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Neon's Nerd Nexus (360 KP) rated The Nun (2018) in Movies
May 14, 2019
Having nun of it
#thenunmovie is a camp & #silly mainstream #horror movie that while not great its still an enjoyable & ok watch. After hating every single film so far in the #thecounjuring universe I was tempted to boycott #nun, but after seeing it now I can say its the best film in the franchise (thats still not saying much really). Its defiantly a #fun watch but I wouldn't call it a horror at all (Commercial horror these days is more action orientated & Nun is no different). Relying on big set pieces full of #jumpscares & lots going on these films should be put in a new genre called 'Action Horror' they are essentially the #transformers of horror films. Although there is some awesome #creepy imagery here & some neat practical effects Nun fails at creating a creepy/unnerving atmosphere & the over use on poor cgi at times fails to keep the film feeling grounded. Sets also while impressive lack that dirty, grimey, damp, old, worn & lived in look making then feel like... well a set from a film. Everything's to perfect & neat & even lighting feels unrealistic too. Ideas/cinematography are all stolen straight from other horror films eg #darioargento films, #theexorcist or #nosferatu & while ok they are nothing in comparison. Acting is forgettable, either with characters either being over or under acted by the cast & half way into the film plot seems to be neglected in favour of set piece after set piece. I feel #TheNun will please its target audience (teenage girls looking for jump scares that will most likely talk throughout all the story & character development parts). While far from a good film its an ok film to watch if your not in the mood for thinking & want to see a nun that looks like #marilynmanson running round screaming at people. Oh & just a side note the ending is bad, like tacked on & abrupt bad. #odeon #odeonlimitless #filmbuff #filmreview #filmcritic #thursdaythoughts #gore #hell #conjuring #annabelle #ghost #demon #devil #exorcist #crusafix #satan
Neon's Nerd Nexus (360 KP) rated The Meg (2018) in Movies
May 14, 2019
Jason
#themeg all be it a highly forgettable film manages to be an extreamly enjoyable #shark romp that ends just before it begins to out stay its welcome. Sitting somewhere between #Theshallows & #deepbluesea #meg is an an American-Chinese co-production & it shows. There's an incredible amount of #chinese cast members here witch is very refreshing to see in a big #American #blockbuster & they all do a fantastic job at acting too. China locations are also #beautiful to look at & there's a fantastic sense of depth to the #ocean visuals making for some gorgeously tense silent under #water scenes. Cgi is alright for the most part & does a good job with its highly detailed shark models. Surprisingly #jasonstatham is the star of the show here & when he wasnt on screen I was longing for more time with him rather than the shark itself. Not only is he extremely #charming & charismatic he's absolutely hilarious, clearly realising what type of movie he signed up for & just having a ton of fun. Its a very silly film which plays to its advantage but the problems come when it tries to get to serious, it just kills the flow & makes the film #grind to a halt at times. Over all the message was alright too with its themes of how the human ego leads us to being so #cocky & sure of ourselves that we believe we are superior & invulnerable only to be shot down or knocked off guard by something more primitive. Major influences from old #japanese #monster #movies are a nice touch & characters are all very likable but they seem to have no cares for each other at all which all though odd actually does work in the films favour. A bit repetitive after a while with an abrupt anticlimactic ending Meg is well worth a watch & a ton of #silly forgettable #fun. Way less violent than I expected too. #odeon #odeonlimitless #friyay #gore #horror #scary #themegmovie #review #filmbuff #sharknado
Cyn Armistead (14 KP) rated Killbox (Sirantha Jax, #4) in Books
Mar 1, 2018
Killbox won't make any sense without reading the previous three books, and I honestly feel that I should have gone back and re-read them before starting it. I was impatient for more fresh Aguirre after finishing [b:Shady Lady|6767883|Shady Lady (Corine Solomon, #3)|Ann Aguirre|http://photo.goodreads.com/books/1302689192s/6767883.jpg|6913777], though, and [b:Killbox|7843135|Killbox (Sirantha Jax, #4)|Ann Aguirre|http://photo.goodreads.com/books/1282093259s/7843135.jpg|6913748] is what I had on the Nook.
I really love Sirantha Jax's strength and complexity. She has grown and changed a great deal over the four books of the series, and reflects on the changes in herself during this book. Her relationship with March has deepened, as well. The depiction of a mature relationship being tested, rather than one that is fresh and new, is a nice switch from most of the books I've read recently.
The friendship between Velith and Jax is also a treasure. It is rare to see a pure friendship between a male and a female in fiction, without any sexual tension entering the picture. We're reminded that while he is an alien, Velith has had a human lover in the past, so it isn't as if that is impossible between the two — it just doesn't occur.
The book isn't solely about relationships, of course — I just appreciate how well Aguirre depicts relationships in and around the excellent plot. That's the part that you need background to understand.
The Morgut keep coming, a bigger threat than ever: they're colonizing instead of raiding. Jax secured a treaty with the Ithiss-Tor (Velith's people), but there's no help from them coming yet. Humanity's survival is on the line. Aguirre depicts battle believably, giving a sense of the horror without dwelling too much on gore.
Lovers are torn apart, established characters die, new ones come on stage. It's impossible to know at any given moment whether anyone, including Jax, will survive from scene to scene. That certainly kept me reading, and I think it will engage you, as well.
I really love Sirantha Jax's strength and complexity. She has grown and changed a great deal over the four books of the series, and reflects on the changes in herself during this book. Her relationship with March has deepened, as well. The depiction of a mature relationship being tested, rather than one that is fresh and new, is a nice switch from most of the books I've read recently.
The friendship between Velith and Jax is also a treasure. It is rare to see a pure friendship between a male and a female in fiction, without any sexual tension entering the picture. We're reminded that while he is an alien, Velith has had a human lover in the past, so it isn't as if that is impossible between the two — it just doesn't occur.
The book isn't solely about relationships, of course — I just appreciate how well Aguirre depicts relationships in and around the excellent plot. That's the part that you need background to understand.
The Morgut keep coming, a bigger threat than ever: they're colonizing instead of raiding. Jax secured a treaty with the Ithiss-Tor (Velith's people), but there's no help from them coming yet. Humanity's survival is on the line. Aguirre depicts battle believably, giving a sense of the horror without dwelling too much on gore.
Lovers are torn apart, established characters die, new ones come on stage. It's impossible to know at any given moment whether anyone, including Jax, will survive from scene to scene. That certainly kept me reading, and I think it will engage you, as well.
Mike Wilder (20 KP) rated The Descent (2005) in Movies
May 30, 2018
There are some great British films but would this be one of them?
Contains spoilers, click to show
I watched this with my girlfriend Kelly not knowing what to expect. We knew it was a horror, but it was also a British film. There are some great British films but would this be one of them? The film is about a group of women who get together to explore a set of remote caves. During the expedition they encounter strange creatures and end up having to fight for their lives. Staring Shauna Macdonald, Natalie Mendoza, Alex Reid, Saskia Mulder, MyAnna Buring & Nora-Jane No one. All are great in the roles of the six friends, however Natalie Mendoza stands out for me as Juno. There are undertones of something more with her character and her performance is eerie and mysterious. This film is one of the best modern horror films I have seen. While many modern horror films fall under the category of torture porn like Saw and Hostile, this film doesn't rely on gore and gross out moments to shock you. It manages it in traditional ways using subtle camera effects, building tension and good acting. The director is a genius in his ability to scare you. He builds the tension to a point where you feel you will burst. There are no cheesy moments just good old fashioned scares. And what scares they are. There are moments that truly scare and surprise you. This is one of the best horror movies and a very well made film. The intro is just long enough to give you a good background to the friends and then all hell breaks loose! If you like classic horror movies check this one out. Keep the lights on and if you are watching with your girlfriend, watch out for your hands. Kelly was so scared I thought she would break mine when she squeezed it really hard when she jumped!
Roxanne (13 KP) rated The Ritual in Books
Nov 14, 2018
2.5 stars rounded up.
I found this book quite difficult to rate as I was very much in a love/hate relationship with it, some bits were great and I was sucked into the story whilst on the edge of my seat but then on the other hand some parts had me rolling my eyes. This book is split into two parts but I can't say that I enjoyed one part more than the other...both kind of just went on a bit too much. This book could have been so much shorter without losing anything, there was just too much yapping on about nothing, extended sentences with no meaning, I just wanted everyone to get to the point they were making.
I like to be scared by horror stories, I like to be given goose-bumps but unfortunately I just didn't feel it. There was, however, a nice bit of gore that kept me going and I did like most of the characters. It was an interesting story, original but unfortunately I found it a bit dull in places.
I'm not sure if others would agree with me, maybe I'm being too sensitive but I did find the book to be pretty sexist. Women, as a whole, were just demeaned which left me feeling pretty uncomfortable. The language towards females was pretty grim and the unpleasantness of the male characters was described as feminine. Each wife was described as horrible, mean, selfish, vile and was to be thrown away with the trash and the main character's girlfriend was mentioned about three times. She meant a lot to him but all that we were told was that she had a sexy overbite and he wanted to bed her. For a novel this big and in depth I expected to be able to get to know the characters more but it left me wanting.
I can't say I would really recommend it to be honest, I think my expectations were too high as I was very much looking forward to reading this one...nevermind.
I found this book quite difficult to rate as I was very much in a love/hate relationship with it, some bits were great and I was sucked into the story whilst on the edge of my seat but then on the other hand some parts had me rolling my eyes. This book is split into two parts but I can't say that I enjoyed one part more than the other...both kind of just went on a bit too much. This book could have been so much shorter without losing anything, there was just too much yapping on about nothing, extended sentences with no meaning, I just wanted everyone to get to the point they were making.
I like to be scared by horror stories, I like to be given goose-bumps but unfortunately I just didn't feel it. There was, however, a nice bit of gore that kept me going and I did like most of the characters. It was an interesting story, original but unfortunately I found it a bit dull in places.
I'm not sure if others would agree with me, maybe I'm being too sensitive but I did find the book to be pretty sexist. Women, as a whole, were just demeaned which left me feeling pretty uncomfortable. The language towards females was pretty grim and the unpleasantness of the male characters was described as feminine. Each wife was described as horrible, mean, selfish, vile and was to be thrown away with the trash and the main character's girlfriend was mentioned about three times. She meant a lot to him but all that we were told was that she had a sexy overbite and he wanted to bed her. For a novel this big and in depth I expected to be able to get to know the characters more but it left me wanting.
I can't say I would really recommend it to be honest, I think my expectations were too high as I was very much looking forward to reading this one...nevermind.
Paige (277 KP) rated Shaun of the Dead (2004) in Movies
Dec 7, 2018 (Updated Dec 7, 2018)
Casting (Simon Pegg and Nick Frost). (3 more)
Prosthetic Makeup.
Irony.
Emotional Investment.
Shaun of the Dead (2004).
'Take car. Go to Mum's. Kill Phil. Grab Liz. Go to the Winchester, have a nice cold pint, and wait for all of this to blow over. How's that for a slice of fried gold?'
Shaun of the Dead is a 'slice of fried gold,' with consistent irony throughout that contributes towards the comedic content, uncommon throughout differentiating zombie movies. 'Next time I see him, he's dead,' is an ironic quote from Shaun of the Dead (2004) that is also foreshadowing.
Progressing from this, the casting for Shaun of the Dead (2004) was exceptional. Simon Pegg and Nick Frost have done alternative movies together, encompassing Hot Fuzz and The World's End. Their undeniable friendship contributes significantly towards their ability to collectively produce fantastic movie's, all of which have no fault.
Furthermore, the prosthetic makeup is also an imperative aspect to confer when deliberating the positive aspects of Shaun of the Dead (2004). When taking into consideration that this film was released in 2004, the prosthetic makeup was beyond expectation, with multiple scenes that are hard to watch attributable to the gore.
Comparable to this, an alternative aspect to confer when deliberating the positive aspects of Shaun of the Dead would be the emotional investment in each character. Shaun of the Dead (2004) makes evident an imperative moral; to not take those you love for granted. One of many subtle morals throughout Shaun of the Dead (2004), which subsequently contribute towards the emotional investment in each character, to be understood upon watching the movie.
To conclude, Shaun of the Dead (2004) is a contributor towards the extensive amount of zombie movies released. However, it is an innovative, unique zombie movie, integrating comedic content and irony, whilst maintaining the high quality of prosthetic makeup and emotional investment you would expect from a movie depicting the prospective end of the world.
Shaun of the Dead is a 'slice of fried gold,' with consistent irony throughout that contributes towards the comedic content, uncommon throughout differentiating zombie movies. 'Next time I see him, he's dead,' is an ironic quote from Shaun of the Dead (2004) that is also foreshadowing.
Progressing from this, the casting for Shaun of the Dead (2004) was exceptional. Simon Pegg and Nick Frost have done alternative movies together, encompassing Hot Fuzz and The World's End. Their undeniable friendship contributes significantly towards their ability to collectively produce fantastic movie's, all of which have no fault.
Furthermore, the prosthetic makeup is also an imperative aspect to confer when deliberating the positive aspects of Shaun of the Dead (2004). When taking into consideration that this film was released in 2004, the prosthetic makeup was beyond expectation, with multiple scenes that are hard to watch attributable to the gore.
Comparable to this, an alternative aspect to confer when deliberating the positive aspects of Shaun of the Dead would be the emotional investment in each character. Shaun of the Dead (2004) makes evident an imperative moral; to not take those you love for granted. One of many subtle morals throughout Shaun of the Dead (2004), which subsequently contribute towards the emotional investment in each character, to be understood upon watching the movie.
To conclude, Shaun of the Dead (2004) is a contributor towards the extensive amount of zombie movies released. However, it is an innovative, unique zombie movie, integrating comedic content and irony, whilst maintaining the high quality of prosthetic makeup and emotional investment you would expect from a movie depicting the prospective end of the world.
Sarah (7800 KP) rated American Gods - Season 1 in TV
Jan 27, 2019
An intriguing & decent adaptation
I really enjoyed the book and had heard good things about the show, and I’m please to say that for the most part this is a very good adaptation.
I completely agree with everyone else that has compared this to Hannibal. From the effective visual imagery and the dream sequences, to the impressive amount of blood and gore, it’s difficult not to recognise parts of Hannibal in this. Unsurprising though considering they’re both made by Bryan Fuller. Ian McShane is truly fantastic as Mr Wednesday, they couldn’t have picked anyone better and even Ricky Whittle is brilliant as Shadow. He really has come a long way from his Hollyoaks days! There are also some great cameo/supporting performances from Gillian Anderson, Crispin Glover, Peter Stormare and Orlando Jones.
The story does at least start off following the book but does veer off slightly as the episodes move on. In some cases, this isn’t a bad thing. I like what they’ve done with Shadow’s character, making him more outgoing and vocal than his too quiet persona in the books. This works. What doesn’t work is what they’ve done with Laura. I can see why they’ve wanted to make her a more central character, but for me this just doesn’t work. She’s so annoying and brash and the episodes that concentrate mostly around her were the dullest of the entire series. I just hate her whole angry persona and if it wasn’t for the fact that she’s usually on screen alongside Mad Sweeney (who’s a great character), I’m not sure I could tolerate her. The show also puts you in the same position as Shadow, completely confused about what’s going on. It’s not too bad when you’ve read the book, but I can imagine it being a little too much if you haven’t.
In all a visually stunning show with a few flaws, but still some great potential.
I completely agree with everyone else that has compared this to Hannibal. From the effective visual imagery and the dream sequences, to the impressive amount of blood and gore, it’s difficult not to recognise parts of Hannibal in this. Unsurprising though considering they’re both made by Bryan Fuller. Ian McShane is truly fantastic as Mr Wednesday, they couldn’t have picked anyone better and even Ricky Whittle is brilliant as Shadow. He really has come a long way from his Hollyoaks days! There are also some great cameo/supporting performances from Gillian Anderson, Crispin Glover, Peter Stormare and Orlando Jones.
The story does at least start off following the book but does veer off slightly as the episodes move on. In some cases, this isn’t a bad thing. I like what they’ve done with Shadow’s character, making him more outgoing and vocal than his too quiet persona in the books. This works. What doesn’t work is what they’ve done with Laura. I can see why they’ve wanted to make her a more central character, but for me this just doesn’t work. She’s so annoying and brash and the episodes that concentrate mostly around her were the dullest of the entire series. I just hate her whole angry persona and if it wasn’t for the fact that she’s usually on screen alongside Mad Sweeney (who’s a great character), I’m not sure I could tolerate her. The show also puts you in the same position as Shadow, completely confused about what’s going on. It’s not too bad when you’ve read the book, but I can imagine it being a little too much if you haven’t.
In all a visually stunning show with a few flaws, but still some great potential.
LeftSideCut (3776 KP) rated American Horror Story - Season 3 in TV
Nov 2, 2019 (Updated Nov 2, 2019)
Season 3 of AHS is a firm fan favourite - subtitled 'Coven', it centres around a school for young witches to discover and nurture their powers, all whilst preparing for trials to determine who will become the next Supreme witch.
Front and centre once again are Sarah Paulson and Jessica Lange. I enjoy Sarah Paulson in pretty much every season of AHS, and Coven is no different.
Her character, Cordelia Foxx, is her most likable character to date.
Jessica Lange plays her mother, Fiona Goode, and I struggled to get on board with her character. Unlike her character from Asylum, there's just nothing redeemable about her. Jessica Lange is still a powerhouse though...
It's nice to see Frances Conroy also.
The rest of the Coven are made up younger witches, and this is where the season trips up for me. I have nothing against any of the actors, but Coven very much feels like a high school drama for a good chunk of the runtime, and after the darker first two seasons, it's a bit jarring. I feel like a lighter touch can definitely the work (the currently running '1984' has been pretty fun for example), but first time round here, it didn't hit the right notes for me, and I grew quickly tired and bored of the constant high school bickering between characters.
Elsewhere, we're introduced to Voodoo magic, with characters such as the mysterious Papa Legba, Marie Laveau (Angela Bassett), and Madame Delphine LaLaurie, played by Kathy Bates.
Her first role for AHS is possibly her best and she is definitely the season highlight for me.
The Voodoo side of Coven was much more appealing and entertaining.
There's still a bucket load of very well done and gratuitous violence and gore on display, and the music score is pretty good.
Coven is certainly one of my least favorite seasons of AHS, but it's by no means bad, and it's still great to have a horror show this entertaining on prime time television.
Front and centre once again are Sarah Paulson and Jessica Lange. I enjoy Sarah Paulson in pretty much every season of AHS, and Coven is no different.
Her character, Cordelia Foxx, is her most likable character to date.
Jessica Lange plays her mother, Fiona Goode, and I struggled to get on board with her character. Unlike her character from Asylum, there's just nothing redeemable about her. Jessica Lange is still a powerhouse though...
It's nice to see Frances Conroy also.
The rest of the Coven are made up younger witches, and this is where the season trips up for me. I have nothing against any of the actors, but Coven very much feels like a high school drama for a good chunk of the runtime, and after the darker first two seasons, it's a bit jarring. I feel like a lighter touch can definitely the work (the currently running '1984' has been pretty fun for example), but first time round here, it didn't hit the right notes for me, and I grew quickly tired and bored of the constant high school bickering between characters.
Elsewhere, we're introduced to Voodoo magic, with characters such as the mysterious Papa Legba, Marie Laveau (Angela Bassett), and Madame Delphine LaLaurie, played by Kathy Bates.
Her first role for AHS is possibly her best and she is definitely the season highlight for me.
The Voodoo side of Coven was much more appealing and entertaining.
There's still a bucket load of very well done and gratuitous violence and gore on display, and the music score is pretty good.
Coven is certainly one of my least favorite seasons of AHS, but it's by no means bad, and it's still great to have a horror show this entertaining on prime time television.
Gareth von Kallenbach (980 KP) rated Mary Queen of Scots (2018) in Movies
Jul 2, 2019
Mary Queen of Scots” tells the story of two women fighting to rise above the status quo and take the power that they were genetically entitled to. Yet, their paths are forsaken by the omnipresent patriarchy, despite their high status and crowns.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
LeftSideCut (3776 KP) rated Cult Of Chucky (2017) in Movies
Jan 7, 2020 (Updated Jan 22, 2020)
Honestly - I genuinely enjoyed Cult of Chucky. Is it a guilty pleasure? Perhaps, but not as much as some of the other films in the franchise.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.