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Bob Mann (459 KP) rated No Time to Die (2021) in Movies
Oct 7, 2021 (Updated Oct 10, 2021)
What a wait it’s been for Bond 25! But Daniel Craig’s last outing as Bond is finally here and I thought it was great! It has all the elements of Bond… but perhaps not as we traditionally know it.
Plot Summary:
We pick up immediately after the ending of “Spectre“, with Bond (Daniel Craig) and Madeleine (Léa Seydoux) all loved up and driving off into the sunset together. But their romantic getaway to Italy is rudely broken short by Spectre as elements of Madeleine’s past emerge to haunt the couple.
One element of that past – the horribly disfigured Lyutsifer Safin (Rami Malek) has a plan to make his mark on mankind with a biochemical weapon. And the retired Bond teams with the CIA’s Felix Leiter (a very welcome return of Jeffrey Wright) in a mission to Jamaica to combat it.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Daniel Craig, Léa Seydoux, Rami Malek, Lashana Lynch, Ralph Fiennes, Ben Whishaw, Naomie Harris, Ana de Armas.
Directed by: Cary Joji Fukunaga.
Written by: Neal Purvis, Robert Wade, Cary Joji Fukunaga and Phoebe Waller-Bridge. (From a story by Purvis, Wade and Fukunaga).
Positives:
- The script has all the trappings of Bond: exotic locations; great stunts; thrilling action sequences; and more gadgets on show than in recent times. Yet it’s a real character piece too, delving far more into Bond’s emotions. The story running through it with Madeleine is both deep and emotional: something we haven’t seen since the Bond and Tracy romance in OHMSS. (And with Craig’s acting, he manages to pull this off far better than George Lazenby ever could!).
- I found the finale to be magnificent, bold and surprising. We’re back to the megalomaniac owning an island lair, à la Dr No. It even has its own submarine pen (a nod to Austin Power’s “Goldmember” perhaps!?). For me, the production design harks back to the superbly over-the-top Ken Adams creations of the Connery years. There are no sharks with frickin’ laser beams… but there could have been. (The set is a rather obvious redressing of the 007 stage at Pinewood, created of course for the tanker scenes in “The Spy Who Loved Me”. It even re-uses of the gantry level control room.)
- Craig is magnificent in his swan-song performance. There’s a scene, during the extended pre-credits sequence, where he’s sat in his bullet-ridden Aston just glowering for an extended period. I thought this was Craig’s acting at its best. I thought this again in a dramatic showdown scene with Rami Malek. Malek is not given a huge amount to do in the film, But what he does he does wonderfully, particularly in that electrifying scene with Craig.
- The film has a great deal more female empowerment than any previous Bond, with the tell-tale signs (although this might be a sexist presumption) of Phoebe Waller-Bridge on the script. Newcomer Lashana Lynch acquits herself well as the first female 00-agent, getting not just kick-ass action sequences but also her fair share of quips. But stealing the show is Ana de Armas (reunited with Craig of course from “Knives Out“). Her scenes in Cuba are brief but memorable, delivering a delicious mixture of action and comedy that makes you think “cast HER as the next Bond”!
- The music by Hans Zimmer! It’s a glorious soundtrack that pays deference not only to the action style of recent composers, like David Arnold and Thomas Newman, but particularly to the classic scores of John Barry. It actually incorporates not one but two classic themes from “On Her Majesty’s Secret Service”, directly into the film. I’m even starting to warm to the Billie Eilish theme song, although I think it’s too similar in style to the Sam Smith offering from “Spectre“.
- The cinematography from Linus Sandgren (who did “La La Land“) is gorgeous: in turns colourful and vibrant for the Italian and Cuban scenes and cool and blue for the tense Norwegian action sequences.
Negatives:
- My main criticism is not of the film, but of the trailer(s). There are so many of the money shots from the film (particularly from the Matera-based action of the pre-title sequence) included in the trailers that I had an “OK, move on, seen this” attitude. Why did they have to spoil the movie so much? IT’S A NEW BOND… OF COURSE WE’RE GOING TO SEE IT. All you EVER needed for this is a 20-second teaser trailer. Just put white “Bond is Back” text on a black background and the Craig tunnel shot to the camera. Job done. It really infuriates me. B arbara Broccoli and Michael Wilson, PLEASE take note!
- At 163 minutes it’s the longest Bond ever and a bit of a bladder tester. But, having said that, there are no more than a few minutes here and there that I would want to trim. To do more you’d need to cut out whole episodes, and leaving Ana de Armas on the cutting room floor would have been criminal. As the illustrious Mrs Movie Man commented, “I wish they’d bring in the half time Intermission card like they used to do in the old days”. I agree. Everyone would have been a whole lot more comfortable and less fidgety.
Summary Thoughts on “No Time to Die”: Reading the comments on IMDB for the movie, I’m perplexed at the diatribe coming from supposed ‘Bond fans’ on this one. One-star review after one-star review (despite, I note, the overall film getting an overall 7.8/10 at the time of writing). In this regard, I class myself as very much a Bond fan. (My first film at the cinema was the release of “Live and Let Die” in 1973, but I then binge-watched all the other Bond films at the cinema: they used to do repeated double-features in those days). And I thought this was a fabulous Bond film. Full of drama, action, humour and deep-seated emotion. Couldn’t be better for me, and certainly on a par with “Casino Royale” and “Skyfall” for me as my favourite Craig outings.
As the end of the end credits said – “James Bond Will Return”. Who will they cast as the next Bond? And where will they take the story from here? Two of the most intriguing movie questions to take into 2022.
(For the full graphical review and video review, please search for @onemannsmovies. Thanks.)
Plot Summary:
We pick up immediately after the ending of “Spectre“, with Bond (Daniel Craig) and Madeleine (Léa Seydoux) all loved up and driving off into the sunset together. But their romantic getaway to Italy is rudely broken short by Spectre as elements of Madeleine’s past emerge to haunt the couple.
One element of that past – the horribly disfigured Lyutsifer Safin (Rami Malek) has a plan to make his mark on mankind with a biochemical weapon. And the retired Bond teams with the CIA’s Felix Leiter (a very welcome return of Jeffrey Wright) in a mission to Jamaica to combat it.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Daniel Craig, Léa Seydoux, Rami Malek, Lashana Lynch, Ralph Fiennes, Ben Whishaw, Naomie Harris, Ana de Armas.
Directed by: Cary Joji Fukunaga.
Written by: Neal Purvis, Robert Wade, Cary Joji Fukunaga and Phoebe Waller-Bridge. (From a story by Purvis, Wade and Fukunaga).
Positives:
- The script has all the trappings of Bond: exotic locations; great stunts; thrilling action sequences; and more gadgets on show than in recent times. Yet it’s a real character piece too, delving far more into Bond’s emotions. The story running through it with Madeleine is both deep and emotional: something we haven’t seen since the Bond and Tracy romance in OHMSS. (And with Craig’s acting, he manages to pull this off far better than George Lazenby ever could!).
- I found the finale to be magnificent, bold and surprising. We’re back to the megalomaniac owning an island lair, à la Dr No. It even has its own submarine pen (a nod to Austin Power’s “Goldmember” perhaps!?). For me, the production design harks back to the superbly over-the-top Ken Adams creations of the Connery years. There are no sharks with frickin’ laser beams… but there could have been. (The set is a rather obvious redressing of the 007 stage at Pinewood, created of course for the tanker scenes in “The Spy Who Loved Me”. It even re-uses of the gantry level control room.)
- Craig is magnificent in his swan-song performance. There’s a scene, during the extended pre-credits sequence, where he’s sat in his bullet-ridden Aston just glowering for an extended period. I thought this was Craig’s acting at its best. I thought this again in a dramatic showdown scene with Rami Malek. Malek is not given a huge amount to do in the film, But what he does he does wonderfully, particularly in that electrifying scene with Craig.
- The film has a great deal more female empowerment than any previous Bond, with the tell-tale signs (although this might be a sexist presumption) of Phoebe Waller-Bridge on the script. Newcomer Lashana Lynch acquits herself well as the first female 00-agent, getting not just kick-ass action sequences but also her fair share of quips. But stealing the show is Ana de Armas (reunited with Craig of course from “Knives Out“). Her scenes in Cuba are brief but memorable, delivering a delicious mixture of action and comedy that makes you think “cast HER as the next Bond”!
- The music by Hans Zimmer! It’s a glorious soundtrack that pays deference not only to the action style of recent composers, like David Arnold and Thomas Newman, but particularly to the classic scores of John Barry. It actually incorporates not one but two classic themes from “On Her Majesty’s Secret Service”, directly into the film. I’m even starting to warm to the Billie Eilish theme song, although I think it’s too similar in style to the Sam Smith offering from “Spectre“.
- The cinematography from Linus Sandgren (who did “La La Land“) is gorgeous: in turns colourful and vibrant for the Italian and Cuban scenes and cool and blue for the tense Norwegian action sequences.
Negatives:
- My main criticism is not of the film, but of the trailer(s). There are so many of the money shots from the film (particularly from the Matera-based action of the pre-title sequence) included in the trailers that I had an “OK, move on, seen this” attitude. Why did they have to spoil the movie so much? IT’S A NEW BOND… OF COURSE WE’RE GOING TO SEE IT. All you EVER needed for this is a 20-second teaser trailer. Just put white “Bond is Back” text on a black background and the Craig tunnel shot to the camera. Job done. It really infuriates me. B arbara Broccoli and Michael Wilson, PLEASE take note!
- At 163 minutes it’s the longest Bond ever and a bit of a bladder tester. But, having said that, there are no more than a few minutes here and there that I would want to trim. To do more you’d need to cut out whole episodes, and leaving Ana de Armas on the cutting room floor would have been criminal. As the illustrious Mrs Movie Man commented, “I wish they’d bring in the half time Intermission card like they used to do in the old days”. I agree. Everyone would have been a whole lot more comfortable and less fidgety.
Summary Thoughts on “No Time to Die”: Reading the comments on IMDB for the movie, I’m perplexed at the diatribe coming from supposed ‘Bond fans’ on this one. One-star review after one-star review (despite, I note, the overall film getting an overall 7.8/10 at the time of writing). In this regard, I class myself as very much a Bond fan. (My first film at the cinema was the release of “Live and Let Die” in 1973, but I then binge-watched all the other Bond films at the cinema: they used to do repeated double-features in those days). And I thought this was a fabulous Bond film. Full of drama, action, humour and deep-seated emotion. Couldn’t be better for me, and certainly on a par with “Casino Royale” and “Skyfall” for me as my favourite Craig outings.
As the end of the end credits said – “James Bond Will Return”. Who will they cast as the next Bond? And where will they take the story from here? Two of the most intriguing movie questions to take into 2022.
(For the full graphical review and video review, please search for @onemannsmovies. Thanks.)
Daniel Boyd (1066 KP) rated Justice League (2017) in Movies
Nov 27, 2017
Decent cast performances (1 more)
Good fun
Varying quality of SFX (1 more)
Painfully safe
Justice At Last For DC Fans?
Last weekend, a movie dropped that most comic book fans have been hotly anticipating for the last few decades. The follow up to the disappointment that was Dawn of Justice, Justice League had a lot to live up to. I’m not going to try and convince you that it is a perfect movie, but I enjoyed it. If I was judging the movie on it’s own I would probably be much harsher with my rating etc, but in the context of other DCEU movies, it’s a breath of fresh air.
The first half of the movie is extremely choppy and unfocused and feels more like a grab bag of scenes cut together to resemble a story rather than any sort of coherent story. Then the last half of the movie plays it incredibly safe and plays out exactly how you would predict. There are no surprises or twists and then the credits roll and half heartedly set up a potential sequel, although with the huge amount of money Warner Bros lost on this movie if the rumoured budget amount of 300 million is to be believed, we may not be getting another entry any time soon. Which is sort of a shame because there are aspects of this movie that I really like, such as Batfleck and Jeremy Irons as Alfred.
There isn’t really much to talk about here, which is disappointing. Although Batman V Superman left a great deal to be desired as a decent comic book movie, it at least gave all of us something to talk about. The cast is alright, Affleck was just as great as Batman as he’s been up until now, Cavill puts in a decent Superman performance if you can get by that dodgy CGI upper lip, Gal Gadot is great as Wonder Woman, Ray Fisher does fine as Cyborg, Jason Momoa’s Aquaman is pretty one dimensional, but I think that’s more to do with the script than with the actor. Ezra Miller is annoying but clearly supposed to be the comic relief in the film. JK Simmons is wasted as Jim Gordon, but it’s nice to see Amy Adams in a reduced role here. I don’t hate Amy Adams, but I am not a fan of her portrayal as Lois Lane and surprisingly, she actually serves a purpose in this film, as opposed to pondering about with a camera looking surprised. The SFX varies greatly, with some really impressive visual effects and some that look like absolute garbage.
Slight spoilers going forwards I guess, but it’s not exactly a shocking revelation that they resurrect Superman from the dead in this movie, which as a long time comic book fan, I feel like could have been handled better.
Overall, it’s not the worst movie in the world; it’s not even the worst movie in this universe, but really it should be great. This movie should be so much better than, ‘okay,’ it’s the Justice League for Christssake. This film isn’t even as good as Thor Ragnarok, the third sequel in one of the least popular Avenger’s solo film. Justice League should have blown Thor out of the water, both commercially and critically! However, as a standalone film, without any context around it, it is a fun film and I did enjoy my time with it.
The first half of the movie is extremely choppy and unfocused and feels more like a grab bag of scenes cut together to resemble a story rather than any sort of coherent story. Then the last half of the movie plays it incredibly safe and plays out exactly how you would predict. There are no surprises or twists and then the credits roll and half heartedly set up a potential sequel, although with the huge amount of money Warner Bros lost on this movie if the rumoured budget amount of 300 million is to be believed, we may not be getting another entry any time soon. Which is sort of a shame because there are aspects of this movie that I really like, such as Batfleck and Jeremy Irons as Alfred.
There isn’t really much to talk about here, which is disappointing. Although Batman V Superman left a great deal to be desired as a decent comic book movie, it at least gave all of us something to talk about. The cast is alright, Affleck was just as great as Batman as he’s been up until now, Cavill puts in a decent Superman performance if you can get by that dodgy CGI upper lip, Gal Gadot is great as Wonder Woman, Ray Fisher does fine as Cyborg, Jason Momoa’s Aquaman is pretty one dimensional, but I think that’s more to do with the script than with the actor. Ezra Miller is annoying but clearly supposed to be the comic relief in the film. JK Simmons is wasted as Jim Gordon, but it’s nice to see Amy Adams in a reduced role here. I don’t hate Amy Adams, but I am not a fan of her portrayal as Lois Lane and surprisingly, she actually serves a purpose in this film, as opposed to pondering about with a camera looking surprised. The SFX varies greatly, with some really impressive visual effects and some that look like absolute garbage.
Slight spoilers going forwards I guess, but it’s not exactly a shocking revelation that they resurrect Superman from the dead in this movie, which as a long time comic book fan, I feel like could have been handled better.
Overall, it’s not the worst movie in the world; it’s not even the worst movie in this universe, but really it should be great. This movie should be so much better than, ‘okay,’ it’s the Justice League for Christssake. This film isn’t even as good as Thor Ragnarok, the third sequel in one of the least popular Avenger’s solo film. Justice League should have blown Thor out of the water, both commercially and critically! However, as a standalone film, without any context around it, it is a fun film and I did enjoy my time with it.
Daniel Boyd (1066 KP) rated Neighbors 2: Sorority Rising (2016) in Movies
Jul 19, 2017
An Unnecessarily Good Time
When the trailers for the first Bad Neighbours movie were released, I really wanted to see it as I’m a big fan of Seth Rogen comedies, but when it was released I was really underwhelmed. Then I heard they were making a sequel and while I’m sure that the first movie made money I just thought that a sequel to Neighbours was totally unneeded. I love it when I’m wrong. Bad Neighbours 2 is a million times better than the first movie and it is also a lot better than the trailers show it to be. The trailers make it out to be a silly slapstick dick joke movie, but some of the comedy is actually really original and more subtly hidden in the dialogue in the script. The slapstick humour is kept to a minimum and the comedic timing from the whole cast is spot on. To be honest going in, I thought that the sorority would annoy me and detract from the comedy in the film, but they were probably the best element in the movie. There was a heavier girl in the movie playing one of the sorority members and I initially thought she would be no more than the Melissa McCarthy or Rebel Wilson character in the movie, where she would just say I’m fat and fall over and say a dirty word and call it comedy but she actually pleasantly surprised me and she was possibly the funniest character in the movie. This film was a breath of fresh air and it totally trumped it’s predecessor. Comedy directors should take note this is how you make a good sequel to a comedy flick.
Don’t get me wrong, its not a perfect comedy by any means and some of the laughs do fall flat, but the vast majority of them do land and there were a few times where I belly laughed really loudly in the picture hall and that is something that has not happened in a while, probably not since Deadpool back in January. If you are looking to switch your brain off and enjoy a good juvenile summer comedy then I would definitely recommend this to you. Zac Effron is kind of doing a Channing Tatum impression these days in a lot of ways, but he, (like Tatum,) is so likable and charming that he pulls it off. His character, as well as Dave Franco’s character and the other guys from the first movie’s fraternity that are also in the sequel are much better written and portrayed across the board in this movie. This film is just superior in every way and it marks a rare occasion when a comedy sequel actually outshines the previous film. Don’t get me wrong though this isn’t the wittiest dialogue ever put to film either, there are plenty of dick jokes and some lazy slapstick, but for the most part the laughs are a bit deeper than what you would expect going in.
Overall I really enjoyed this movie for what it was and it really pleasantly surprised me in a big way. I’d also see it again as I’m sure there are a few jokes I missed the first time around.
Don’t get me wrong, its not a perfect comedy by any means and some of the laughs do fall flat, but the vast majority of them do land and there were a few times where I belly laughed really loudly in the picture hall and that is something that has not happened in a while, probably not since Deadpool back in January. If you are looking to switch your brain off and enjoy a good juvenile summer comedy then I would definitely recommend this to you. Zac Effron is kind of doing a Channing Tatum impression these days in a lot of ways, but he, (like Tatum,) is so likable and charming that he pulls it off. His character, as well as Dave Franco’s character and the other guys from the first movie’s fraternity that are also in the sequel are much better written and portrayed across the board in this movie. This film is just superior in every way and it marks a rare occasion when a comedy sequel actually outshines the previous film. Don’t get me wrong though this isn’t the wittiest dialogue ever put to film either, there are plenty of dick jokes and some lazy slapstick, but for the most part the laughs are a bit deeper than what you would expect going in.
Overall I really enjoyed this movie for what it was and it really pleasantly surprised me in a big way. I’d also see it again as I’m sure there are a few jokes I missed the first time around.
Daniel Boyd (1066 KP) rated Russian Doll in TV
Feb 5, 2019 (Updated Feb 5, 2019)
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
Whatchareadin (174 KP) rated The Boyfriend Swap in Books
Apr 9, 2019
Robyn and Sydney are similar in many ways. They are both successful in their careers. Robyn is a music teacher and Sydney is a lawyer. They both have boyfriends that are very attractive. They also both don't want to take the boyfriends home with them for the holidays. For Robyn, her family is tired of seeing her with artsy men who have no future. For Sydney, she is tired of her father monopolizing the holiday with shop talk. The holidays are supposed to be fun, not judgmental and hostile. So, even though they've just met, Sydney comes up with brilliant idea, swap boyfriends for the holiday. It's just a few days, what's the harm? When Robyn finds out Sydney is dating her childhood crush, will she be able to hold it together? And how will her family handle this? Is this swap really such a good idea?
Thank you to Meredith Schorr, NetGalley, and Henery Press for the opportunity to read and review this book.
First of all, I'm not sure this is something I would have ever been able to do. To trade boyfriends at all, but with someone I don't even know. I'm not sure it would work out for me. It's been a while since I've read a book quite like this. It was cute and quirky and I can easily see this being made into a movie.
Robyn's Story
For Robyn, whenever she brings home a guy who is good to her, she has fun with, and is artsy like her parents, they let her know that he is not the right guy for her. She needs a guy with a steady job someone with a 401K and a savings account. Robyn and her boyfriend Perry have been together for almost a year, and they have a lot of fun together. But is he really, "The One"?
Bringing home Will is going to shock the hell out of her family. He was her childhood crush and now he's pretending to be her boyfriend. Will she be able to keep up the farce over the few days they spend with her family or will the secret be revealed before it's even started?
Sydney's Story
Sydney has to bring home a date for Christmas. If not her parents will try to set her up with some hideous guy she would never be interested in, but would be good for business. And she doesn't want to bring home Will. Will is a lawyer just like Sydney, and like Sydney's father. If she brings him home, all her father will do the entire time is try to recruit him to their law firm, and Sydney doesn't want to subject him to that. She also likes keeping her personal life to herself.
When Sydney brings Perry to the family dinner, she is surprised at how well her family likes him. This was not how she had planned this to go. And then when Perry deviates from her script, it makes things even worse. Will they be able to make it through the holiday without killing each other.
This book was a funny, romantic read that had me routing for one character to the end. This is the first book I have read by Meredith Schorr, but it won't be my last. I look forward to reading more of her books.
Thank you to Meredith Schorr, NetGalley, and Henery Press for the opportunity to read and review this book.
First of all, I'm not sure this is something I would have ever been able to do. To trade boyfriends at all, but with someone I don't even know. I'm not sure it would work out for me. It's been a while since I've read a book quite like this. It was cute and quirky and I can easily see this being made into a movie.
Robyn's Story
For Robyn, whenever she brings home a guy who is good to her, she has fun with, and is artsy like her parents, they let her know that he is not the right guy for her. She needs a guy with a steady job someone with a 401K and a savings account. Robyn and her boyfriend Perry have been together for almost a year, and they have a lot of fun together. But is he really, "The One"?
Bringing home Will is going to shock the hell out of her family. He was her childhood crush and now he's pretending to be her boyfriend. Will she be able to keep up the farce over the few days they spend with her family or will the secret be revealed before it's even started?
Sydney's Story
Sydney has to bring home a date for Christmas. If not her parents will try to set her up with some hideous guy she would never be interested in, but would be good for business. And she doesn't want to bring home Will. Will is a lawyer just like Sydney, and like Sydney's father. If she brings him home, all her father will do the entire time is try to recruit him to their law firm, and Sydney doesn't want to subject him to that. She also likes keeping her personal life to herself.
When Sydney brings Perry to the family dinner, she is surprised at how well her family likes him. This was not how she had planned this to go. And then when Perry deviates from her script, it makes things even worse. Will they be able to make it through the holiday without killing each other.
This book was a funny, romantic read that had me routing for one character to the end. This is the first book I have read by Meredith Schorr, but it won't be my last. I look forward to reading more of her books.
Movie Metropolis (309 KP) rated Ready Player One (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Virtually Amazing
Ready Player One by Ernest Cline is a novel with such intricate parts and such nostalgia it should be next to impossible to film. In the hands of most directors it would have failed, luckily for Warner Bros. and us as an audience the great Steven Spielberg stepped up. However is this massive task of bringing a world filled with wonder and excitement, too much for the veteran director?
Ready Player One follows Wade Watts in the year 2045, where the world is in decline and people fill their time in the OASIS, a virtual world where everything is possible and the only limits are people’s imagination. When the creator of the OASIS dies, he releases his will to challenge all the users of the OASIS to find his very own Easter Egg inside the game, whoever wins becomes the new owner.
The OASIS is filled with gaming and pop culture references that will always leave you with a smile of nostalgia. When we are transported to the OASIS, the computer animation and voice acting is pretty much spot on. A lot of the humour comes from Spielberg’s direction especially from when we see people in the real world reacting to the events within the OASIS. Without giving too much away there is a scene about halfway through that pays homage to one of the best horror movies of all time: this is the true highlight of the film that I’m sure everyone will enjoy.
In the real world, everyone gives a performance that they can be proud of, particularly Mark Rylance who plays James Halliday. Rylance’s performance is filled with wisdom and creativity but it’s clear to see the moments of vulnerability and clumsiness that could only be put across from a performer like Rylance. Tye Sheridan and Olivia Cooke give adequate performances that they can be proud of and prove that they can lead a film quite comfortably in the future. Simon Pegg also makes an appearance and although much more subtle then what you would expect from the actor, it pays off in an amazing way towards the end of the movie.
Where the film falls a bit short is in the real world. The OASIS is such a joy to explore because it has such elaborate details hidden within. When the film transitions back to the real world, however, it falls a bit flat because it’s not as fully explored. Being a dystopian world you would hope Spielberg would explore that a little more and answer questions about how it came to be.
The action sequences are very good in both the real world and the OASIS and have that classic Steven Spielberg touch you would expect. Although the script relishes in funny one-liners, these can sometimes become a little too cheesy in their delivery.
Steven Spielberg took on an impossible task and does justice to the novel and everyone should really appreciate the genius of the man. He’s created a world that everyone would dream to be part of, and I urge every person who is a fan of his work, or a major lover of pop culture to go and watch this epic tale. I would also like to plug the book, as it does differ from the film enough for you to give it a try, and you will not be disappointed if you enjoyed
https://moviemetropolis.net/2018/03/22/ready-player-one-review-virtually-amazing/
Ready Player One follows Wade Watts in the year 2045, where the world is in decline and people fill their time in the OASIS, a virtual world where everything is possible and the only limits are people’s imagination. When the creator of the OASIS dies, he releases his will to challenge all the users of the OASIS to find his very own Easter Egg inside the game, whoever wins becomes the new owner.
The OASIS is filled with gaming and pop culture references that will always leave you with a smile of nostalgia. When we are transported to the OASIS, the computer animation and voice acting is pretty much spot on. A lot of the humour comes from Spielberg’s direction especially from when we see people in the real world reacting to the events within the OASIS. Without giving too much away there is a scene about halfway through that pays homage to one of the best horror movies of all time: this is the true highlight of the film that I’m sure everyone will enjoy.
In the real world, everyone gives a performance that they can be proud of, particularly Mark Rylance who plays James Halliday. Rylance’s performance is filled with wisdom and creativity but it’s clear to see the moments of vulnerability and clumsiness that could only be put across from a performer like Rylance. Tye Sheridan and Olivia Cooke give adequate performances that they can be proud of and prove that they can lead a film quite comfortably in the future. Simon Pegg also makes an appearance and although much more subtle then what you would expect from the actor, it pays off in an amazing way towards the end of the movie.
Where the film falls a bit short is in the real world. The OASIS is such a joy to explore because it has such elaborate details hidden within. When the film transitions back to the real world, however, it falls a bit flat because it’s not as fully explored. Being a dystopian world you would hope Spielberg would explore that a little more and answer questions about how it came to be.
The action sequences are very good in both the real world and the OASIS and have that classic Steven Spielberg touch you would expect. Although the script relishes in funny one-liners, these can sometimes become a little too cheesy in their delivery.
Steven Spielberg took on an impossible task and does justice to the novel and everyone should really appreciate the genius of the man. He’s created a world that everyone would dream to be part of, and I urge every person who is a fan of his work, or a major lover of pop culture to go and watch this epic tale. I would also like to plug the book, as it does differ from the film enough for you to give it a try, and you will not be disappointed if you enjoyed
https://moviemetropolis.net/2018/03/22/ready-player-one-review-virtually-amazing/
Movie Metropolis (309 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
We have a problem
To say 2014’s Guardians of the Galaxy was a surprise hit is a slight understatement. Many had predicted Marvel’s gamble to sink the studio with its unknown characters and very unique sense of style, but it ended up being one of the year’s best films grossing nearly $800million.
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Movie Metropolis (309 KP) rated Spy (2015) in Movies
Jun 10, 2019
Comedic Gold
From the brilliant Paul Feig, director of the ridiculously funny Bridesmaids and Sandra Bullock’s laugh-a-minute The Heat comes the latest in the secret agent comedy film, Spy. But does this film, fronted by the ever-popular Melissa McCarthy have what it takes to play with the big boys in the genre?
Spy follows the story of McCarthy’s Susan Cooper, a lonely CIA analyst suddenly thrust into the limelight as a secret agent tasked with tracking the whereabouts of a nuclear weapon after the rest of the agency’s operatives have their identities compromised.
After the success of Matthew Vaughn’s Kingsman: The Secret Service, released earlier this year, expectations of another spy comedy hit for 2015 were low to say the least, especially after the critical disaster that was Reese Witherspoon’s cop comedy Hot Pursuit.
However, Feig once again strikes gold with an exciting story, an all-star cast and some breath-taking scenery and action pieces. There’s no wonder he’s been tasked with directing the Ghostbusters reboot.
Jason Statham, Rose Byrne, Miranda Hart and Jude Law take their places in a film that not only has you on the edge of your seat more times than the majority of full-blown action movies, but also will have you laughing your head off.
The gags are relentless and on the whole, very funny with McCarthy continuing to be a dynamic presence like she has shown throughout the majority of her previous work. However, the surprising stand-out is Jason Statham as super spy Rick Ford.
We’ve all seen Statham play the tough action guy and his role in Spy is certainly no different. The difference comes with his ridiculously dry sense of humour – he is genuinely funny with his serious delivery and provides the film with its best moments.
Jude Law’s charismatic agent Fine, oblivious to McCarthy’s affections for him fails to make as much of an impact as Statham’s truly brilliant characterisation.
The film’s biggest weakness is in Miranda Hart however, who channels the same character that anyone familiar with her BBC One show will know all too well. Yes, she’s funny, but only because the script allows her to be – almost masking her well-worn persona somewhat.
Elsewhere, the locations are beautiful. From Paris to Budapest, Spy takes you on a tour of Europe and is unashamed of showing these tourist hot-spots in all their glory. Feig juxtaposes sweeping shots of Paris with intimate scenes in Budapest and the film’s occasional tonal shift also utilises this filming tactic well.
Moreover, the numerous action sequences are excellently choreographed. Feig has a real love for the spy genre and it shows. From the super slow-mo used so the audience knows what is going on, to the Shirley Bassey like theme song, nowhere is untouched in creating a viable spy movie, albeit a funny one.
Overall, so far, every film Paul Feig has touched has turned to gold. The Heat wasn’t as impressive as Bridesmaids but that is simply because of how fantastic the latter is. However, with Spy there is no denying that he is back on solid ground.
Melissa McCarthy is the perfect comedy actress to front a film like this and Jason Statham’s surprising comedic turn is absolutely marvellous. Despite a less than stellar performance from Miranda Hart, Spy is fun from beginning to end with numerous twists and turns along the way.
Settle down for the ride with some popcorn and you’ll have a fantastic time.
https://moviemetropolis.net/2015/06/07/comedic-gold-spy-review/
Spy follows the story of McCarthy’s Susan Cooper, a lonely CIA analyst suddenly thrust into the limelight as a secret agent tasked with tracking the whereabouts of a nuclear weapon after the rest of the agency’s operatives have their identities compromised.
After the success of Matthew Vaughn’s Kingsman: The Secret Service, released earlier this year, expectations of another spy comedy hit for 2015 were low to say the least, especially after the critical disaster that was Reese Witherspoon’s cop comedy Hot Pursuit.
However, Feig once again strikes gold with an exciting story, an all-star cast and some breath-taking scenery and action pieces. There’s no wonder he’s been tasked with directing the Ghostbusters reboot.
Jason Statham, Rose Byrne, Miranda Hart and Jude Law take their places in a film that not only has you on the edge of your seat more times than the majority of full-blown action movies, but also will have you laughing your head off.
The gags are relentless and on the whole, very funny with McCarthy continuing to be a dynamic presence like she has shown throughout the majority of her previous work. However, the surprising stand-out is Jason Statham as super spy Rick Ford.
We’ve all seen Statham play the tough action guy and his role in Spy is certainly no different. The difference comes with his ridiculously dry sense of humour – he is genuinely funny with his serious delivery and provides the film with its best moments.
Jude Law’s charismatic agent Fine, oblivious to McCarthy’s affections for him fails to make as much of an impact as Statham’s truly brilliant characterisation.
The film’s biggest weakness is in Miranda Hart however, who channels the same character that anyone familiar with her BBC One show will know all too well. Yes, she’s funny, but only because the script allows her to be – almost masking her well-worn persona somewhat.
Elsewhere, the locations are beautiful. From Paris to Budapest, Spy takes you on a tour of Europe and is unashamed of showing these tourist hot-spots in all their glory. Feig juxtaposes sweeping shots of Paris with intimate scenes in Budapest and the film’s occasional tonal shift also utilises this filming tactic well.
Moreover, the numerous action sequences are excellently choreographed. Feig has a real love for the spy genre and it shows. From the super slow-mo used so the audience knows what is going on, to the Shirley Bassey like theme song, nowhere is untouched in creating a viable spy movie, albeit a funny one.
Overall, so far, every film Paul Feig has touched has turned to gold. The Heat wasn’t as impressive as Bridesmaids but that is simply because of how fantastic the latter is. However, with Spy there is no denying that he is back on solid ground.
Melissa McCarthy is the perfect comedy actress to front a film like this and Jason Statham’s surprising comedic turn is absolutely marvellous. Despite a less than stellar performance from Miranda Hart, Spy is fun from beginning to end with numerous twists and turns along the way.
Settle down for the ride with some popcorn and you’ll have a fantastic time.
https://moviemetropolis.net/2015/06/07/comedic-gold-spy-review/
Movie Metropolis (309 KP) rated Only The Brave (2017) in Movies
Jun 10, 2019
One of the year's best films
Films based on true events are ten-a-penny these days. From 2015s stunning American Sniper and 2016s breath-taking Deepwater Horizon to the critically acclaimed Patriots Day, there seems to be no stopping the ‘true to life’ variety of movies that has suddenly become very popular.
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
Movie Metropolis (309 KP) rated Alice Through the Looking Glass (2016) in Movies
Jun 10, 2019
Curiously Terrible
Disney is set for a bumper year of takings. 2016 is dominated by the House of Mouse in all of their guises, whether Marvel, Pixar or Disney itself. We’ve already had the fantastic live-action remake of The Jungle Book and now Alice returns to Wonderland in Through the Looking Glass.
Tim Burton took us to the murky depths of “Underland” in the 2010 predecessor; a film that was hugely overrated with a box-office return of $1billion. Naturally a sequel was greenlit soon after, but is Through the Looking Glass another case of style over substance?
Yes is the short answer. Muppets director James Bobin takes over from Burton and recreates his vision of Wonderland with visual panache, but the story is so poor, and lacking in any real connection to Lewis Carroll’s charming 1871 novel that you’ll leave the cinema sorely disappointed.
We join the film three years after the events of its predecessor as Alice, played by an unappealing Mia Wasikowska, returns from a voyage on the high seas to her home in London. After a brief catch up, she returns to a far more colourful “Underland” where Johnny Depp’s Mad Hatter yearns for his family.
In order to reunite the Hatter with his estranged loved ones, Alice must turn back the hands of time to find out their fate. Story wise, that’s pretty much it as we follow Wasikowska’s Alice from one poorly executed set piece to another with no real consequence on the final result.
Even more frustrating is the complete wastage of Through the Looking Glass’ talented cast. The majority of the series’ stars return with Anne Hathaway and Stephen Fry being underused as the White Queen and Cheshire Cat respectively. Sacha Baron Cohen plays another one of his caricatures in the vaguely written villain, Time – I say vaguely written because his motives for stopping Alice in her quest are unclear to say the least.
Helena Bonham Carter and her massive head also make a comeback as does Matt Lucas’ hideous incarnation of Tweedledum and Tweedledee.
However, the worst part is the use of Alan Rickman’s passing as ticket bait. Rickman’s iconic voice was a highlight in Alice in Wonderland, with him taking a central role as narrator in the trailers for this sequel. My worst fear was confirmed however – his character is only in the finished product for five minutes.
Elsewhere, the special effects are decent and Bobin brings a brighter colour palette to the table than Burton did with his bleak, murky wasteland. Scriptwriter Linda Woolverton injects a dash of humour here and there but it’s not enough to save a bland and indifferent script that plods along despite the film’s succinct length.
Through the Looking Glass should have been a recipe for success. A promising director, huge budget, amazing source material and a talented cast all bode well for any film which makes the finished product even more appalling. Good special effects can sometimes successfully mask a wafer-thin story but creating such a poor plot out of Lewis Carroll’s novel is unforgivable.
Please don’t return us to “Underland” any time soon, I haven’t got the stomach for it, and Disney, if you’re listening, don’t let The BFG end up like this.
https://moviemetropolis.net/2016/06/04/curiously-terrible-through-the-looking-glass-review/
Tim Burton took us to the murky depths of “Underland” in the 2010 predecessor; a film that was hugely overrated with a box-office return of $1billion. Naturally a sequel was greenlit soon after, but is Through the Looking Glass another case of style over substance?
Yes is the short answer. Muppets director James Bobin takes over from Burton and recreates his vision of Wonderland with visual panache, but the story is so poor, and lacking in any real connection to Lewis Carroll’s charming 1871 novel that you’ll leave the cinema sorely disappointed.
We join the film three years after the events of its predecessor as Alice, played by an unappealing Mia Wasikowska, returns from a voyage on the high seas to her home in London. After a brief catch up, she returns to a far more colourful “Underland” where Johnny Depp’s Mad Hatter yearns for his family.
In order to reunite the Hatter with his estranged loved ones, Alice must turn back the hands of time to find out their fate. Story wise, that’s pretty much it as we follow Wasikowska’s Alice from one poorly executed set piece to another with no real consequence on the final result.
Even more frustrating is the complete wastage of Through the Looking Glass’ talented cast. The majority of the series’ stars return with Anne Hathaway and Stephen Fry being underused as the White Queen and Cheshire Cat respectively. Sacha Baron Cohen plays another one of his caricatures in the vaguely written villain, Time – I say vaguely written because his motives for stopping Alice in her quest are unclear to say the least.
Helena Bonham Carter and her massive head also make a comeback as does Matt Lucas’ hideous incarnation of Tweedledum and Tweedledee.
However, the worst part is the use of Alan Rickman’s passing as ticket bait. Rickman’s iconic voice was a highlight in Alice in Wonderland, with him taking a central role as narrator in the trailers for this sequel. My worst fear was confirmed however – his character is only in the finished product for five minutes.
Elsewhere, the special effects are decent and Bobin brings a brighter colour palette to the table than Burton did with his bleak, murky wasteland. Scriptwriter Linda Woolverton injects a dash of humour here and there but it’s not enough to save a bland and indifferent script that plods along despite the film’s succinct length.
Through the Looking Glass should have been a recipe for success. A promising director, huge budget, amazing source material and a talented cast all bode well for any film which makes the finished product even more appalling. Good special effects can sometimes successfully mask a wafer-thin story but creating such a poor plot out of Lewis Carroll’s novel is unforgivable.
Please don’t return us to “Underland” any time soon, I haven’t got the stomach for it, and Disney, if you’re listening, don’t let The BFG end up like this.
https://moviemetropolis.net/2016/06/04/curiously-terrible-through-the-looking-glass-review/