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JT (287 KP) rated The Possession of Hannah Grace (2018) in Movies
Mar 10, 2020
If there was ever somewhere befitting of a horror film it’s in a morgue. But unlike the terrifying Autopsy of Jane Doe which, uses the location in a dark and gothic manner, The Possession of Hannah Grace feels overworked and desperate to please.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
Wrigglezeus (511 KP) rated the Xbox One version of Sherlock Holmes: The Devil's Daughter in Video Games
Sep 15, 2020
First four detective cases (2 more)
Can skip mini games at risk of losing trophies / achievements
Graphics are great for what they had and voice work is great
Trail and error mini games and puzzles (3 more)
Poor level design
Loading times
A lot of backtracking
The great sleuth is just messing up and trying again
I love Sherlock, from the novels to the TV series and even those Robert Downey Jr Movies. I have even enjoyed previous games in this franchise. This however, was a joke.
Sometimes the mini games are unnecessary, with most out of place and just infuriatingly fiddly. Furthermore as a great sleuth a lot of the mini games seem entirely down to trail and error, results in Holmes’ death and many restarts of the puzzles. Including one during a case with moving tiles. In a world where everything is cleverly thought out, it seems these were not the case.
The storyline was somewhat decent with build up towards the end, with the four cases before hand being somewhat irrelevant towards the grand ending. As I pushed my way through this game it dawned on me that I was starting to get rare achievements, by the end of this game barely 10% of those who played it actually finished it. With around 20% only finishing the first case.
Further work needs to be put in place for this to be a true Sherlock experience, without the need to move the thumb sticks into a circle so I can eavesdrop or balance on a beam. Sometimes the quick time encounters worked amazingly well, including during an exorcism. Whilst otherwise. Awfully and out of place.
I would not recommend this game for even the truest of fans and to read up the plot online instead.
Sometimes the mini games are unnecessary, with most out of place and just infuriatingly fiddly. Furthermore as a great sleuth a lot of the mini games seem entirely down to trail and error, results in Holmes’ death and many restarts of the puzzles. Including one during a case with moving tiles. In a world where everything is cleverly thought out, it seems these were not the case.
The storyline was somewhat decent with build up towards the end, with the four cases before hand being somewhat irrelevant towards the grand ending. As I pushed my way through this game it dawned on me that I was starting to get rare achievements, by the end of this game barely 10% of those who played it actually finished it. With around 20% only finishing the first case.
Further work needs to be put in place for this to be a true Sherlock experience, without the need to move the thumb sticks into a circle so I can eavesdrop or balance on a beam. Sometimes the quick time encounters worked amazingly well, including during an exorcism. Whilst otherwise. Awfully and out of place.
I would not recommend this game for even the truest of fans and to read up the plot online instead.
156Reviews (7 KP) rated Extra Ordinary (2019) in Movies
May 1, 2020 (Updated May 1, 2020)
Ghosts, hell demons, possessed animals, sex, a car chase, people exploding, ware-wolves (Kind of), Extra Ordinary has it all. Is it some kind of Hollywood blockbuster staring Benedict Cumberbatch? No, it's a small independent Irish comedy staring little known actors, and Will Forte of course.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
Gareth von Kallenbach (965 KP) rated The Nun (2018) in Movies
Jul 2, 2019
I’ve always been a sucker for supernatural thrillers that are based on “actual events”, even if the way it’s portrayed in the movies nowhere resembles the truth. For some reason, it’s always intriguing to watch a film and imagine that these things could potentially happen. This has always been the draw of The Conjuring films, which are loosely based on the lives of Ed and Lorraine Warren, whose paranormal investigations were the inspiration behind not only this series but the Amityville Horror. So, when I heard that The Nun was another movie set in the same cinematic universe as The Conjuring franchise I anxiously awaited the opportunity to review it.
The Nun begins with two nuns who are attempting to destroy an evil being that has cursed an abbey in a small Romanian village for hundreds of years. After a young man who goes by the name Frenchie (Jonas Bloquet) discovers one of the nuns has hung herself, the Vatican summons Father Burke (Demián Bichir), who is known for his special skills in exorcisms and Sister Irene (Taissa Farmiga), a young nun-in-training to investigate the matter. With Frenchie as their guide, they travel to the abbey to uncover the mysteries of the nun’s suicide.
The Nun reintroduces us to a familiar demonic figure that was originally introduced in The Conjuring 2. Sadly, this is where the similarities to the other Conjuring films end. The Nun has its share of jump scares, but the entire film seems to be a compilation of various horror tropes including everything from crosses turning upside down to using holy water to get rid of demons. All the typical exorcism movie elements are there, but none of them really add any context to the story or answer any questions as to why the priest and nun were sent to investigate the suicide. There is no discernable path that the characters take to unravel the mystery, and it attempts to build suspense only to “Hollywood-up” the ending. They sacrificed suspense and mystery and replaced it with monster filled battles and cheesy one-liners. Instead of beautifully haunting ghosts and demons we got what I could only describe as nun-mummies which can now be taken down with shovels and shotguns. A shotgun was not part of Father Burke’s exorcism arsenal but towards the end of the movie you start to think maybe that should have been his weapon of choice all along (who needs a cross and holy water, when you have your trusty 12-gauge).
The setting is as beautiful as it is creepy, and it’s hard not to wonder how they could take such an amazing setting and dumb it down. The Nun herself is particularly creepy and the characters at first glance appear to be interesting which is why it’s so disappointing that the movie feels so much like a missed opportunity. The pacing of the movie is incredibly slow as well, with all the buildup of the investigation most of the time you are just waiting for something to happen. To make it even worse, most of the buildups lead the audience down a path of confusion and not only raise more questions that will never be answered, but also destroy any believability of the story.
Ultimately, fans of The Conjuring franchise will likely leave disappointed and with even more longing for The Conjuring 3 to be released. The movie lacks much of the suspense and outright terror that the previous movies in the series were well known for and ultimately feels like a spinoff movie that lacks any real connection to the movies preceding it. The Nun isn’t a terrible movie, and I didn’t leave feeling as though I had completely wasted an hour and a half of my time, it just really doesn’t do anything to break new ground or move the franchise along in any meaningful way. While there are parts of the movie that will have you jump, the reality is, that the scenes following these moments will keep you bewildered and likely cause you to forget what made you jump in the first place. It has some interesting concepts, but nothing that hasn’t been done better in similar movies before it. In the end it’s a movie that people will not likely hate but will not feel satisfied with either. I certainly wouldn’t recommend paying full price to see it, but it may be worth the Saturday matinee price or watching it when it comes to Blu-ray. If you want a good ghost or demon movie to get you in the Halloween spirit, this isn’t it. You’d be much better off watching the spectacularly classic Poltergeist or The Exorcist if you really want to be scared out of your wits.
What I liked: The setting and atmosphere, The Nun herself was pretty freaky
What I liked less: Disjointed story, Too many unanswered questions, Overall “meh” feeling
The Nun begins with two nuns who are attempting to destroy an evil being that has cursed an abbey in a small Romanian village for hundreds of years. After a young man who goes by the name Frenchie (Jonas Bloquet) discovers one of the nuns has hung herself, the Vatican summons Father Burke (Demián Bichir), who is known for his special skills in exorcisms and Sister Irene (Taissa Farmiga), a young nun-in-training to investigate the matter. With Frenchie as their guide, they travel to the abbey to uncover the mysteries of the nun’s suicide.
The Nun reintroduces us to a familiar demonic figure that was originally introduced in The Conjuring 2. Sadly, this is where the similarities to the other Conjuring films end. The Nun has its share of jump scares, but the entire film seems to be a compilation of various horror tropes including everything from crosses turning upside down to using holy water to get rid of demons. All the typical exorcism movie elements are there, but none of them really add any context to the story or answer any questions as to why the priest and nun were sent to investigate the suicide. There is no discernable path that the characters take to unravel the mystery, and it attempts to build suspense only to “Hollywood-up” the ending. They sacrificed suspense and mystery and replaced it with monster filled battles and cheesy one-liners. Instead of beautifully haunting ghosts and demons we got what I could only describe as nun-mummies which can now be taken down with shovels and shotguns. A shotgun was not part of Father Burke’s exorcism arsenal but towards the end of the movie you start to think maybe that should have been his weapon of choice all along (who needs a cross and holy water, when you have your trusty 12-gauge).
The setting is as beautiful as it is creepy, and it’s hard not to wonder how they could take such an amazing setting and dumb it down. The Nun herself is particularly creepy and the characters at first glance appear to be interesting which is why it’s so disappointing that the movie feels so much like a missed opportunity. The pacing of the movie is incredibly slow as well, with all the buildup of the investigation most of the time you are just waiting for something to happen. To make it even worse, most of the buildups lead the audience down a path of confusion and not only raise more questions that will never be answered, but also destroy any believability of the story.
Ultimately, fans of The Conjuring franchise will likely leave disappointed and with even more longing for The Conjuring 3 to be released. The movie lacks much of the suspense and outright terror that the previous movies in the series were well known for and ultimately feels like a spinoff movie that lacks any real connection to the movies preceding it. The Nun isn’t a terrible movie, and I didn’t leave feeling as though I had completely wasted an hour and a half of my time, it just really doesn’t do anything to break new ground or move the franchise along in any meaningful way. While there are parts of the movie that will have you jump, the reality is, that the scenes following these moments will keep you bewildered and likely cause you to forget what made you jump in the first place. It has some interesting concepts, but nothing that hasn’t been done better in similar movies before it. In the end it’s a movie that people will not likely hate but will not feel satisfied with either. I certainly wouldn’t recommend paying full price to see it, but it may be worth the Saturday matinee price or watching it when it comes to Blu-ray. If you want a good ghost or demon movie to get you in the Halloween spirit, this isn’t it. You’d be much better off watching the spectacularly classic Poltergeist or The Exorcist if you really want to be scared out of your wits.
What I liked: The setting and atmosphere, The Nun herself was pretty freaky
What I liked less: Disjointed story, Too many unanswered questions, Overall “meh” feeling
Mark Jaye (65 KP) rated The Conjuring (2013) in Movies
May 13, 2019
The Conjuring Review
Contains spoilers, click to show
Originally wrote in 2013:
As an avid fan of horror I look for a few little things which if aren't apparent within the first minute decide on whether I'm going to bother with the rest of the film. Usually the company releasing the movie is a good starting point, reputable/recognised director or producer, recognisable actor/s, good production values - that sort of thing. I've seen some hum-dingers over the years - those films where Johnny Nobody has gathered several of his buddies together with a cheap camcorder or two and filmed some alleged zombie epic in the woods at the back of their school.
**The Conjuring is not one of those**
I like to think I have a strong disposition when it comes to scares - usually it takes a lot to make me squint. Examples that come to mind are 'Sinister', 'The Grudge', the end of 'The Ring' (you know, the scary dark haired girl climbing out of the TV!). The Conjuring is one of those - I watched this in the middle of the morning and found it pretty scary in places.
James Wan certainly knows how to make a movie of this type and is great at evoking atmosphere and notching up the scares as the film develops. In a nutshell, this is the alleged real life story of the Perron family who in 1971 moved into a new farmhouse. It isn't long before the usual shenanigans begin - pictures pulled off walls, doors knocking in the dead of night, the children befriending mysterious 'imaginary' kids (who we all know watching are going to show up at some point). The film sticks to the tried and tested story - gradual possession of one of the adults (Lily Taylor), gradually increasing appearances by ghostly figures, calling in the ghostbusters, gathering the proof, then the exorcism. It may be join the dots territory but it works.
Patrick Wilson shines and seems to be making his mark in films of this nature (Insidious and Insidious Chapter 2) - he portrays real life paranormal investigator Ed Warren who with his wife Lorraine (played just as well by Vera Farmiga) become immersed in the life of the Perron's making themselves targets of the supernatural force at work in the process.
The demonic spirit at work is that of a witch who was married to the guy who built the house back in the 1800's who cursed the land before committing suicide after murdering their child whilst a few days old. There is one particularly pant browning scene where the witch makes her first appearance atop a bedroom wardrobe....and I'll leave it there!
Quality. Best horror I've seen since Sinister.
As an avid fan of horror I look for a few little things which if aren't apparent within the first minute decide on whether I'm going to bother with the rest of the film. Usually the company releasing the movie is a good starting point, reputable/recognised director or producer, recognisable actor/s, good production values - that sort of thing. I've seen some hum-dingers over the years - those films where Johnny Nobody has gathered several of his buddies together with a cheap camcorder or two and filmed some alleged zombie epic in the woods at the back of their school.
**The Conjuring is not one of those**
I like to think I have a strong disposition when it comes to scares - usually it takes a lot to make me squint. Examples that come to mind are 'Sinister', 'The Grudge', the end of 'The Ring' (you know, the scary dark haired girl climbing out of the TV!). The Conjuring is one of those - I watched this in the middle of the morning and found it pretty scary in places.
James Wan certainly knows how to make a movie of this type and is great at evoking atmosphere and notching up the scares as the film develops. In a nutshell, this is the alleged real life story of the Perron family who in 1971 moved into a new farmhouse. It isn't long before the usual shenanigans begin - pictures pulled off walls, doors knocking in the dead of night, the children befriending mysterious 'imaginary' kids (who we all know watching are going to show up at some point). The film sticks to the tried and tested story - gradual possession of one of the adults (Lily Taylor), gradually increasing appearances by ghostly figures, calling in the ghostbusters, gathering the proof, then the exorcism. It may be join the dots territory but it works.
Patrick Wilson shines and seems to be making his mark in films of this nature (Insidious and Insidious Chapter 2) - he portrays real life paranormal investigator Ed Warren who with his wife Lorraine (played just as well by Vera Farmiga) become immersed in the life of the Perron's making themselves targets of the supernatural force at work in the process.
The demonic spirit at work is that of a witch who was married to the guy who built the house back in the 1800's who cursed the land before committing suicide after murdering their child whilst a few days old. There is one particularly pant browning scene where the witch makes her first appearance atop a bedroom wardrobe....and I'll leave it there!
Quality. Best horror I've seen since Sinister.
Hazel (1853 KP) rated The Flame Never Dies (The Stars Never Rise, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Ryan Hill (152 KP) rated Doctor Strange (2016) in Movies
May 11, 2019
"Try me Beyoncé"
The 14th instalment in the Marvel Cinematic Universe marks the arrival of yet another avenger into the already crowded Marvel family while also bringing mystic arts & alternate dimensions into its ever-expanding universe. But even though it offers a kaleidoscopic journey through astral realms, infinite realities & spacetime contortions, it isn't entirely different from the norm.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Darren (1599 KP) rated The Possession of Hannah Grace (2018) in Movies
Oct 24, 2019
Characters – Megan Reed is a former cop that has been through rehab after struggling after her own experience in the field, cleaned up, she looks to get back into work on a graveyard shift at the morgue. Megan does start to have strange visits while on duty and becomes convinced strange things are going on, she is left to wonder whether she is having a bad experience from her drugs or is something supernatural going on. Andrew is the ex-boyfriend and fellow cop of Megan, he was left no choice, but to leave her, but will support her through her struggles. Hannah Grace is the young woman that went through the exorcism, she hasn’t remained dead though, searching for more victims in her afterlife. Randy is the friendly paramedic that offers support for Megan because of his own past.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Darren (1599 KP) rated 1920 London (2016) in Movies
Jun 20, 2019
Story: 1920 London starts as we meet the Prince Veer (Karwel) and Princess Shivangi (Chopra) living in London, they soon become the latest victim of an evil spirit which takes over Veer’s body, Shivangi must go into her past to find her former lover Jai Singh Gujjar (Joshi) a man that was left banished because of their affair, who has an ability to tackle unwanted spirits.
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
Matthew Krueger (10051 KP) rated Ghost Stories in Tabletop Games
Jul 28, 2020 (Updated Jul 30, 2020)
The Gameplay (4 more)
The Strategy
Replay Value
Thinking Ten Steps Ahead
The Concept
Hard (2 more)
Luck of the dice
The cruse dice
Spooky Scary Ghosts
I learned about this game through Dice Tower reviews, Rahdo runthrough and BoardGameGeek. And it looked really good. A cooperative game in which the players protect the village from incarnations of the lord of hell – Wu-Feng – and his legions of ghosts before they haunt a town and recover the ashes that will allow him to return to life. That sounded really intresting and unquite. So i bought it and its a excellent game. Let me talk more about it..
Gameplay:
Each Player represents a Taoist monk working together with the others to fight off waves of ghosts.
The players, using teamwork, will have to exorcise the ghosts that appear during the course of the game. At the beginning of his turn, a player brings a ghost into play and places it on a free spot, and more than one can come in at the same time. The ghosts all have abilities of their own – some affecting the Taoists and their powers, some causing the active player to roll the curse die for a random effect, and others haunting the villager tiles and blocking that tile's special action. On his turn, a Taoist can move on a tile in order to exorcise adjacent ghosts or to benefit from the villager living on the tile, providing it is not haunted. Each tile of the village allows the players to benefit from a different bonus. With the cemetery, for example, Taoists can bring a dead Taoist back to life, while the herbalist allows to recover spent Tao tokens, etc. It will also be possible to get traps or move ghosts or unhaunt other village tiles.
To exorcise a ghost, the Taoist rolls three Tao dice with different colors: red, blue, green, yellow, black, and white. If the result of the roll matches the color(s) of the ghost or incarnation of Wu-Feng, the exorcism succeeds. The white result is a wild color that can be used as any color. For example, to exorcise a green ghost with 3 resistance, you need to roll three green, three white, or a combination of both. If your die rolls fall short, you can also use Tao tokens that match the color in addition to your roll. You may choose to use these after your roll. Taoists gain these tokens by using certain village tiles or by exorcising certain ghosts. One of the Taoists has a power that allows him to receive such a token once per turn.
To win, the players must defeat the incarnation of Wu-Feng, a boss who arrives at the end of the game. There are also harder difficulty levels that add more incarnations of Wu-Feng, in which to win, you must defeat all of them.
There are many more ways to lose, however. The players lose if three of the village's tiles are haunted, if the draw pile is emptied while the incarnation of Wu-Feng is still in play, or if all the priests are dead.
It is hard game but the strategy to this game is excellent cause you have to think about your moves and what to do next. That and the clock is ticking down to one of the ten Wu-Feng Minions. Also if 3 village spaces get crushed than you lose. Also the luck of the dice and the cards. The strategy is ten fold. Its hard but a excellent game and a must play game. Buy it if you havent already cause its a must. If you want to learn more or see a runthrough of the game go to BoardGameGeek, Rahdo Runthroughs or Dice Tower Reviews.
Gameplay:
Each Player represents a Taoist monk working together with the others to fight off waves of ghosts.
The players, using teamwork, will have to exorcise the ghosts that appear during the course of the game. At the beginning of his turn, a player brings a ghost into play and places it on a free spot, and more than one can come in at the same time. The ghosts all have abilities of their own – some affecting the Taoists and their powers, some causing the active player to roll the curse die for a random effect, and others haunting the villager tiles and blocking that tile's special action. On his turn, a Taoist can move on a tile in order to exorcise adjacent ghosts or to benefit from the villager living on the tile, providing it is not haunted. Each tile of the village allows the players to benefit from a different bonus. With the cemetery, for example, Taoists can bring a dead Taoist back to life, while the herbalist allows to recover spent Tao tokens, etc. It will also be possible to get traps or move ghosts or unhaunt other village tiles.
To exorcise a ghost, the Taoist rolls three Tao dice with different colors: red, blue, green, yellow, black, and white. If the result of the roll matches the color(s) of the ghost or incarnation of Wu-Feng, the exorcism succeeds. The white result is a wild color that can be used as any color. For example, to exorcise a green ghost with 3 resistance, you need to roll three green, three white, or a combination of both. If your die rolls fall short, you can also use Tao tokens that match the color in addition to your roll. You may choose to use these after your roll. Taoists gain these tokens by using certain village tiles or by exorcising certain ghosts. One of the Taoists has a power that allows him to receive such a token once per turn.
To win, the players must defeat the incarnation of Wu-Feng, a boss who arrives at the end of the game. There are also harder difficulty levels that add more incarnations of Wu-Feng, in which to win, you must defeat all of them.
There are many more ways to lose, however. The players lose if three of the village's tiles are haunted, if the draw pile is emptied while the incarnation of Wu-Feng is still in play, or if all the priests are dead.
It is hard game but the strategy to this game is excellent cause you have to think about your moves and what to do next. That and the clock is ticking down to one of the ten Wu-Feng Minions. Also if 3 village spaces get crushed than you lose. Also the luck of the dice and the cards. The strategy is ten fold. Its hard but a excellent game and a must play game. Buy it if you havent already cause its a must. If you want to learn more or see a runthrough of the game go to BoardGameGeek, Rahdo Runthroughs or Dice Tower Reviews.