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Characters you care about (1 more)
An interesting, well thought out plot
A creepy thriller, well worth the watch!
23 years ago Carys Howell goes missing from a small Welsh village. The case is never solved. After the sudden and horrific death of her mother, Matilda Gray, celebrity cello player, finds herself drawn to the village and the case. Followed by close friend Hal, who has clear but unreciprocated feelings towards Matilda, she slowly begins to unravel the events around the case. What Matilda finds leads her into the world of the dark supernatural.
I found the story engaging and compelling and I really cared about the main characters- particularly Matilda and Hal. The supernatural scenes were creepy and a little jumpy at times.
There were a few issues that I had with the series, firstly some of the twists were a little predictable , but this is offset by the twists that were unexpected. My primary gripe with the series is that the ending left me wanting- it was missing that fulfilling ending that I was craving. I would have preferred an additional episode that covered the ‘black outs’, instead it was almost as if the writers had put so much into the rest of the series, that they got to the last thirty minutes and rushed it, missing out the meat.
The series does set itself up nicely for a season 2, but neither the BBC or Netflix have confirmed a renewal (both have a stake in the series). Despite the weak ending, I do hope that there is a sequel, as I believe it will be much darker and creepier.
I found the story engaging and compelling and I really cared about the main characters- particularly Matilda and Hal. The supernatural scenes were creepy and a little jumpy at times.
There were a few issues that I had with the series, firstly some of the twists were a little predictable , but this is offset by the twists that were unexpected. My primary gripe with the series is that the ending left me wanting- it was missing that fulfilling ending that I was craving. I would have preferred an additional episode that covered the ‘black outs’, instead it was almost as if the writers had put so much into the rest of the series, that they got to the last thirty minutes and rushed it, missing out the meat.
The series does set itself up nicely for a season 2, but neither the BBC or Netflix have confirmed a renewal (both have a stake in the series). Despite the weak ending, I do hope that there is a sequel, as I believe it will be much darker and creepier.
Sassy Brit (97 KP) rated Anatomy of a Scandal in Books
Jun 5, 2019
Anatomy of a Scandal is based around three central characters. First there’s James, the suave, charismatic family man and politician who is also good friends with the Prime Minister. He’s wealthy and over-privileged. Then we meet Kate, the young, ruthlessly ambitious prosecutor, who’s determined to see James get the guilty verdict he deserves. She’s also good at her job and made her name prosecuting the very worst sexual assault cases. Finally we meet Sophie, James’ wife who has been dating James since college and knows him better than anyone else. All have a vital part to play in this psychological, legal drama, which starts with a shocking scandal being revealed, which is then dissected in court.
James is accused of rape one of his assistants, but did he do it? While his wife Sophie is seemingly supportive on the outside, on the inside her mind is going crazy thinking about his alleged crimes and what he could in fact be capable of. Just how long can she remain loyal as the story unfolds?
We travel from the court case, back in time to Oxford in the 90s and into the current murky goings on within the privileged political world, where money, corruption and power rule the day.
This is an extremely well written and cleverly plotted, insightful story, which I can easily see adapted into a BBC drama, very much like Louise Doughty’s Apple Tree Yard.
Sarah Vaughan has mastered a treat for us with Anatomy of a Scandal, a sharp, engrossing and poignant political drama, which highlights some shocking hard-hitting facts with sensitivity and realism. Terrific!
James is accused of rape one of his assistants, but did he do it? While his wife Sophie is seemingly supportive on the outside, on the inside her mind is going crazy thinking about his alleged crimes and what he could in fact be capable of. Just how long can she remain loyal as the story unfolds?
We travel from the court case, back in time to Oxford in the 90s and into the current murky goings on within the privileged political world, where money, corruption and power rule the day.
This is an extremely well written and cleverly plotted, insightful story, which I can easily see adapted into a BBC drama, very much like Louise Doughty’s Apple Tree Yard.
Sarah Vaughan has mastered a treat for us with Anatomy of a Scandal, a sharp, engrossing and poignant political drama, which highlights some shocking hard-hitting facts with sensitivity and realism. Terrific!
Daniel Boyd (1066 KP) rated Killing Eve in TV
Oct 22, 2018 (Updated Oct 22, 2018)
Good script (1 more)
Great cast
A Solid Spy Thriller With Laughs
Killing Eve is a BBC series based on the novel, 'Codename: Villianelle.' It stars Sandra Oh as Eve and Jodie Comer as Villianelle. Both are brilliant in their respective roles and are the main players in driving the show forward. They are supported by a very strong supporting cast as well, with everyone selling their character convincingly.
There are a few twists and turns that keep you guessing, but there are also a lot of spy story clichés present in the series. These aren't too offensive though, as I don't think that the show's main focus is to break the mould when it comes to spy thrillers, but instead to take its audience in an exciting espionage story while giving us some laughs along the way.
Speaking of which, the humour in this show doesn't take away from the gripping narrative, but instead adds to the show's charm. I will admit that it took me a while to get fully on-board with the show's off-kilter tone and quirky humour, but thankfully more of it lands than misses.
I am not familiar with the source material, so I am not sure how accurately it has been adapted. I don't even know if the novel contains the same odd tone or humour. It has intrigued me enough to go and read the book though, which is always a good sign.
Overall, this is a fun spy thriller. It is not going to break the rules of the genre, but it will keep you engaged throughout and give you a couple of laughs for good measure.
There are a few twists and turns that keep you guessing, but there are also a lot of spy story clichés present in the series. These aren't too offensive though, as I don't think that the show's main focus is to break the mould when it comes to spy thrillers, but instead to take its audience in an exciting espionage story while giving us some laughs along the way.
Speaking of which, the humour in this show doesn't take away from the gripping narrative, but instead adds to the show's charm. I will admit that it took me a while to get fully on-board with the show's off-kilter tone and quirky humour, but thankfully more of it lands than misses.
I am not familiar with the source material, so I am not sure how accurately it has been adapted. I don't even know if the novel contains the same odd tone or humour. It has intrigued me enough to go and read the book though, which is always a good sign.
Overall, this is a fun spy thriller. It is not going to break the rules of the genre, but it will keep you engaged throughout and give you a couple of laughs for good measure.
Sarah (7798 KP) rated The War of the Worlds in TV
Dec 6, 2019
Wasted talent & story
I really can't understand what the BBC were thinking with this one. A great story and a really good cast, completely squandered.
The first episode started off slowly but well with quite a decent build up. Even when the martians appeared it was rather tense and exciting, with a great sense of foreboding. The problem with this is the main George & Amy storyline. Despite it being set in the Edwardian period, slightly earlier than the book (but still a lot closer than that Tom Cruise abomination) they seem to have decided to ignore the majority of the book's storyline and instead include a rather convoluted and modern storyline about George and his mistress. It's entirely unnecessary and is the main focus of the series, despite it being a complete bore. This is the main issue with the 2nd and third parts of the series, they're so dull and there's no interest or excitement because it concentrates solely on George and Amy. The martians are almost an after thought. It doesnt help either that they try and explain the subtleties and intricacies of the book with all the subtlety of a sledgehammer.
Even the cast can't save this, as they seem to have given up on trying to put in believable performances. And what was with the flitting between different time periods? Trying to include a bit of intrigue with a storytelling mechanism that has worked so well with other films but fails miserable in this, as it spoils the entire ending and resolution of the story.
A classic case of looks good, starts off well but falls completely flat. Such a disappointment.
The first episode started off slowly but well with quite a decent build up. Even when the martians appeared it was rather tense and exciting, with a great sense of foreboding. The problem with this is the main George & Amy storyline. Despite it being set in the Edwardian period, slightly earlier than the book (but still a lot closer than that Tom Cruise abomination) they seem to have decided to ignore the majority of the book's storyline and instead include a rather convoluted and modern storyline about George and his mistress. It's entirely unnecessary and is the main focus of the series, despite it being a complete bore. This is the main issue with the 2nd and third parts of the series, they're so dull and there's no interest or excitement because it concentrates solely on George and Amy. The martians are almost an after thought. It doesnt help either that they try and explain the subtleties and intricacies of the book with all the subtlety of a sledgehammer.
Even the cast can't save this, as they seem to have given up on trying to put in believable performances. And what was with the flitting between different time periods? Trying to include a bit of intrigue with a storytelling mechanism that has worked so well with other films but fails miserable in this, as it spoils the entire ending and resolution of the story.
A classic case of looks good, starts off well but falls completely flat. Such a disappointment.
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