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Two Necromancers, a Dwarf Kingdom, and a Sky City (The Unconventional Heroes #4)
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Two necromancers, a dwarf kingdom, and a sky city – it sounds like a prelude to mayhem, and given...
Quinn Blackburn (3 KP) rated Unwind (Unwind, #1) in Books
May 14, 2018
Render Unto Cesar
Shusterman takes dystopian futures a step above the ordinary in this dark coming of age tale. In the not too distant future a war was fought in the U.S. over abortion, the 2nd Civil War. To appease all sides an unthinkable accord was reached. Instead of abortion, between the ages of 13 and 18 you can choose to send your child to a Harvest camp to be unwound, taken apart and all their body parts donated to others. We are given three characters with differing perspectives through which we see the workings of this world.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
Phil Leader (619 KP) rated The Skull Throne in Books
Nov 25, 2019
The fourth installment of Brett's impressive Demonwar books takes up exactly where the last book, The Daylight War, finished. With Jardir and Arlen last seen falling from a high cliff during a fight to the death, each side must manage without their Deliverer to battle the threat from the demons - and each other.
With Jardir gone, Inevera and Abban face a struggle for survival as his sons try to position themselves so they can take the Skull Throne and continue the daylight war against the Thesans seeking to unite all of mankind against the demon threat by force and subjugation.
Meanwhile the leaders of Hollow County are embroiled in political intrigue over the failure of the Duke of Angiers to produce an heir and questions about the rise of the Hollow as a power that could rival the Duke. Any actions by either side now could put the whole fate of the world at risk.
This is undoubtedly the best in the series to so far. All the characters and plot strands from the previous books are woven into a taut tale that drives forward with each page. Where previous installments have been mostly dialogue, this book moves neatly from one set piece to another, from battles against demons to assassination attempts stirred by old rivalries this books has it all.
Once again it is the characters that drive the book; without Brett's fine eye for detail the reader wouldn't care so much about the characters and it's a rare trick that the reader is able to support characters on both sides of the conflicts and arguments.
The momentum builds throughout to a final few chapters that are simply jaw dropping in terms of storyline, pace and scope. The next installment simply cannot come fast enough.
I'm also glad I read the UK hardback edition with the fantastic picture of Rojer looking very mean on the cover. From being my least favourite character he is definitely the stand out in this book.
Entirely recommended. It's a big book (the story ended on page 737) but well worth the read. However if you have not read the previous books in the series you will need to start at The Painted Man as previous knowledge of the characters and situations is assumed. But you will not regret it, Brett's world of demons is one of the best fantasy concepts out there.
Rated: Violent scenes and some sexual references
With Jardir gone, Inevera and Abban face a struggle for survival as his sons try to position themselves so they can take the Skull Throne and continue the daylight war against the Thesans seeking to unite all of mankind against the demon threat by force and subjugation.
Meanwhile the leaders of Hollow County are embroiled in political intrigue over the failure of the Duke of Angiers to produce an heir and questions about the rise of the Hollow as a power that could rival the Duke. Any actions by either side now could put the whole fate of the world at risk.
This is undoubtedly the best in the series to so far. All the characters and plot strands from the previous books are woven into a taut tale that drives forward with each page. Where previous installments have been mostly dialogue, this book moves neatly from one set piece to another, from battles against demons to assassination attempts stirred by old rivalries this books has it all.
Once again it is the characters that drive the book; without Brett's fine eye for detail the reader wouldn't care so much about the characters and it's a rare trick that the reader is able to support characters on both sides of the conflicts and arguments.
The momentum builds throughout to a final few chapters that are simply jaw dropping in terms of storyline, pace and scope. The next installment simply cannot come fast enough.
I'm also glad I read the UK hardback edition with the fantastic picture of Rojer looking very mean on the cover. From being my least favourite character he is definitely the stand out in this book.
Entirely recommended. It's a big book (the story ended on page 737) but well worth the read. However if you have not read the previous books in the series you will need to start at The Painted Man as previous knowledge of the characters and situations is assumed. But you will not regret it, Brett's world of demons is one of the best fantasy concepts out there.
Rated: Violent scenes and some sexual references
Gaspar Noe recommended An Andalusian Dog (1929) in Movies (curated)
Bob Mann (459 KP) rated Hacksaw Ridge (2016) in Movies
Sep 29, 2021
In God, and Doss, we Trust.
Those dreaded words – “Based On A True Story” – emerge again from the blackness of the opening page. Actually, no. In a move that could be considered arrogant if it wasn’t so well researched, here we even lose the first two words.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
Debbiereadsbook (1557 KP) rated Storm Of The Gods: An Areios Brothers Novel #1 in Books
Sep 1, 2018
a good solid 3 stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
30 years ago, the Greek gods re-emerged into the modern world from their enforced sleep. Since then, scions, direct descendants of those gods, have been doing their bidding and keeping the human population safe from the mythical beats of old. Derek and his 18 year old brother Liam, are war scions, doing the bidding of Ares, the god of war. Ares orders Derek to find and kill four rogue scions, by threatening Liam and Derek will do anything to keep his brother safe. But not all is as it seems, and Derek, Liam and the four scions find themselves in a battle to keep the mighty Titans at sleep.
**insert sigh**
For the most part,I did enjoy this. It took a while for me to get into it. There are several HUGE info dumps near the beginning and I didn't like that., It came at you all in one go, and I did not process all of that information, there was so much. It meant I got lost a little in places later on.
But it's all the history of the gods that dumps on you. You don't get all of Derek and Liam's history in that dump. That comes out in dribs and drabs, slow enough for you to process their history, before the next bit is thrown at you. And I think there may be more to come, I really do.
It is HEAVY on the fighting. Derek, Liam and the scions do a lot of fighting and it is described in all its detail. A bit too much for me.
Only Derek has his say, in the first person. I think if Liam, and maybe one of the scions, Selena, had their say too, even in the first, I might have enjoyed this one a little more.
I DID like the story itself, info dump and fighting aside, I did not see a lot coming at me, kept me on my toes.
There is something brewing between Derek and Selena, and I hope that plays out how I see playing out! But Derek has more secrets to reveal, some I don't think he even knows about yet. And he still has to get out of the war pact made with Ares, but to do that, Derek has to do what Ares asked him to. Derek does not want to do that now.
Will I read the next book?? Yes, I'd like to, if only to see how this all goes down.
So, because of the massive info dump, and because only Derek has a say....
3 solid good stars
**same worded review will appear elsewhere**
30 years ago, the Greek gods re-emerged into the modern world from their enforced sleep. Since then, scions, direct descendants of those gods, have been doing their bidding and keeping the human population safe from the mythical beats of old. Derek and his 18 year old brother Liam, are war scions, doing the bidding of Ares, the god of war. Ares orders Derek to find and kill four rogue scions, by threatening Liam and Derek will do anything to keep his brother safe. But not all is as it seems, and Derek, Liam and the four scions find themselves in a battle to keep the mighty Titans at sleep.
**insert sigh**
For the most part,I did enjoy this. It took a while for me to get into it. There are several HUGE info dumps near the beginning and I didn't like that., It came at you all in one go, and I did not process all of that information, there was so much. It meant I got lost a little in places later on.
But it's all the history of the gods that dumps on you. You don't get all of Derek and Liam's history in that dump. That comes out in dribs and drabs, slow enough for you to process their history, before the next bit is thrown at you. And I think there may be more to come, I really do.
It is HEAVY on the fighting. Derek, Liam and the scions do a lot of fighting and it is described in all its detail. A bit too much for me.
Only Derek has his say, in the first person. I think if Liam, and maybe one of the scions, Selena, had their say too, even in the first, I might have enjoyed this one a little more.
I DID like the story itself, info dump and fighting aside, I did not see a lot coming at me, kept me on my toes.
There is something brewing between Derek and Selena, and I hope that plays out how I see playing out! But Derek has more secrets to reveal, some I don't think he even knows about yet. And he still has to get out of the war pact made with Ares, but to do that, Derek has to do what Ares asked him to. Derek does not want to do that now.
Will I read the next book?? Yes, I'd like to, if only to see how this all goes down.
So, because of the massive info dump, and because only Derek has a say....
3 solid good stars
**same worded review will appear elsewhere**
Phil Leader (619 KP) rated Half a War (Shattered Sea, Book 3) in Books
Nov 14, 2019
This is the third book of the Shattered Sea trilogy and takes place a couple of years after the previous book, Half the World. The long forecast war between Gettland and the High King commences with the High King's champion, Bright Yilling, invading Throvenland. Princess Skara manages to escape to Gettland where she joins the allies so that she can take her homeland back from the invaders.
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
7 Wonders Duel
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One of the most celebrated games in the world can now be experienced in a two-player arena. 7...
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Fall of the Red Baron: World War I Aerial Tactics and the Death of Richthofen
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Fighter pilot Manfred von Richthofen (the Red Baron) lacked innate aerobatic ability. As a tyro, he...