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The Lego Movie 2: The Second Part (2019)
The Lego Movie 2: The Second Part (2019)
2019 | Adventure, Animation, Comedy
Smashing
#legomovie2 is a sequel that manages to out brick the first film & fly straight into your #heart #spaceship first. I loved the first lego movie & absolutely adored the #legoninjago movie but wasn't entirely sure if we needed anymore of them. That being said Im happy to report that the second lego movie is infact really #awesome & while not laugh out loud funny its by far the most interesting & varied one out of the bunch. This time the story is centred around #love, change & the inner battles we all face on a day to day basis with strong themes of battling #depression, realising self worth, being who you are/trying to fit in & trust it gets #pretty complex at times too & as i left i overheard kids telling their parents that they didnt get it. That being said there is enough visual variety, visual pop & #crazy #music numbers to keep people of all ages engrossed the entire run time too. Talking of visuals the #beauty/complexity of the animation & textures has been severely ramped up this time, figures have dust, muck, scratches & chipped paint galore making the real world connection to these plastic blocks even more prominent. Riding on movie cliches & poking fun of other films is a big part of this film too as are various #popculture #cameos & they fit perfectly/bring a #smile (there are some really niche one too like #starshiptroopers & #2001aspaceodyssey which isreally #cool to see). #legomovie 2 really is a lot of #fun & with a good over all message letting us all know that sometimes not everything is awesome.... but that's ok is something i feel a lot of us can certainly learn from. Take the #family to see it you'll all have a blast i promise. #odeon #odeonlimitless #filmbuff #filmcritic #lego #weekend #kids #family #funny #silly #saturday
  
2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi
From a Sci-Fi Lover, It's a No
During a space mission, a spaceship supercomputer malfunctions and tries to kill the ship’s inhabitants. That’s the best I got for 2001: A Space Odyssey. Some films don’t translate far past their creation date and a lot of times, people find it hard to admit that. Hate me now because I wasn’t a fan of this movie in the slightest.

Acting: 10

Beginning: 4
The first few minutes of the movie left me scratching my head. You can save the whole explanation of the artistic aspect of this part, I’m not buying it and I feel directors have hid over “abstract art” for far too long. If it’s not good, it’s not good, and this? It made no sense. I had no desire to watch the rest of the movie after the first ten minutes, but I kept pushing.

Characters: 10

Cinematography/Visuals: 10

Conflict: 8

Entertainment Value: 6

Memorability: 7

Pace: 4
I snapped my fingers quite a bit through the duration of this movie. I wanted so badly for things to move along, but I felt like the movie thought looking great was more important. While it is cinematically stunning (and well deserving of a perfect score in that category), the story moves at an extremely slow clip. For example, so much time was wasted with one particular landing, I wanted to poke my damn eyes out. Watching this movie was like being stuck in traffic during rush hour.

Plot: 2

Resolution: 1

Overall: 62
I recently stopped reading a book because it dragged on so badly and was so confusing, I just couldn’t enjoy it any longer. With 2001: A Space Odyssey, I’ll just say this: When the movie ends and I have to wiki your plot, it probably wasn’t a good movie. I won’t argue that it deserved recognition for pioneering a beautiful vision of space, but the rest can honestly stay in history.
  
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Andy K (10821 KP) Jan 22, 2020

Greatest science fiction film ever made!

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Phillip McSween (751 KP) Jan 23, 2020

Yeah...that's what they say.

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Logan Eccles (135 KP) rated Brightburn (2019) in Movies

Oct 1, 2020 (Updated Oct 2, 2020)  
Brightburn (2019)
Brightburn (2019)
2019 | Horror
A reimagination of Super-Man you diddnt know you needed
Contains spoilers, click to show
I am shocked by how many bad reviews this masterpiece has on here! The story, the filming, and the acting is outstanding. I love the idea of what if Super-Man was in the horror/suspenseful thriller instead of superhero/action. The comparison between the two stories is so good but it's still just different enough not to be dismissed as a bad rip off. A married couple on a farm finds a baby in a spaceship. Baby grows up and has superpowers. Now, this is where it gets different, the child develops psychopath type tendencies. Collecting pictures of organs, stalking, obsessing over guns, and excessive knowledge of animals.

This cast guys is so good and so right for this story. Elizabeth Banks and David Denman are a sweet convincing couple and bring the emotion and realities of if this happened. Elizabeths take on how a mother would respond to her child being a psychopathic killer is so raw and realistic. Throughout the movie, she reacts as if she knows but doesn't want to accept it and of course that's how a mother would react, mother knows Best but mother also protects. David Denmans take on a protective husband and suspicious father is so unique in storytelling. I mean of course he's going to let his sterile wife keep the baby from the woods but that's not his baby he don't know where that thing came from, but it makes his wife happy. Last but not least Jackson A. Dunn is bound to rise in stardom after his stellar performance.

Also, I usually don't like spoiling but watch the credits please cause it sets up a possible sequel and universe. Micheal Rooker pops up mid-credits as like a crazy youtube theorist guy. He starts going off about superpower being sightings and how they are out there killing people and terrorizing the world. It even shows a line up of potential super-powered horror villains for possible movies.
  
Day 21 (The Hundred, #2)
Day 21 (The Hundred, #2)
Kass Morgan | 2014 | Dystopia, Fiction & Poetry, Young Adult (YA)
10
8.3 (6 Ratings)
Book Rating
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>

In Kass Morgan’s bestselling <i>The 100</i> no one had set foot on Earth for centuries after a devastating war that rendered the planet uninhabitable. One hundred teenagers have been sent from the safety of a gigantic spaceship to test out whether or not it is yet safe to repopulate the Earth. <i>Day 21</i> continues on from the first book and the group is about to discover that they may not be alone.

 As with the previous book the story is shared from four different points of view: Wells, Clarke, Bellamy and Glass. It has been three weeks since the hundred crash-landed and there appears to be no sign of radiation poisoning, however some people are falling unwell with unidentifiable illnesses and others have become targets of an unseen enemy. Things take a dramatic turn after the capture of a stranger, a girl who was not from their ship. Is it possible that she is an Earthborn, and therefore how did people manage to survive the Cataclysm?

Back on ship Glass and the rest of the Colony face their own life-threatening problems. Oxygen is running out and it will not be long until there is no air left to breathe. In a mad panic the risk of radiation on Earth is forgotten as the civilians scramble to get onto the remaining drop ships. However there will not be room for everyone.

At first this book did not feel as exciting as <i>The 100</i>. The settings are no longer a new concept to the reader and the love triangle involving some of the key characters was already a little tiresome. Nonetheless once the plot begins to climax once again, it becomes really enjoyable.

Although it is not clear, the ending implies that there will be more to come in this series, which is great as there are a lot of unanswered questions about the characters’ futures. This is a must read for lovers of dystopian literature, however make sure you have read the first book before progressing on to <i>Day 21</i>!
  
Critical Beatdown by Ultramagnetic MC&#039;s
Critical Beatdown by Ultramagnetic MC's
1988 | Rhythm And Blues
(0 Ratings)
Album Favorite

"The first song I heard of theirs was called 'Funky' and the B-side of this was a song called 'Mentally Mad'. I was just listening to a mix show of theirs one night and they played all this new shit. I was like: 'Who the fuck is this?' I needed to know everything about this group from there; I knew this shit was ill. I discovered that they were from the Bronx and the more I listened, the more I realised that their beats were hard as fuck. I started reaching around and I found the 12"" single before the album came out and a few other songs. When the album eventually came out I was just mesmerised, especially with Kool Keith and his high-pitched rhymes talking about all this space-age, futuristic shit. It influenced me massively in that it was just this mad, unorthodox music and when I started making music, mine was very unorthodox as well. They were talking spaceship shit, like it was from another planet and they were 'Hardcore Bronx' fools too. The beats were banging with a big old bass and it just felt like some next level shit. It was hard as fuck, street shit set against these incredible lyrics – you just did not hear people talking like that. Kool Keith would rhyme but he'd also do this shit where nothing at all rhymed (like 'Mentally Mad') and that was very different at the time. They came just before Doctor Octagon and I never got into them or none of that as it felt watered down. Ultramagnetic MC's were just pure hood shit and they stood out because of it. Critical Beatdown was just incredible with the music and the beats they used. There's something too about having the contrast of the deep voice and the high pitched voice that's kind of like B-Real or Chuck D and Flava Flav. When one goes away, the other comes in and they switch again: when they come back, it's always more powerful too. They created a really dynamic sound."

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