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Veronica Pena (690 KP) rated Extraction (2020) in Movies
Apr 28, 2020
I thought this was an okay film. I can say that it's almost 100% likely that I'll watch anything with Chris Hemsworth in it and he's great. I will say that I wish I held onto him a little more. I feel like if they would've rolled out his story sooner or built the connection with Ovi more, I would've really felt a connection to him. I just felt like it came a little too late.
I've said it before, but I love it when films have a short timeline because I feel like it allows for a richer story with more details and not as much to contend with in making sure the details align and it all makes sense. I think that if this film would've had a longer plot time, it would've messed up the rhythm.
I liked that they left an ending that could provide for a sequel but didn't need it. If it does end up standing alone, it's a film that can do that. But it could also benefit from a sequel. It doesn't feel like this entire first film was a set up for a second film. This movie has enough to stand on its own and still be a good watch.
I am glad I watched it and I will probably watch the sequel if they do release one, but I can't say I'll ever come back to it or that I highly recommend. Watch it for Hemsworth or don't watch it at all.
I've said it before, but I love it when films have a short timeline because I feel like it allows for a richer story with more details and not as much to contend with in making sure the details align and it all makes sense. I think that if this film would've had a longer plot time, it would've messed up the rhythm.
I liked that they left an ending that could provide for a sequel but didn't need it. If it does end up standing alone, it's a film that can do that. But it could also benefit from a sequel. It doesn't feel like this entire first film was a set up for a second film. This movie has enough to stand on its own and still be a good watch.
I am glad I watched it and I will probably watch the sequel if they do release one, but I can't say I'll ever come back to it or that I highly recommend. Watch it for Hemsworth or don't watch it at all.
LeftSideCut (3776 KP) rated The Banana Splits Movie (2019) in Movies
Jan 4, 2021
The Banana Splits Movie, a horror-fied reimagining of the late 60s/early 70s Hanna-Barbera tv show, knows exactly what it's trying to be. It's silly and tongue in cheek, but toes the line pretty well in pretty much every aspect, not going overboard in either direction, and ultimately delivers a good time for anyone who enjoys a cheesy slasher.
The premise is deliciously simple - a family attend a taping of the titular Banana Splits show, their youngest sons favourite, and end up fighting for survival alongside fellow audience members and backstage crew, when the famous child friendly animatronic stars of the show go haywire and embark on a killing spree. I'm certain it's been said before, but imagine Five Nights at Freddy's crossed over with Willy Wonka & the Chocolate Factory, and you're pretty much there.
It's got a decent amount of gore (mostly done practically which is always a thumbs up), some imaginative kills and set pieces, and a good cast - the nice characters are likeable, the assholes are suitably unlikable (and die horribly of course) - it plays it's safe in that regard, but there's also some half decent character development in place, so I can't grumble too much.
The writing isn't great, and the pacing is a little iffy, could have done with maybe being a little shorter, but honestly, if you go into this fully on board with the premise, then you're almost guaranteed to have a fun and bloody time. Good luck getting that theme song out of your head...
The premise is deliciously simple - a family attend a taping of the titular Banana Splits show, their youngest sons favourite, and end up fighting for survival alongside fellow audience members and backstage crew, when the famous child friendly animatronic stars of the show go haywire and embark on a killing spree. I'm certain it's been said before, but imagine Five Nights at Freddy's crossed over with Willy Wonka & the Chocolate Factory, and you're pretty much there.
It's got a decent amount of gore (mostly done practically which is always a thumbs up), some imaginative kills and set pieces, and a good cast - the nice characters are likeable, the assholes are suitably unlikable (and die horribly of course) - it plays it's safe in that regard, but there's also some half decent character development in place, so I can't grumble too much.
The writing isn't great, and the pacing is a little iffy, could have done with maybe being a little shorter, but honestly, if you go into this fully on board with the premise, then you're almost guaranteed to have a fun and bloody time. Good luck getting that theme song out of your head...
Charlie Cobra Reviews (1840 KP) rated Smashbomb in Apps
Jul 9, 2020
Smashbomb Review
Smashbomb is a pretty cool social media app for entertainment recommendations. What do I mean? Well, you can rate and review all kinds of things like movies, tv shows, books and more; as well as discover things through recommendations too. You can also recommend stuff to your friends and follow each other to see what stuff they've recently reviewed. Find out what they love or what they hate, or what they really felt about a certain movie/tv show, etc.. You can even join "Orbs" which are groups where you can talk with other members about different topics related to recommendations. You earn points for adding reviews and rating things and even earn different badges for contributing that show off your status in the community. There's even a system of points called Kudos points that you earn for adding reviews and ratings and the more you earn the more you can give to friends and followers. These points are used to enter giveaways where you can win all kinds of prizes from Funko Pops, DVDs, table top games and even video games.
So in conclusion, I think this app is pretty awesome. I've been using it now for a couple of weeks and have really been enjoying it. It's pretty fun adding reviews for movies and shows I've seen, earning points towards winning awards and also giving points to other people writing reviews helping them get more points to win stuff too. And the best is just finding something cool that you haven't heard about before like a movie or tv show you were thinking about watching but weren't sure about. Because there's nothing that sucks like staring at the menu screen at Netflix/Hulu/Prime etc... and not knowing what to watch and just staring at that screen for 15 mins. Especially with things like fake reviews and trolls out there and paid reviews that hype up a movie that you wind up spending good money on seeing in theaters only to feel like you were robbed. It's a cool place to get some good opinions and if you get your friends to join or add in the fun then you will be able to see and share your reviews, ratings with each other and actually know who they're coming from.
So in conclusion, I think this app is pretty awesome. I've been using it now for a couple of weeks and have really been enjoying it. It's pretty fun adding reviews for movies and shows I've seen, earning points towards winning awards and also giving points to other people writing reviews helping them get more points to win stuff too. And the best is just finding something cool that you haven't heard about before like a movie or tv show you were thinking about watching but weren't sure about. Because there's nothing that sucks like staring at the menu screen at Netflix/Hulu/Prime etc... and not knowing what to watch and just staring at that screen for 15 mins. Especially with things like fake reviews and trolls out there and paid reviews that hype up a movie that you wind up spending good money on seeing in theaters only to feel like you were robbed. It's a cool place to get some good opinions and if you get your friends to join or add in the fun then you will be able to see and share your reviews, ratings with each other and actually know who they're coming from.
LeftSideCut (3776 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Oct 24, 2020
Is Borat: Subsequent Moviefilm as laugh out loud funny as the first one? I would argue that it isn't, however I would also argue that it's cleverer, and more shocking in some of it's content, with some truly outrageous moments.
It certainly feels more scripted than before, but the reasons behind it are sound. Firstly, the narrative is much more competent than the first, with a full blown story about family that has some weirdly touching moments. The scripted parts are essential to drive the plot forwards. No spoilers here, but it climaxes with a genuinely clever twist.
Another reason for the scripted sections is the little problem of Borat being recognized pretty much everywhere these days, causing Sacha Baron Cohen to re disguise a few times (all of his disguises are ridiculous by the way.)
It's also commendable how naturally the Coronavirus pandemic is written into the story. The pandemic hit half way through production and the way this was overcome is pretty well done.
To detail any of the scenes would serve only to spoil things - so all I'll say is this - the scene at a Michael Pence rally, the anti-lockdown protest concert, the part in a Synagogue, the Woman's clinic segment, and of course, the much discussed scene involving Rudy Giuliani all rival anything that Cohen has ever put out in terms of cringe and jaw dropping. I can absolutely respect that 14 years after the first movie, he still has balls of steel and doesn't hold back in what he puts out. Some of the stuff on display here could end up having some real life repercussions for certain individuals.
It's also worth mentioning how good Maria Bakalova is as Borat's daughter Tutar. She pretty much steals the show and will no doubt have a successful career off the back of this.
If you enjoyed the original, or even have an interest in politics, then there's something for you here. Looking forward to seeing how many people try to sue SBC this time around!
It certainly feels more scripted than before, but the reasons behind it are sound. Firstly, the narrative is much more competent than the first, with a full blown story about family that has some weirdly touching moments. The scripted parts are essential to drive the plot forwards. No spoilers here, but it climaxes with a genuinely clever twist.
Another reason for the scripted sections is the little problem of Borat being recognized pretty much everywhere these days, causing Sacha Baron Cohen to re disguise a few times (all of his disguises are ridiculous by the way.)
It's also commendable how naturally the Coronavirus pandemic is written into the story. The pandemic hit half way through production and the way this was overcome is pretty well done.
To detail any of the scenes would serve only to spoil things - so all I'll say is this - the scene at a Michael Pence rally, the anti-lockdown protest concert, the part in a Synagogue, the Woman's clinic segment, and of course, the much discussed scene involving Rudy Giuliani all rival anything that Cohen has ever put out in terms of cringe and jaw dropping. I can absolutely respect that 14 years after the first movie, he still has balls of steel and doesn't hold back in what he puts out. Some of the stuff on display here could end up having some real life repercussions for certain individuals.
It's also worth mentioning how good Maria Bakalova is as Borat's daughter Tutar. She pretty much steals the show and will no doubt have a successful career off the back of this.
If you enjoyed the original, or even have an interest in politics, then there's something for you here. Looking forward to seeing how many people try to sue SBC this time around!
Parfs (178 KP) created a post in Avengers: Endgame (Discussion)
May 4, 2019
Neon's Nerd Nexus (360 KP) rated Wild Rose (2018) in Movies
May 13, 2019
River wild
#wildrose is a powerful & #depressing look at the harsh reality of trying to chase your dreams & raise a #family at the same time. #Jessiebuckley plays Rose a young #woman forced to grow up to fast because of mistakes she made at a very young age. This is not your usual #happy singer #songwriter film instead going for a more raw vibe which keeps the film grounded in a very harsh, relatable & achievable reality. Rose fresh out of #prison (fuelled, driven & inspired by her #passion for country music) #feels like she is destined to play at #nashville & as we follow her from the highs to the lows we get such a tremendous sense of who this woman really is. Shes selfish neglectful, hot headed & reckless not only hurting family but leaving most people who come into her life miserable too. Shes essentailly been forced to grow up quick having children then becoming incarcerated at a young age which has zapped her youth away from her. Its all very riviting/#heartbreaking stuff watching her trying to chase her dreams then having to grow up & accept responisibility for her actions. Harsh realities of life are a big focus here & there's something deeply sad when the film communicates how we all have #dreams yet life always seems to find ways of putting them on hold or removing them from our path completely. Acting is award worthy with Jessies absolutely captivating & show stopping performance followed closely by the also stunning #juliewalters. All in all i was extremely won over by this movie, it got to me on an emotional/relatable level while surprising me with the broad #issues it tackles. Not your average feel good music movie 'Wild Rose' has #heart, #soul & a deep burning fire full of meaning that's hard to ignore. #countrygirl #country #odeon #odeonlimitless #ciniphile #mondaymotivation #singer #singing #america #glasgow #scottish #astarisborn #screenunseen
LoganCrews (2861 KP) rated Super Size Me (2004) in Movies
Sep 20, 2020
Look, no shit eating at McDonald's for 30 days straight with bare minimum activity is unhealthy - but this is still one of the most fun documentaries ever made and it's not like that's the only ace-in-the-hole this has anyway. Holds up even after three watches, Spurlock's nonchalant, breezy energy towards making himself a human test subject for such a ludicrous experiment in and of itself is entertaining. But couple that with his goofy gravitas and cavalcade of hilarity then this just becomes even more of a blast to watch. Undeniably this was instrumental in shaping the fast food world of today, but contrary to popular belief this is also still very informative with a lot of those type of facts that just make you disappointed in the human race. And even though so much has changed since then that this should theoretically be obsolete, it isn't - because not only does much of this still unfortunately hold true to this day, but it's beyond interesting as a time capsule of a time that seems like forever ago even though it was just in recent history, one that you can consistently compare to today's take on the subject. The blend between fast food hit piece and McDonald's diet journey is immaculate, and as with even the weakest of Spurlock docs it's clear that a chief goal here is to just create a movie that you can have a really good, memorable, and unique time watching. We watched this for health class in seventh grade and - to be frank - we were all a bunch of juvenile little shit-heads so this would have sated our appetitive for celebratory immaturity on its own; but then the teacher let us basically commentate on the movie *as* we watched it and that was one of the greatest school days I've ever had. Forever one of my favorites.
Bob Mann (459 KP) rated War for the Planet of the Apes (2017) in Movies
Sep 29, 2021
Putting the “ape” in “The Great Esc-ape”.
2011’s “Rise of the Planet of the Apes” was the one of the big movie surprises for me of that year. With staggeringly good mo-cap for the apes and a touching and memorable story it was (or would have been) a 5-Fad classic. 2014’s “Dawn of the Planet of the Apes” whilst also good took a slight backward step. With “War”, the form is back almost to top notch, and this is a summer release at last deserving of the suffix “blockbuster”.
We have moved a number of years forwards from the events of “Dawn” and society as we know it has crumbled away still further: even the “Holidays are Coming” Coke lorry is no longer in service, so things MUST be bad! We begin the film with the apes having a nice ‘Centre Parcs’ break when their reverie and cappuccinos are rudely interrupted by the attacking forces of “The Colonel” (Woody Harrelson, “Triple 9“, “Zombieland”). For The Colonel is intent on tracking down and killing ape-leader Caesar (Andy Serkis, “LOTR”).
After things get decidedly personal, Caesar leaves his young son Cornelius (in a nice nod to the Roddy McDowell role in the original films) to find and kill The Colonel. So follows a “True Grit” style pursuit/revenge chase, made more similar to this analogy by the picking up of a waif-like mute girl (the excellent Amiah Miller). I found this to be a really emotional plot line, with Caesar torn between the animal drive of his revenge and his role as a leader to his whole community.
The film analogies continue as we take in a “Shining”-style winter hotel; a gritty Prisoner-of-War camp escape drama (“The Great Esc-ape”?); a barricades battle in the style of Helm’s Deep in “LOTR: The Two Towers”; and a full-on Coppola-style helicopter-based war sequence (“Ape-ocalypse now”, as graffiti in the film declares).
Once again, the mo-cap ability to express true emotions on the faces of the apes is mind-blowing, with Serkis again being outstanding as is Steve Zahn (“Dallas Buyer’s Club“) adding some (very funny) comic relief as “Bad Ape”.
While Woody Harrelson is not everyone’s cup of tea (including mine), here I found him to be actually very good (“SO EMOTIONAL”!) as the half crazed dictator forcing beings he sees as less worthy than his kind to build a wall. (That’s just SO familiar… think dammit… think….!). There’s a really cool plot twist in The Colonel’s character arc that I really didn’t see coming. Just so cool.
Another star of the film for me was Michael Giacchino’s music which is simply awesome. Starting with a superbly retro rendition of the 20th Century Fox theme (not top of my list: “The Simpson’s Movie” still holds that spot for me!) Giacchino decorates every scene with great themes and like all great film music some of it you barely notice. A dramatic telling by the Colonel of his back-story is accompanied by sonorous music that is similar in its power to James Horner’s classic “Electronic Battlefield” in “Patriot Games”: only when the scene finishes and the music stops do you appreciate how central it was to the emotion of the scene. (As I sat through all of the end-titles for the music I can also confirm that – despite all the odds – there is no “monkey” at the end!)
The script by “Dawn” collaborators Mark Bomback and (director) Matt Reeves is eventful and packs a dramatic punch particularly in the last half of the film. The talented Mr Reeves (who also directed “Cloverfield” and “Let Me In” and is in assigned to the next Ben Affleck outing as “The Batman”) directs with panache, never letting the foot come off the tension pedal.
On the downside, that “last half of the film” is still 70 minutes away, and whilst I appreciate a leisurely pace for properly setting characters and motivations in place, getting to those simply brilliant scenes set at “the border” is a bit of a slog that might have been tightened up and moved along a bit quicker. Also, while talking about editing, I would have personally ended the film about 90 seconds before they did.
I saw this in 3D, but the effects are subtle at best (although there is a nice binocular rangefinder view). In my opinion it’s not worth going out of your way to experience in 3D.
But overall I loved this movie. The film is chock full of visual delights for film lovers (one of my favourites being “Bedtime for Bonzo” – a nice historical film reference – written on the back of a soldier’s helmet). It’s an epic action film with a strong emotional core to the story that genuinely moved me. There may be other spin-off Planet of the Apes films to follow. But if they left this here, as a near-perfect trilogy, that would be absolutely fine by me.
We have moved a number of years forwards from the events of “Dawn” and society as we know it has crumbled away still further: even the “Holidays are Coming” Coke lorry is no longer in service, so things MUST be bad! We begin the film with the apes having a nice ‘Centre Parcs’ break when their reverie and cappuccinos are rudely interrupted by the attacking forces of “The Colonel” (Woody Harrelson, “Triple 9“, “Zombieland”). For The Colonel is intent on tracking down and killing ape-leader Caesar (Andy Serkis, “LOTR”).
After things get decidedly personal, Caesar leaves his young son Cornelius (in a nice nod to the Roddy McDowell role in the original films) to find and kill The Colonel. So follows a “True Grit” style pursuit/revenge chase, made more similar to this analogy by the picking up of a waif-like mute girl (the excellent Amiah Miller). I found this to be a really emotional plot line, with Caesar torn between the animal drive of his revenge and his role as a leader to his whole community.
The film analogies continue as we take in a “Shining”-style winter hotel; a gritty Prisoner-of-War camp escape drama (“The Great Esc-ape”?); a barricades battle in the style of Helm’s Deep in “LOTR: The Two Towers”; and a full-on Coppola-style helicopter-based war sequence (“Ape-ocalypse now”, as graffiti in the film declares).
Once again, the mo-cap ability to express true emotions on the faces of the apes is mind-blowing, with Serkis again being outstanding as is Steve Zahn (“Dallas Buyer’s Club“) adding some (very funny) comic relief as “Bad Ape”.
While Woody Harrelson is not everyone’s cup of tea (including mine), here I found him to be actually very good (“SO EMOTIONAL”!) as the half crazed dictator forcing beings he sees as less worthy than his kind to build a wall. (That’s just SO familiar… think dammit… think….!). There’s a really cool plot twist in The Colonel’s character arc that I really didn’t see coming. Just so cool.
Another star of the film for me was Michael Giacchino’s music which is simply awesome. Starting with a superbly retro rendition of the 20th Century Fox theme (not top of my list: “The Simpson’s Movie” still holds that spot for me!) Giacchino decorates every scene with great themes and like all great film music some of it you barely notice. A dramatic telling by the Colonel of his back-story is accompanied by sonorous music that is similar in its power to James Horner’s classic “Electronic Battlefield” in “Patriot Games”: only when the scene finishes and the music stops do you appreciate how central it was to the emotion of the scene. (As I sat through all of the end-titles for the music I can also confirm that – despite all the odds – there is no “monkey” at the end!)
The script by “Dawn” collaborators Mark Bomback and (director) Matt Reeves is eventful and packs a dramatic punch particularly in the last half of the film. The talented Mr Reeves (who also directed “Cloverfield” and “Let Me In” and is in assigned to the next Ben Affleck outing as “The Batman”) directs with panache, never letting the foot come off the tension pedal.
On the downside, that “last half of the film” is still 70 minutes away, and whilst I appreciate a leisurely pace for properly setting characters and motivations in place, getting to those simply brilliant scenes set at “the border” is a bit of a slog that might have been tightened up and moved along a bit quicker. Also, while talking about editing, I would have personally ended the film about 90 seconds before they did.
I saw this in 3D, but the effects are subtle at best (although there is a nice binocular rangefinder view). In my opinion it’s not worth going out of your way to experience in 3D.
But overall I loved this movie. The film is chock full of visual delights for film lovers (one of my favourites being “Bedtime for Bonzo” – a nice historical film reference – written on the back of a soldier’s helmet). It’s an epic action film with a strong emotional core to the story that genuinely moved me. There may be other spin-off Planet of the Apes films to follow. But if they left this here, as a near-perfect trilogy, that would be absolutely fine by me.
Bob Mann (459 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2021
Very little happens…. and it’s totally glorious!
The “Downton Abbey” TV show is comfortingly bland. The tales of the well-heeled Grantham family and the below-stairs antics of their servants. But for those who have followed Julian Fellowes‘ pot-boiler drama through all six seasons, and a number of Christmas specials, it’s like a favourite jumper… or rediscovering your comfy slippers just as the nights start getting colder.
But in a world where TV spin-off movies are notoriously dire, would this movie by the nail in Downton’s coffin?
Thankfully not.
It’s a glorious production! The opening of this film will, I’m sure, fill all Downton fans with utter glee. John Lunn‘s music builds progressively as a royal letter wends its way through the 1927 postal system, eventually ending up (as the famous theme finally emerges spectacularly) at the doors of Downton Abbey. (Downton is of course the gorgeous Highclere Castle near Newbury, acting as a star of the film in its own right. Somewhere I was lucky enough to visit just a couple of weeks before filming began).
The plot(s).
In a year of Thanos-crushing drama, there really is nothing very substantial going on here!
The King (George V, an almost unrecognizable Simon “Hitchhikers Guide” Jones) and Queen Mary (Geraldine James) are staying over in Downton for one night on their Yorkshire tour. This naturally sets the below-stairs staff into a bit of a tizz, as indeed it does the whole village. But their glee at involvement and recognition is a bit premature, since the royal entourage – headed by an officious Mr Wilson (David Haig) – parachute the complete gamut of staff into the location to serve the royal party, so bypassing the locals completely.
The ‘Downton massive’ are of course having none of this, and a battle-royale ensues.
Scattered as sub-plots like confetti at a wedding are a military man putting a strong arm around the potentially-risky Irish Tom Branson (Allen Leech); a family rift that erupts between Aunt Violet (Maggie Smith) and cousin (and royal lady-in-waiting) Maud Bagshaw (Imelda Staunton); a sobbing princess (Kate Phillips); an over-enthusiastic shopkeeper (Mark Addy), who is difficult to let-down gently; a plumbing emergency with romantic jealousy and sabotage involved; the sexual preferences of Barrow (Robert James-Collier) getting him into trouble; and a potential love-interest for the widowed Tom with Maud’s maid Lucy (Tuppence Middleton). (There are probably half a dozen others that I’ve forgotten!)
A huge ensemble cast.
As befits a show that has gone over six seasons, there is a huge ensemble cast involved. Inevitably, some get more air time than others. Bates (Brendan Coyle) seems to be particularly short-changed, and above stairs I thought the same was true – strangely enough – of the Crawleys (Hugh Bonneville and Elizabeth McGovern).
As for Henry Talbot (Matthew Goode), he’s hardly in it at all! Apart from some impressive camera gymnastics for his running-up-the-stairs arrival, he doesn’t make much of an impression at all. (I can only guess he had other filming commitments).
These are players that have worked together as a team for many years, and it shows.
But the acting kudos has to go to Maggie Smith who steals absolutely every scene she’s in, with genuinely witty lines – “I’ll lick the stamps myself” (LoL). Close behind though is Imelda Staunton who also turns in a very impressive performance.
Glorious photography.
The photography is fantastic throughout, with deep rich colours, pin-sharp focus and some seriously dramatic pans. A big hats off to cinematographer Ben Smithard, but also to his drone team (“The helicopter ladies”) for delivering some jaw-droppingly gorgeous shots of Highclere castle.
(By the way, I thought the picture at my local Picturehouse cinema – Harbour Lights in Southampton – was particularly stunning: I queried it with them, and they said they had changed the (very expensive) projector bulb just that day! These things clearly matter!)
Will is appeal?
If you are a Downton fan, yes, Yes, YES! I have been a moderate fan of the TV series, but went with superfans – the illustrious Mrs Movie-Man and (as a guest visitor) Miss Movie-Man. I loved it, but the two ladies were ecstatic with the movie.
Even if you have never seen an episode, it is easy to pick up and the quality of the production is so impressive I don’t think you will be disappointed.
As such, I think I need to post a blend of ratings for this one.
But in a world where TV spin-off movies are notoriously dire, would this movie by the nail in Downton’s coffin?
Thankfully not.
It’s a glorious production! The opening of this film will, I’m sure, fill all Downton fans with utter glee. John Lunn‘s music builds progressively as a royal letter wends its way through the 1927 postal system, eventually ending up (as the famous theme finally emerges spectacularly) at the doors of Downton Abbey. (Downton is of course the gorgeous Highclere Castle near Newbury, acting as a star of the film in its own right. Somewhere I was lucky enough to visit just a couple of weeks before filming began).
The plot(s).
In a year of Thanos-crushing drama, there really is nothing very substantial going on here!
The King (George V, an almost unrecognizable Simon “Hitchhikers Guide” Jones) and Queen Mary (Geraldine James) are staying over in Downton for one night on their Yorkshire tour. This naturally sets the below-stairs staff into a bit of a tizz, as indeed it does the whole village. But their glee at involvement and recognition is a bit premature, since the royal entourage – headed by an officious Mr Wilson (David Haig) – parachute the complete gamut of staff into the location to serve the royal party, so bypassing the locals completely.
The ‘Downton massive’ are of course having none of this, and a battle-royale ensues.
Scattered as sub-plots like confetti at a wedding are a military man putting a strong arm around the potentially-risky Irish Tom Branson (Allen Leech); a family rift that erupts between Aunt Violet (Maggie Smith) and cousin (and royal lady-in-waiting) Maud Bagshaw (Imelda Staunton); a sobbing princess (Kate Phillips); an over-enthusiastic shopkeeper (Mark Addy), who is difficult to let-down gently; a plumbing emergency with romantic jealousy and sabotage involved; the sexual preferences of Barrow (Robert James-Collier) getting him into trouble; and a potential love-interest for the widowed Tom with Maud’s maid Lucy (Tuppence Middleton). (There are probably half a dozen others that I’ve forgotten!)
A huge ensemble cast.
As befits a show that has gone over six seasons, there is a huge ensemble cast involved. Inevitably, some get more air time than others. Bates (Brendan Coyle) seems to be particularly short-changed, and above stairs I thought the same was true – strangely enough – of the Crawleys (Hugh Bonneville and Elizabeth McGovern).
As for Henry Talbot (Matthew Goode), he’s hardly in it at all! Apart from some impressive camera gymnastics for his running-up-the-stairs arrival, he doesn’t make much of an impression at all. (I can only guess he had other filming commitments).
These are players that have worked together as a team for many years, and it shows.
But the acting kudos has to go to Maggie Smith who steals absolutely every scene she’s in, with genuinely witty lines – “I’ll lick the stamps myself” (LoL). Close behind though is Imelda Staunton who also turns in a very impressive performance.
Glorious photography.
The photography is fantastic throughout, with deep rich colours, pin-sharp focus and some seriously dramatic pans. A big hats off to cinematographer Ben Smithard, but also to his drone team (“The helicopter ladies”) for delivering some jaw-droppingly gorgeous shots of Highclere castle.
(By the way, I thought the picture at my local Picturehouse cinema – Harbour Lights in Southampton – was particularly stunning: I queried it with them, and they said they had changed the (very expensive) projector bulb just that day! These things clearly matter!)
Will is appeal?
If you are a Downton fan, yes, Yes, YES! I have been a moderate fan of the TV series, but went with superfans – the illustrious Mrs Movie-Man and (as a guest visitor) Miss Movie-Man. I loved it, but the two ladies were ecstatic with the movie.
Even if you have never seen an episode, it is easy to pick up and the quality of the production is so impressive I don’t think you will be disappointed.
As such, I think I need to post a blend of ratings for this one.
Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html