"I loved it. I thought it was such a sensual movie. I’ve always been a very curious person when it comes to sensuality and sexuality. I was raised by a mother that always taught my sisters and I that the body is not what’s tainted, it’s the mind. Therefore there was a lot flexibility; she gave us a lot of responsibility. She trusted us with things that kids aren’t supposed to be watching. My mom has a version of what censorship is, and it’s quite different to what censorship means to a lot of societies and cultures. I was very grateful for that because it taught me so much passion, and it taught me to feel okay with the human body and wanting passion and love. And The Hunger was an amazing love story. I loved the performances by Catherine Deneuve and Susan Sarandon and David Bowie."

"It closely mirrors Low by Bowie. It took the format of the really busy first side and really melancholic b-side and took it to the next level grim. Grim factor 20. But it's a wonderful record and a very unique sounding record. I remember reading some things about how it was recorded, they didn't really use any amps. They just plugged straight into the desk and replayed it through speakers and recorded it again, which is mental. I've been a massive Joy Division fan ever since I started listening to music. It was probably through my sister and all her goth friends. Was she a goth too? Oh yeah! Everyone in Scotland's a goth, Luke, do you not know that? Margaret Thatcher brought such a black cloud over Scotland that there's nothing better to do than sit about drinking cider and listening to the Sisters Of Mercy."