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Gareth von Kallenbach (971 KP) rated I Feel Pretty (2018) in Movies
Jul 8, 2019
Renee (Amy Schumer), a later, twenty something who lives in New York City. She works in a small division Lily LeClaire, a high end beauty product company. From a tiny ramshackle office, she dreams and one day working at the glamorous HQ in downtown Manhattan. She finds out that there is a position available, but she does not think that she is good enough to get the job.
In her quest to look better and feel better, she enrolls in Soul Cycle class at her neighborhood gym. Within minutes, she had injured herself and her pride. Smarting from the injury, we see her looking into the mirror with disdain and self loathing. Schumer conveys the discomfort, embarrassment and self-doubt that every one of us have felt at some point in our lives.
Renee does not give up, going to class the second day. In her enthusiasm, she forgets to tighten a bolt and is taken down by the bike. The event immediately changes how she looks at herself, immediately seeing her visage as everything she would want. The film highlights the all human issue of self-confidence, struggles of imperfection with our bodies and our overall self image, how our own perceptions are our own mental constructs than reality.
Schumer is able to convey the negative thoughts we all have felt about ourselves when we don’t like how we look. However, externally, the self negativity is not noticed.. We can be own worst critic and take down our own self esteem without the help of bullies. Even though Renee’s self image is altered by an accident, her humor, intelligence doesn’t change, her extraverted confidence shines the light directly on her attitude.
There were some moments where I expected a makeover montage. Cause, good 80’s alternative soundtrack and it’s a film about a woman’s lack of self esteem. Surprisingly, it was devoid of any fancy changing room quick changes. The movie addressed how we all have moments where our levels of self confidence and self esteem are reduced due to our own ideas because we all can be our own worst critic.
The story had its moments where I would have liked to see more depth and connection in Renee’s relationships with her best friends Vivian (Aidy Bryant) and Jane (Busy Phillips). These are friends that have known each other for years and I would have like to see a little of the psychic shorthand friends develop over years of knowing each other. I did like how Vivian and Jane didn’t let Renee get away with behaving as an ass. They are not mean in their rejection which is more true to honest friendships.
Amy Schumer’s humor at times can make us a bit uncomfortable because she holds the mirror up to us to teach us how to laugh at ourselves and to show that we are not alone in all these feelings. I enjoyed the movie, even though it would have been good to see more depth in the relationships. It is a perfect Girls Night Out film
In her quest to look better and feel better, she enrolls in Soul Cycle class at her neighborhood gym. Within minutes, she had injured herself and her pride. Smarting from the injury, we see her looking into the mirror with disdain and self loathing. Schumer conveys the discomfort, embarrassment and self-doubt that every one of us have felt at some point in our lives.
Renee does not give up, going to class the second day. In her enthusiasm, she forgets to tighten a bolt and is taken down by the bike. The event immediately changes how she looks at herself, immediately seeing her visage as everything she would want. The film highlights the all human issue of self-confidence, struggles of imperfection with our bodies and our overall self image, how our own perceptions are our own mental constructs than reality.
Schumer is able to convey the negative thoughts we all have felt about ourselves when we don’t like how we look. However, externally, the self negativity is not noticed.. We can be own worst critic and take down our own self esteem without the help of bullies. Even though Renee’s self image is altered by an accident, her humor, intelligence doesn’t change, her extraverted confidence shines the light directly on her attitude.
There were some moments where I expected a makeover montage. Cause, good 80’s alternative soundtrack and it’s a film about a woman’s lack of self esteem. Surprisingly, it was devoid of any fancy changing room quick changes. The movie addressed how we all have moments where our levels of self confidence and self esteem are reduced due to our own ideas because we all can be our own worst critic.
The story had its moments where I would have liked to see more depth and connection in Renee’s relationships with her best friends Vivian (Aidy Bryant) and Jane (Busy Phillips). These are friends that have known each other for years and I would have like to see a little of the psychic shorthand friends develop over years of knowing each other. I did like how Vivian and Jane didn’t let Renee get away with behaving as an ass. They are not mean in their rejection which is more true to honest friendships.
Amy Schumer’s humor at times can make us a bit uncomfortable because she holds the mirror up to us to teach us how to laugh at ourselves and to show that we are not alone in all these feelings. I enjoyed the movie, even though it would have been good to see more depth in the relationships. It is a perfect Girls Night Out film
Kristy H (1252 KP) rated My Dark Vanessa in Books
Mar 19, 2020
At fifteen, the very bright Vanessa Wye earns a scholarship position to boarding school. It's the year 2000. There she meets Jacob Strane, her English teacher, who is forty-two-years-old. Soon the two are involved in a powerful relationship--and one that quickly turns sexual. Seventeen years later, Vanessa is working as a concierge at a hotel, just another in a series of dead-end jobs. She hasn't had any real serious relationships. And now, Jacob Strane, has been accused of sexual abuse by a former student, Taylor Birch. Taylor tracks down Vanessa, wanting her to share her story, too. But Vanessa doesn't feel she was abused by Strane. In fact, her entire life is framed by her love story with Strane. As Taylor Birch's story gains traction in the press, Vanessa must confront her past and what it means to her.
"'I'm going to ruin you.' He says it with obvious torment, a glimpse into how much he's thought about it, wrestled with it."
This book...wow. I was absolutely captivated by Vanessa's story. She tells her tale in two parts: her adolescence, as she meets Jacob Strane at school and they begin their relationship; and then the present, as Taylor Birch's story hits the press and Vanessa must deal with the fact that her love for Jacob Strane is being portrayed as abuse and assault.
"It's strange to know that whenever I remember myself at fifteen, I'll think of this."
For a book with such dark subject matter, it's really beautiful. Russell is a wonderful writer, and this story unfolds almost lyrically. It's so well-done and completely mesmerizing. The sections featuring young Vanessa capture that early adolescent yearning and longing so perfectly--that deep desire to feel needed and wanted. To Vanessa, this is a love story, a romantic tale of a man needing and loving her. She blocks out and overlooks the parts of the story that don't fit. Understanding that some victims don't see abuse as abuse is key to the story, and Russell portrays the dynamic between Strane and Vanessa so well.
"'It's just my luck,' he said, 'that when I finally find my soul mate, she's fifteen years old.'"
As a result, we get a very thoughtful look at abuse, rape, and assault. And, yes, the sections of older Vanessa's story touch across the #metoo movement, as Taylor Birch and others want so desperately for Vanessa to join their side, to share her story. For them or for Vanessa, it's hard to say. This book is so dark, yet so insightful. Vanessa's inner struggle--basically she's having to re-look at the entire foundation upon which her life is built--is one of the most profoundly written and moving journeys I've seen in literature in quite some time. It's not easy to read about, certainly, and it's not always easy to understand her actions, of course. The story can make you uncomfortable; it can feel problematic. But it's an important read, and it's so beautifully and poetically written. I highly recommend it (taking into account the obvious trigger warnings, of course). 4.5+ stars.
"'I'm going to ruin you.' He says it with obvious torment, a glimpse into how much he's thought about it, wrestled with it."
This book...wow. I was absolutely captivated by Vanessa's story. She tells her tale in two parts: her adolescence, as she meets Jacob Strane at school and they begin their relationship; and then the present, as Taylor Birch's story hits the press and Vanessa must deal with the fact that her love for Jacob Strane is being portrayed as abuse and assault.
"It's strange to know that whenever I remember myself at fifteen, I'll think of this."
For a book with such dark subject matter, it's really beautiful. Russell is a wonderful writer, and this story unfolds almost lyrically. It's so well-done and completely mesmerizing. The sections featuring young Vanessa capture that early adolescent yearning and longing so perfectly--that deep desire to feel needed and wanted. To Vanessa, this is a love story, a romantic tale of a man needing and loving her. She blocks out and overlooks the parts of the story that don't fit. Understanding that some victims don't see abuse as abuse is key to the story, and Russell portrays the dynamic between Strane and Vanessa so well.
"'It's just my luck,' he said, 'that when I finally find my soul mate, she's fifteen years old.'"
As a result, we get a very thoughtful look at abuse, rape, and assault. And, yes, the sections of older Vanessa's story touch across the #metoo movement, as Taylor Birch and others want so desperately for Vanessa to join their side, to share her story. For them or for Vanessa, it's hard to say. This book is so dark, yet so insightful. Vanessa's inner struggle--basically she's having to re-look at the entire foundation upon which her life is built--is one of the most profoundly written and moving journeys I've seen in literature in quite some time. It's not easy to read about, certainly, and it's not always easy to understand her actions, of course. The story can make you uncomfortable; it can feel problematic. But it's an important read, and it's so beautifully and poetically written. I highly recommend it (taking into account the obvious trigger warnings, of course). 4.5+ stars.
Robert Englund recommended East of Eden (1955) in Movies (curated)
Bong Mines Entertainment (15 KP) rated Rose Coloured - Single by Celine Love in Music
Jul 10, 2019
Celine Love is a London-based singer-songwriter from Hamburg. Not too long ago, she released a music video for her debut single, entitled, “Rose Coloured”.
“The music video (directed by Sylvia Hong) explores how that darkness we are shielded from as children were always there. A lot of us may think back to our childhood as perfect when truly we have blocked out the negative we might have seen or experienced. If we do not confront these issues from the past, it can drive you insane.” – Celine Love
‘Rose Coloured’ tells an interesting tale of a happy young girl who wants to use love to erase darkness.
Apparently, her caramel skin differs from her friends’ vanilla skin tone. But she doesn’t see the difference between her and them.
Even though they trust each other, she still has to look at life through a rose-colored filter.
‘Rose Coloured’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
“The idea behind ‘Rose Coloured’ was to capture memories, moments and situations that describe the blissful ignorance of my childhood. The desire to put a rose-colored filter on everything that is bad in the world. Before racism, insecurities, heartbreak, or stress became part of life. The world is not only on your side but shields you from the negativity.” – Celine Love
“The imagery in ‘Rose Coloured’ is taken directly from my childhood. The song describes both joy and pain in wanting to relive these moments. Not having to confront the real world with all its social pressures and evils. Growing up in Germany there was a time when I saw my skin color as nothing but ‘caramel’, everyone else was simply ‘vanilla’. The chorus goes ‘I wanna live in a fool’s paradise, show me what love is and we can erase all the darkness.’ The music video reflects this inner conflict.” – Celine Love
A few milestones in Celine Love’s young career include a full scholarship to the music school BIMM Berlin & London.
Not too long ago, she performed at the 2000 Trees in Cheltenham, Kings Jam in Gloucester, Deichbrand and Reeperbahn Festival in Germany, and supported the electro-pop band Years & Years in Hamburg for NRJ Radio.
She composes music with expressionism and self-discovery at its core with a hint of socio-critical commentary.
“The imagery within the song is directly taken from my memories. Writing and recording it left me feeling very nostalgic. So I dug out old photos and songs and reached out to my childhood best friend. It reminded me of a pivotal time as a child, before I became aware of the differences in skin color and hair structure. Not only did I look different from most of the German kids surrounding my life but I would be treated differently too. It wasn’t always negative, but always in a way that made me feel excluded. There was a time before I became aware that my skin color was nothing but ‘caramel’ and everyone else was simply ‘vanilla’. Nothing more. ‘Rose Coloured’ is an almost desperate wish to have that mindset back. The wish to live in a ‘fool’s paradise’. – Celine Love
“The music video (directed by Sylvia Hong) explores how that darkness we are shielded from as children were always there. A lot of us may think back to our childhood as perfect when truly we have blocked out the negative we might have seen or experienced. If we do not confront these issues from the past, it can drive you insane.” – Celine Love
‘Rose Coloured’ tells an interesting tale of a happy young girl who wants to use love to erase darkness.
Apparently, her caramel skin differs from her friends’ vanilla skin tone. But she doesn’t see the difference between her and them.
Even though they trust each other, she still has to look at life through a rose-colored filter.
‘Rose Coloured’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
“The idea behind ‘Rose Coloured’ was to capture memories, moments and situations that describe the blissful ignorance of my childhood. The desire to put a rose-colored filter on everything that is bad in the world. Before racism, insecurities, heartbreak, or stress became part of life. The world is not only on your side but shields you from the negativity.” – Celine Love
“The imagery in ‘Rose Coloured’ is taken directly from my childhood. The song describes both joy and pain in wanting to relive these moments. Not having to confront the real world with all its social pressures and evils. Growing up in Germany there was a time when I saw my skin color as nothing but ‘caramel’, everyone else was simply ‘vanilla’. The chorus goes ‘I wanna live in a fool’s paradise, show me what love is and we can erase all the darkness.’ The music video reflects this inner conflict.” – Celine Love
A few milestones in Celine Love’s young career include a full scholarship to the music school BIMM Berlin & London.
Not too long ago, she performed at the 2000 Trees in Cheltenham, Kings Jam in Gloucester, Deichbrand and Reeperbahn Festival in Germany, and supported the electro-pop band Years & Years in Hamburg for NRJ Radio.
She composes music with expressionism and self-discovery at its core with a hint of socio-critical commentary.
“The imagery within the song is directly taken from my memories. Writing and recording it left me feeling very nostalgic. So I dug out old photos and songs and reached out to my childhood best friend. It reminded me of a pivotal time as a child, before I became aware of the differences in skin color and hair structure. Not only did I look different from most of the German kids surrounding my life but I would be treated differently too. It wasn’t always negative, but always in a way that made me feel excluded. There was a time before I became aware that my skin color was nothing but ‘caramel’ and everyone else was simply ‘vanilla’. Nothing more. ‘Rose Coloured’ is an almost desperate wish to have that mindset back. The wish to live in a ‘fool’s paradise’. – Celine Love
Debbiereadsbook (1110 KP) rated Tamarillo Tart (Southern Lights #2) in Books
May 14, 2020
LOVED this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Southern Lights series, but you don't NEED to have read book 1, Powder & Pavlova, before this one. Ethan and Tanner DO pop up, but their story is not necessary for this one to make sense. However, personally, I recommend you DO read it, if only because that was a great read, and you knwo, I said so!
Stefan is a city boy, through and through, but his friend booked this trip, so he was gonna enjoy a trip up the mountian to see some Lord of The Rings scenery. Then his friend pulled out, and Stefan is faced withthe trip on his own, he is here already, so why not? How hard can it be? Cass is the tour guide, and Stefan pushes all kinds of buttons he didn't know needed pushing. How can they keep their hands off each other, when the attraction is scorching hot?
Oh my days, I loved this book!
Loved the snark, the jokes, the witty comments that Stefan throws at Cass, knowing that he is using every single double entrendre he can think of. Stefan KNOWS he wants Cass, but it's at a level he never had before. Cass is, though, a country boy and Stefan a city boy. However being in the country? It does something to Stefan, and it makes him think. Getting Cass off the mountian, when he was injured, was just what Stefan needed to show he wasn't just a pretty boy, he was someone who can get it done. Stefan just needs Cass to see that they would be great together.
Cass is mostly in the closet, and he does, bless him, TRY to fight his attraction to Stefan but it isn't long before he cannot any longer. I mean the whole book takes place over couple days, so it really isn't long but once they give in? OOOOEEEEEE these boys burn HOT!
While that hotness is great, what I particularly loved about this book was the soul-searching that both Stefan and Cass do. Both men are stuck in their lives, and they are *mostly* happy, but they know something is missing. Stefan is more profound in his musings, I must admit, and he does break your heart a couple of times, he really does. I was very impressed with his outward portrayal of being in control when Cass was sick, and how he managed to keep it together till Cass was safe. THEN he lost it.
Loved that Ethan and Tanner (book 1) pop up, even if it was near the end just to kick Stefan out his stupor, but they are referenced a lot by Stefan throughout the book, as it is THEIR relationship, while not jealous, he wants what they have.
Loved Stefan's t-shirt slogans and why he got them in the first place.
I love this series, I especially love the covers that reflect where the book takes place.
5 full and shiny stars
**same worded review will appear elsewhere**
This is book 2 in the Southern Lights series, but you don't NEED to have read book 1, Powder & Pavlova, before this one. Ethan and Tanner DO pop up, but their story is not necessary for this one to make sense. However, personally, I recommend you DO read it, if only because that was a great read, and you knwo, I said so!
Stefan is a city boy, through and through, but his friend booked this trip, so he was gonna enjoy a trip up the mountian to see some Lord of The Rings scenery. Then his friend pulled out, and Stefan is faced withthe trip on his own, he is here already, so why not? How hard can it be? Cass is the tour guide, and Stefan pushes all kinds of buttons he didn't know needed pushing. How can they keep their hands off each other, when the attraction is scorching hot?
Oh my days, I loved this book!
Loved the snark, the jokes, the witty comments that Stefan throws at Cass, knowing that he is using every single double entrendre he can think of. Stefan KNOWS he wants Cass, but it's at a level he never had before. Cass is, though, a country boy and Stefan a city boy. However being in the country? It does something to Stefan, and it makes him think. Getting Cass off the mountian, when he was injured, was just what Stefan needed to show he wasn't just a pretty boy, he was someone who can get it done. Stefan just needs Cass to see that they would be great together.
Cass is mostly in the closet, and he does, bless him, TRY to fight his attraction to Stefan but it isn't long before he cannot any longer. I mean the whole book takes place over couple days, so it really isn't long but once they give in? OOOOEEEEEE these boys burn HOT!
While that hotness is great, what I particularly loved about this book was the soul-searching that both Stefan and Cass do. Both men are stuck in their lives, and they are *mostly* happy, but they know something is missing. Stefan is more profound in his musings, I must admit, and he does break your heart a couple of times, he really does. I was very impressed with his outward portrayal of being in control when Cass was sick, and how he managed to keep it together till Cass was safe. THEN he lost it.
Loved that Ethan and Tanner (book 1) pop up, even if it was near the end just to kick Stefan out his stupor, but they are referenced a lot by Stefan throughout the book, as it is THEIR relationship, while not jealous, he wants what they have.
Loved Stefan's t-shirt slogans and why he got them in the first place.
I love this series, I especially love the covers that reflect where the book takes place.
5 full and shiny stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated Broken Horses in Books
Aug 12, 2021
A great memoir for music fans
BROKEN HORSES is Brandi Carlile's story. She grew up poor in Seattle, moving constantly as a child. Her family was musical, giving Brandi a love of music as a young child. She knew was gay since she was a teen--something that wasn't always appreciated in her rural town. She tells her story from childhood, where her love of music began, to coming out, to her marriage and life with her two children, to her musical successes.
"I was a mean, scrappy little trailer girl with the wrong clothes and a very sensitive soul that I was hiding behind a bravado that I had developed performing onstage."
I adore Brandi Carlile and have for a long time. Having such a talented out singer in our community makes us all feel proud. "See her, she's one of us!!" Having followed Brandi's career from the beginning, I know a decent amount about her. Hence my problem with a number of celebrity memoirs I read: if I read a memoir about someone I really love and already know a lot about them, if they write a fairly superficial memoir, I only learn so much.
Don't get me wrong, Carlile has written a good and interesting book. She's a fascinating person, and I enjoyed learning about her rather wild journey. I didn't know much about her childhood, so I found those pieces to be the most intriguing. She was a wild and tough kid, who was so musically talented from the beginning. Imagine being one of the people who heard her perform in a pageant or talent show when she was a young kid or teen!
After going through her coming out story, Carlile talks about her musical career, and it's all really amazing, but sometimes feels fast and glossed over. I always love knowing the history of songs, but would have liked knowing more details about things. We skip over full albums, time periods, and more. And, as many celebrity memoirs do, it often feels a bit preachy and overly me-oriented at times (something she'll laughingly and freely admit to). When we get to her meeting her wife, it's a fun story, but also really quick. Still, it's so nice to see a queer woman's story so normalized, and to have someone talk about gay motherhood so matter of factly.
Overall, I'm so glad Carlile decided to share her thoughts on her life. She's such an amazing individual who has lived such an intense and fascinating life so far. I wish she had gone more in-depth with her stories at times, but this is still a great book and certainly worth your time. At some point, I hope to get the audio version, as she sings versions of the songs she discusses in each chapter.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my second book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
"I was a mean, scrappy little trailer girl with the wrong clothes and a very sensitive soul that I was hiding behind a bravado that I had developed performing onstage."
I adore Brandi Carlile and have for a long time. Having such a talented out singer in our community makes us all feel proud. "See her, she's one of us!!" Having followed Brandi's career from the beginning, I know a decent amount about her. Hence my problem with a number of celebrity memoirs I read: if I read a memoir about someone I really love and already know a lot about them, if they write a fairly superficial memoir, I only learn so much.
Don't get me wrong, Carlile has written a good and interesting book. She's a fascinating person, and I enjoyed learning about her rather wild journey. I didn't know much about her childhood, so I found those pieces to be the most intriguing. She was a wild and tough kid, who was so musically talented from the beginning. Imagine being one of the people who heard her perform in a pageant or talent show when she was a young kid or teen!
After going through her coming out story, Carlile talks about her musical career, and it's all really amazing, but sometimes feels fast and glossed over. I always love knowing the history of songs, but would have liked knowing more details about things. We skip over full albums, time periods, and more. And, as many celebrity memoirs do, it often feels a bit preachy and overly me-oriented at times (something she'll laughingly and freely admit to). When we get to her meeting her wife, it's a fun story, but also really quick. Still, it's so nice to see a queer woman's story so normalized, and to have someone talk about gay motherhood so matter of factly.
Overall, I'm so glad Carlile decided to share her thoughts on her life. She's such an amazing individual who has lived such an intense and fascinating life so far. I wish she had gone more in-depth with her stories at times, but this is still a great book and certainly worth your time. At some point, I hope to get the audio version, as she sings versions of the songs she discusses in each chapter.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my second book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
Gareth von Kallenbach (971 KP) rated Turning Red (2022) in Movies
Mar 7, 2022
The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises.
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
BankofMarquis (1832 KP) rated Nope (2022) in Movies
Jul 26, 2022
Original...Tense...and Entertaining
Producer/Writer/Director Jordan Peele has managed to accomplish something with his latest horror film - he has managed to make a completely original film both in concept and in execution.
To tell too much about the story of NOPE would be to spoil it - and letting this unique film unfold in front of you is a large part of the journey - but, to sum up…Hollywood Horse Wrangler, Otis Haywood Sr. (the great Keith David, THE THING), his son, Otis Haywood, Jr. - or as he is called in this film OJ (the incomparable Oscar-winner Daniel Kaluuya) and his daughter, Emerald (Keke Palmer of Disney Channel fame, amongst others) encounter some strange phenomena. Their investigation will draw in their neighbor, former child star Ricky “Jupe” Park (Steven Yeun, THE WALKING DEAD), a tech from the local IT Hardware store, Angel Torres (Brandon Perea, THE OA) and a wildlife cinematographer, Antlers Holst, who specializes in getting the “impossible” shot (Michael Wincott, THE CROW).
It’s a wildly entertaining, grip-your-armchair type of film that unfolds on the screen in clever ways (without getting “too” weird) - all with the pragmatic sensibilities of Peele, the former member of the comedy duo KEYE & PEELE. Jordan has grown into a filmmaker that must not be missed and in NOPE he showcases his skill with strong effect, being in complete control of the artistic point of view while delivering a highly entertaining thriller.
Of course, it helps that you have a performer as interesting to watch as Kaluuya - one of the finest performers in film today. He plays the taciturn OJ with complete “taciturn-ness” (if that is a word) and, in his skilled body, this performance works very, very well. He says more with a glance or a shrug than most people can say with a 1,000 words and he draws you into the screen and into his thoughts with tremendous intimacy.
Keke Palmer, by contrast, is the exact opposite. Her Emerald is flamboyant, chatty, up-beat and beset by inner demons made manifest by drugs, alcohol and smoke. It is a movie-saving performance by Palmer as she brings the heart and the energy to the proceedings while Kaluuya is the quiet brains and the soul.
Perea, Yeun, David and (especially) Wincott all add to the tapestry of the events and bring something interesting and worth looking at (and into) during the course of this film.
Peele ratchets the tension throughout this film like an expert and the Special Effects are used in exactly the right way that they needed to be used and showcased throughout the film - filling you with awe when that is called for and having you think to yourself “you’ve got to be kidding me” when that is exactly what the characters are thinking.
A masterful, original concept of a film by Peele - one that is not for everyone - but those that are into this type of thing are going to be in for a unique and original film filled with unique characters and more than one jump along the way.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
To tell too much about the story of NOPE would be to spoil it - and letting this unique film unfold in front of you is a large part of the journey - but, to sum up…Hollywood Horse Wrangler, Otis Haywood Sr. (the great Keith David, THE THING), his son, Otis Haywood, Jr. - or as he is called in this film OJ (the incomparable Oscar-winner Daniel Kaluuya) and his daughter, Emerald (Keke Palmer of Disney Channel fame, amongst others) encounter some strange phenomena. Their investigation will draw in their neighbor, former child star Ricky “Jupe” Park (Steven Yeun, THE WALKING DEAD), a tech from the local IT Hardware store, Angel Torres (Brandon Perea, THE OA) and a wildlife cinematographer, Antlers Holst, who specializes in getting the “impossible” shot (Michael Wincott, THE CROW).
It’s a wildly entertaining, grip-your-armchair type of film that unfolds on the screen in clever ways (without getting “too” weird) - all with the pragmatic sensibilities of Peele, the former member of the comedy duo KEYE & PEELE. Jordan has grown into a filmmaker that must not be missed and in NOPE he showcases his skill with strong effect, being in complete control of the artistic point of view while delivering a highly entertaining thriller.
Of course, it helps that you have a performer as interesting to watch as Kaluuya - one of the finest performers in film today. He plays the taciturn OJ with complete “taciturn-ness” (if that is a word) and, in his skilled body, this performance works very, very well. He says more with a glance or a shrug than most people can say with a 1,000 words and he draws you into the screen and into his thoughts with tremendous intimacy.
Keke Palmer, by contrast, is the exact opposite. Her Emerald is flamboyant, chatty, up-beat and beset by inner demons made manifest by drugs, alcohol and smoke. It is a movie-saving performance by Palmer as she brings the heart and the energy to the proceedings while Kaluuya is the quiet brains and the soul.
Perea, Yeun, David and (especially) Wincott all add to the tapestry of the events and bring something interesting and worth looking at (and into) during the course of this film.
Peele ratchets the tension throughout this film like an expert and the Special Effects are used in exactly the right way that they needed to be used and showcased throughout the film - filling you with awe when that is called for and having you think to yourself “you’ve got to be kidding me” when that is exactly what the characters are thinking.
A masterful, original concept of a film by Peele - one that is not for everyone - but those that are into this type of thing are going to be in for a unique and original film filled with unique characters and more than one jump along the way.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated Awakened (House of Night, #8) in Books
Feb 11, 2019
The book opens with Zoey, Stark, Aphrodite, and Darius still on the Isle of Skye. Several factors are adamant about keeping Zoey and Stark there, from their romance to Sgiach's sudden change of perspective about keeping the Isle a secret. All through the book I get the feeling that Sgiach is not as trustworthy or pure of intention as the reader is led to believe, but I imagine that will be a subject for a future book.
Fairly early in the book, a death occurs - I won't say who - but it feels a bit like an author's attempt to cull an entirely-too-long cast list. I have felt for awhile that there were too many characters in this series to keep track of all of them in a single book, but even with the random death occurring every so often, many of the characters are almost non-existent in this book.
I really like the character Rephaim and what the authors are doing with his sub-plot. He has much potential for growth in personality and maturity, and he brings a more adult element to what often feels like a very immature series. I was thrilled with how Nyx helps him at the end, as it shows him that good has its own rewards. His presence has forced Stevie Rae to grow up and make decisions that have a great impact, too. Normally Stevie Rae can be quite annoying, but around Rephaim I like her.
Neferet is of course, beyond revolting. Everything she does makes me want to hurl the book across the room - from her posturing around Kalona and Rephaim, to her false guilt at the funeral, to her simpering over the white bull. Her character is actually my strongest clue that the authors are good at what they do. Only a well-written character can elicit the kind of strong emotion that Neferet brings out in me. They do a good job of showing how the soul-sucking darkness is driving her to madness, even to the point of always underestimating what Zoey and Nyx are capable of. I may be delusional, but I still think that Kalona can be saved from this darkness, even though it's obvious that Neferet can not. His actions seem to be driven by bitterness and a hunger for what is denied him, rather than evil for the sake of evil.
I do love that the authors found a way to continue using Heath in the plotline, as he was always so good for Zoey and probably the only "normal" person in the cast list of supernaturally-gifted beings. He likely will have a long way to go with the direction the authors are taking him, but I imagine I'll keep reading this series through to the end - whenever that is.
Many of the same problems that I had with the series early on still persist - such as sickly-sweet teenage lingo, the condensed time frame of each book, and too many characters with too little time. I find myself wondering which parts of the books are written by which author, as the writing style seems to change sporadically.
I was actually both relieved and saddened by the death at the end, first that it was not someone else dying, but also how it will affect Zoey. Beyond that, there are simply too many characters for me to be emotionally-attached to all of them. So on to the next book - Destined (House of Night Novels).
Fairly early in the book, a death occurs - I won't say who - but it feels a bit like an author's attempt to cull an entirely-too-long cast list. I have felt for awhile that there were too many characters in this series to keep track of all of them in a single book, but even with the random death occurring every so often, many of the characters are almost non-existent in this book.
I really like the character Rephaim and what the authors are doing with his sub-plot. He has much potential for growth in personality and maturity, and he brings a more adult element to what often feels like a very immature series. I was thrilled with how Nyx helps him at the end, as it shows him that good has its own rewards. His presence has forced Stevie Rae to grow up and make decisions that have a great impact, too. Normally Stevie Rae can be quite annoying, but around Rephaim I like her.
Neferet is of course, beyond revolting. Everything she does makes me want to hurl the book across the room - from her posturing around Kalona and Rephaim, to her false guilt at the funeral, to her simpering over the white bull. Her character is actually my strongest clue that the authors are good at what they do. Only a well-written character can elicit the kind of strong emotion that Neferet brings out in me. They do a good job of showing how the soul-sucking darkness is driving her to madness, even to the point of always underestimating what Zoey and Nyx are capable of. I may be delusional, but I still think that Kalona can be saved from this darkness, even though it's obvious that Neferet can not. His actions seem to be driven by bitterness and a hunger for what is denied him, rather than evil for the sake of evil.
I do love that the authors found a way to continue using Heath in the plotline, as he was always so good for Zoey and probably the only "normal" person in the cast list of supernaturally-gifted beings. He likely will have a long way to go with the direction the authors are taking him, but I imagine I'll keep reading this series through to the end - whenever that is.
Many of the same problems that I had with the series early on still persist - such as sickly-sweet teenage lingo, the condensed time frame of each book, and too many characters with too little time. I find myself wondering which parts of the books are written by which author, as the writing style seems to change sporadically.
I was actually both relieved and saddened by the death at the end, first that it was not someone else dying, but also how it will affect Zoey. Beyond that, there are simply too many characters for me to be emotionally-attached to all of them. So on to the next book - Destined (House of Night Novels).
Debbiereadsbook (1110 KP) rated The Color of Summer in Books
May 30, 2019
bloody loved it!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Max returns home to open his tattoo studio and to be closer to his mum. On the way he gets stopped speeding, by his best friend's older brother, Tyler. While Max has immediate attraction to Tyler, Tyler is straight and tells him so. But there is . .something . . between them, and as the summer begins, the relationship grows. Can Tyler be a cop in a small town, who is gay?
I might gush about this book, just a heads up! Cos I bloody LOVED it!
Max returns to his home town after his mum has a stroke. He wants to be closer while she recovers. And he wants his own tattoo studio so combines the two plans into one. Meeting Tyler throws Max for a loop, cos he never really noticed Tyler before, you know? He was just Shane's big brother, is all. But now, the man did grow up good and proper and he pushes all of Max' buttons.
Tyler is just plodding along, bringing up his daughter with the help of his family. Catching up with Max was fun, and Tyler really needs a friend. But his long suppressed attraction to men, and to Max in particular begins to resurface, Tyler doesn't want Max as a friend, he WANTS Max. He has his daughter the think about, though, and his job as deputy, and his brother's reaction to finding out.
I really LOVED this, it fell on my kindle just when I needed it to and I devoured it. That's the only word I can find: devoured.
I went to bed to read a few chapters and the next thing I know, it was 1am and I had finished. It's not a short book, 230 odd pages, but it felt a lot less. A sign of a good, nay, GREAT book, that; that it doesn't seem as long as it really is!
Both Max and Tyler have a say, in the third. Both voices are clear and different and they tell their story incredibly well.
It has a good deal of angst/drama but they aren't really the right words for it. It's more soul searching, maybe? I dunno, hate not finding the right words. It has a LOT of emotion, both for Max and Tyler, from very different points of view. There is a huge family network too, who see, you know, they SEE what Max feels for Tyler, even if they haven't figured that out themselves yet!
It's not overly explicit, but I don't think it needs to be. It's hot and sexy though! The relationship between Max and Tyler moves along at a steady pace, both the emotional connection adn the physical one. I liked being made to wait a while!
I've only read one other book by Ms Martin, and that book didn't quite work for me but THIS one? I freaking loved it and it just goes to show, you can't love every book and just because one book by an author doesn't work for you, it doesn't mean they ALL won't.
So, because I loved it, because I read it in one sitting, just because its my review and I CAN . . .
5 stars
**same worded review will appear elsewhere**
Max returns home to open his tattoo studio and to be closer to his mum. On the way he gets stopped speeding, by his best friend's older brother, Tyler. While Max has immediate attraction to Tyler, Tyler is straight and tells him so. But there is . .something . . between them, and as the summer begins, the relationship grows. Can Tyler be a cop in a small town, who is gay?
I might gush about this book, just a heads up! Cos I bloody LOVED it!
Max returns to his home town after his mum has a stroke. He wants to be closer while she recovers. And he wants his own tattoo studio so combines the two plans into one. Meeting Tyler throws Max for a loop, cos he never really noticed Tyler before, you know? He was just Shane's big brother, is all. But now, the man did grow up good and proper and he pushes all of Max' buttons.
Tyler is just plodding along, bringing up his daughter with the help of his family. Catching up with Max was fun, and Tyler really needs a friend. But his long suppressed attraction to men, and to Max in particular begins to resurface, Tyler doesn't want Max as a friend, he WANTS Max. He has his daughter the think about, though, and his job as deputy, and his brother's reaction to finding out.
I really LOVED this, it fell on my kindle just when I needed it to and I devoured it. That's the only word I can find: devoured.
I went to bed to read a few chapters and the next thing I know, it was 1am and I had finished. It's not a short book, 230 odd pages, but it felt a lot less. A sign of a good, nay, GREAT book, that; that it doesn't seem as long as it really is!
Both Max and Tyler have a say, in the third. Both voices are clear and different and they tell their story incredibly well.
It has a good deal of angst/drama but they aren't really the right words for it. It's more soul searching, maybe? I dunno, hate not finding the right words. It has a LOT of emotion, both for Max and Tyler, from very different points of view. There is a huge family network too, who see, you know, they SEE what Max feels for Tyler, even if they haven't figured that out themselves yet!
It's not overly explicit, but I don't think it needs to be. It's hot and sexy though! The relationship between Max and Tyler moves along at a steady pace, both the emotional connection adn the physical one. I liked being made to wait a while!
I've only read one other book by Ms Martin, and that book didn't quite work for me but THIS one? I freaking loved it and it just goes to show, you can't love every book and just because one book by an author doesn't work for you, it doesn't mean they ALL won't.
So, because I loved it, because I read it in one sitting, just because its my review and I CAN . . .
5 stars
**same worded review will appear elsewhere**