Search
Search results
Daniel Boyd (1066 KP) rated Game Of Thrones - Season 7 in TV
Sep 5, 2017
Inconsistent characters (2 more)
Lazy writing
Huge plot holes
Who Wrote This?
Contains spoilers, click to show
Full disclosure, I wasn't a huge GoT fan to begin with, but this season takes the cake for the amount of nonsense it expected the viewer to accept without question. The show is ahead of the books at this point, so its no longer based on George RR Martin's books and it shows.
From this point on, I will be spoiling the events of the season, so if you haven't seen it and you care about spoilers, look away now.
If you are looking for a drinking game to play this season, drink every time Danyres is an entitled brat, drink every time Bran says something pretentious, drink every time John mentions the white walkers and drink when Tyrion screws up and I guarantee you that you won't be able to stand up by the end of the season.
There were two things in particular that got under my skin this season. First of all Littlefinger, (the supposed 'smartest character in the show,') got outsmarted by Arya and Sansa? Are you kidding? His death was so unsatisfying and ridiculous and in past seasons that character would have never have been stupid enough to get himself into that situation without working out a way to get himself away with his life.
The second thing is Bran. You can't have an all knowing character that doesn't know things. How is it that Sam has to be the one to tell Bran about John's parents being married when he was born? I've heard the excuse made that Bran has to choose to go to a period in history in order to see what happened at that time, but we have seen that he was back there last season when John was born in that tower! Also, why didn't he inform his brother that the Night King had a dragon, as soon as it happened? I realise that Bran is in Winterfell and John is with Danyres, but in the last episode, John sends Bran a note via carrier pigeon, so why couldn't he have sent one to John? Why didn't Bran see that Cersei was going to betray John and Danyres? If in the next season John and Dany are surprised when Cersei doesn't back them, then the writing for this show has well and truly fell off a cliff.
From this point on, I will be spoiling the events of the season, so if you haven't seen it and you care about spoilers, look away now.
If you are looking for a drinking game to play this season, drink every time Danyres is an entitled brat, drink every time Bran says something pretentious, drink every time John mentions the white walkers and drink when Tyrion screws up and I guarantee you that you won't be able to stand up by the end of the season.
There were two things in particular that got under my skin this season. First of all Littlefinger, (the supposed 'smartest character in the show,') got outsmarted by Arya and Sansa? Are you kidding? His death was so unsatisfying and ridiculous and in past seasons that character would have never have been stupid enough to get himself into that situation without working out a way to get himself away with his life.
The second thing is Bran. You can't have an all knowing character that doesn't know things. How is it that Sam has to be the one to tell Bran about John's parents being married when he was born? I've heard the excuse made that Bran has to choose to go to a period in history in order to see what happened at that time, but we have seen that he was back there last season when John was born in that tower! Also, why didn't he inform his brother that the Night King had a dragon, as soon as it happened? I realise that Bran is in Winterfell and John is with Danyres, but in the last episode, John sends Bran a note via carrier pigeon, so why couldn't he have sent one to John? Why didn't Bran see that Cersei was going to betray John and Danyres? If in the next season John and Dany are surprised when Cersei doesn't back them, then the writing for this show has well and truly fell off a cliff.
Neon's Nerd Nexus (360 KP) rated Skyscraper (2018) in Movies
May 14, 2019
Tower inferno
#skyscraper tries so hard to be the new #diehard but instead comes crashing down in a fiery mess. I wasn't particularly hoping skyscraper would be any good but I was at least expecting a #fun time with some #cool #action set pieces, instead what I got was a totally generic below average action #movie. Before you go & see this ask yourself this question "Do I like cgi fire?" because I can tell you now a good 80% of this film is either cgi fire or explosions (& not the good kind). The problem with all the action being cgi is its not very believable, #dwaynejohnson could be in #danger multiple times but if it doesn't look like he is in danger the #fear & tension is lost instantly in every scene. Most of the action falls flat because of this & leads to all the big set pieces blurring into one big boring repetitive mess of orange #fire & bad motion blur effects. As a building #thepearl looks great & its well designed too its just to bad we dont get to see much of what it really has to offer internaly (e.g we are shown inside the sphere at the top early on knowing full well it will come back into play later, problem is when it does its poorly filmed, not very interesting & a huge missed opportunity to #dazzle or do something visually clever with this scene). Writing & dialog wise its terrible too & characters lack depth & #emotion with some (the police officers mainly) feeling like wooden planks just put in to move the plot forward faster. Characters also constantly spill exposition & frustrate by falling in & out of trust with each other in seconds or guessing the solution to problems instantly without any thought process or reason except assumption. The #villain is also non threatening & disposable with poor motives too. Its just a very flat, #boring & repetitive #film with no real reason to keep you invested & because of this I either found my mind wondering or myself starting to nodd off. I cant recommend Skyscraper at all especially when Die Hard has just been released on #4k so it seems #silly to go see a film like this when one that does it so perfectly already exists. #odeon #odeonlimitless #therock #sundayfunday #silly #funny #ripoff #filmbuff #filmcritic
Kyera (8 KP) rated The Dazzling Heights (The Thousandth Floor #2) in Books
Feb 1, 2018
The Thousandth Floor series is Gossip Girl set in a near-future world in which technology is fascinatingly advanced. The Dazzling Heights continues the story and follows the characters in the aftermath of the Thousandth Floor. As this is the sequel, there will be spoilers for the first book in the series but not the second book.
The varied cast of characters from the first book return with the addition of a new girl, Calliope Brown. I liked that the author changed perspective with each chapter because it allowed us to get to know each character better than we would have otherwise. With such a large group, it would have been difficult to achieve otherwise and some of the characters would have been relegated to forgettable, supporting roles.
The events in the Thousandth Floor have hit some of the characters much harder than others. We get to see and experience their emotional rollercoasters as they each try to cope. It was nice to see the continued development and evolution of the characters. Avery is not just the perfect, popular girl who lives on the top floor; Watt is not just the genius with a supercomputer friend; Leda is not just the addict with a penchant for revenge; Rylin is not just the poor kid from a lower floor that got roped into the highliers' lives.
The story takes place almost entirely in the Tower, but that's not a negative for the world building because the locale is like a world itself. The author vibrantly describes various floors and shows how the building houses almost anything imaginable from a farm to a school, parks to gyms, and anything you can think of in between.
The Dazzling Heights also ends with a cliffhanger and leaves you wanting more. The character most involved in the cliffhanger wasn't one that I particularly connected with, so I'm not as impatient to know what happened - but I am to know what happens to the rest of the characters in the aftermath of this new development.
Obviously, you need to read the first book the Thousandth Floor before you continue with this, but I would definitely recommend this series as it is a fun, intriguing, Gossip Girl-esque romp with the 1% set in a world more advanced than our own.
The varied cast of characters from the first book return with the addition of a new girl, Calliope Brown. I liked that the author changed perspective with each chapter because it allowed us to get to know each character better than we would have otherwise. With such a large group, it would have been difficult to achieve otherwise and some of the characters would have been relegated to forgettable, supporting roles.
The events in the Thousandth Floor have hit some of the characters much harder than others. We get to see and experience their emotional rollercoasters as they each try to cope. It was nice to see the continued development and evolution of the characters. Avery is not just the perfect, popular girl who lives on the top floor; Watt is not just the genius with a supercomputer friend; Leda is not just the addict with a penchant for revenge; Rylin is not just the poor kid from a lower floor that got roped into the highliers' lives.
The story takes place almost entirely in the Tower, but that's not a negative for the world building because the locale is like a world itself. The author vibrantly describes various floors and shows how the building houses almost anything imaginable from a farm to a school, parks to gyms, and anything you can think of in between.
The Dazzling Heights also ends with a cliffhanger and leaves you wanting more. The character most involved in the cliffhanger wasn't one that I particularly connected with, so I'm not as impatient to know what happened - but I am to know what happens to the rest of the characters in the aftermath of this new development.
Obviously, you need to read the first book the Thousandth Floor before you continue with this, but I would definitely recommend this series as it is a fun, intriguing, Gossip Girl-esque romp with the 1% set in a world more advanced than our own.
LeftSideCut (3778 KP) rated Game Of Thrones - Season 6 in TV
Jul 19, 2019
Hold the Goddam Door
Contains spoilers, click to show
Season 6 of Game of thrones is another incredible display of television spinning so many plates.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
Charlie Cobra Reviews (1840 KP) rated the PlayStation 4 version of Mortal Kombat 11 in Video Games
Jul 7, 2020
Killing the Kompetition
Mortal Kombat 11 is a fighting video game developed by NetherRealm Studios and published by Warner Bros. Interactive Entertainment. It's a sequel to Mortal Kombat X and is the eleventh game in the franchise. The game is directed by Ed Boon and produced by Graeme Bayless and written by Dominic Cianciolo and Shawn Kittelsen. Designed by John Edwards and programmed by Gavin Freyberg with art by Steve Beran and music composed by Wilbert Roget.
Raiden, now corrupted, plans to destroy all of Earthrealm's enemies to ensure it's protection. A team lead by Sonya Blade, Cassie Cage and Jacqui Briggs assaults Netherrealm, with Raiden providing a diversion. The team is successful and Kronika forms an alliance with Liu Kang and Kitana. However Kronika is forced to rewrite history and stop Raiden, causing temporal anomolies.
This game is super badass. The combat and gameplay are as fluid as ever. The graphics and the look are outstanding. I loved playing the story mode, it felt like being in a Mortal Kombat movie. The tutorial modes it has is full of different ways to help you really get to know the moves of the characters of your choice. The tower modes remind me of the classic arcade structure that you would play back when these games took quarters and is awesome to see the different endings for each character. I really didn't enjoy the Krypt mode, I thought it would be more interesting kind of like an adventure mode or more RPGs like but basically you're just opening loot boxes or chests. And the customization mode is cool but I hear you have to grind for a really long time or spend some major bucks to get what you want. And I'm not doing that, lol. The online play is where it's at but man it's competitive, I'm just an average gamer a d took me about an hour before I got my first win. That being said though, it's really fun and pretty addicting. I really like how the fatalities are pretty easy and learning moves for characters aren't too hard either. Not a lot to complain about with this game. I give it a 8/10. Below is a link to a video I put on YouTube to show gameplay.
Raiden, now corrupted, plans to destroy all of Earthrealm's enemies to ensure it's protection. A team lead by Sonya Blade, Cassie Cage and Jacqui Briggs assaults Netherrealm, with Raiden providing a diversion. The team is successful and Kronika forms an alliance with Liu Kang and Kitana. However Kronika is forced to rewrite history and stop Raiden, causing temporal anomolies.
This game is super badass. The combat and gameplay are as fluid as ever. The graphics and the look are outstanding. I loved playing the story mode, it felt like being in a Mortal Kombat movie. The tutorial modes it has is full of different ways to help you really get to know the moves of the characters of your choice. The tower modes remind me of the classic arcade structure that you would play back when these games took quarters and is awesome to see the different endings for each character. I really didn't enjoy the Krypt mode, I thought it would be more interesting kind of like an adventure mode or more RPGs like but basically you're just opening loot boxes or chests. And the customization mode is cool but I hear you have to grind for a really long time or spend some major bucks to get what you want. And I'm not doing that, lol. The online play is where it's at but man it's competitive, I'm just an average gamer a d took me about an hour before I got my first win. That being said though, it's really fun and pretty addicting. I really like how the fatalities are pretty easy and learning moves for characters aren't too hard either. Not a lot to complain about with this game. I give it a 8/10. Below is a link to a video I put on YouTube to show gameplay.
Eleanor Luhar (47 KP) rated Uprooted in Books
Jun 24, 2019
I've been meaning to read this for a long time now and finally managed to do so. I'm so peased I did! It was such a great book, and I really did enjoy reading it.
Agnieszka is a seemingly ordinary young girl. Her best friend is about to be taken by the Dragon, a powerful wizard who routinely takes girls into his tower for ten years before they leave the village for good. Everyone's prepared for Kasia to go - she's the pretty one, the talented one, the one who everyone is drawn to. Of course the Dragon is going to choose her.
Right?
Of course, nothing goes to plan. Agnieszka assumed she was safe from being chosen, due to her clumsiness and lack of appeal or talents. But of course, she is chosen. Little does she know that she was destined for this role all along.
The Dragon is feared by most, including Nieshka. But she soon learns that he is not as terrible as she thought. She also learns some valuable skills involving magic that she never knew she was capable of.
Nieshka discovers the importance of magic in protecting her village from the Wood. The Wood is full of corruption, often taking unknowing passers-by and either never releasing them or returning them to their families changed beyond repair. The Wood has been a huge threat for centuries. The Dragon holds it at bay, but nobody ever dreamed of defeating it.
Until Agnieszka came along.
It's quite a complex plot, and there are a lot of moments where Nieshka makes mistakes. She is driven by emotion, especially when her best friend's life is at risk. She is a passionate girl and doesn't always think rationally. I liked her for this - don't we all let our emotions get the better of us sometimes?
There was a small amount of romance in this book that I felt was rather unnecessary, but it didn't overtake the plot or anything. I loved how the plot and subplots twisted together, and how many turns they took. It was exciting and intriguing and very clever.
The ending seemed a little too simple to me, though. Had they never thought to look into the Wood Queen's origin before?
Overall it was a fantastic book. Timeless. I can see why it's so popular, and I'm sure it will be for some time. 4 stars.
Agnieszka is a seemingly ordinary young girl. Her best friend is about to be taken by the Dragon, a powerful wizard who routinely takes girls into his tower for ten years before they leave the village for good. Everyone's prepared for Kasia to go - she's the pretty one, the talented one, the one who everyone is drawn to. Of course the Dragon is going to choose her.
Right?
Of course, nothing goes to plan. Agnieszka assumed she was safe from being chosen, due to her clumsiness and lack of appeal or talents. But of course, she is chosen. Little does she know that she was destined for this role all along.
The Dragon is feared by most, including Nieshka. But she soon learns that he is not as terrible as she thought. She also learns some valuable skills involving magic that she never knew she was capable of.
Nieshka discovers the importance of magic in protecting her village from the Wood. The Wood is full of corruption, often taking unknowing passers-by and either never releasing them or returning them to their families changed beyond repair. The Wood has been a huge threat for centuries. The Dragon holds it at bay, but nobody ever dreamed of defeating it.
Until Agnieszka came along.
It's quite a complex plot, and there are a lot of moments where Nieshka makes mistakes. She is driven by emotion, especially when her best friend's life is at risk. She is a passionate girl and doesn't always think rationally. I liked her for this - don't we all let our emotions get the better of us sometimes?
There was a small amount of romance in this book that I felt was rather unnecessary, but it didn't overtake the plot or anything. I loved how the plot and subplots twisted together, and how many turns they took. It was exciting and intriguing and very clever.
The ending seemed a little too simple to me, though. Had they never thought to look into the Wood Queen's origin before?
Overall it was a fantastic book. Timeless. I can see why it's so popular, and I'm sure it will be for some time. 4 stars.
Deborah (162 KP) rated Six Tudor Queens: Katherine of Aragon, the True Queen: Six Tudor Queens 1 in Books
Dec 19, 2018
Weir again goes from traditionalist historian to historical novelist, but she can't seem to leave the historian bit behind. Much as I dislike wholesale abandonment of historical accuracy and the flagrant sensationalism of Phillipa Gregory and her Ilk, I really found this book over long and tedious - I could quite cheerfully have done some poisoning myself just to get the book over and done with! It feels like Weir has looked up every single historical quote she could find from people in the period and tried to squeeze them into the book. I had read biographies of the period that are more enlightening that this and do more to bring the people and period to life.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
Phil Leader (619 KP) rated The Loch Ness Legacy (Tyler Locke #4) in Books
Nov 20, 2019
When Tyler Locke foils an attack on a summit of Middle Eastern leaders at the Eiffel Tower he suspects there is more going on than meets the eye. He is soon proved correct as delegates at the summit start to die of a mysterious disease and an old enemy breaks out of prison bent on revenge. In a race for survival Locke and his friends must find out the truth and prevent all out war.
This book immediately gripped me. I have picked up many adventure thriller type books from many authors and few have impressed me. However Boyd Morrison manages to avoid the usual pitfalls. His characters are likeable and share realistic dialogue and act according to their motivations - even the main villain who is just ever so slightly over the top but still manages to be realistic as a character.
The action scenes - and there are plenty featuring more chases and fight scenes than a whole franchise of movies - are extremely well handled. People tire during fight scenes, nobody is a crack shot with a gun, injuries are realistic.
The plot cracks along as Locke and his team uncover the secrets one at a time. There are clues to solve and the whole time they are racing to beat the terrorists who always seem to be one step ahead.
I feel I must make special mention of the dialogue of the English and Scottish characters. A lot of American authors tend to assume everyone in the UK is either a 'cor blimey guv'nor' cockney or an 'I say old chap' aristocrat and so to my ears the dialogue always sounds phoney. Morrison does not fall into this trap and that really did enhance the immersion in the story.
Yes ultimately this is a hunt for the Loch Ness Monster but really that's just a McGuffin to drive the plot, and an ingenious one at that. I'm not aware of anyone else using Nessie in this kind of book and Morrison handles it well.
Overall a terrific book, well worth a read and would make a terrific holiday book. I've already got the first Tyle Locke novel lined up to read and am looking forward to it immensely. Morrison has immediately become on of my favourite authors. I noticed that he is credited as co-writer on the latest Clive Cussler Oregon Files book (Piranha) and will need to read that too, I suspect that he will inject some energy into the franchise and is a good choice as this book reads like one of Cussler's first novels - in fact I'd say even better.
This book immediately gripped me. I have picked up many adventure thriller type books from many authors and few have impressed me. However Boyd Morrison manages to avoid the usual pitfalls. His characters are likeable and share realistic dialogue and act according to their motivations - even the main villain who is just ever so slightly over the top but still manages to be realistic as a character.
The action scenes - and there are plenty featuring more chases and fight scenes than a whole franchise of movies - are extremely well handled. People tire during fight scenes, nobody is a crack shot with a gun, injuries are realistic.
The plot cracks along as Locke and his team uncover the secrets one at a time. There are clues to solve and the whole time they are racing to beat the terrorists who always seem to be one step ahead.
I feel I must make special mention of the dialogue of the English and Scottish characters. A lot of American authors tend to assume everyone in the UK is either a 'cor blimey guv'nor' cockney or an 'I say old chap' aristocrat and so to my ears the dialogue always sounds phoney. Morrison does not fall into this trap and that really did enhance the immersion in the story.
Yes ultimately this is a hunt for the Loch Ness Monster but really that's just a McGuffin to drive the plot, and an ingenious one at that. I'm not aware of anyone else using Nessie in this kind of book and Morrison handles it well.
Overall a terrific book, well worth a read and would make a terrific holiday book. I've already got the first Tyle Locke novel lined up to read and am looking forward to it immensely. Morrison has immediately become on of my favourite authors. I noticed that he is credited as co-writer on the latest Clive Cussler Oregon Files book (Piranha) and will need to read that too, I suspect that he will inject some energy into the franchise and is a good choice as this book reads like one of Cussler's first novels - in fact I'd say even better.
Purple Phoenix Games (2266 KP) rated Tiny Epic Kingdoms in Tabletop Games
Jul 30, 2019
Behold – the Tiny Epic game that started the saga. Tiny Epic Kingdoms is the OG, and it’s about time we got around to reviewing it. It’s tiny. It’s epic. Keep reading to find out if it’s a keeper!
In Tiny Epic Kingdoms, you are the ruler of (you guessed it) a tiny kingdom. You, however, are not content with simply maintaining your realm – you have plans to expand your borders and make your kingdom not-so-tiny! Send your adventurers out to explore new lands, learn new magics, construct towers to assert your dominance, and fight off others who would stand in your way! Do you have the strategy necessary to outwit your competitors and grow your kingdom? Play to find out!
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
Tiny Epic Kingdoms is a game of worker placement, area control, and action point allowance. Players take turns gathering resources, buildings towers, researching magic, or exploring (and potentially waging war) in new lands. As the active player, on your turn you will select and perform one of the six available actions from the Action Card: Patrol, Quest, Build, Research, Expand, or Trade. Following your action, and still on your turn, the remaining players will either decide to perform the same action you chose, or collect resources. Once everyone has had the chance to act, your turn is over. The next player now becomes the active player and the process repeats with one big change – the action you chose on your turn is no longer available for selection. Each subsequent active player will always have 1 fewer action choice on their turn. This process repeats until there are no more actions available. When this happens, the Action Card is cleared and all actions are available once more for selection. Strategy is key – which action can you choose on your turn to best benefit you while also inhibiting your competitors? The game ends at the end of the turn in which one of these three things has happened: a player has all of their meeples in play, a player has built the 6th level on the tower card, or a player has reached the 5th level of magic on their faction card. End-game points are scored based on meeples in play, magic level, tower level, and control of Capital Cities. The player with the highest score wins!
For such a small game, there’s definitely a fair amount of strategy involved in Tiny Epic Kingdoms. You’ve got to decide on the best approach for you, and it must be adaptable to any given situation. Do you play it safe, quietly collecting resources, trying to achieve your end-game goals the fastest? Or do you venture out to confront your opponents, trying to usurp their territory and resources and take them out as your competition? Or maybe you try to stay civil, but an opponent is threatening your progress and now you’ve got to fight back? There are lots of strategic options, and every game feels like a new challenge.
One thing I enjoy about Tiny Epic Kingdoms is that you get to act on every single turn, even if you aren’t the active player. You don’t have to sit there and watch your friends play – you have the chance to benefit during every single turn, even if it’s merely collecting resources. The opportunity to act on every turn also adds a little bit of ‘take that’ to this game. I might choose an action on my turn as the active player that I know one of my competitors cannot perform – thus forcing them to collect resources and waste the opportunity to perform that specific action for an entire round. And since that action cannot be picked again until all available actions have already been chosen, I’ve successfully blocked their progress in a certain area of play. Your strategy has to extend beyond just your turn as the active player – you must consider all options for your opponents as well.
The thing I don’t necessarily like about Tiny Epic Kingdoms is that the gameplay can be a little stale. Unless you’re playing with people who actively try to engage with you, it is extremely easy to just stay in your own realm and not even interact with anyone at all. There’s no forced interaction in this game, and although it is admittedly nice sometimes, mostly it just feels like we’re all playing the same game alone. It’s like we all just take turns performing/following actions until someone has triggered the end-game.
Overall, I like Tiny Epic Kingdoms. It’s not my favorite Tiny Epic game, but it’s a good one. There’s a decent amount of strategy involved, but at times it can feel more like a ‘take that’ type game to me. The lack of forced player interaction can lead to dull gameplay and a lackluster experience. It’s not a bad game. It’s just not the most epic Tiny Epic game out there, in my opinion. That’s why Purple Phoenix Games gives it a regal 14 / 18.
In Tiny Epic Kingdoms, you are the ruler of (you guessed it) a tiny kingdom. You, however, are not content with simply maintaining your realm – you have plans to expand your borders and make your kingdom not-so-tiny! Send your adventurers out to explore new lands, learn new magics, construct towers to assert your dominance, and fight off others who would stand in your way! Do you have the strategy necessary to outwit your competitors and grow your kingdom? Play to find out!
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
Tiny Epic Kingdoms is a game of worker placement, area control, and action point allowance. Players take turns gathering resources, buildings towers, researching magic, or exploring (and potentially waging war) in new lands. As the active player, on your turn you will select and perform one of the six available actions from the Action Card: Patrol, Quest, Build, Research, Expand, or Trade. Following your action, and still on your turn, the remaining players will either decide to perform the same action you chose, or collect resources. Once everyone has had the chance to act, your turn is over. The next player now becomes the active player and the process repeats with one big change – the action you chose on your turn is no longer available for selection. Each subsequent active player will always have 1 fewer action choice on their turn. This process repeats until there are no more actions available. When this happens, the Action Card is cleared and all actions are available once more for selection. Strategy is key – which action can you choose on your turn to best benefit you while also inhibiting your competitors? The game ends at the end of the turn in which one of these three things has happened: a player has all of their meeples in play, a player has built the 6th level on the tower card, or a player has reached the 5th level of magic on their faction card. End-game points are scored based on meeples in play, magic level, tower level, and control of Capital Cities. The player with the highest score wins!
For such a small game, there’s definitely a fair amount of strategy involved in Tiny Epic Kingdoms. You’ve got to decide on the best approach for you, and it must be adaptable to any given situation. Do you play it safe, quietly collecting resources, trying to achieve your end-game goals the fastest? Or do you venture out to confront your opponents, trying to usurp their territory and resources and take them out as your competition? Or maybe you try to stay civil, but an opponent is threatening your progress and now you’ve got to fight back? There are lots of strategic options, and every game feels like a new challenge.
One thing I enjoy about Tiny Epic Kingdoms is that you get to act on every single turn, even if you aren’t the active player. You don’t have to sit there and watch your friends play – you have the chance to benefit during every single turn, even if it’s merely collecting resources. The opportunity to act on every turn also adds a little bit of ‘take that’ to this game. I might choose an action on my turn as the active player that I know one of my competitors cannot perform – thus forcing them to collect resources and waste the opportunity to perform that specific action for an entire round. And since that action cannot be picked again until all available actions have already been chosen, I’ve successfully blocked their progress in a certain area of play. Your strategy has to extend beyond just your turn as the active player – you must consider all options for your opponents as well.
The thing I don’t necessarily like about Tiny Epic Kingdoms is that the gameplay can be a little stale. Unless you’re playing with people who actively try to engage with you, it is extremely easy to just stay in your own realm and not even interact with anyone at all. There’s no forced interaction in this game, and although it is admittedly nice sometimes, mostly it just feels like we’re all playing the same game alone. It’s like we all just take turns performing/following actions until someone has triggered the end-game.
Overall, I like Tiny Epic Kingdoms. It’s not my favorite Tiny Epic game, but it’s a good one. There’s a decent amount of strategy involved, but at times it can feel more like a ‘take that’ type game to me. The lack of forced player interaction can lead to dull gameplay and a lackluster experience. It’s not a bad game. It’s just not the most epic Tiny Epic game out there, in my opinion. That’s why Purple Phoenix Games gives it a regal 14 / 18.
Ross (3282 KP) rated Perfect Crime in Books
Feb 19, 2019 (Updated Feb 19, 2019)
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.