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Debbiereadsbook (1647 KP) rated Thrill (Pleasure Seekers #1) in Books
May 7, 2024
Danny's reaction to Tyler's words was not what I was expecting!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Tyler starts his new job, in a new town, and promptly finds himself testing lube, of all things, with the most gorgeous man he ever met (in the office, with others!) Danny works in the warehouse at Pleasure Seekers. They embark on a friends with benefits type thing that quickly moves into something. Both men carry some baggage, can they overcome that??
A quick glance tells me I've not read Kristian Parker's work before, and my TBR pile just got a whole lot bigger! Why have I not?? I don't know, I think he just hadn't hit my radar. But I met him, recently at a book signing and now I get to jump into his worlds.
I loved this, I really did.
Tyler and Danny are so suited to each other, they really are.
I loved the polar opposite in each man's family dynamics. While Danny's family are very supportive, and hilarious, Tyler's is not. And this marked difference is part of Tyler's baggage. Danny's is totally different, but you should know there is talk of attempted suicide by one of Danny's family members. Very emotional, reading that, and I cried a bit for Danny and that character.
It's well written from both Tyler and Danny's point of view, and we get it all. Tyler's immediate and powerful reaction to Danny. Danny's attraction to Tyler but his hesitation to start anything. Their joy at coming together, and their pain, when Danny finds out what Tyler said.
And it's THAT bit, that I loved so much about this book. While Danny was very hurt by Tyler's words, his reaction wasn't what you would expect. He stepped BACK from Tyler, but not totally AWAY. And I loved how that happened because I was expecting a massive break-up/make-up thing and while we get the make up bit, the break up doesn't really happen. Am I making sense? Probably not, but I'm trying not to spoil it for anyone!
I loved the supporting cast, Tyler's family notwithstanding. Eddie and Scott, who share with Tyler and also work at Pleasure Seekers, are funny but I think there is a lot they are both hiding, and I look forward to their stories. Eddis is next, so I assume book three will be Scott.
Oh, by the way. Even though all these guys work in a sex toy shop, there is very little about toys. And I loved that too. Danny does play a bit with Tyler though ;-)
5 full and shiny stars
*same worded review will appear elsewhere
Tyler starts his new job, in a new town, and promptly finds himself testing lube, of all things, with the most gorgeous man he ever met (in the office, with others!) Danny works in the warehouse at Pleasure Seekers. They embark on a friends with benefits type thing that quickly moves into something. Both men carry some baggage, can they overcome that??
A quick glance tells me I've not read Kristian Parker's work before, and my TBR pile just got a whole lot bigger! Why have I not?? I don't know, I think he just hadn't hit my radar. But I met him, recently at a book signing and now I get to jump into his worlds.
I loved this, I really did.
Tyler and Danny are so suited to each other, they really are.
I loved the polar opposite in each man's family dynamics. While Danny's family are very supportive, and hilarious, Tyler's is not. And this marked difference is part of Tyler's baggage. Danny's is totally different, but you should know there is talk of attempted suicide by one of Danny's family members. Very emotional, reading that, and I cried a bit for Danny and that character.
It's well written from both Tyler and Danny's point of view, and we get it all. Tyler's immediate and powerful reaction to Danny. Danny's attraction to Tyler but his hesitation to start anything. Their joy at coming together, and their pain, when Danny finds out what Tyler said.
And it's THAT bit, that I loved so much about this book. While Danny was very hurt by Tyler's words, his reaction wasn't what you would expect. He stepped BACK from Tyler, but not totally AWAY. And I loved how that happened because I was expecting a massive break-up/make-up thing and while we get the make up bit, the break up doesn't really happen. Am I making sense? Probably not, but I'm trying not to spoil it for anyone!
I loved the supporting cast, Tyler's family notwithstanding. Eddie and Scott, who share with Tyler and also work at Pleasure Seekers, are funny but I think there is a lot they are both hiding, and I look forward to their stories. Eddis is next, so I assume book three will be Scott.
Oh, by the way. Even though all these guys work in a sex toy shop, there is very little about toys. And I loved that too. Danny does play a bit with Tyler though ;-)
5 full and shiny stars
*same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Arctic (2019) in Movies
Jul 2, 2019
This week has been one of the coldest on record across much of the United States. The “polar vortex” has brought with it sub-zero temps complete with snow and ice. It seems only fitting that Arctic a survival movie co-written and directed by YouTube star Joe Penna would be releasing the very same week. In his first feature film directorial debut Penna brings both the beauty and the dangers of the Arctic (Iceland in this case) to the big screen.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
Sarah (7800 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
Illeana Douglas recommended Easy Rider (1969) in Movies (curated)
Darren (1599 KP) rated Crawl (2019) in Movies
Aug 23, 2019
Verdict: Intense Creature Feature
Story: Crawl starts when college swimming student Haley (Scodelario) who after a family disagreement with her father Dave (Pepper) hasn’t spoken to him in a while gets a call from her sister Beth (Clark) to make sure their father is out of Florida after a hurricane has taken a turn to put him in the path of the destruction.
Haley arrives back home, bringing back the memories with father and his training to make her an elite swimming, only to find him injured in the crawlspace, where he has been a victim of an alligator attack, the two find themselves trapped against the alligators, with the flood water rising and time running out, can they make it out, that is the question.
Thoughts on Crawl
Characters – This is a film that only really has two characters in, we have Haley who is a college student on a scholarship for her swimming, she has been training her whole life and is starting to question her place in the sport going forward, she reluctantly goes to make sure her father has gotten out of Florida before the hurricane hits and here she must put aside their differences to face off against the alligators that are looking to feed. Her swimming skills do come in crucial when it comes to staying ahead of the gators, but she does fall into the stupid decisions being made. Dave is the father that has buried himself in work after his wife left him, he had spent most of Haley’s childhood coaching her to be the best in swimming, with them both getting success, he has however become injured due to the attack and helps his daughter to escape, so they can rebuild their relationship. Where the two have been going through a strained relationship, it does show how the working together process isn’t working well to start with and as they rebuild their relationship, we see just how well they can work together.
Performances – Kaya Scodelario in the leading role is strong for the most part, we get to see how she manages to look like she isn’t completely in a comfortable place with her future and that she will never give up the fight. Barry Pepper, despite spending most of the film injured, does bring us a strong performance too which shows us that both the main stars of the film do carry the load well.
Story – The story here follows a father and daughter that find themselves trapped in a crawlspace where they are being stalked by alligators, making walking out difficult, while also being in the path of a hurricane which will see them below water sooner rather than later. When we break down this story, we do have a creature feature film that does see man versus nature, with it being both natural disaster and a living predator. This is a battle to survive which does feel intense, even if the trailer does give away most of the film’s story, which is highly disappointing to see. This story does keep the pace up and does have the side of the story which sees the family needing to put aside their issues to make it out.
Action/Horror – The action comes from the alligator attacks, they are intense and show just how deadly they can be, this is a horror that wouldn’t be terrifying to live through, this all shows just how deadly of a predator alligator can be.
Settings – The film is set in one location, the house where Haley grew up, starting with a large part inside the crawlspace under the house, it is contained, and you can understand why the gators would be in there too.
Special Effects – The effects when it comes to injuries are brutal to watch, with one scene involving a leg being placed back together standing out, the alligators look terrifying too through the film.
Scene of the Movie – Boat wave.
That Moment That Annoyed Me – Does nobody in Florida know how deadly Alligators are?
Final Thoughts – This is a fun and intense creature feature that doesn’t hide away from the blood and will keep you on the edge of the seat.
Overall: Creature feature fun.
Story: Crawl starts when college swimming student Haley (Scodelario) who after a family disagreement with her father Dave (Pepper) hasn’t spoken to him in a while gets a call from her sister Beth (Clark) to make sure their father is out of Florida after a hurricane has taken a turn to put him in the path of the destruction.
Haley arrives back home, bringing back the memories with father and his training to make her an elite swimming, only to find him injured in the crawlspace, where he has been a victim of an alligator attack, the two find themselves trapped against the alligators, with the flood water rising and time running out, can they make it out, that is the question.
Thoughts on Crawl
Characters – This is a film that only really has two characters in, we have Haley who is a college student on a scholarship for her swimming, she has been training her whole life and is starting to question her place in the sport going forward, she reluctantly goes to make sure her father has gotten out of Florida before the hurricane hits and here she must put aside their differences to face off against the alligators that are looking to feed. Her swimming skills do come in crucial when it comes to staying ahead of the gators, but she does fall into the stupid decisions being made. Dave is the father that has buried himself in work after his wife left him, he had spent most of Haley’s childhood coaching her to be the best in swimming, with them both getting success, he has however become injured due to the attack and helps his daughter to escape, so they can rebuild their relationship. Where the two have been going through a strained relationship, it does show how the working together process isn’t working well to start with and as they rebuild their relationship, we see just how well they can work together.
Performances – Kaya Scodelario in the leading role is strong for the most part, we get to see how she manages to look like she isn’t completely in a comfortable place with her future and that she will never give up the fight. Barry Pepper, despite spending most of the film injured, does bring us a strong performance too which shows us that both the main stars of the film do carry the load well.
Story – The story here follows a father and daughter that find themselves trapped in a crawlspace where they are being stalked by alligators, making walking out difficult, while also being in the path of a hurricane which will see them below water sooner rather than later. When we break down this story, we do have a creature feature film that does see man versus nature, with it being both natural disaster and a living predator. This is a battle to survive which does feel intense, even if the trailer does give away most of the film’s story, which is highly disappointing to see. This story does keep the pace up and does have the side of the story which sees the family needing to put aside their issues to make it out.
Action/Horror – The action comes from the alligator attacks, they are intense and show just how deadly they can be, this is a horror that wouldn’t be terrifying to live through, this all shows just how deadly of a predator alligator can be.
Settings – The film is set in one location, the house where Haley grew up, starting with a large part inside the crawlspace under the house, it is contained, and you can understand why the gators would be in there too.
Special Effects – The effects when it comes to injuries are brutal to watch, with one scene involving a leg being placed back together standing out, the alligators look terrifying too through the film.
Scene of the Movie – Boat wave.
That Moment That Annoyed Me – Does nobody in Florida know how deadly Alligators are?
Final Thoughts – This is a fun and intense creature feature that doesn’t hide away from the blood and will keep you on the edge of the seat.
Overall: Creature feature fun.
Movie Metropolis (309 KP) rated The Predator (2018) in Movies
Jun 10, 2019
A soft reboot that actually works
1987; feels like a long time ago doesn’t it? In fact, most of you reading this I imagine weren’t even born way back in the late 80s. I mean, I was only a twinkle in my parents’ eyes at that time. But I digress.
What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.
Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.
Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.
Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.
Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.
Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.
The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.
The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.
But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.
Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.
https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/
What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.
Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.
Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.
Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.
Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.
Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.
The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.
The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.
But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.
Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.
https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/
Debbiereadsbook (1647 KP) rated Scott (Owatonna U Hockey #2) in Books
Mar 29, 2019
much better than book one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Owatonna U Hockey trilogy, but you don't need to have read book one first. I have though, and found THAT book not really to my liking.
THIS one, however, I enjoyed far more.
Scott is suffering, since his brother died, and decides to self medicate with illegal steroids. After punching his best friend in the face, Scott is suspended for a whole 12 months, and is quite literally, chucked out his home. With nowhere to go, he happens to meet Hayne at a mandatory counselling session. Hayne, for reasons he cannot fathom, takes pity on Scott and the pair become inseparable. They each have their own demons, but together, they just might be able to overcome them.
Like I said, a MUCH better read, for me anyway, that Ryker. And much of that is because I didn't much care for Ryker in his book and I'll come back to that in a minute, though.
Hayne is a free spirited artist, in his final year at college. He is terrorised by his tenants, and spends all his time in his room, trying to paint his final piece. Meeting Scott, who turns out to be the muse he was missing, wasn't planned, but Hayne runs with it. Helping Scott get back to hockey seems the right and best thing to do. That Scott helps Hayne is a much added bonus.
Hayne is LOVELY!! So sweet, I wanted to punch his housemates! And the fact that he really sees Scott helps. Scott is trying to be the son his father wants, but he isn't his brother Luke. He will NEVER be Luke. His father pushes Scott away, and it takes his mother, who has been self medicating in the bottom of a bottle, to pull HER big girl panties up, and make her husband and son see that they are BOTH suffering and TOGETHER they can make some semblance of a relationship again.
Loved Hayne's mum and Mimi! Loved that they took Scott in when he needed someone the most, Hayne aside.
Back to Ryker. I did not like him in his book, but he does redeem himself somewhat here! While Scott is hiding, his friends, the ones he thought hated him, were planning an intervention, and Ryker is foremost at getting Scott to see that his friends don't hate him, they just didn't see how much he was suffering.
It does carry some darker story lines, grief, bereavement, alcohol and drug abuse, but they are all part and parcel of Scott's story, and they are very well written.
Oh, and you'll need tissues. I cried a LOT with this book!
Can't QUITE get past the first person to stretch to 5 stars, but a much better than book one:
4 stars
**same worded review will appear elsewhere**
This is book two in the Owatonna U Hockey trilogy, but you don't need to have read book one first. I have though, and found THAT book not really to my liking.
THIS one, however, I enjoyed far more.
Scott is suffering, since his brother died, and decides to self medicate with illegal steroids. After punching his best friend in the face, Scott is suspended for a whole 12 months, and is quite literally, chucked out his home. With nowhere to go, he happens to meet Hayne at a mandatory counselling session. Hayne, for reasons he cannot fathom, takes pity on Scott and the pair become inseparable. They each have their own demons, but together, they just might be able to overcome them.
Like I said, a MUCH better read, for me anyway, that Ryker. And much of that is because I didn't much care for Ryker in his book and I'll come back to that in a minute, though.
Hayne is a free spirited artist, in his final year at college. He is terrorised by his tenants, and spends all his time in his room, trying to paint his final piece. Meeting Scott, who turns out to be the muse he was missing, wasn't planned, but Hayne runs with it. Helping Scott get back to hockey seems the right and best thing to do. That Scott helps Hayne is a much added bonus.
Hayne is LOVELY!! So sweet, I wanted to punch his housemates! And the fact that he really sees Scott helps. Scott is trying to be the son his father wants, but he isn't his brother Luke. He will NEVER be Luke. His father pushes Scott away, and it takes his mother, who has been self medicating in the bottom of a bottle, to pull HER big girl panties up, and make her husband and son see that they are BOTH suffering and TOGETHER they can make some semblance of a relationship again.
Loved Hayne's mum and Mimi! Loved that they took Scott in when he needed someone the most, Hayne aside.
Back to Ryker. I did not like him in his book, but he does redeem himself somewhat here! While Scott is hiding, his friends, the ones he thought hated him, were planning an intervention, and Ryker is foremost at getting Scott to see that his friends don't hate him, they just didn't see how much he was suffering.
It does carry some darker story lines, grief, bereavement, alcohol and drug abuse, but they are all part and parcel of Scott's story, and they are very well written.
Oh, and you'll need tissues. I cried a LOT with this book!
Can't QUITE get past the first person to stretch to 5 stars, but a much better than book one:
4 stars
**same worded review will appear elsewhere**