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Jessica - Where the Book Ends (15 KP) rated Leah on the Offbeat in Books
Jan 30, 2019
**** SPOILER ALERT ****
Actual rating: 1.5 -- I have the unpopular opinion.
I was super excited to read this book when it came out especially after I read and loved Simon vs. the Homosapiens Agenda. A lot of people read this and were sharing their love of it on Bookstagram and Booktube. With all the hype I decided to put off reading it a bit so that it would be fresh and new for me and I could form my own opinion and not be swayed by the masses. I'm glad I did but at the same time kind of wish I hadn't waited.
Honestly, I didn't like this book. I loved Simon vs. the Homosapien's Agenda, and I gave that book 5 stars. I loved Leah in that book and I really related with her (the little bit we had of her), and I was super pumped when I found out she was getting her own book. To be honest, I didn't like Leah in this book. I thought she was bitchy and bratty. I didn't like the way she treated people and I especially didn't like the fact that this book was just sooooooo predictable.
Lets first start with her love interest Garrett. I thought he was great! He obviously liked Leah and I thought their interactions were wonderful. I know Leah was trying to figure out her feelings and where she stood with her sexuality, but honestly, I would have been happier if she'd ended up with Garrett, the relationship seemed more real to me and less forced.
Her second love interest and ultimately who Leah chose to be with... Abby Suso. Don't like her... at all. Disliked her completely in Simon's book and couldn't stand her in this book. If we're keeping score I called this relationship back when initially reading Simon vs. I thought about how Abby and Leah interacted and about how "straight" Abby was and I just knew these two would be forced together. I don't like Abby. She doesn't seem genuine her interactions seemed forced and she just doesn't fit with the other characters. Most importantly I feel like this was an insta-love relationship. It was like one minute Abby was straight and in love with Nick and then when she realized that her and Nick would have to do the long distance thing or break up due to going to different colleges; Leah was suddenly an option and she was suddenly good enough. This whole relationship just infuriated me.
All in all, I am extremely disappointed in this book. I love Becky Albertalli and her writing, but this book was a big miss for me. It seemed rushed and almost like she threw it together because she needed a sequel to Simon. I will read her future books but I just can't side with the masses on this one.
Actual rating: 1.5 -- I have the unpopular opinion.
I was super excited to read this book when it came out especially after I read and loved Simon vs. the Homosapiens Agenda. A lot of people read this and were sharing their love of it on Bookstagram and Booktube. With all the hype I decided to put off reading it a bit so that it would be fresh and new for me and I could form my own opinion and not be swayed by the masses. I'm glad I did but at the same time kind of wish I hadn't waited.
Honestly, I didn't like this book. I loved Simon vs. the Homosapien's Agenda, and I gave that book 5 stars. I loved Leah in that book and I really related with her (the little bit we had of her), and I was super pumped when I found out she was getting her own book. To be honest, I didn't like Leah in this book. I thought she was bitchy and bratty. I didn't like the way she treated people and I especially didn't like the fact that this book was just sooooooo predictable.
Lets first start with her love interest Garrett. I thought he was great! He obviously liked Leah and I thought their interactions were wonderful. I know Leah was trying to figure out her feelings and where she stood with her sexuality, but honestly, I would have been happier if she'd ended up with Garrett, the relationship seemed more real to me and less forced.
Her second love interest and ultimately who Leah chose to be with... Abby Suso. Don't like her... at all. Disliked her completely in Simon's book and couldn't stand her in this book. If we're keeping score I called this relationship back when initially reading Simon vs. I thought about how Abby and Leah interacted and about how "straight" Abby was and I just knew these two would be forced together. I don't like Abby. She doesn't seem genuine her interactions seemed forced and she just doesn't fit with the other characters. Most importantly I feel like this was an insta-love relationship. It was like one minute Abby was straight and in love with Nick and then when she realized that her and Nick would have to do the long distance thing or break up due to going to different colleges; Leah was suddenly an option and she was suddenly good enough. This whole relationship just infuriated me.
All in all, I am extremely disappointed in this book. I love Becky Albertalli and her writing, but this book was a big miss for me. It seemed rushed and almost like she threw it together because she needed a sequel to Simon. I will read her future books but I just can't side with the masses on this one.

BookInspector (124 KP) rated Madam Tulip and the Knave of Hearts (Madam Tulip, #2) in Books
Sep 24, 2020
For more reviews please visit https://bbookinspector.wordpress.com
This book is a second part in Madam Tulip series, and normally, the first part is the one to wow readers to come back for more, but in this case, the second part was way better for me than the first one.
The first part was more of an introduction to Madam Tulip and what she is capable of, in this part things get more serious. Another difference was that, the first part was more like cosy mysteries; the second one loses its coziness and is more action filled, and more intense. Once again, Ahern chose his characters very skillfully. We have some which are incredibly eccentric and real personalities, and others, who are down to earth and very realistic. I honestly do not know how Ahern done his research for his books, but the details about royalty, elegance, old historical houses were a true pleasure to read about. Moreover, the details about historical house and laws of royal inheritance were really accurate and incredibly believable, so, well done to the author.
The narrative was once again told from Derry’s perspective, and in this book I was missing multiple perspectives, as I believe, it helps to understand other characters way better. I really enjoyed that Ahern played with this narrative more, incorporating different approaches in Derry’s life (working for her mom). In this novel there was less of Madam Tulip herself, and more of Derry and her bad luck to end up in dangerous situations. Another well done to the author for increasing the level of action in this novel, I really enjoyed unexpected turns and unusual places chosen for it. One thing what left me debating with myself was the “bad guy” in this book, he was very well picked, but at the same time very obvious and predictable. Even though this book is a second part in the series, it can easily be a standalone mystery, because Ahern explained everything a “new reader” needs to know.
The writing style of this book changed as well. It is more skillful and there are more difficult terms used in this novel, but it did not make it difficult to read, it just felt richer. The chapters are decent length, and once again, divided into smaller parts. I was little bit disappointed with the ending of this book, author used the same technique as in first book and it does not leave me satisfied. I WANT JUSTICE!!! :) So, to conclude, I was really amused with this book and I do recommend to give it a go. It left me very pleasantly surprised with more action, aristocratic and incredibly complex and entertaining characters, the interesting secrets, findings, and incredibly annoying and horrible Derry’s mom (can’t stand that woman now).
Was given this book by author for honest review.
This book is a second part in Madam Tulip series, and normally, the first part is the one to wow readers to come back for more, but in this case, the second part was way better for me than the first one.
The first part was more of an introduction to Madam Tulip and what she is capable of, in this part things get more serious. Another difference was that, the first part was more like cosy mysteries; the second one loses its coziness and is more action filled, and more intense. Once again, Ahern chose his characters very skillfully. We have some which are incredibly eccentric and real personalities, and others, who are down to earth and very realistic. I honestly do not know how Ahern done his research for his books, but the details about royalty, elegance, old historical houses were a true pleasure to read about. Moreover, the details about historical house and laws of royal inheritance were really accurate and incredibly believable, so, well done to the author.
The narrative was once again told from Derry’s perspective, and in this book I was missing multiple perspectives, as I believe, it helps to understand other characters way better. I really enjoyed that Ahern played with this narrative more, incorporating different approaches in Derry’s life (working for her mom). In this novel there was less of Madam Tulip herself, and more of Derry and her bad luck to end up in dangerous situations. Another well done to the author for increasing the level of action in this novel, I really enjoyed unexpected turns and unusual places chosen for it. One thing what left me debating with myself was the “bad guy” in this book, he was very well picked, but at the same time very obvious and predictable. Even though this book is a second part in the series, it can easily be a standalone mystery, because Ahern explained everything a “new reader” needs to know.
The writing style of this book changed as well. It is more skillful and there are more difficult terms used in this novel, but it did not make it difficult to read, it just felt richer. The chapters are decent length, and once again, divided into smaller parts. I was little bit disappointed with the ending of this book, author used the same technique as in first book and it does not leave me satisfied. I WANT JUSTICE!!! :) So, to conclude, I was really amused with this book and I do recommend to give it a go. It left me very pleasantly surprised with more action, aristocratic and incredibly complex and entertaining characters, the interesting secrets, findings, and incredibly annoying and horrible Derry’s mom (can’t stand that woman now).
Was given this book by author for honest review.

Emma @ The Movies (1786 KP) rated The King of Comedy (1983) in Movies
Jun 2, 2020
While I vaguely knew the name of the film I'd never seen it and didn't really get the vibe that I wanted to, after seeing the Joker though I was hit by so many comments on it in reviews that I really needed to see it.
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.

Neon's Nerd Nexus (360 KP) rated Deadpool 2 (2018) in Movies
May 14, 2019
Dead waste
#deadpool2 has a bad case of 'bigger doesn't always mean better', its not a bad #film its just a very safe one & the formula is already starting to wear thin. I liked the first #deadpool, it wasn't anything ground breaking but I found it nailed the character & delivered something #superhero films haven't dared do in a while (it also balanced cool action & #fun #comedy well). With deadpool 2 we get more of the same & while the scale, budget & ideas seem to have been upped the films itself feels a tad flat, lifeless & overstuffed. First the good the fight choreography is very well done its fast, brutal & filmed well. #Music & the score is great & compliments the film perfect. #Popculture references & cameos are fun & extremely fun & well done. Sets, costumes & props all look great & have clearly had alot of care, time & detail put into them. #joshbrolin as #cable is tremendous completely stealing the show with his scenes being by far the most entertaining. The bad - with no real unique stand out scenes or anything new to bring to the table I found myself getting bored quite quickly. Story wise its bland/basic too & we are introduced to so many uninteresting characters with uninspiring motives that I just couldn't invest in them at all. Jokes & dialog both come across as forced this time & after a while became tierd & repetitive. Cgi wise its a mess going from good to damn right embarrassing at times (I just dont get some of the decisions to keep some scenes/characters in when they look this bad, it just made the film feel cheap & pulled me out of the experience constantly). Overall its not a bad film its just a very very average & unnecessary one. Id say its not a patch on the first one & that wasnt that amazing either. #Kids will #love it for its crude humour & gratuitous violence & hardcore #marvel fans probably wont have a bad word to say about it but for me I was disappointed & was hoping for a new direction not more of the same old. Definitely watchable but sadly forgettable. #odeonlimitless #odeon #avengers #ryanreynolds #mcu #comic #cinifile #tuesdaythoughts #spiderman #hughjackman #xmen #review #comicon #domino #deadpoolmovie

Merissa (12723 KP) rated Hunting for Spring (Philadelphia Coven Chronicles #1) in Books
Mar 21, 2018
Hunting for Spring (Philadelphia Coven Chronicles #1) by Katherine McIntyre
Hunting for Spring is the first book in the Philadelphia Coven Chronicles and we have the world building that will enable us to read the rest of the series, knowing who is who and who does what. Hunter is a human Hunter - usually of the Fae - but he understands that just as not all humans are nice, not all Fae are 'bad'. Unfortunately, it's an opinion that is unpopular with his father and the man who was brought up as his brother. When he meets Brenna, he thinks she is a normal fae, which is also the opinion Brenna wants him to have as most people don't seem to think that highly of half-breeds. With Unseelie causing chaos and half-breeds disappearing Connor and Brenna work together to put things back to normal - or as normal as they possibly could be.
This was a great introduction to a new world, where casters and hunters work to the same end, without working together as much as possible. I have to say, whatever his reasons, Connor's dad was a first-class jerk, with Liam not far behind. I loved how Connor was, and am thankful he turned out that way! Brenna is a sweet and sassy character, fully capable of standing on her own two feet but also willing to stand back when necessary. There is also a bunch of characters I want to know more about, as well as this world as a whole.
This was an exciting read, with plenty of action and adventure. With smooth transitions from one scene to the next, there were also no editing or grammatical errors that disrupted my reading flow. The world building was on point, and all the characters had depth, with their own quirks and foibles. An excellent start to the series that leaves me wanting more. Absolutely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://www.theromancereviews.com/viewbooks.php?bookid=20637
This was a great introduction to a new world, where casters and hunters work to the same end, without working together as much as possible. I have to say, whatever his reasons, Connor's dad was a first-class jerk, with Liam not far behind. I loved how Connor was, and am thankful he turned out that way! Brenna is a sweet and sassy character, fully capable of standing on her own two feet but also willing to stand back when necessary. There is also a bunch of characters I want to know more about, as well as this world as a whole.
This was an exciting read, with plenty of action and adventure. With smooth transitions from one scene to the next, there were also no editing or grammatical errors that disrupted my reading flow. The world building was on point, and all the characters had depth, with their own quirks and foibles. An excellent start to the series that leaves me wanting more. Absolutely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://www.theromancereviews.com/viewbooks.php?bookid=20637

Phillip McSween (751 KP) rated The Blue Room (2014) in Movies
Sep 24, 2018
Not Bad
Two lovers involved in an affair explore the possibilities of murder.
Acting: 10
Top to bottom the acting is absolutely magnificent. Each actor/actress excels in their role and gets you completely wrapped up in the story. There is so much intrigue and passion to convey in a story like this and this stellar group didn’t disappoint.
Beginning: 10
A steamy beginning introduces the characters and gives you a taste of what you can expect from the film. Again, this story succeeds by intriguing you from one moment to the next. The tone is set from jump, capturing your attention with the intro to the lovers and a police case we have yet to uncover.
Characters: 10
Cinematography/Visuals: 10
Conflict: 6
This is where the story loses me a bit. You can tell things are bubbling up behind the scenes, but I always had the strangest feeling that I was in for a let down. There wasn’t as much implosion as I was hoping for or that should come with a story of this magnitude. This man’s world is falling apart, yet it felt like the movie went through the paces for me at times.
Genre: 9
I think this scoring might be more of a result of not as many strong films in the genre. I classify this as an erotic drama or a drama centered around sexuality. It’s not a genre I’m well-versed in, but I will say that it’s one of the best I’ve seen considering the strong cast and overall appeal.
Memorability: 9
Pace: 5
Plot: 5
Resolution: 1
Shoddy and predictable. This film deserved better. Perhaps if it had gotten better, The Blue Room would have moved from decent to great. Seriously, it made the entire movie feel like a waste of time due to a lack of payoff. I don’t know what I expected…but it wasn’t this.
Overall: 75
While the film definitely gets a lot of things right with solid acting and beautiful shots that stand out in your brain, it lacks the proper punch to get it over the hump of mediocrity. While I would watch it again, The Blue Room won’t go down as one of my favorites.
Acting: 10
Top to bottom the acting is absolutely magnificent. Each actor/actress excels in their role and gets you completely wrapped up in the story. There is so much intrigue and passion to convey in a story like this and this stellar group didn’t disappoint.
Beginning: 10
A steamy beginning introduces the characters and gives you a taste of what you can expect from the film. Again, this story succeeds by intriguing you from one moment to the next. The tone is set from jump, capturing your attention with the intro to the lovers and a police case we have yet to uncover.
Characters: 10
Cinematography/Visuals: 10
Conflict: 6
This is where the story loses me a bit. You can tell things are bubbling up behind the scenes, but I always had the strangest feeling that I was in for a let down. There wasn’t as much implosion as I was hoping for or that should come with a story of this magnitude. This man’s world is falling apart, yet it felt like the movie went through the paces for me at times.
Genre: 9
I think this scoring might be more of a result of not as many strong films in the genre. I classify this as an erotic drama or a drama centered around sexuality. It’s not a genre I’m well-versed in, but I will say that it’s one of the best I’ve seen considering the strong cast and overall appeal.
Memorability: 9
Pace: 5
Plot: 5
Resolution: 1
Shoddy and predictable. This film deserved better. Perhaps if it had gotten better, The Blue Room would have moved from decent to great. Seriously, it made the entire movie feel like a waste of time due to a lack of payoff. I don’t know what I expected…but it wasn’t this.
Overall: 75
While the film definitely gets a lot of things right with solid acting and beautiful shots that stand out in your brain, it lacks the proper punch to get it over the hump of mediocrity. While I would watch it again, The Blue Room won’t go down as one of my favorites.

Debbiereadsbook (1416 KP) rated The Second Resurrection of Jack Selkirk (The Dragon's Bidding #2.5) in Books
Aug 9, 2021
wonderful descriptions of inside cyberspace!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2.5 in the Dragon’s Bidding series, and it could probably be read as a stand-alone, but I would recommend you read books one and two before this one.
Jack has been banished into cyberspace for his crimes against Wolf in book 2. He is filtering bits and pieces of information, passing on the bits that are helping his mum build a nest egg that he wasn’t able to. While doing that, he comes across some information that threatens his existence, even in cyberspace. He just needs Wolf and Fitz to believe him.
I enjoyed this so much MORE than book 2, I really did!
Yes, it’s very technical again, but while Cypher is about the augmentations and things, THIS book is about Jack, and his place in cyberspace. And that place is so beautifully described, it really is. The data streams are different colours. There are guard dogs in those streams, and you gotta be careful of them. Jack dips in and out of places so fast, they don’t get a chance to catch him, though.
Finding the assassination plot means Jack has to think fast, and he HAS to get Wolf to believe him. While Jack can fix things, he needs Wolf’s codes. And that means Wolf has to play nice with Jack. Fitz ain’t best pleased about that, though! Because that means Wolf has to enter cyberspace, and the risks are much greater to Wolf than they are to Jack, since Wolf doesn’t know how to get by.
The bugs from books one and two rear their ugly heads, again, much to Wolf’s dread.
The line of the book is this though: Jack visits me and plays his rotten roll! Oh that made me chuckle. I’ll let you read to get the full story though!
Jack gets a second chance here, and I wonder what will become of him in future books. Great reading, much MUCH better than book 2.
4 stars
**same worded review will appear elsewhere**
This is book 2.5 in the Dragon’s Bidding series, and it could probably be read as a stand-alone, but I would recommend you read books one and two before this one.
Jack has been banished into cyberspace for his crimes against Wolf in book 2. He is filtering bits and pieces of information, passing on the bits that are helping his mum build a nest egg that he wasn’t able to. While doing that, he comes across some information that threatens his existence, even in cyberspace. He just needs Wolf and Fitz to believe him.
I enjoyed this so much MORE than book 2, I really did!
Yes, it’s very technical again, but while Cypher is about the augmentations and things, THIS book is about Jack, and his place in cyberspace. And that place is so beautifully described, it really is. The data streams are different colours. There are guard dogs in those streams, and you gotta be careful of them. Jack dips in and out of places so fast, they don’t get a chance to catch him, though.
Finding the assassination plot means Jack has to think fast, and he HAS to get Wolf to believe him. While Jack can fix things, he needs Wolf’s codes. And that means Wolf has to play nice with Jack. Fitz ain’t best pleased about that, though! Because that means Wolf has to enter cyberspace, and the risks are much greater to Wolf than they are to Jack, since Wolf doesn’t know how to get by.
The bugs from books one and two rear their ugly heads, again, much to Wolf’s dread.
The line of the book is this though: Jack visits me and plays his rotten roll! Oh that made me chuckle. I’ll let you read to get the full story though!
Jack gets a second chance here, and I wonder what will become of him in future books. Great reading, much MUCH better than book 2.
4 stars
**same worded review will appear elsewhere**

BookInspector (124 KP) rated Deity in Books
Jul 1, 2021
The host of this book is Scott King, an online journalist that loves raking up old graves. 😀 He chooses a case and interviews six people, that tell the reader different perspectives of the same case. This time he investigates a very controversial celebrity, that died in the fire and was accused of many things, such as abuse against young girls. I love Scott King’s style, he does not judge, he shares the stories, allowing the reader to decide what they want to believe in. All the characters are pretty unexpected and very intriguing, I just love to see the story unravelling.
The narrative of this book is extremely addictive. Every perspective brings something different and new to the overall view of the case, that is why I simply could not put down this book. There are plenty of twists and turns and the whole story is shrouded in mystery and ghosts. For me, the story had some similarities to real celebrities and some of the allegations I have read in the past. The whole story sounds so realistic, that I actually wanted to google Zach Crystal in case he was real. 😀 The topics discussed in this book are child abuse, mental illness, wish to control, mystical creatures, fanaticism, religion, the life of rich and famous, family relations, and many more.
I loved the atmosphere of this novel, it is creepy and very intriguing. The writing style is impeccable as always. The chapters are pretty long, but they are so absorbing, that the pages just fly by. The ending of this novel was phenomenal, but I still have unanswered questions about the whole story… Even though this book is fifth in the series, it can easily be read as a stand-alone. I can not wait for the next book, because this case was a really sensitive one, and I am very excited to see what Scott King will investigate next.
So, to conclude, this book has brilliant characters and a plot that always kept me guessing. I think this book was amazing, and I would recommend it to anyone. I hope you will like it as well. 🙂
The narrative of this book is extremely addictive. Every perspective brings something different and new to the overall view of the case, that is why I simply could not put down this book. There are plenty of twists and turns and the whole story is shrouded in mystery and ghosts. For me, the story had some similarities to real celebrities and some of the allegations I have read in the past. The whole story sounds so realistic, that I actually wanted to google Zach Crystal in case he was real. 😀 The topics discussed in this book are child abuse, mental illness, wish to control, mystical creatures, fanaticism, religion, the life of rich and famous, family relations, and many more.
I loved the atmosphere of this novel, it is creepy and very intriguing. The writing style is impeccable as always. The chapters are pretty long, but they are so absorbing, that the pages just fly by. The ending of this novel was phenomenal, but I still have unanswered questions about the whole story… Even though this book is fifth in the series, it can easily be read as a stand-alone. I can not wait for the next book, because this case was a really sensitive one, and I am very excited to see what Scott King will investigate next.
So, to conclude, this book has brilliant characters and a plot that always kept me guessing. I think this book was amazing, and I would recommend it to anyone. I hope you will like it as well. 🙂

Merissa (12723 KP) rated Cinderfella in Books
Apr 12, 2023
This story is about a young man, little more than a boy himself, who finds that he has to become the 'man' of the family at far too young an age. For Connor, life sucks but he is still trying to do his best as he has a beautiful little girl to try for. Mak is indeed a blessing and certainly steals the show whenever she is around. Those nearly three-year-old tantrums though? Yeesh! Far too lifelike 😉 Gianna is the total opposite of Connor, from what he can see. A privileged lifestyle, nothing that's needed and what she has, she doesn't appreciate.
This story shows you that you cannot judge by what you think you know. Everyone lives behind a mask of some form or another. What may look like a privileged life may be anything but that. This is a lesson that Connor has to learn, along with others, if he is going to make a go of his life.
I loved that the book was written from the male's perspective and I also loved the fact that they didn't just jump straight into bed. How this was written made the growth of their relationship all the more special and all the more heartbreaking when it didn't work the way you wanted it to.
There were a couple of things that didn't sit right for me which is why I've given 4 stars, but to be fair, I can't actually think of a different way to do it either. I loved that they were putting on a show and it was pressured, but the idea of him wanting to be an actor just didn't feel right.
This is a feel-good story with a twist on the classic fairytale (obviously) but still manages to stand on its own feet. Definitely recommended for all fans of YA/NA Contemporary.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 13, 2016
This story shows you that you cannot judge by what you think you know. Everyone lives behind a mask of some form or another. What may look like a privileged life may be anything but that. This is a lesson that Connor has to learn, along with others, if he is going to make a go of his life.
I loved that the book was written from the male's perspective and I also loved the fact that they didn't just jump straight into bed. How this was written made the growth of their relationship all the more special and all the more heartbreaking when it didn't work the way you wanted it to.
There were a couple of things that didn't sit right for me which is why I've given 4 stars, but to be fair, I can't actually think of a different way to do it either. I loved that they were putting on a show and it was pressured, but the idea of him wanting to be an actor just didn't feel right.
This is a feel-good story with a twist on the classic fairytale (obviously) but still manages to stand on its own feet. Definitely recommended for all fans of YA/NA Contemporary.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 13, 2016