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Luke (12 KP) rated Young Frankenstein (1974) in Movies
Oct 2, 2017
Stand out performances from Gene Wilder, Peter Boyle, and Marty Feldman. (2 more)
Written by Gene Wilder and Mel Brooks
Great parody of Mary Shelley's Frankenstein
Young Frankenstein is a comedy horror film from 1974 directed by Mel Brooks, also known for his work on Blazing Saddles and Spaceballs. The film follows Gene Wilder's character of Dr. Frederick Frankenstein, or should I say Froderick Fronkenstein, as he discovers that he has inherited the estate of his grandfather Victor von Frankenstein. It's interesting to see Wilder go from a calm and collected neuroscience professer to a stark raving madman throughout his performance. The film also benefits from being filmed entirely in black and white, evoking the style of old Universal horror movies from the 1930s. Most of the jokes land, making this film a treat to watch. However, some of them are a bit crude and reference sexual activities, so some people may be a bit turned off by them. The good thing is that there aren't that many of these types of crude jokes so it's not quite so overbearing. In conclusion, this is really one of Mel Brooks' best films and one of Wilder's best performances in his career. Go check it out this Halloween.
Hottest Heads of State: Volume One: The American Presidents
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TigerBeat for U.S. presidents--a tour of our nation's history through its irresistible...
politics comedy
Grace & Style
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It's clear to see I'm a style icon; remember, you can't spell icon without 'con'. My goal in this...
TD
The Disguised Ruler in Shakespeare and His Contemporaries
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In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his...
Brett Anderson recommended Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols in Music (curated)
LoganCrews (2861 KP) rated Shark Tale (2004) in Movies
Jul 7, 2021
Ghastly. I mean holy shit these fish are fucking UGLY. I was expecting some sort of ironic enjoyment or overlooked nuance a la something like đđ°đ°đ„đ§đȘđšđ©đ”!, but instead I just got an in-your-face assault of nauseating animation and the worst sound design DreamWorks has ever shat out - Angelina Jolie is barely even audible in this. I'm a firm believer that the most aesthetically horrible time period was the 2000s - specifically the mid-2000s - and this tried so hard to be 'in the now' when it was released that it feels like looking back at some sort of garish cave drawing that serves as a reminder for how much society has progressed since then. For instance, you know how you can go back to Finding Nemo and not be repelled because it doesn't open with a fucking "MTV Cribs" parody? I've never been a huge fan of Will Smith's shtick but here it grates worse than it ever has before or since - and with such an irredeemable, downright annoying character like this fugly little idiot to boot. In fact the only intrigue in any of these voice performances are from Jack Black and - er - *checks notes* Martin Scorsese. I can't honestly say it was laugh-free but I can still say it sucks hard.
Acanthea Grimscythe (300 KP) rated Repo! The Genetic Opera (2008) in Movies
May 12, 2018
Contains spoilers, click to show
Repo! The Genetic Opera is perhaps one of the most underrated films Iâve ever watched. The first time I watched it was at the behest of the elder of my younger brothers during my senior year of high school. At that time, I thought it was alright. The characters were hauntingly beautiful and the costumes delightfully dark, but beyond its appeal to my horror loving heart, I had little interest in re-watching it. The other day, I was browsing Shudder and came across it and decided to watch it for the sake of nostalgia. It was then that I picked up on the parody that my seventeen-year-old self missed entirely: for-profit healthcare.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they canât meet their payments? Well, thatâs what repo men are for, isnât it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and youâre able to get treatment and medication (or keep your organs in the world of Repo!). The moment youâre not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isnât as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, itâs often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of todayâs society â things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, canât help but think of Trump when Iâm looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he canât and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation â yet another reference to something weâre seeing in todayâs society in regards to Shilohâs generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think itâs also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him â paying homage to the saying that âblood is thicker than water.â The end comics only state that she went into hiding, hinting that she was never to be heard from again â which is a shame. Iâd like to think sheâd become an activist, but⊠I guess that wasnât her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dadâs girlfriendâs kid.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they canât meet their payments? Well, thatâs what repo men are for, isnât it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and youâre able to get treatment and medication (or keep your organs in the world of Repo!). The moment youâre not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isnât as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, itâs often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of todayâs society â things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, canât help but think of Trump when Iâm looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he canât and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation â yet another reference to something weâre seeing in todayâs society in regards to Shilohâs generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think itâs also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him â paying homage to the saying that âblood is thicker than water.â The end comics only state that she went into hiding, hinting that she was never to be heard from again â which is a shame. Iâd like to think sheâd become an activist, but⊠I guess that wasnât her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dadâs girlfriendâs kid.
Copyright for Archivists and Records Managers
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As an archivist or records manager it is essential to keep up to date with the complexities of...
Goddess in the Stacks (553 KP) rated Kingsman: The Golden Circle (2017) in Movies
Oct 15, 2017 (Updated Oct 15, 2017)
Amazing fight cinematography (4 more)
Fun gadgets
British manners vs. American straightforwardness
Doesn't take itself too seriously
ELTON JOHN
Just as fun as the first
Oh man. This movie was just as great as the original. I've heard it didn't get great reviews because it wasn't much different than the first, but why does it need to be much different? The first was a hilarious spy movie romp in an almost parody of James Bond movies, and this one was no different. With improbably back-from-the-dead characters, an amazing cameo by Elton John, and the fantastic fight choreography and cinematography of the first film, this one was a winner in my book. It was only marred by some unexpected character deaths that I am very sad about.
It took me a moment to place Eggsy's girlfriend - since she was only in the last like ten minutes of the first movie - but I was utterly delighted when I realized who she is. I was very happy to see that she wasn't just a throwaway character like so many Bond girls.
If you enjoyed the first one, you'll also enjoy this one. I'm hoping there will be a third, as there's still hope for something from this one to not be quite as it seems. And they could rectify that in a third movie.
It took me a moment to place Eggsy's girlfriend - since she was only in the last like ten minutes of the first movie - but I was utterly delighted when I realized who she is. I was very happy to see that she wasn't just a throwaway character like so many Bond girls.
If you enjoyed the first one, you'll also enjoy this one. I'm hoping there will be a third, as there's still hope for something from this one to not be quite as it seems. And they could rectify that in a third movie.
Awix (3310 KP) rated La Flor (2018) in Movies
Nov 2, 2019
How can one rating do justice to film-making on this scale? The simple numbers involved are staggering: the film lasts thirteen and a half hours, took nine years to make, is composed of six different episodes comprising many more sub-narratives. It's usually shown over three or four days, for obvious reasons. Even the closing credits last for over forty minutes (yes, I stayed: my thought process was basically 'Well, I've come this far..).
There's at least one horror movie in the mix, along with a musical melodrama, a sprawling existential spy thriller, and a metafictional self-parody. Characters include archaeologists, witches, Casanova and Margaret Thatcher. Just about the only thing holding it together is the presence of the same four actresses, who play significant roles in almost every episode. It begins very generic, but becomes increasingly strange and avant garde as it progresses. One would say it has become completely unravelled by the end, but it's not as if it was ever very ravelled. Parts of it are indisputably brilliant and highly accomplished, others are kind of indifferent; some of it is actively irritating. In the end it is a gargantuan, self-indulgent oddity. Some of it is definitely worth watching, but the whole thirteen hours...? I'm not sure. Maybe wait until it comes on TV.
There's at least one horror movie in the mix, along with a musical melodrama, a sprawling existential spy thriller, and a metafictional self-parody. Characters include archaeologists, witches, Casanova and Margaret Thatcher. Just about the only thing holding it together is the presence of the same four actresses, who play significant roles in almost every episode. It begins very generic, but becomes increasingly strange and avant garde as it progresses. One would say it has become completely unravelled by the end, but it's not as if it was ever very ravelled. Parts of it are indisputably brilliant and highly accomplished, others are kind of indifferent; some of it is actively irritating. In the end it is a gargantuan, self-indulgent oddity. Some of it is definitely worth watching, but the whole thirteen hours...? I'm not sure. Maybe wait until it comes on TV.