugely responsible for the foundation on which Marvel Studios stands today. Highly recommended.
Iron Man tells the story of genius, billionaire, playboy, philanthropist Tony Stark who, while on his tour to war-torn Afghanistan for the demonstration of his new weaponry to United States military, is ambushed & taken hostage by a terrorist group. Working with another captive, he designs an exoskeleton to get out from there & after returning to US further refines his design. The plot covers the change his captivity brings in his entire personality.
Stylishly directed by Jon Favreau, Iron Man aims for the same grounded approach that Christopher Nolan applied in Batman Begins & succeeds amazingly well for the most part. The screenplay is brimming with energy, wit & charm, and is brilliantly written & narrated. Production design provides it a very modern feel, Camerawork is vibrantly carried out, Editing briskly paces the whole story which also benefits from Ramin Djawadi's fitting score as well as clever use of existing songs.
Coming to the acting department, Iron Man features a star-studded cast in Robert Downey Jr., Gwyneth Paltrow, Jeff Bridges & Terrence Howard but the film belongs to Downey Jr. who blazes brightly in red n gold with a performance that's absolutely fantastic, effortlessly charismatic & downright polished. Overshadowing the input of the rest & fitting the suit perfectly, this is one role that couldn't have gone to a better actor & how this gifted talent renders Tony Stark on screen is a further proof of that.
On an overall scale, Iron Man has enough power in it to please both fans of the comics as well as newcomers. Sure its third act isn't as impressive as the first two but the positives eclipse the negatives by a huge margin. Balancing its storytelling aspects with big budget extravaganza to triumph as a work of quality in the eyes of viewers n critics alike, Iron Man is a highly refreshing, wildly entertaining & largely satisfying crowd-pleaser that's hugely responsible for the foundation on which Marvel Studios stands today. Highly recommended.
Maddi Zoe (6 KP) rated The Greatest Showman (2017) in Movies
Feb 8, 2018
Soundtrack (phenomenal) (3 more)
Casting/Acting
Choreography
Cinematography
Best original musical in recent days
Michael Gracey’s slick new musical, The Greatest Showman, brings to life the imagination of P.T. Barnum and his creation of the first circus.
Inspired by the legend of P.T. Barnum (Hugh Jackman), The Greatest Showman follows Barnum in a pursuit to piece together a dream-like show.
The film follows the businessman as he desperately tries to support his wife (Michelle Williams), and daughters. However, the urge to make the shower better and better ultimately gets in the way of both his personal and family life.
Barnum knows exactly what he is looking for. He scouts several individuals who he believes are perfect for the show. Each and everyone of them, a spark or magic that completes the circus. His show includes; bearded lady, Lettie (Keala Settle), and ‘the shortest man in the world’, Tom Thumb (Sam Humphrey). Also, a partner in need (or to help his succeed)Phillip Carlyle (Zac Efron).
The performers are part of a close family and stick together despite being ridiculed by the public. They are frequently humiliated and often labelled as 'freaks'. This brings a lot of emotion to the film. It encourages a lot of positivity in that it helps promote individuality and equality.
As a musical, The Greatest Showman comes packed with musical numbers. It features a number of brilliant vocal performers including the likes of Jackman, Settle, Efron and Zendaya (who plays a trapeze artist and pretty much most of the cast). The songs themselves are very moving, through joy or sadness. Many of the songs will also have your feet tapping to the beat! At points, you'll find yourself wanting to join in with the group!
Music is a powerful instrument which can often be emotive. The composers Benj Pasek and Justin Paul, who also worked on the music for La La Land, and Trolls, hit the mark. The songs were outstanding and often bought a tear to the eye.
From the beautiful ballroom-esque dances of Jackman and Williams to the group dances by the circus family, the film was not short of magical moments. The camera angles were also spot on - from the beautifully shot symmetrical aerial shots to the moving steady cam shots.
Already nominated for three Golden Globes, The Greatest Showman is sure to be a hit with everyone. It is almost certain that it'll leave you feeling emotionally drained. On the more positive side, it may even inspire people to spread a little Christmas joy and happiness!
Inspired by the legend of P.T. Barnum (Hugh Jackman), The Greatest Showman follows Barnum in a pursuit to piece together a dream-like show.
The film follows the businessman as he desperately tries to support his wife (Michelle Williams), and daughters. However, the urge to make the shower better and better ultimately gets in the way of both his personal and family life.
Barnum knows exactly what he is looking for. He scouts several individuals who he believes are perfect for the show. Each and everyone of them, a spark or magic that completes the circus. His show includes; bearded lady, Lettie (Keala Settle), and ‘the shortest man in the world’, Tom Thumb (Sam Humphrey). Also, a partner in need (or to help his succeed)Phillip Carlyle (Zac Efron).
The performers are part of a close family and stick together despite being ridiculed by the public. They are frequently humiliated and often labelled as 'freaks'. This brings a lot of emotion to the film. It encourages a lot of positivity in that it helps promote individuality and equality.
As a musical, The Greatest Showman comes packed with musical numbers. It features a number of brilliant vocal performers including the likes of Jackman, Settle, Efron and Zendaya (who plays a trapeze artist and pretty much most of the cast). The songs themselves are very moving, through joy or sadness. Many of the songs will also have your feet tapping to the beat! At points, you'll find yourself wanting to join in with the group!
Music is a powerful instrument which can often be emotive. The composers Benj Pasek and Justin Paul, who also worked on the music for La La Land, and Trolls, hit the mark. The songs were outstanding and often bought a tear to the eye.
From the beautiful ballroom-esque dances of Jackman and Williams to the group dances by the circus family, the film was not short of magical moments. The camera angles were also spot on - from the beautifully shot symmetrical aerial shots to the moving steady cam shots.
Already nominated for three Golden Globes, The Greatest Showman is sure to be a hit with everyone. It is almost certain that it'll leave you feeling emotionally drained. On the more positive side, it may even inspire people to spread a little Christmas joy and happiness!
Loz Hughes (80 KP) rated The Secret Life Of Walter Mitty (2013) in Movies
Jul 15, 2018
The panoramas (3 more)
The soundtrack
The movie's tone and message
The humour
My Antidepressant movie.
Contains spoilers, click to show
I rated this movie as a ten not because I am a Ben stiller fan per se but because of this movie's message and how I identify with the lead character.
Whilst most people will mark this movie lower, they are not wrong in their opinions, for many it may not seem anything special as such.
However I always watch this film whenever I am feeling low or life feels a bit much, because to me, it portrays that its never too late to achieve your dreams and start your adventure.
The film itself opens to an introduction of Walter (Ben stiller), an employee of Life magazine whose job has very much taken over his life, it shows his passion for his work and how he wishes very much, to be more like the adventurous photographer he chronicles. Walter is ridiculed and undermined by his work colleagues for his "spaced out" episodes where he dreams of what he would do or achieve if he were braver, smarter, more confident etc, like an alter ego of sorts.
Walter is then faced with a choice to accept failure and ridicule when he loses a negative in his care or embrace the unknown and not forsake his pride in a journey to hunt down its original owner.
Throughout the film you follow Walter in his quest to search for the missing negative and also his journey on the path of becoming the man he always hoped he would be as a teenager.
Along the way, stunning vistas and scenery set the scene and the humour keeps it from being boring.
Sure the film is a little fanciful but anyone with a good imagination and an element of Walter in them will appreciate it.
My favourite scene is when he is nearly attacked by a shark.."okay. That is not a porpoise" cracks me up every time.
I know a lot of people will mark this film lower and they wont be wrong in their opinions, it doesnt really contain many special effects, it does have a really awkward romance (but lets face it, reality is full of those moments you wish you had been more charming and less of a babbling idiot) and the storyline is a bit far fetched.
However I find it fun, uplifting, charming in its own way and enjoy the travel aspect of it.
Whilst most people will mark this movie lower, they are not wrong in their opinions, for many it may not seem anything special as such.
However I always watch this film whenever I am feeling low or life feels a bit much, because to me, it portrays that its never too late to achieve your dreams and start your adventure.
The film itself opens to an introduction of Walter (Ben stiller), an employee of Life magazine whose job has very much taken over his life, it shows his passion for his work and how he wishes very much, to be more like the adventurous photographer he chronicles. Walter is ridiculed and undermined by his work colleagues for his "spaced out" episodes where he dreams of what he would do or achieve if he were braver, smarter, more confident etc, like an alter ego of sorts.
Walter is then faced with a choice to accept failure and ridicule when he loses a negative in his care or embrace the unknown and not forsake his pride in a journey to hunt down its original owner.
Throughout the film you follow Walter in his quest to search for the missing negative and also his journey on the path of becoming the man he always hoped he would be as a teenager.
Along the way, stunning vistas and scenery set the scene and the humour keeps it from being boring.
Sure the film is a little fanciful but anyone with a good imagination and an element of Walter in them will appreciate it.
My favourite scene is when he is nearly attacked by a shark.."okay. That is not a porpoise" cracks me up every time.
I know a lot of people will mark this film lower and they wont be wrong in their opinions, it doesnt really contain many special effects, it does have a really awkward romance (but lets face it, reality is full of those moments you wish you had been more charming and less of a babbling idiot) and the storyline is a bit far fetched.
However I find it fun, uplifting, charming in its own way and enjoy the travel aspect of it.
Gareth von Kallenbach (980 KP) rated Love, Simon (2018) in Movies
Jul 8, 2019
Meet Simon, just your average teenage boy who loves to hang out with his best friends and spend time with his family. His life is seemingly perfect, except he has a secret. Simon (Nick Robinson) is gay. With news of a closeted gay kid at school, who only is known as Blue; Simon starts to venture out of his secret. However, as John Hughes taught us in the 1980’s it’s not easy being a teenager. As Simon tries to navigate this new friendship with Blue, he begins to affect the lives of his best friends Leah (Katherine Langford), Nick (Keiynan Lonsdale), and Abby (Alexandra Shipp) just to keep his secret safe. Even his mom (Jennifer Gardiner) and dad (Josh Duhamel) begin to realize something is up. So, the question is if his secret gets out how will he handle it?
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.