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From Beyond (1986)
7.2
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Movie
Two scientists create a device intended to stimulate the pineal gland of the human brain,...
Body horror Biological horror Organic horror Visceral horror H. P. Lovecraft Lovecraftian
Movie Critics (823 KP) rated It Comes At Night (2017) in Movies
May 22, 2017
This isn’t horror in the traditional sense, but make no mistake; it’s a horror film. It’s a visceral assault on every level; there’s a claustrophobic, atmospheric dread that tests your nerves
Critic- Meagan Navarro
Original Score- 9 out of 10
Read Review: http://modernhorrors.com/comes-night-overlook-film-festival-review/
Original Score- 9 out of 10
Read Review: http://modernhorrors.com/comes-night-overlook-film-festival-review/
Nightmare Magazine - Horror and Dark Fantasy Story Podcast (Audiobook | Short Stories)
7.0
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Podcast
Edited by bestselling, award-winning anthologist John Joseph Adams, NIGHTMARE is a digital magazine...
Little Horrors: How Cinema's Evil Children Play on Our Guilt
Book
Zombies, werewolves and chainsaw-wielding maniacs are tried-and-true antagonists of horror films....
Lovecraft Country
7.0
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Book
The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and...
Horror
LeftSideCut (3778 KP) rated Re-Animator (1985) in Movies
Aug 29, 2020
Straight up, Re-Animator is one of my favourite horror movies of all time - there is just so much to love about this bonafide classic.
Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.
This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!
Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.
This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!
Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
LeftSideCut (3778 KP) rated Night of the Living Dead (1968) in Movies
Oct 22, 2021
All these years later, and Night of the Living Dead still stands up so well. It has wonderful cinematography for a start. Multiple shots really stuck in my head when I was a kid, and still get me now. This is also down to the films horror. NOTLD is raw horror through and through. The half eaten face at the top of the stairs still incites such a visceral reaction in me. It's gives me unpleasant tingles every time it hits the screen. I hate it (and love it). The death-by-trowel scene is still unpleasant and uncomfortable to watch. Tom and Judy in the exploding truck is still gut wrenching. The ending is so depressingly nihilistic. The film itself may be dated, sure, but these moments and more are examples of pure horror, and are a huge part of why Night is such a pillar of the genre. It still makes me feel the same terror that I felt as a kid, and that's really something.
All of this is bolstered by a fantastic lead performance from Duane Jones, taking charge of a small cast of well written characters, backed up by a rousing music score.
Night of the Living Dead is an all timer, that saw George Romero lay the ground rules and set the tone for one of the most popular horror sub genres of all time. Long live the king.
All of this is bolstered by a fantastic lead performance from Duane Jones, taking charge of a small cast of well written characters, backed up by a rousing music score.
Night of the Living Dead is an all timer, that saw George Romero lay the ground rules and set the tone for one of the most popular horror sub genres of all time. Long live the king.
LeftSideCut (3778 KP) rated The Thing (1982) in Movies
Feb 6, 2020
In my many years of enjoying movies, I've yet to come across anything quite like John Carpenter's The Thing.
It's quite simply, a horror masterpiece!
The imagery and monsters bought to the screen feel like they're straight out of hell. All these years later, and The Thing, and it's many disturbing forms, remains arguably the most terrifying movie monster out there.
The incredible use of practical effects ensures that the films visceral and horrible imagery still remains to this day, and is a testament to the amazing work put by the art and make up crews.
The isolated and snowy setting is almost iconic as the titular alien, and adds an eery atmosphere from the opening scene.
Kurt Russell is a fine lead, as his character McCready drives the narrative forward at a fast and manic pace. The story if one dripping with paranoia and tension, and the whole cast do a great job at conveying this.
The plots conclusion is different from what you might expect of the genre at the time, and it's lack of a 'final girl' shows that The Thing was not afraid to go against the grain when it came to horror.
It's probably my top horror movie of all time, with the original Halloween coming a close second. Long live John Carpenter.
It's quite simply, a horror masterpiece!
The imagery and monsters bought to the screen feel like they're straight out of hell. All these years later, and The Thing, and it's many disturbing forms, remains arguably the most terrifying movie monster out there.
The incredible use of practical effects ensures that the films visceral and horrible imagery still remains to this day, and is a testament to the amazing work put by the art and make up crews.
The isolated and snowy setting is almost iconic as the titular alien, and adds an eery atmosphere from the opening scene.
Kurt Russell is a fine lead, as his character McCready drives the narrative forward at a fast and manic pace. The story if one dripping with paranoia and tension, and the whole cast do a great job at conveying this.
The plots conclusion is different from what you might expect of the genre at the time, and it's lack of a 'final girl' shows that The Thing was not afraid to go against the grain when it came to horror.
It's probably my top horror movie of all time, with the original Halloween coming a close second. Long live John Carpenter.
Lou Grande (148 KP) rated Teratologist in Books
May 15, 2018
Like a Buddy Cop movie directed by Satan
THE TERATOLOGIST--a researcher of physical abnormalities--is both a disgusting and fun (short) horror novel. Something like a Buddy Cop movie, a writer and photographer go to the mansion of a young billionaire who collects people with birth defects for a single nefarious purpose: to see God.
If you've read Edward Lee's Infernal Series, you may notice the similarities in theme. It isn't just good vs evil, it's Good vs Evil. It has the same dash of irreverent humor and more than enough depravity to make it a fun read for readers with iron stomachs.
That said, this is absolutely not for the faint of heart. If you're easily offended, why are you looking at a book by Edward Lee and Wrath James White to begin with? Both are masters of the splatterpunk genre, which has given birth to the "extreme horror" subgenre. This book will gross you out. Even seasoned readers might cringe at some of the acts depicted in THE TERATOLOGIST. They disgust on a moral and visceral level, but isn't that the point?
If you've read Edward Lee's Infernal Series, you may notice the similarities in theme. It isn't just good vs evil, it's Good vs Evil. It has the same dash of irreverent humor and more than enough depravity to make it a fun read for readers with iron stomachs.
That said, this is absolutely not for the faint of heart. If you're easily offended, why are you looking at a book by Edward Lee and Wrath James White to begin with? Both are masters of the splatterpunk genre, which has given birth to the "extreme horror" subgenre. This book will gross you out. Even seasoned readers might cringe at some of the acts depicted in THE TERATOLOGIST. They disgust on a moral and visceral level, but isn't that the point?