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djay Pro for iPhone
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• "djay Pro for iPhone is a serious tool...it’s a must-have for DJs and VJs alike.” -...
SynthStation
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Low $1.99 price extended! Compatibility: Requires iOS 4.3 to iOS 6.1.3 Features • Three...
Darren (1599 KP) rated 2001: A Space Odyssey (1968) in Movies
Jun 20, 2019
Story: You may spend most of this film scratching you head trying to figure out what the hell is going on, but once you get the reveal you will see how good the story is. Giving the audience plenty of questions makes this something many of the new modern film fail to do with all the spoon feed answers. (10/10)
Actor Review: Keir Dullea – Doctor Dave Bowman who has to react to stop H.A.L taking over the space shuttle and fulfil the mission. Top performance on how to convince with expression and body language. (10/10)
david
Actor Review: Gary Lockwood – Doctor Frank Poole who goes on the spacewalk mission before starting to question the methods of the computer H.A.L. Great performance using more action than words to signify his motives. (9/10)
Director Review: Stanley Kubrick – Brilliant piece of directing from a man who redefined a generation of film makers. (10/10)
Sci-Fi: wonderful creation of a space like atmosphere. (10/10)
Special Effects: Stunning special effects that have hardly aged a day. (10/10)
Music: Excellent use of music. (10/10)
Cinematography: Amazing usage of cinematography throughout the film. (10/10)
Believability: Space is still a wife unknown so this is down to what you believe is out there or could happen out there. (5/10)
Chances of Tears: (0/10)
Settings: Set mostly in the middle of space, with nowhere to turn for help perfectly for the creation of the edge of your seat atmosphere created. (10/10)
Oscar Chances: Won one Oscar for Special effects.
Chances of Sequel: Nope
Suggestion: All film fans should watch this as it really is a masterpiece. The casual film fan will struggle to get into the film with the drawn out opening 25 minutes of no dialogue and strong use of music. If you were to look back and see where some of the best films come from this is where it is, this is a true history lesson in film watching this. (Watch)
Best Part: The mystery of what is going on.
Worst Part: May be hard to grab the attention of a casual film fan.
Trivia: There is 88minutes with no dialogue.
Overall: A masterpiece that stands the test of time
https://moviesreview101.com/2013/12/18/2001-a-space-odyssey-1968/
Actor Review: Keir Dullea – Doctor Dave Bowman who has to react to stop H.A.L taking over the space shuttle and fulfil the mission. Top performance on how to convince with expression and body language. (10/10)
david
Actor Review: Gary Lockwood – Doctor Frank Poole who goes on the spacewalk mission before starting to question the methods of the computer H.A.L. Great performance using more action than words to signify his motives. (9/10)
Director Review: Stanley Kubrick – Brilliant piece of directing from a man who redefined a generation of film makers. (10/10)
Sci-Fi: wonderful creation of a space like atmosphere. (10/10)
Special Effects: Stunning special effects that have hardly aged a day. (10/10)
Music: Excellent use of music. (10/10)
Cinematography: Amazing usage of cinematography throughout the film. (10/10)
Believability: Space is still a wife unknown so this is down to what you believe is out there or could happen out there. (5/10)
Chances of Tears: (0/10)
Settings: Set mostly in the middle of space, with nowhere to turn for help perfectly for the creation of the edge of your seat atmosphere created. (10/10)
Oscar Chances: Won one Oscar for Special effects.
Chances of Sequel: Nope
Suggestion: All film fans should watch this as it really is a masterpiece. The casual film fan will struggle to get into the film with the drawn out opening 25 minutes of no dialogue and strong use of music. If you were to look back and see where some of the best films come from this is where it is, this is a true history lesson in film watching this. (Watch)
Best Part: The mystery of what is going on.
Worst Part: May be hard to grab the attention of a casual film fan.
Trivia: There is 88minutes with no dialogue.
Overall: A masterpiece that stands the test of time
https://moviesreview101.com/2013/12/18/2001-a-space-odyssey-1968/
Gareth von Kallenbach (980 KP) rated Whiplash (2014) in Movies
Aug 6, 2019
Well, I must’ve done something to incur this kind of karma recently … My editors have been assigning me some excellent films this past month and this one is another on that string …
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
Cross DJ Pro
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8.0
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The best pro DJ app on iPad & iPhone, downloaded by millions worldwide. Mix tracks in perfect sync...
Unmasked: A Memoir
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“You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort...
FM Radio PRO - Internet Radio
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FM Radio app is providing 70,000 + radio stations streaming online 24/7 all over the word. Play...
Kieran Harvey (51 KP) rated Baby Driver (2017) in Movies
Jul 16, 2017
Soundtrack (6 more)
Whole cast is great
Funny
Action packed
Original
Re watchable
Anyone can enjoy it
Flawless movie
Baby Driver is everything I want in a movie. A movie set to music is literally what I dream of because we only ever see it in trailers but never in movies, for example the Suicide Squad trailer used Bohemian Rapsody very well but the actual film was awful. This movie however lived up to the hype of the trailers and delivered more than anyone could have asked for.
It's not very often that a film hooks you right from the offset and doesn't let up the entire time but this film does. In my opinion it features some of the best directing, best editing and best use of soundtrack ever in film history. I'd be very surprised if it doesn't get some awards buzz because it truly deserves it. There is very little wrong with this movie because it's just amazing. Really really amazing and if you don't want to go see it again immediately after coming out of the screening, there's something wrong with you.
Go see it for a guaranteed good time and you'll have the soundtrack stuck in your head for a long time !
It's not very often that a film hooks you right from the offset and doesn't let up the entire time but this film does. In my opinion it features some of the best directing, best editing and best use of soundtrack ever in film history. I'd be very surprised if it doesn't get some awards buzz because it truly deserves it. There is very little wrong with this movie because it's just amazing. Really really amazing and if you don't want to go see it again immediately after coming out of the screening, there's something wrong with you.
Go see it for a guaranteed good time and you'll have the soundtrack stuck in your head for a long time !
Awix (3310 KP) rated Dark Star (1974) in Movies
May 31, 2018
Massively influential spoof of overly-solemn and pretentious 60s sci-fi movies looks like what it is - a student movie blown up to feature proportions. John Carpenter was known to comment that the world's greatest student movie would still only be a pretty unimpressive 'real' film and there is an element of truth in this, for Dark Star is often slightly primitive, especially in its visual effects.
But never mind that, just enjoy the way it deconstructs the likes of 2001 and their philosophical concerns - 'never mind all that intelligent life crap, just give me something I can blow up,' snaps the commander early on. Classical music is eschewed for a jaunty country tune, and so on.
Most significant is way the pristine interiors of other films' spacecraft are replaced by the squalid, utilitarian quarters of the Dark Star's crew - this is space bereft of novelty and glamour, it's just a boring and dangerous place to work. You can see the 'used universe' aesthetic of the late 70s SF boom and beyond being invented here. Plus this is the movie that directly led to Alien. Not the biggest or best SF movie of the 70s, but still one of the most significant in the history of the genre.
But never mind that, just enjoy the way it deconstructs the likes of 2001 and their philosophical concerns - 'never mind all that intelligent life crap, just give me something I can blow up,' snaps the commander early on. Classical music is eschewed for a jaunty country tune, and so on.
Most significant is way the pristine interiors of other films' spacecraft are replaced by the squalid, utilitarian quarters of the Dark Star's crew - this is space bereft of novelty and glamour, it's just a boring and dangerous place to work. You can see the 'used universe' aesthetic of the late 70s SF boom and beyond being invented here. Plus this is the movie that directly led to Alien. Not the biggest or best SF movie of the 70s, but still one of the most significant in the history of the genre.
Math Adventure
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"Math Adventure" is the best tool for your kids about mathematic. It teaches kids from counting to...